Review of This Bridge Will Not Be Gray, by Dave Eggers and Tucker Nichols

this_bridge_will_not_be_gray_largeThis Bridge Will Not Be Gray

story by Dave Eggers
art by Tucker Nichols

McSweeney’s, San Francisco, 2015. 104 pages.
Starred Review

This Bridge Will Not Be Gray is a picture book about the construction of the Golden Gate Bridge. It’s a long picture book, but otherwise fits picture book format. Every spread has a cut-paper pictorial background, and no spread has more than a few paragraphs of text, if that.

This isn’t the fancy, realistic-looking cut paper of Steve Jenkins. This is simple, with basic shapes. People are shown as heads of various colors (such as blue and green and red). But the simple style does work. Dave Eggers takes us through the design process of the Golden Gate bridge, beginning with the beautiful bay itself.

It is interesting to me that the reason the Golden Gate Bridge ended up reddish-orange in the first place was that was the color they painted onto steel when it was shipped to make it rust-proof.

They hadn’t actually decided what color to paint the bridge, but plans were to paint it gray.

When Irving Morrow was on the ferry one day, he watched this orange steel being assembled, and he had a thought. He thought that this color was beautiful.

And when Irving was asked what color he thought the bridge should be, he said, Why not leave it this color? And people said, What? And they said, Huh? And they said, Irving, you are nuts. No bridge had ever been orange. Who had ever heard of an orange bridge? No one had, because no bridge had ever been this color. This is true: no bridge in known human history had ever been orange.

And for a good portion of the human race, because something has not already been, that is a good reason to fear it coming to be.

But as the debate continued about the color of the bridge, an interesting thing happened. Other people noticed the same thing Irving had noticed: that this accidental orange somehow looked right.

That gives you an idea of the conversational style of the book. The simple graphics accompany it and add up to a lovely and informative story of how one of the most beautiful bridges in the world was built.

The Golden Gate Bridge, which is orange, is the best-known and best-loved bridge in the world.

It is best-known because it is bold and courageous and unusual and even strange. It is best-loved because it is bold and courageous and unusual and even strange. And it is all these things because Irving Morrow, and thousands of others said:

“This bridge will not be gray!”

It is especially fitting that the author, the illustrator, and the publisher live and work near the Golden Gate Bridge.

mcsweeneys.net

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Princess in Black and the Perfect Princess Party

perfect_princess_party_largeThe Princess in Black
and the Perfect Princess Party

by Shannon Hale & Dean Hale
illustrated by LeUyen Pham

Candlewick Press, 2015. 90 pages.
Starred Review

The Princess in Black is back! This time it’s her birthday. Twelve princesses and their pets have come for the party, which Princess Magnolia wants to be perfect. But every time Princess Magnolia gets ready to open presents, the monster alarm goes off!

The Princess in Black must fight the monsters and send them back to Monster Land. But Princess Magnolia doesn’t want her guests to know that she is really the Princess in Black. Not even the ever-so-good-at-hiding Princess Sneezewort. Princess Magnolia keeps coming up with different activities – hide-and-go-seek, races, a labyrinth, to cover up for her absences fighting monsters.

My only disappointment? I was hoping to see Duff the Goat Boy investigate his own monster-fighting powers. But there will be more books. There is time for that.

Like the first book, this one will span a wide age range. An easy reader, it will booktalk well with the younger grades of elementary school. Boys and girls both enjoy these books. Yes, Magnolia’s a princess, but she’s also a superhero! My two two-year-old nieces will enjoy it because there are plenty of pictures. And plenty of princesses as well.

This is a wonderful series with plenty of imaginative touches. There is repetition so helpful for beginning readers and simple language, but humorous twists which reward reading. The party keeps on getting interrupted, and readers will enjoy the way things slightly change each time.

Book Three is out — I was going to post its review when I realized I hadn’t posted this one yet! All are wonderful and bring something new to the party!

squeetus.com
candlewick.com

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Source: This review is based on my own copy, purchased via Amazon.com, and then given to my niece.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Ancillary Sword, by Ann Leckie

ancillary_sword_largeAncillary Sword

by Ann Leckie

Orbit Books, 2014. 356 pages.
Starred Review

Ancillary Sword is the sequel to the astonishing Ancillary Justice. Breq, the former AI controlling a ship and multiple ancillaries, now in one isolated body, is now the captain of a ship, Mercy of Kalr, and holds a rank of Fleet Captain. Because Breq still has implants to connect her consciousness with her original ship, she can instantly receive information from Mercy of Kalr, though not as effectively as when she had more bodies.

In this volume, the events in Ancillary Justice have touched off a possible civil war between different bodies of the Lord of the Radchaai (more fun with consciousness and perception). Breq has gone to a distant planetary system, hoping to help the sister of a former captain she loved who was killed around the time Breq’s ship was destroyed.

The gates ships use to travel between planetary systems are down, so Breq is seemingly isolated once she arrives. But a military ship, Sword of Atagaris, accosts them as soon as they enter the system. Something strange is going on.

Breq goes onto the space station and sets up quarters where she is not welcome. There are political undercurrents to navigate and plots and counterplots.

This book was always interesting and absorbing, but the plot path wasn’t as clear to me throughout as I would have liked. The conflicts Breq faces are mostly local, and it’s not entirely clear how it fits in with the civil war she may have touched off.

I have a strong feeling I will like this second book better after I’ve read the third book (and this is the advantage to reading a trilogy after it’s already complete), which I’m going to do as soon as possible. Then I think I’ll understand better how it all fits together.

The author still pulls off showing her readers how it would feel to see the world through multiple perspectives all at once. And how it would feel to look at the world without seeing gender.

As a side note, there’s an interesting scene when they come to the planet and there’s a Genetalia Festival going on and garlands of brightly colored penises on the wall. Breq is told, “The Athoeki weren’t very civilized…. They mostly aren’t even now. They make a division between people with penises and people without.” Imagine that.

Again there are mysteries for Breq to solve and motivations to uncover. And we get to enjoy world-building done by a genius. I’m very curious what’s going to happen next.

annleckie.com
orbitbooks.net

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Patterns of the Universe, by Alex Bellos and Edmund Harriss

patterns_of_the_universe_largePatterns of the Universe

A Coloring Adventure in Math and Beauty

by Alex Bellos and Edmund Harriss

The Experiment, New York, 2015.
Starred Review

I was going to wait until I’d colored more patterns to review this book, but now I’ve decided that having read all the text, I can tell about how fascinating it is.

Toward the end of 2015, I started hearing about the latest fad for adult coloring books. I saw this one based on math, and knew how I wanted to try participating in the fad! I asked for it for Christmas, and two of my sisters sent me a copy. That turns out to be a good thing. I’m going to color one and copy pages out of the other. I think I will copy the pi-related coloring page to give as a prize for our scavenger hunt on Super Pi Day (3/14/16). I’m also thinking about having a math coloring program at the library and using various pages, along with my own coloring sheets. (I figure copying a few pages will tantalize people into buying the book!)

The idea is wonderful: Mathematical patterns to color! There are 57 designs to simply color, and then my favorites are 12 more designs that you help create.

Some of the designs are based on Voronoi diagrams, transformations, fractals, tilings, knots, polyhedra, Fibonacci numbers, and, yes, prime numbers.

The one pattern I have already finished coloring is the Sevenn — a Venn diagram of seven sets. And coloring it made me glad I have another book from which I can make copies and try it again.

Sevenn

The later, more interesting (to me) patterns come under the section heading “Creating,” as opposed to simply “Coloring.”

This is where they have more patterns involving prime numbers and randomness, as well as cellular automata, Latin squares, and space-filling curves.

Here are the instructions for the pi-related coloring page:

PI WALK

The digits from 0 to 9 represent the directions in the key at right. Choose a color for each of them. Starting at the dot, draw a short line (about half an inch) for each of the digits in pi (given above) in the direction of that digit. So, start with the 3 color in the 3 direction, then continue from that point with a new line in the 1 direction in the 1 color, and so on.

When I looked at this section, it occurred to me that my mathematical knitting projects are an example of mathematical coloring — with yarn!

They did have a way of coloring prime numbers. Personally, I think my own way is more interesting, assigning primes a color and then coloring each multiple according to its prime factorization, whether in a grid as in my original sweater or the prime factorization blankets, or in a line in the prime factorization scarf or the prime factorization cardigan. However, the cool thing is there are quite a lot of new ideas that could be translated to knitting — and this book got my brain spinning in new ways.

It also made me realize that I could make my own coloring sheets. My knitting is coloring with yarn, and why not make these patterns available for people to try with their own colors? This book was the nudge that got me to pull out the diagrams and post them on my Sonderknitting page. I’m not an artist, so they are simply made with tables, but I think the prime factorization chart is especially helpful for learning about primes. And the prime factorization charts in other bases are helpful for understanding other bases. The Pascal’s Triangle charts show you pretty patterns from Pascal’s Triangle, and the normal distribution chart gives you a gut-level feeling for the normal distribution that’s different from what you think when you see a bell-shaped curve.

I’m looking forward to what new ideas will spark as I color the rest of the patterns in this book! And I’m also looking forward to seeing how pretty these patterns will turn out and what new insights I’ll get. It’s a win all the way around.

alexbellos.com
maxwelldemon.com

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Source: This review is based on my own copy.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Romancing the Dark in the City of Light, by Ann Jacobus

romancing_the_dark_in_the_city_of_light_largeRomancing the Dark in the City of Light

by Ann Jacobus

Thomas Dunne Books (St. Martin’s Griffin), New York, 2015. 276 pages.
Starred Review

When I saw author Ann Jacobus at the YALSA Symposium, I knew I’d met her at a small conference, where she’d been an organizer. I assumed it was one of the many KidLitCons I’ve been to, but when I had her sign her book and mentioned KidLitCon, she said No.

As soon as I turned away, I remembered, and went right back to her table. I should have known – when, after all, the reason I decided to get a copy of the book was that the Eiffel Tower is on the cover and it’s set in Paris – I met Ann Jacobus at an SCBWI (Society of Children’s Book Writers and Illustrators) conference in Paris almost exactly ten years before I saw her in Portland, and she was indeed one of the organizers.

Ann Jacobus did set the book in Paris because of having lived there. (Paris tends to capture people’s hearts.)

Now, I’m not the best reader for a dark book – I don’t tend to enjoy them. This book is dark, and it took me awhile to get it read because of that.

But the book is well-written, and the concept is intriguing. Summer is in Paris staying with her Mom, trying to repeat and finish her senior year of high school, because she keeps getting kicked out of schools in America. She has to finish high school and graduate from college before she turns twenty-two in order to inherit her grandfather’s wealth.

There’s a lot of pressure on her, and Summer doesn’t like it. She thinks a lot about death. She researches burial customs of different cultures on the internet. Her father died years ago. Summer carries his flask with her, filled with vodka to help her get through.

Summer would like to have a romance in Paris, and she meets two people who might fulfill that desire. One is a student at her school, Moony (Munir), who walks with a limp because of a bad car accident when he was younger. Moony is uncommonly kind – and he doesn’t deserve to have Summer’s mess in his life.

Kurt is a handsome man Summer meets at a Paris metro station, just after a woman throws herself onto the tracks in front of a train. Kurt keeps showing up. He seems to know Summer’s thoughts. There’s a smell of decay about him.

I said this book is dark. That darkness, in Summer’s life, is personified in Kurt. Yes, there are some paranormal elements going on. They are done with excellent touches, making me want to reread it now I know all that’s going on – but I don’t want to give it away for other readers. Let’s just say that we watch more and more things in Summer’s life fall apart.

The novel doesn’t end badly, though – and that’s because of Moony. And Ann Jacobus shows us Moony’s character, persistence, and kindness in a way that we believe the ending.

But Moony isn’t perfect. We also see hints that he’s not helping Summer because he doesn’t know anything about despair or problems. And that works into the ending as well.

There’s more I’d like to say, but it gives too much away. (Feel free to talk about the ending in the comments if you’ve read the book!) This is a well-written book about a suicidal teen, set in Paris. (The title is perfect!) There are Suicide Prevention Resources at the back of the book, and it actually ends up a hopeful tale.

annjacobus.com
thomasdunnebooks.com
stmartins.com

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Source: This review is based on my own signed copy, which I got at the 2015 YALSA Symposium in Portland, Oregon.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Roller Girl, by Victoria Jamieson

roller_girl_largeRoller Girl

by Victoria Jamieson

Dial Books for Young Readers, 2015. 240 pages.
Starred Review
2016 Newbery Honor
2015 Cybils Award Winner, Elementary/Middle Grade Graphic Novels

I don’t get around to reading a lot of graphic novels, so I only got to this one after it got Newbery and Cybils attention, and I’m so glad I did.

This graphic novel reminds me of the wildly popular Smile by Raina Telgemeier — It’s got a similar artistic style and is also about a girl in middle school navigating friendships.

Roller Girl, unlike Smile, is fiction, but it’s got the feel of memoir, with a picture of the author on the back flap in her roller derby gear. It certainly could happen.

Besides being in so-accessible graphic novel form, Roller Girl tells how Astrid gets involved in roller derby, a sport I certainly didn’t know anything about.

Astrid’s best friend Nicole, though, isn’t interested. She wants to go to dance camp this summer, when Astrid signs up for roller camp. And Nicole has a new friend, who is as excited about ballet as she is, but who has no use for Astrid.

At roller camp, Astrid is a total beginner and feels like the only one who doesn’t know this stuff. She works hard, but keeps falling. And working hard at roller derby is painful!

Then Astrid feels like she blows it even with the new friend she’s made at roller camp. Is she just no good at being a friend?

This graphic novel is delightful. Astrid’s spirit — lots of falling, and yes, some grumbling, but she gets right back up — will win the reader over quickly. Mind you, she doesn’t make me want to be a roller girl, but she has me totally on her side, cheering for her.

Roller derby — and putting on a “warface” — is also an interesting way to work out anger with a friend. I’m not sure if it’s a healthy way, but it’s definitely entertaining! Though, mind you, Astrid does a good job in the book of facing interpersonal problems (with some stumbles along the way).

I have a feeling once a few kids find this book, word is going to spread like wildfire.

victoriajamieson.com
penguin.com/youngreaders

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Rising Strong, by Brené Brown

rising_strong_largeRising Strong

The Reckoning. The Rumble. The Revolution

by Brené Brown

Spiegel & Grau, New York, 2015. 301 pages.
Starred Review

I have perfectionistic tendencies, so the first book of Brené Brown’s that I read, The Gifts of Imperfection, hit the spot for me. It was a 2011 Sonderbooks Stand-out. Then came Daring Greatly, a 2014 Sonderbooks Stand-out. Daring Greatly talks about vulnerability and wholeheartedness.

Now she’s written Rising Strong, about getting up when you fall down — which is going to happen if you are Daring Greatly.

In the Introduction, she says:

While vulnerability is the birthplace of many of the fulfilling experiences we long for — love, belonging, joy, creativity, and trust, to name a few — the process of regaining our emotional footing in the midst of struggle is where our courage is tested and our values are forged. Rising strong after a fall is how we cultivate wholeheartedness in our lives; it’s the process that teaches us the most about who we are.

She says that if we’re carrying out the call of her other books, we’re going to need this one.

If we’re going to put ourselves out there and love with our whole hearts, we’re going to experience heartbreak. If we’re going to try new, innovative things, we’re going to fail. If we’re going to risk caring and engaging, we’re going to experience disappointment. It doesn’t matter if our hurt is caused by a painful breakup or we’re struggling with something smaller, like an offhand comment by a colleague or an argument with an in-law. If we can learn how to feel our way through these experiences and own our stories of struggle, we can write our own brave endings. When we own our stories, we avoid being trapped as characters in stories someone else is telling.

Basically, this book gives us a procedure for getting back on our feet when we fall on our face in the arena. That’s where the subtitle comes in.

Here’s a summary of the Rising Strong process:

The goal of the process is to rise from our falls, overcome our mistakes, and face hurt in a way that brings more wisdom and wholeheartedness into our lives.

The Reckoning: Walking into Our Story
Recognize emotion, and get curious about our feelings and how they connect with the way we think and behave.

The Rumble: Owning Our Story
Get honest about the stories we’re making up about our struggle, then challenge these confabulations and assumptions to determine what’s truth, what’s self-protection, and what needs to change if we want to live more wholehearted lives.

The Revolution
Write a new ending to our story based on the key learnings from our rumble and use this new, braver story to change how we engage with the world and to ultimately transform the way we live, love, parent, and lead.

The book fleshes out these ideas with lots of examples, explaining what this looks like.

It was interesting to me that while I was in the middle of reading this book, something came up that reminded me of a hurt at the end of my marriage. It popped up seemingly out of nowhere. But armed by this book, I looked at the stories I was telling myself about that incident, and was able to examine what was true and what wasn’t true. I was able to do some forgiveness work and tell myself a better story.

The whole idea of saying, “The story I’m telling myself is…” can be eye-opening, and gives us more power over our feelings and the ability to revolutionize our lives and relationships.

You can tell I love Brené Brown’s writings, because once again, lots of quotes from this book show up in Sonderquotes. I bought myself a copy so I can look through it again.

I highly recommend all of her books. If you ever face difficulty? Grab this one. It will help you rise strongly, ready to dare greatly again.

BreneBrown.com
randomhousebooks.com
spiegelandgrau.com

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Review of Ancillary Justice, by Ann Leckie

ancillary_justice_largeAncillary Justice

by Ann Leckie

Orbit Books, New York, 2013. 422 pages.
Starred Review
2014 Nebula Award Winner
2014 Arthur C. Clarke Award Winner
2014 British Science Fiction Association Award Winner
2014 Hugo Award Shortlist

My son gave me Ancillary Justice for Christmas because it was the best book he read in 2015. I read it on my trip to ALA Annual Conference in Boston, and it was amazing.

The book begins like a classic mystery:

The body lay naked and facedown, a deathly gray, spatters of blood staining the snow around it. It was minus fifteen degrees Celsius and a storm had passed just hours before. The snow stretched smooth in the wan sunrise, only a few tracks leading into a nearby ice-block building. A tavern. Or what passed for a tavern in this town.

There was something itchingly familiar about that out-thrown arm, the line from shoulder down to hip. But it was hardly possible I knew this person. I didn’t know anyone here. This was the icy back end of a cold and isolated planet, as far from Radchaai ideas of civilization as it was possible to be. I was only here, on this planet, in this town, because I had urgent business of my own. Bodies in the street were none of my concern.

Sometimes I don’t know why I do the things I do. Even after all this time it’s still a new thing for me not to know, not to have orders to follow from one moment to the next. So I can’t explain to you why I stopped and with one foot lifted the naked shoulder so I could see the person’s face.

Frozen, bruised, and bloody as she was, I knew her. Her name was Seivarden Vendaai, and a long time ago she had been one of my officers, a young lieutenant, eventually promoted to her own command, another ship. I had thought her a thousand years dead, but she was, undeniably, here. I crouched down and felt for a pulse, for the faintest stir of breath.

Still alive.

Seivarden Vendaai was no concern of mine anymore, wasn’t my responsibility. And she had never been one of my favorite officers. I had obeyed her orders, of course, and she had never abused any ancillaries, never harmed any of my segments (as the occasional officer did). I had no reason to think badly of her. On the contrary, her manners were those of an educated, well-bred person of good family. Not toward me, of course — I wasn’t a person, I was a piece of equipment, a part of the ship. But I had never particularly cared for her.

Reading the beginning over, it’s clear I need to read the whole book over, the better to appreciate certain details which were there all along. The world-building in this book is incredible, though now that I understand all of it, I think I’d appreciate the book even more.

The person talking was once a ship, or at least the AI controlling a ship. She had many bodies, ancillaries, taken from captured peoples and connected up to the AI. In her memories, she saw events from many different perspectives.

But something terrible happened, the ship was destroyed, and Breq’s current body is the only body left. She is now on a mission for vengeance — vengeance against one who also has multiple bodies.

We find out all this along the way. Meanwhile, Breq cares for and rehabilitates Seivarden, who was her officer more than a thousand years ago, and has some catching up to do.

This book is mind-blowing with the situations and ways of looking at the world.

Another thing I liked was the things the author does with gender. On this icy planet where the book opens, Breq is trying to figure out how to address someone.

She was probably male, to judge from the angular mazelike patterns quilting her shirt. I wasn’t entirely certain. It wouldn’t have mattered, if I had been in Radch space. Radchaai don’t care much about gender, and the language they speak — my own first language — doesn’t mark gender in any way. This language we were speaking now did, and I could make trouble for myself if I used the wrong forms. It didn’t help that cues meant to distinguish gender changed from place to place, sometimes radically, and rarely made much sense to me.

With the Radch language not marking gender, the author, seeing through Breq’s eyes, uses “she” as the default. For everyone. This is a refreshing change. I thought it was interesting that I didn’t necessarily adjust well to this, thinking of everyone as female. When I later found myself wondering which sex organs different people had — when it didn’t matter in the slightest — it dawned on me how much I see the world through gender lenses. It was interesting to look at the world a different way through the eyes of someone who was once a ship.

And besides doing amazing things with perception, this book tells a compelling story. We’ve got the whole history of how most of Breq was destroyed and what she is trying to do now. And how almost-dead Seivarden fits into that.

This is a fascinating and absorbing book. If you like science fiction at all, and if you like having your perceptions and assumptions stretched, give this one a try.

annleckie.com
www.orbitbooks.net

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Source: This review is based on my own copy, given to me by my son.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Pax, by Sara Pennypacker

pax_largePax

by Sara Pennypacker
illustrated by Jon Klassen

Balzer + Bray, 2016. 280 pages.
Starred Review

At ALA Midwinter Meeting, this Advance Reader’s Edition came in a special gift box, which opens up to a diorama.

When you open the first lid of the box, you see a blurb from librarian and blogger Betsy Bird, and next, one from librarian John Schumacher, and only after that from Newbery author Katherine Applegate. It made me happy to see bloggers featured so prominently (and there are more people I know blurbing the book on the back cover).

Then I read the book itself — and what they say is true. I was pulled in to this book, and finished it by the next day. Even though I have this ARC, I’ve already pre-ordered my own published copy — this edition didn’t have very much of the art by Jon Klassen, which I know will be wonderful, and whose stark artwork is exactly suited to this material.

The book alternates viewpoints between Pax, a fox, and Peter, his boy.

Peter has been raising Pax since he found the orphaned fox kit, not long after Peter’s mother had died. But now, five years later, Peter’s father has enlisted to fight in the war, and he says it’s time for Peter to return Pax to the wild. And Peter is going to have to live with his grandfather three hundred miles away.

The book opens as Peter leaves Pax in the woods. Pax doesn’t understand.

The boy’s anxiety surprised the fox. The few times they had traveled in the car before, the boy had been calm or even excited. The fox nudged his muzzle into the glove’s webbing, although he hated the leather smell. His boy always laughed when he did this. He would close the glove around his pet’s head, play-wrestling, and in this way the fox would distract him.

But today the boy lifted his pet and buried his face in the fox’s white ruff, pressing hard.

It was then that the fox realized his boy was crying. He twisted around to study his face to be sure. Yes, crying — although without a sound, something the fox had never known him to do. The boy hadn’t shed tears for a very long time, but the fox remembered: always before he had cried out, as if to demand that attention be paid to the curious occurrence of salty water streaming from his eyes.

The fox licked at the tears and then grew more confused. There was no scent of blood. He squirmed out of the boy’s arms to inspect his human more carefully, alarmed that he could have failed to notice an injury, although his sense of smell was never wrong. No, no blood; not even the under-skin pooling of a bruise or the marrow leak of a cracked bone, which had happened once.

It doesn’t take Peter long at his grandfather’s house for him to know that he is in the wrong place. He needs to go back and find Pax and take him home. He knows that Pax will wait for him.

But it’s not simple for a boy to travel three hundred miles. The book follows Peter and Pax in alternating chapters as they try to find one another.

The war is coming to the place where Pax was left. The house where they lived is in an evacuation zone. The soldiers are wiring traps at the river, without regard for animals. So besides Pax having to learn to live in the wild, he is affected by what the humans are doing. The other foxes don’t trust him because he smells like humans.

Peter also meets someone on his journey who’s been deeply affected by war. Circumstances force him to slow down and learn some lessons while he’s waiting to travel on, even though he so urgently wants to get to Pax.

This story is an intricate, well-orchestrated look inside the characters, both human and animal. The title is appropriate, because it’s also a look at war and peace.

After I finished the book and was mulling it over (This is a book that you will mull over.), I wondered where it was set. Certain clues — Peter’s love for baseball and the woman he meets having Creole heritage — would indicate this is the United States. But the animals knew about war and had seen war in their lifetimes.

An old fox (who has seen war) explains:

There is a disease that strikes foxes sometimes. It causes them to abandon their ways, to attack strangers. War is a human sickness like this.

Anyway, I was wondering how this could be America, since this doesn’t happen here. Then I noticed the sentence on a page at the very front of the book:

Just because it isn’t happening here
doesn’t mean it isn’t happening.

I’m looking forward to reading this again with Jon Klassen’s illustrations. Publication date is today! Yes, this, the first new book I read in 2016 is already what I hope wins the Newbery in 2017. We’ll see….

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Source: This review is based on an Advance Reader’s Copy I got at ALA Midwinter Meeting.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Mango, Abuela, and Me, by Meg Medina and Angela Dominguez

mango_abuela_and_me_largeMango, Abuela, and Me

by Meg Medina
illustrated by Angela Dominguez

Candlewick Press, 2015. 32 pages.
Starred Review
2015 Cybils Fiction Picture Books Finalist
2016 Pura Belpré Author Honor Book
2016 Pura Belpre Illustrator Honor Book

Mia’s grandmother, her Abuela, has come to live with her family. But Abuela doesn’t speak English and Mia doesn’t speak Spanish. But little by little, they learn to communicate, and some of the help comes from a parrot named Mango, who learns both languages as well.

This is simply a lovely cross-cultural story. It does address that it’s difficult to learn a new language, and takes lots of practice, but all the motivation in this story is love.

The first night, before Abuela goes to sleep, she shows Mia a red feather from a parrot that nested in her mango trees back in her old home. This is the episode that gives Mia the idea to purchase the parrot in the pet store for Abuela and name him Mango.

Spanish words are peppered throughout the story. It’s just a nice twist on the stranger-in-a-new-country story. This time it’s not the girl herself, but her Abuela who clearly loves her and learns to tell her stories about her Abuelo, and also learns to hear all the stories Mia has to tell.

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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