Review of The Night War, by Kimberly Brubaker Bradley

The Night War

by Kimberly Brubaker Bradley

Dial Books for Young Readers, on shelves April 2024. 288 pages.
Review written 2/4/24 from an Advance Readers’ Copy.
Starred Review

A new book from Kimberly Brubaker Bradley! This was one of the first books I read after I finished my Mathical Book Prize committee reading.

This book is set in France during World War II. The Nazis are in Paris, and Miri’s family and entire neighborhood are being rounded up. But her neighbor, Madame Rosenbaum, entrusts Miri with her baby, little Nora, and helps Miri escape. Couriers get her to a convent school in Chenonceaux, by the river that bordered the section of France not occupied by the Nazis.

The castle in town has stories of Catherine de Medici and Diane Poitiers, the women who established the gardens. The castle itself has a ballroom that is a bridge over the river with no other way to free France for miles around. After one of the nuns gets injured, Miri, who now goes by Marie, goes at night to the castle and helps people cross the river. She wants to go herself but she won’t leave without Nora, who has been given to a childless Christian family.

And while this is going on, Marie interacts with the other girls at the school, and she gets to explore the castle. A strange and imperious lady from the castle takes an interest in her and wants her to do the work of the old gardener, who died. As payment, she can bring food from the kitchen garden to the school.

I have always wanted to see the castles of the Loire Valley, so I especially enjoyed this book’s setting. (And a note at the end tells us which parts are true and which parts invented.) Miri is forced to have courage in a terrible situation, and she comes through with flying colors.

kimberlybrubakerbradleycom.wordpress.com
penguin.com/kids

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Review of Theologizin’ Bigger, by Trey Ferguson

Theologizin’ Bigger

Homilies on Living Freely and Loving Wholly

by Trey Ferguson

Lake Drive Books, 2024. 197 pages.
Review written March 5, 2024, from my own copy, purchased via Amazon.com
Starred Review

This book made my heart happy.

I’ve been following Pastor Trey on Twitter (@PastorTrey05) for some time now. He tweets about theology that I’d already found liberating, such as why the theory of Penal Substitutionary Atonement gives a harmful and unworthy view of God — along with joyful alternatives.

He starts off in the first chapter talking about how God is bigger than we can fathom. So sticking with what we know can be limiting. Here’s how Pastor Trey puts it:

But what if these constructs of knowing God are capable of preventing us from experiencing God? What if these things that we don’t know are invitations of the Almighty to catch glimpses beyond the blurry fragments and snapshots that we have compiled in this library we now recognize as the Bible? What if this limited, finite collection of writings is not even supposed to contain the fullness of the word of God? What might that demand of the thoughts we think about the Divine?

And then I love the title of the second chapter: “The Bible Ain’t No Car Manual.” Here’s the paragraph under that title:

The Bible is not a car manual. You not gon’ be able to search in the back for just any topic and find the chapter and verse to answer every question under the sun. Doing theology requires critical thinking skills.

So, yes, in his book Pastor Trey shows us how to do theology and learn about the living, dynamic love of God. The idea of theologizin’ bigger is to think big thoughts about our great big loving God.

The book takes us lots of places, including talking about the White Man’s Religion and the ways we use religion for harm. But the overall message is overwhelmingly positive, encouraging us to think big and think loving in our relationships with God and other people.

I love the last chapter, “The Rehumanization Project,” where he talks about using our God-given imaginations:

To be made in the image of God is to possess the power of imagination.

Imagination is an essential part of our humanity. It is our imagination that built cities and civilizations. Our imagination brought us countless genres of music. People have imagined timeless creations into reality through the culinary, visual, and dramatic arts. Literature born of our God-given imaginations has endured for millennia, across time, space, language, and culture. Imagination brought us the Flintstones and Super Soakers. It brought us more sports than we care to name. Nothing worthwhile came without someone first imagining it.

And that ties into our salvation like this:

Salvation is an act of reclamation and restoration. When Jesus saves us, he helps us reclaim the bits of humanity we’ve lost. Jesus gives us the ability to imagine good things and the power to realize them here and now. Community without exploitation. A sense of wealth that doesn’t demand scarcity. A love that doesn’t bleed us dry, but makes us whole. If only we imagine them, we can experience all these things. That’s what we were made to do. That’s what it means to be human.

If Jesus has the power to save, then we have the power to imagine again. We have the ability to theologize bigger. That is the image of God in us.

Reading a chapter a day of this book gave me a nice shot of inspiration and joy. I hope Pastor Trey will write many more books in the future.

Pastor Trey guarantees on his website that if you open up his book, you’ll find something worth talking about. That promise was fulfilled for this reader.

pastortrey05.com
lakedrivebooks.com

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Review of Some Dinosaurs Are Small, by Charlotte Voake

Some Dinosaurs Are Small

by Charlotte Voake

Candlewick Press, 2020. 28 pages.
Review written September 3, 2020, from a library book
Starred Review

Here’s a picture book that would be perfect for Toddler Storytime (if I ever get to do those again!). It’s short and sweet, with not a lot of words on a page. It has pictures of dinosaurs and a fun kicker at the end.

The book begins with a happy little dinosaur in a jungle with a basket.

Some dinosaurs are small.

They have tiny flat teeth for munching through fruit and leaves.

On that second spread, we see parts of big dinosaurs behind the trees. Sure enough, what comes next is:

Some dinosaurs are BIG.

The little dinosaur is clearly in danger from the big dinosaurs. They steal the food from his fruit basket and are still hungry.

But the punchline, drawn out over several spreads, is:

Some dinosaurs . . .

are simply . . .

E N O R M O U S !

And the little dinosaur caps it off with the words, “Hello, Mommy!”

A kid may be small, but this is a fun reminder that they’ve got grown-ups looking out for them. And it’s got dinosaurs!

candlewick.com

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Review of The Isles of the Gods, by Amie Kaufman

Isles of the Gods

by Amie Kaufman
read by Nikki Patel, Homer Todiwala, Donnabella Mortel, Vidish Athavale, and Steve West

Listening Library, 2023. 12 hours, 49 minutes.
Review written February 14, 2024, from a library eaudiobook
2023 CYBILS Award Finalist, Young Adult Speculative Fiction
Starred Review

I listened to this book because it was a Cybils Award Finalist (even though I’m not on the panel this year), and I was mesmerized. In the first place, the production is very well done, with one of my favorite narrators, Steve West, reading a large portion. The book has five viewpoint characters, with a narrator for each one. This enhanced the experience and made it easier to realize when a different character was telling the story.

Our main character, though, is Selly. She’s a merchant’s daughter and has grown up on ships. Now, she’s gotten the disappointing news that her father isn’t coming back for her after a year apart. So she plans to sneak aboard the last boat heading north before winter. She plans to get her things off her assigned ship and go in the night. But before she can get off the ship, her captain tells her the whole ship is leaving quietly in the night. The prince, whom everyone thought was leading a procession of ships to various allies, is actually traveling undercover on their ship.

Every twenty-five years, the royal family of Alinor must make a sacrifice at the isle of their goddess, the Sentinel. Well, Prince Leander has been putting it off, and now he’s a year late — and war is brewing. He’s a powerful magician, but for this one important task, he’s been a slacker.

And it turns out there are people and powers who want to stop Leander so that Alinor’s goddess will not have power, and their own god can awaken and they can start a war.

Two of the five narrators are among the group trying to stop Leander. Let’s just say that the voyage does not go smoothly. There is plenty of danger, plenty of tension, and high stakes.

Because of the high body count in the other Amie Kaufman book I’ve read, Illuminae, I was not surprised that there’s also plenty of death in this book. Don’t get too attached to any character, because all lives are in danger and those who want to stop Prince Leander are ruthless.

I must admit, at the start I rolled my eyes a little, thinking it highly unlikely that our two main characters, Selly and Prince Leander, could fall in love with such dramatically different backgrounds. I wasn’t rolling my eyes at all by the end. Amie Kaufman pulls off a tender slow-burn romance based in character, and it’s exquisitely done.

Now, I’m not completely sure I wanted to know all the motivations of the people working to thwart Prince Leander, and maybe five different viewpoint characters wasn’t entirely necessary. But the other characters had short segments so I was never impatient to get back to the main story, and it did add depth to my understanding of the politics of the two countries and how much was at stake.

Though this book stops at a good place, there are some big loose ends that are not tied up, so I will be waiting impatiently for July’s release of the next book, The Heart of the World. It is already on a list to order for the library.

amiekaufman.com

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Review of This Is Not That Kind of Book, by Christopher Healy, illustrated by Ben Mantle

This Is Not That Kind of Book

written by Christopher Healy
illustrated by Ben Mantle

Random House, 2019. 36 pages.
Review written September 3, 2020, from a library book
Starred Review

Here’s a fun picture book that plays with a meta-narrative and gets kids thinking about genre and storytelling.

The book starts with “A is for apple.” But Little Red Riding Hood, who’s portrayed with dark skin, interrupts. She says, “Hey! This is not an alphabet book! Sorry, this is a fairy tale. Come see.” And she leads us to the next page.

All through the book, the Apple-with-a-face only says one thing: “I’m an apple!” On Red Riding Hood’s page, she invites it into her basket.

They see a shape in the shadows. Little Red Riding Hood tells the Letter A, “It’s going to be a wolf. I’m very familiar with this type of story.”

However, when we turn the page – it’s a giant robot!

And new characters show up with every page turn, with their own opinions about what kind of book this is – and isn’t. My favorite is probably the banana named Captain Knock-Knock from a joke book.

Finally, Little Red Riding Hood explores outside the book and learns from the back cover:

This is a book about a group of characters who have nothing in common, but who work together to figure out what kind of book they’re in.

And the odd assortment of characters end up making friends. And it’s all very silly and delightful and gets kids thinking about they types of books they read.

Because of the meta-narrative, this edges toward early elementary kids more than preschoolers. But it will get any child thinking about stories and about how books work, which builds their early literacy skills.

christopherhealy.com

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Review of The Mona Lisa Vanishes, by Nicholas Day

The Mona Lisa Vanishes

A Legendary Painter, a Shocking Heist, and the Birth of a Global Celebrity

by Nicholas Day
with art by Brett Helquist

Random House Studio, 2023. 276 pages.
Review written February 22, 2024, from a library book
Starred Review
2024 Robert F. Sibert Medal Winner
2023 CYBILS Award Middle Grade Nonfiction Winner

It’s easy to understand the awards this book won. Nicholas Day takes facts and gives us an entertaining and suspenseful story with a conversational tone.

Picture the Mona Lisa. I’m guessing you can easily bring her image to mind. This book tells the story of how she became so famous — by getting stolen in 1911.

Along the way he gives us the story of the life of Leonardo da Vinci and the story of Lisa Gherardini and how unlikely it was that he would ever paint her portrait. It also tells us about the thief who pulled off the heist, the detectives who utterly failed at finding him, and the stories and publicity that grew up around the theft — right before World War I started, so it wasn’t eclipsed in the press.

He weaves all this together skillfully, mixing chapters about Leonardo during the Renaissance with chapters about Paris in the early twentieth century, never leaving us hanging, but always leaving us wanting more.

You also learn about the background of both settings, with information given as it’s needed, never letting the story go slack.

Here’s an example about the newspapers of the day:

The Mona Lisa heist ran on the front page of Parisian newspapers every day for over a month. With each story, the painting grew more significant, the loss more tragic. It was no longer just another painting, or even just another great painting. It was a transcendent painting.

Over the next month, it was transformed into a painting that was beloved by all, that spoke to everyone, that moved everyone. In fact, it became less a painting and more an object of worship. It was a myth, a mystery, almost a living being.

“What audacious criminal,” asked the magazine L’Illustration, “what mystifier, what manic collector, what insane lover, has committed this abduction?”…

It was the perfect story at the perfect time. Why? Because all of a sudden, people could read.

For centuries, literacy had been a specialized skill. That was changing fast. More people were going to school; more jobs required reading. The result was a surge in literacy.

The side effect was the golden age of newspapers.

In 1870, over one million newspapers were sold every day in Paris. By the time the Mona Lisa was stolen, that number was up to almost six million — in a city of less than three million. The price of a daily paper was half what it once was. Mass media had arrived.

Read this book for a rip-roaring story (with wonderful illustrations by Brett Helquist), and you will end up learning all kinds of things about Leonardo da Vinci, the Renaissance, the Louvre, early criminal science, and even fake news.

bretthelquist.com
rhcbooks.com

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Review of I Do Not Eat Children, by Marcus Cutler

I Do Not Eat Children

by Marcus Cutler

Little, Brown and Company, 2024. 36 pages.
Review written March 4, 2024, from a library book.
Starred Review

The second I saw the cover of this book, I knew our library needed many copies. I’m afraid I do like picture books about things (or, yes people) getting eaten. So much so, I made a Pinterest board “Someone Gets Eaten,” with a companion board, “Eating Thwarted.”

Okay, stop right now if you don’t like spoilers for picture books.

Because for the sake of parents, I need to tell you exactly what’s in this book. First, it does fit the first of those boards.

And this book might have gone just a tiny bit too far, even for me. I think it’s the sweet little chubby baby that might be a step too extreme. But I still think it’s fun and still showed it to co-workers.

And it’s not only a book about a monster! It’s also a counting-down book. The counting isn’t done for you, but on the first spread, you’ve got a monster in the middle of ten children (including the aforementioned baby), all with some kind of prop. The monster says, “I do not eat children.”

On the next page, there’s a child missing. Their prop is in the place where they stood, but you might want to count to be sure there are fewer. Now the monster is saying, “I would never eat a child.” The kids are carrying on with what they were doing, some interacting with each other, but everybody ignoring the monster.

And each spread has one fewer child. More protestations from the monster.

And just when you’re thinking that surely there’s some different explanation, surely the monster is telling the truth and isn’t actually eating the children (and who will save the BABY???!!!), with four children left, the monster gives an enormous BURP that takes up two spreads — and the big green speech bubble includes additional clothes and items we saw from the missing children.

However, after they all disappear one by one and the very last child is left, the only one whose eyes pointed anywhere near the monster — she tells us that she eats liars.

And on the last page, the Monster is missing with his striped pants in his place.

So — Parents, I want you to be aware that this book will be scary for some little ones. Some children do get eaten. Completely off the page. But still.

Now, mind you, that monster gets eaten, too! He totally gets what he deserves! You can also tell your kid that the girl let out all the other children before she ate the monster. (Or you can try.)

So a lot of kids, especially older ones — and most adults — will find this book funny. It’s even a great excuse to practice counting! But you need to judge where your child will fall on that spectrum. I personally wouldn’t try this book in storytime because of that doubt. Which is sort of a shame, because if you can get in the right mindset, it’s a really fun book with lots to notice. And you can teach about unreliable narrators and seeing from someone else’s perspective!

This book reminds me of Lucy Cummins’ A Hungry Lion or: A Dwindling Assortment of Animals, which I wholeheartedly love, and at least that one doesn’t have a baby being eaten. But this one is a whole lot of fun, too — and I still say that cover is unbeatable!

marcuscutler.com
LBYR.com

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Review of Money Out Loud, by Berna Anat

Money Out Loud

All the Financial Stuff No One Taught Us

by Berna Anat

Quill Tree Books, 2023. 258 pages.
Review written January 13, 2024, from a book sent to me by the publisher.
Starred Review
2024 Mathical Book Prize Honor Book, Grades 9 through 12

What a valuable and practical book this is! I wish I’d read something like this as a young adult.

It’s a book about managing money. She covers so much, from budgeting to bank accounts to investing to donating ethically.

She talks to the reader like a cool big sister. It works for me and I hope would work for teens. For something about money, there aren’t many numbers here, but she explains compound interest and the difference between different kinds of accounts in ways that are easy to understand and will stick in your head.

This book is for young adults, but old adults like me can learn from it, too. But like compound interest, I suspect that learning about managing money when you’re younger will yield many more benefits.

Some things I like: She talks a lot about the emotional side of money and encourages you to actually think about it and talk about it (hence the title). I’m planning to adapt one idea right away — besides my spreadsheets keeping track of my finances, I will start a money journal talking about my feelings about what’s going on with my money. I like how she encourages you to save by describing savings as “Freedom.” And she encourages you to envision Future You when you think about retirement savings.

So she’s got lots of tips and strategies, but especially encouragement to be good to yourself and your future self.

I was sent this book to consider for the Morris Award (young adult debut book), and it wasn’t really what we were looking for, but it exactly filled the bill for a Mathical Book Prize Honor Book, so I was excited to revisit it.

Here’s how the author introduces herself:

So, question: Have you ever heard of a Financial Hype Woman? Probably not, because I friggin’ made it up.

I’m Berna — I’m a financial educator, but more than that, I am a Financial Hype Woman. The whole point of a Hype Woman is to scream encouragement while you, the star, are doing your thing onstage.

So that’s what I do, but money. You follow?

A Financial Hype Woman’s job — which, again, I totally made up — is to remind you of your financial power. To keep your energy up so that you can stay center stage in your money life. To turn up the volume when you feel a little voiceless. A Hype Woman is also part of your support team — like, metaphorically, I’d help clean up when fans throw their bra at you, y’know? I got you.

Get this Financial Hype Woman on your side! There’s lots to learn here, and it’s all taught in a non-threatening, encouraging way.

heyberna.com
EpicReads.com

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Review of Talia’s Codebook for Mathletes, by Marissa Moss

Talia’s Codebook for Mathletes

by Marissa Moss

Walker Books, 2023. 232 pages.
Review written January 15, 2024, from a library book
Starred Review
2024 Mathical Book Prize Winner, Grades 6 to 8

Oh, this book made my math-loving heart happy! Though I do believe you don’t have to love math to enjoy this book. It’s a middle school story, illustrated in the manner of the Wimpy Kid books, but in color. It’s one of those books I have to look at in my job and decide if we should shelve it with the graphic novels or with the regular text books, and this leans into illustrated novel rather than graphic novel, because the majority of the story is told with paragraphs rather than panels. But I do believe there are pictures on every single spread, so it’s all the more inviting for kids. (A little less inviting for me, not being a graphic novel fan, but that’s another story. Once I picked this up, I loved it.)

Talia is starting middle school and is sad that her best friend, a boy named Dash, doesn’t want to be seen with her at school, because some boys have been teasing him. This gets Talia thinking about the rules of middle school and how you’re supposed to figure out what you should wear, what you should say, and what’s cool. Can she figure out the code?

But Talia’s happy that Dash will be on the Mathlete team with her. Trouble is, it turns out that she’s the only girl. When the boys on the team don’t seem to take her seriously, ignore her idea of using codes to build their math skills, and say that she’s the one who should be friendlier, Talia decides to start a Mathlete team for girls only. Both teams are at their first competition, and can the Math Mermaids decisively show that girls can do math, too?

That’s a big thread in the book, but there’s a lot more going on about friendship, family, fitting in, and codes — with plenty of interesting example codes and some problems to puzzle out and codes to break.

Now I, of course, resonated with only one girl on the math team. My approach to that situation was to try to beat them all, but I like the way in this book there was a more nuanced message, but we did firmly get the message that math is for everyone, and math is fun. And I liked the wider application of the principle of coded messages, for example the code behind people’s facial expressions or how to be cool.

marissamoss.com

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Review of Stateless, by Elizabeth Wein, read by Moira Quirk

Stateless

by Elizabeth Wein
read by Moira Quirk

Little, Brown Young Readers, 2023. 10 hours, 38 minutes.
Review written February 27, 2024, from a library book.
Starred Review
2024 Odyssey Honor

I shouldn’t be surprised by how good the books I’ve read lately are — because I’ve been reading award winners. Stateless won an Odyssey Honor, which is the award for best audiobook, and this audiobook was indeed wonderful. The book is also by the author of the amazing book Code Name Verity, so, yes, I expected brilliance.

This book is set in Europe in 1937, when the Nazis are already in power and there’s already war in Italy, but World War II hasn’t broken out yet, and people are still hoping for peace. So much so, in fact, that a young people’s air race across Europe is organized to promote peace. Competitors from many different nations are flying across Europe in timed flights, with stops in various places for socializing and promoting peace.

Stella North is representing England even though she doesn’t carry a British passport. Her parents were killed by Bolsheviks in Russia when she was three years old, and her aunt and uncle got her out of Russia. So now she has a refugee passport stating that she was born in Russia but the Soviet Union doesn’t claim her. She is essentially stateless.

And it turns out that Stella isn’t the only competitor in the Youth Air Olympics who is stateless. She is the only woman, though, and is hounded by the press. They’re not sure she’ll be able to handle the pressure of the race — so when she sees two planes far ahead of her come close together — and then one of them falls into the English channel, Stella tells about the crash, but she’s afraid to let anyone know she saw the other plane that may have been responsible for the crash. She’s not sure whom she can trust, even among the experienced chaperones.

And that’s not the only incident of sabotage and dangerous threats in an epic race that’s supposed to be for peace. Stella must learn whom to trust and whom to avoid — and then how to keep safe during their day and night in Nazi Germany.

There’s lots of tension, suspense, and drama in this amazing story, along with a sprinkle of romance and international friendship. And an author’s note at the back gives you key background details such as there were a higher proportion of female pilots in the early days of aviation than there are now. The only sad part is that it’s hard to imagine a good future for these young people with World War II right around the corner. But I was glad to share in this exciting part of their story. So good!

elizabethwein.com

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