Review of “Shouldn’t You Be in School?” by Lemony Snicket

shouldnt_you_be_in_school_large“Shouldn’t You Be in School?”

All the Wrong Questions, Book 3

by Lemony Snicket

art by Seth

Little, Brown and Company, New York, 2014. 325 pages.
Starred Review

I wish I could have listened to this book, like I did the first two “Wrong Questions.” The narrator reads them with the perfect crime noir voice. However, reading the book has the advantage that I could enjoy the illustrations and that now I can quote bits.

This book is wonderfully clever. The plotting is complex, and you definitely should read the first two books first. In fact, I may have missed some crucial information by not yet reading File Under: 13 Suspicious Incidents. Though this book says it is number 3, so I probably was just forgetting some details, because it had been awhile since I listened to the first two books.

“Shouldn’t You Be in School?” is a question that 13-year-old Lemony Snicket gets asked several times in this book, as he continues to investigate suspicious incidents in the town of Stain’d-by-the-Sea. Right from the beginning, there are instances of arson and evidence of a further plot by Hangfire. And several people in the town seem to be aiding Hangfire. Whom can young Snicket trust?

The author’s tone is delightful. I love the way he defines words and then they come up over and over again. In this book, the term “fragmentary plot” comes up over and over again, as he assembles a team of schoolchildren to help him, and each one has a part in the plan.

All the books begin similarly, and this is where I imagine Liam Aiken’s voice reading to me:

There was a town, and there was a librarian, and there was a fire. While I was in town I was hired to investigate this fire, and I thought the librarian could help me bring a villain to justice. I was almost thirteen and I was wrong. I was wrong about all of it. I should have asked the question “Why would someone destroy one building when they really wanted to destroy another?” Instead, I asked the wrong questions — four wrong questions, more or less. This is the account of the third.

We learn more bits about Lemony Snicket’s background in this book, and he works on thwarting one part of Hangfire’s plot. He gains some excellent allies in this episode. But overall enlightenment about what’s going on? I’ll be waiting eagerly for the fourth book.

This day was no different. It was like all the other days during my time in Stain’d-by-the-Sea, where every person had a secret, and beneath all the secrets was a great, slippery mystery, like a creature lurking in the depths of the sea.

LemonySnicketLibrary.com
lb-kids.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Empire Striketh Back, by Ian Doescher

empire_striketh_back_largeWilliam Shakespeare’s

The Empire Striketh Back

by Ian Doescher

Quirk Books, Philadelphia, 2014. 172 pages.
Starred Review

‘Tis here! The sequel to Verily, a New Hope. Here we have the second volume, Part the Fifth, in the Star Wars saga, as Shakespeare himself would surely have written it.

This one includes Yoda, who already sounded Shakespearean, now speaking in haiku.

Nay, nay! Try thou not.
But do thou or do thou not,
For there is no “try.”

And we’ve got Han and Leia’s love story:

HAN:
A cloth of fiction thou dost weave, yet I
Have found the fatal error in thy stitch:
For I believe thou wouldst not let a man
So beautiful as I depart from thee.

LEIA:
The only stitch I know is in my side,
From laughing at thy pride most heartily.
Thou mayst attempt to needle at my heart,
But I am sewn of stronger thread than this.
To say I would not let thee go – pish, pish!
I know not whence thy great delusions come,
Thou laser brain.

I especially like the Ugnaughts on Lando’s planet of Bespin. The Dramatis Personae list calls them “merry dwarves of Bespin,” and they go about their work singing:

Enter UGNAUGHTS 1, 2, and 3, singing.
UGN. 3 The time is ripe!
UGN. 1 His time is nigh!
UGN. 2 And soon he will be frozen!
UGN. 1 We’ve never done –
UGN. 2 This on a man –
UGN. 3 But someone’s now been chosen!
UGN. 2 A merry prank!
UGN. 3 O shall it work?
UGN. 1 Or will the man be dying?
UGN. 3 What’er befall –
UGN. 1 One thing is sure –
UGN. 2 The pleasure’s in the trying!
[Exeunt Ugnaughts.

That Ian Doescher has put a lot of thought into making these authentic is expressed in his Afterword. He explains his choice of haiku for Yoda, as well as other choices like having Boba Fett speak in prose rather than iambic pentameter.

These books are far too much fun. I’d be willing to bet that no one’s ever read one of the volumes all the way through without bursting out and reading sections aloud.

IanDoescher.com
Quirkbooks.com/empirestrikethback/

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Think Like a Freak, by Steven D. Levitt & Stephen J. Dubner

think_like_a_freak_largeThink Like a Freak

The Authors of Freakonomics Offer to Retrain Your Brain

by Steven D. Levitt & Stephen J. Dubner
read by Stephen J. Dubner

HarperCollins, 2014. 5 ½ hours on 5 compact discs.
Starred Review

I reviewed Freakonomics back in 2005. It presented a different way of looking at problems than common “wisdom” suggests. In this book, Think Like a Freak, the authors not only show you problems they have solved, but they offer tips and suggestions for how you can solve problems the Freakonomics way.

As well as giving problem-solving tips, they also give you advice on persuading people who don’t want to be persuaded. One piece of advice is to tell stories. And this book abounds with stories and examples for every principle given. Even if you don’t take their advice, you’ll find the stories entertaining. But I’m guessing that you will also find them persuasive.

For example, to go with the tip of having gardens weed themselves, we’re told why Nigerian scammers are actually smart to mention Nigeria. It weeds out all but the very most gullible people.

In light of the principle that we should get rid of the idea that quitting is always bad, the authors tell about a huge experiment they ran, offering to make people’s decisions for them with a coin flip.

Those are just a few of the entertaining and informative examples, which are presented in an engaging way and may get you looking at the world differently. Unlike many authors, this one’s voice is as mellifluous as an actor’s. I found myself looking forward to my commute to hear more of what he had to say.

freakonomics.com
harperaudio.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Unthinkable, by Nancy Werlin

unthinkable_largeUnthinkable

by Nancy Werlin

Dial Books, 2013. 392 pages.
Starred Review

After I read Impossible, by Nancy Werlin, on the way to vacation in Oregon, I made sure I went to Powell’s books to find copies of Extraordinary and Unthinkable to read as well. So together they gave my vacation a memory of some Extraordinary reading time!

Unthinkable is billed as a “Companion” to Impossible. And though technically you can read it without having read the others, it pulls together some threads from both Impossible and Extraordinary, so I’m happy with my choice to read them in order.

In Impossible, we learned about the family curse on Lucy Scarborough and all of her female line right back to her ancestor, Fenella Scarborough, who rejected an Elfin Knight and then was cursed. Fenella also has been unable to die for all those centuries, having to watch each of her daughters and granddaughters be tormented in turn.

When Lucy broke the family curse, she didn’t break the enchantment placed on Fenella. Now, Fenella just wants to be allowed to die.

Fenella goes to the faerie queen, begging to be allowed to die. But it’s not so simple. There’s a spell upon her, cast by Padraig, the one who cursed her family. The queen figures out that to break the spell, Fenella needs to complete three tasks of deliberate destruction in the mortal realm. She warns Fenella that this will involve terrible choices, but Fenella doesn’t care. She commits herself to the tasks.

And then Fenella learns that if she completes the tasks, not only will she again be mortal, but Padraig will die. If she fails? She will once again be Padraig’s slave.

And there’s more. The queen sends her brother Ryland along in the form of a cat to help Fenella, and then reveals more about the quest:

The queen nodded. “I am glad you mention your daughters. You will go to the two that survive, Lucy and her mother, Miranda. Tell them you have been freed and are coming to them for help to restart your life.”

“No,” Fenella was firm. “I will do this destruction my own way. I will keep Lucy and her family entirely out of it.”

The queen continued as if Fenella had not spoken. “They will want to love you and take care of you. They will not be suspicious.”

“I don’t wish to go to them,” Fenella repeated. “I would rather simply begin on the first task of destruction. Tell me. What must I destroy first?”

The cat butted his soft head against Fenella’s ankles. He did not make a sound, but Fenella heard his mocking voice in her head.

“No,” she said sharply. “No, you’re wrong.” She looked at the queen. “Isn’t he wrong?”

“He directed his thoughts to you, not to me. What did he say?”

“He told me –“ Fenella broke off. “He said that my family must be the target of each act of destruction. He said it would not be human destruction if there was no pain for me. For people I care about.” Her eyes were hot flame. “Tell me it’s not true,” she demanded.

The queen said, “Your first task is the destruction of your family’s safety.”

“No,” said Fenella.

“Yes,” said the queen, steadily. “You have agreed. You must go forward toward the death you desire, sowing destruction about you, or you will belong again to the Mud Creature.”

Fenella does join her living family. And she does come to love them. There is even a man she feels connected to. If she commits these acts of destruction, surely they will hate her. But if she doesn’t, starting the family’s curse again is truly unthinkable.

I won’t give any details, but I was surprised by what a beautiful ending Nancy Werlin pulled off out of this terrible situation.

As with the other books, the author did a marvelous job with the characters and relationships in this book. These people love one another, but they are caught up in an extraordinary and difficult situation. There’s even a hint of ways Fenella can work with the faerie realm in the future – I hope this means more books to come.

nancywerlin.com
www.penguin.com/teen

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Source: This review is based on a copy I purchased at Powell’s Books in Portland, Oregon.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Noisy Paint Box, by Barb Rosenstock and Mary Grandpré

noisy_paint_box_largeThe Noisy Paint Box

The Colors and Sounds of Kandinsky’s Abstract Art

by Barb Rosenstock
illustrated by Mary Grandpré

Alfred A. Knopf, New York, 2014. 36 pages.
Starred Review

I love picture book biographies about artists where the illustrator communicates the feeling of the artist’s life and work. Mary Grandpré achieves this in The Noisy Paint Box, managing to do what Vasily Kandinsky was trying to do, and paint feelings.

The words ring. A note at the back explains, “This book is historical fiction. The dialogue is imagined, although the events are true.” As long as Barb Rosenstock was inventing dialogue, she used words that make an impact.

“Look what I made!” shouted Vasya.
“Is it a house?” asked Auntie.
“Is it a flower?” asked Mama.
“What’s it supposed to be?” asked Papa.
“It’s music!” said Vasya, waltzing his painting around the house.

“Calm down!” said Mama.
“Do some math!” said Papa.
“Heavens!” said Auntie. “This boy needs a proper art class.”

Later, when the adult Kadinsky creates abstract art, we see our first reproduction of one of his paintings with text that echoes his family in childhood.

It took a long time for people to understand.

“Is it a house?” “Is it a flower?” “What’s it supposed to be?”

“It’s my art,” Vasya answered. “How does it make you feel?”

In the note at the back, the author also explains that Kandinsky probably had synesthesia, since he described experiencing colors as sounds and sounds as colors throughout his life. Combined with the art of Mary Grandpré, even child readers will get a sense of what that means.

BarbRosenstock.com
MaryGrandPre.com
randomhouse.com/kids

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Storied Life of A. J. Fikry, by Gabrielle Zevin

storied_life_of_aj_fikry_largeThe Storied Life of A. J. Fikry

by Gabrielle Zevin

read by Scott Brick

HighBridge, 2014. 7 hours on 6 compact discs.
Starred Review

After listening to the first CD of this audiobook, I was strongly tempted to quit. Put the whole book away. The book doesn’t even begin with A. J. Fikry. It begins with a woman who’s a publisher representative. She takes the difficult journey to Alice Island in Massachusetts to meet with the owner of Island Books. He hasn’t read his email and isn’t expecting her. In fact, he hadn’t realized that her predecessor is dead.

He is curmudgeonly and terribly rude to her. After she leaves, we see him get out the rare book that he’s counting on to pay for retiring from the bookselling business. He drinks until he passes out and imagines his recently-killed wife helping him to bed.

In the morning, his rare book, the one worth a fortune, is gone. The same policeman helps him who investigated his wife’s car accident.

Depressing story, right? I wasn’t crazy about the reader, either. It wasn’t terribly easy to tell who was talking by the voice.

But I continued into the second disc… and someone left a baby in the bookstore.

The baby changes A. J.’s life. In good ways. And this book about A. J.’s life ends up being delightful.

There are some dramatic plot twists thrown in. Perhaps the story isn’t entirely likely. But it has plenty of heart.

We see A. J.’s daughter grow to be a teenager, with the story focusing in on different crucial times in their shared lives. She’s a girl who loves books and reading. They are my kind of people.

By the end of the book, we’ve got a tribute to independent bookstores, and how they give a community its heart.

highbridgeaudio.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Winter Is Coming, by Tony Johnston, illustrated by Jim LaMarche

winter_is_coming_largeWinter is Coming

by Tony Johnston
illustrated by Jim LaMarche

A Paula Wiseman Book (Simon & Schuster Books for Young Readers), New York, 2014. 32 pages.
Starred Review

I usually don’t fall for quiet, meditative picture books. They need some zing to keep kids from squirming in Storytime. And surely Autumn has been done to death?

However, this book is so completely gorgeous, it won my heart. The text is gentle and lovely, and the story in pictures of a girl watching the natural world, observing and sketching, snuck its way into my heart.

The girl has a platform set up in a moss-covered old tree. She has binoculars and a sketch book. The book starts in early Autumn. The girl comes and sees wildlife come to the clearing, first a fox sniffing the last apple on their apple tree. Each new scene ends with the words “Winter is coming.”

Over the months that follow, she sees a bear and her cub, a family of skunks, a pair of woodpeckers, a group of rabbits, a lynx, chipmunks, deer, geese flying south, and finally a flock of wild turkeys. With each new day, the girl observes the animals and how they are getting ready for winter. Finally:

It’s late November now.
Gray as honkers, clouds crowd low.
The red fox returns,
prowling, prying, poking.
But the apples are gone.
The day goes still.
The red fox is quiet, quiet.
I am quiet, quiet. Then –
the clouds dust us with
snow.
Soon snow lies everywhere.

Winter is here.

Besides being beautiful to look at, the pictures, even though they are all from the same basic setting, are presented from a wide variety of angles and perspectives. Paired with the poetic language and insights about nature, this book won my heart.

We can learn from animals, my father says.
About patience. About truth. About quiet.
About taking only what you need
from the land because
we are just its keepers.

KIDS.SimonandSchuster.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Whispering Skull, by Jonathan Stroud

whispering_skull_largeThe Whispering Skull

Lockwood & Co., Book 2

by Jonathan Stroud

Disney Hyperion, Los Angeles, 2014. 435 pages.
Starred Review

I was so looking forward to this sequel to The Screaming Staircase, I preordered the book as soon as I heard its publication date. And I was not disappointed.

Jonathan Stroud is a genius for plotting. This book again intertwines many plot threads. We’re back with the 3-person (3-child) agency Lockwood & Co., in an alternate reality England where ghosts plague the populace. Lucy continues to narrate, and in this book she continues to hear from the skull-in-a-jar that George stole when he was working for the Fittes agency.

It is highly unusual for someone to be able to talk with a ghost. This is a Type Three ghost, and only one other Sensitive was ever able to do it. So this could bring Lucy and their agency fame and fortune. But is it worth it? The skull gives them information that almost gets them killed, and it sows doubts in Lucy’s mind about Lockwood and that door he asked them never to open.

Then there are, of course, the cases. The ones in this book are even more gruesome and frightening than the ones in the earlier book. Kids with an especially vivid imagination might want to stay away. Kids who like scary books, however, will be delighted. Mention that a ghost starts falling apart and forming ghost-rats that attack them. If they think they like the sound of reading about that, this is the book for them!

There’s also a rivalry with another agency – and a bet as to which one can solve the case first. There’s the usual fun banter between Lockwood and Lucy and George. (And George shines in this volume, I must say.)

But the meat of the book is the mystery. Who stole the Bone Glass, and what does it do? And can they get it back, yet stay alive?

This is yet another example of Jonathan Stroud’s superb writing. Even though I had my own copy, I checked out the library’s copy so I could read it on my lunch breaks. This is absorbing, clever, innovative, and completely delightful reading.

To give you the flavor, here’s a bit from a scene right at the start, where Lockwood & Co. get in a little over their heads:

“It’s getting close to the barrier,” I said.

“So’s mine.”

“It’s really horrible.”

“Well, mine’s lost both hands. Beat that.”

Lockwood sounded relaxed, but that was nothing new. Lockwood always sounds relaxed. Or almost always: that time we opened Mrs. Barrett’s tomb – he was definitely flustered then, though that was mainly due to the claw marks on his nice new coat. I stole a quick sidelong glance at him now. He was standing with his sword held ready: tall, slim, as nonchalant as ever, watching the slow approach of the second Visitor. The lantern light played on his thin, pale face, catching the elegant outline of his nose, and his flop of ruffled hair. He wore that slight half-smile he reserved for dangerous situations: the kind of smile that suggests complete command. His coat flapped slightly in the night breeze. As usual, just looking at him gave me confidence. I gripped my sword tightly and turned back to watch my ghost.

And found it right there beside the chains. Soundless, swift as thinking, it had darted in as soon as I’d looked away.

I swung the rapier up.

The mouth gaped, the sockets flared with greenish fire. With terrible speed, it flung itself forward. I screamed, jumped back. The ghost collided with the barrier a few inches from my face. A bang, a splash of ectoplasm. Burning flecks rained down on the muddy grass outside the circle. Now the pale figure was ten feet farther off, quivering and steaming.

There you have it: Plenty of adventure, danger from entities living and dead, swordplay, ghosts, mysteries and murders. This will appeal to many for its clever plotting, but is not for the faint of heart.

LockwoodandCo.com
jonathanstroud.com
DisneyBooks.com

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Source: This review is based on my own copy, preordered from Amazon.com.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Two Speckled Eggs, by Jennifer K. Mann

two_speckled_eggs_largeTwo Speckled Eggs

by Jennifer K. Mann

Candlewick Press, 2014. 32 pages.
Starred Review

Ginger’s birthday party is coming up, and she wants to invite everyone in the class except Lyla Browning. Lyla Browning is weird. She even brought a tarantula in a pickle jar for Show-and-Tell. But Ginger’s mother says it’s all the girls or none of the girls, so Lyla gets an invitation, too.

At the birthday party, we see, in subtle ways, Lyla behaving more nicely than any of the other girls. And she brings Ginger a present she made herself – a tiny bird’s nest with two speckled, malted-milk eggs.

And so we see the blossoming of a friendship, one which we can see will continue at school.

This book is lovely in the way it shows that sometimes weird can also be quirky; unusual can also be creative; and not-like-everyone-else can also be thoughtful and interesting.

And the message is never stated outright. But you can see it in the blossoming of this friendship between two girls, and every reader can see that Lyla Browning may be weird, but she’s going to make a very good friend.

candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Scraps Book, by Lois Ehlert

scraps_book_largeThe Scraps Book

Notes from a Colorful Life

by Lois Ehlert

Beach Lane Books, New York, 2014. 72 pages.
Starred Review

Lois Ehlert makes wonderful picture book art, including the classic which I bought for my oldest son and quickly became a favorite in our family, Chicka Chicka Boom Boom.

This book tells a bit about how art found Lois Ehlert since childhood and led to her satisfying career. I say “a bit” because this is a picture book. There’s a little bit of text on each page, but mostly the book is made up of images.

There are pictures of the author as a child with her parents. There is a picture of the folding table her father set up for her to do art. There is a picture of the pinking shears her mother used on fabric, which Lois still uses. And on almost every page, there are elements of art that went into her many different books. She shows her method of collage and has a word of encouragement for budding artists: “If you feel that way too, I hope you’ll find a spot to work, and begin.”

The text is simple, with just a sentence or two of the main thread on each page, with the rest made up of many little notes about the art. The style reminds me of that in Feathers for Lunch, since you can read it on a couple different levels – reading the overarching main text, or getting delightfully absorbed in the details.

This book is fascinating for someone like me who has no desire to be an artist, in that it looks behind the scenes at the creation of some brilliant picture books. How much more inspiring I think it will be for kids who are interested in doing art.

KIDS.SimonandSchuster.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.