Review of Lucky Breaks, by Susan Patron

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Lucky Breaks

by Susan Patron

ginee seo books, Atheneum Books for Young Readers, New York, 2009.  181 pages.

Starred review.

Sonderbooks Stand-out 2010: #4 Other Children’s Fiction

Lucky, who is about to turn eleven, is someone I can’t help loving.  She’s intrepid, but she doesn’t always use the best judgment.  She’s a good friend with a big heart, but she sometimes does mean things in spite of herself.  Susan Patron writes in a way that makes you feel for Lucky as if you yourself were, once again, almost almost eleven.

Lucky Breaks is a sequel to the Newbery-winning The Higher Power of Lucky.  The themes are bigger in the first book, because Lucky’s dealing with the death of her mother and hoping Brigitte will adopt her.  While the issues in the second book are not as cosmic, they are still important — finding and keeping friends.

This book finds Lucky still helping Brigitte settle into Hard Pan, California, and she meets someone she hopes will become her best friend — a girl to laugh with until they hiccup.

But Paloma’s parents are worried about their daughter spending time in the dangerous desert.  Meanwhile, Lincoln is working on a mysterious knotting project that may take him away from Hard Pan.

Susan Patron’s characters are quirky in so many delightful ways.  Miles’ favorite book has shifted from Go, Dog. Go! to Brain Surgery for Beginners.  Short Sammy is digging a mysterious pit.  And Brigitte is figuring out what makes a person truly American.  You can’t help but feel that they are real people, friends about whom you’re eager to hear the latest news.

As for Lucky — She’s the same exuberant, intrepid, scientifically curious, rarely cautious, delightful young lady we met before, a little further along in her amazing journey of growing up.

Susan Patron promises a third book after this one.  I hope she writes quickly!

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/lucky_breaks.html

Review of Winnie-the-Pooh audiobook, read by Peter Dennis

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Winnie-the-Pooh

written by A. A. Milne

performed by Peter Dennis

Book published in 1926.  Blackstone Audiobooks, 2004.  3 hours on 3 cassettes.

Starred review.

Sonderbooks Stand-out 2010: Wonderful Rereads

I’ve already reviewed Winnie-the-Pooh at length and said how special it is to me: http://www.sonderbooks.com/ChildrensFiction/winniethepooh.html .

Although part of the specialness is that I fell in love with my husband while reading Winnie-the-Pooh together, I find that the book is still just as special even though my husband has now left me.  Winnie-the-Pooh has been part of my life much longer than he has.

I have checked out several cassettes from the library that I want to listen to before we end up getting rid of all our cassettes, and Winnie-the-Pooh is one.  (Though the same version is now available on CD.)  It was the perfect book to listen to while my son and I were making lots of trips back and forth while toting our possessions for a move across town.

Few things are as much fun as reading Winnie-the-Pooh aloud, especially with a group of enthusiastic readers.  However, when you are driving, you can’t read yourself, and this performance by Peter Dennis is the next best thing.  He is so exceptionally good at doing the voices of the characters, it’s a bit intimidating.  (Though I will not let that stop me.)

I was appalled to learn that my teenage son doesn’t remember most of the stories.  Surely I had read them to him enough times?  He learned to write his name P-O-O-H, for goodness’ sake! 

Anyway, we thoroughly enjoyed listening to and laughing over them in the middle of the serious business of moving.  We will definitely have to do some Pooh readalouds together just as soon as we find the box where my copy is hiding.

You can’t ask for a better family listening experience than this version of Winnie-the-Pooh.  And I don’t care if your family is all adults or includes toddlers.  Those who are only familiar with the Disney versions may not realize the wonderful subtle humor and charm of the original books.  It’s hard to imagine anyone of any age not enjoying these stories.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/winnie_the_pooh_audio.html

Review of Orangutan Tongs, by Jon Agee

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Orangutan Tongs

Poems to Tangle Your Tongue

by Jon Agee

Disney/Hyperion Books, 2009.  48 pages.

Starred review.
Sonderbooks Stand-out 2010: #2 Picture Books

This book is entirely too much fun.  I brought it home and read it to my teenage son, and, as I suspected, he couldn’t resist trying it himself.  For Dr. Seuss’s birthday, we recently had a tweetle beetle binge from Fox in Socks, so it was fun to read to each other and laugh from a new book where I didn’t have the advantage of about forty years of practice.

Orangutan Tongs (Can you resist saying that title aloud?) is a book of tongue twister poems, with illustrations.  They are all quite silly and good for fun and laughter.

My son claimed that he had not been practicing, but I found it highly suspicious that when I came home from work the next day, he was suddenly able to recite the Peggy Babcock poem:

Peggy Babcock at work.  Peggy Babcock at play.

Peggy Babcock tomorrow.  Peggy Babcock today.

Peggy Babcock, repeated, is tricky to say:

Peggy Babcock, Peggy Babcock, Peggy Babcock, ole!

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Review of The Graveyard Book audiobook, by Neil Gaiman

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The Graveyard Book

by Neil Gaiman

Narrated by the author.

Recorded Books, New York, 2008.  7 compact discs.  7.75 hours.

Starred review.

2009 Newbery Award winner.

Sonderbooks Stand-out 2010: #2 Children’s Fantasy and Science Fiction

When The Graveyard Book came out, I checked it out for my 14-year-old son to read, knowing he’d want to read anything by Neil Gaiman.  He told me I should read it, but after listening to Coraline, which was very good but exceedingly creepy, I decided that a book by Neil Gaiman with “graveyard” in the title was bound to be too creepy for me.

However, when The Graveyard Book won the Newbery Award, I decided that as a responsible children’s librarian, I really should read it, and I was completely delighted with it.  There’s a little bit of creepiness, but not nearly so much as Coraline.  In fact, I think The Graveyard Book would make fantastic listening for an entire family on a car trip, because it appeals to a wide range of ages.  (If your kids are old enough to handle the fact that the family is murdered at the beginning, they will be able to handle anything else in the book.)

The premise, and the reason for the name, is the same idea as The Jungle Book, except instead of a baby being adopted by the dwellers of the jungle, a baby is adopted by the dwellers of a graveyard.

The book does begin as a family has just been murdered.  The killer is looking to finish the job, but the baby has toddled off.  In the graveyard, a loving woman who always wanted to be a mother convinces her husband to take pity on the baby and take him in.  As Mowgli’s parents needed the approval of the pack, so this baby needs the approval of the inhabitants of the graveyard.  He’s named Nobody Owens, Bod for short.

There are some fun parallels between Bod’s story and The Jungle Book.  For example, instead of getting kidnapped by apes, Bod gets kidnapped by ghouls.  At first the book seems very episodic (with extremely interesting episodes), but by the end, all the adventures tie together into Bod’s need to avenge his family, escape their fate, and live a life outside the graveyard.

Neil Gaiman’s narration is simply awesome.  He now lives in America, but he has a wonderful voice and just enough British accent to sound incredibly cultured.  He gives the different characters different voices, with accents as appropriate.  I found his reading of the chapter with the ghouls especially delightful.

Although I’m sure this book makes great reading on your own, hearing Neil Gaiman read it makes for an incredible listening experience.  I found myself lingering in the car more than once because I got to work too quickly.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/graveyard_book.html

Review of Heart and Soul, by Maeve Binchy

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Heart and Soul

by Maeve Binchy

Alfred A. Knopf, New York, 2009.  418 pages.

Starred review.

Sonderbooks Stand-out 2010: #4 Fiction

Maeve Binchy’s books are warm, friendly, and cozy.  She specializes in telling stories about a community of people.  In Heart and Soul, the community is a new heart clinic in Dublin.  We look through windows into the lives of the people who come to work at the clinic, the patients, and others touched by them.

To add to the fun, the author brings back old friends who played a part in her earlier books.  You definitely don’t need to have read the earlier books to appreciate Heart and Soul, but it does make you feel that you are catching up with old friends.  I found myself wishing that I had not missed her last book, Whitethorn Woods.  I will definitely have to rectify that.

In Maeve Binchy’s earlier books, there seemed to be a pattern that the more ideal the marriage seemed, the more sure you could be that it was doomed.  These more recent books are gentler.  People still have problems, but personally I’m glad that there are less dirty rotten cheating husbands than in some of her earlier books.  Her characters cope with their problems with courage, compassion and resilience, and it’s delightful to spend time in the company of these people.

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Review of Tales from Outer Suburbia, by Shaun Tan

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Tales of Outer Suburbia

by Shaun Tan

Arthur A. Levine Books (Scholastic), 2008.  96 pages.

Starred review.

Truly Shaun Tan is the supreme master of the short-short story genre!

This book contains fifteen illustrated stories that are strange, strange, strange.  They are bizarre, they are haunting, and they are completely delightful.

There’s water buffalo who lives on the corner and points people in the right direction.  There’s an exchange student who leaves a surprising gift.  There’s a boyish expedition to the edge of the world.  All the stories are told as if someone’s matter-of-factly telling something that happened to them, once.

This is the sort of book you have to share.  I found myself exclaiming over each story, so of course I got my teenage son to read it.  Even that wasn’t enough, as I decided I had to share it with my other son, too, so this is his present for his twenty-first birthday. 

As The Arrival did, in many ways this book creates an entirely new category.  Let’s see, I suppose you might call it illustrated science fiction short-short stories.  I think I’ll just call it irresistible.  Try it yourself — read one story and see if you aren’t too intrigued to stop.

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Review of A Curse as Dark as Gold, by Elizabeth C. Bunce

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A Curse as Dark as Gold

by Elizabeth C. Bunce

Arthur A. Levine Books (Scholastic), 2008.  395 pages.

Winner of the William C. Morris YA Debut Award 2008.

Starred review.
Sonderbooks Stand-out 2010: #4 Fantasy Teen Fiction

http://www.elizabethcbunce.com/

http://www.arthuralevinebooks.com/

http://www.scholastic.com/

I do love fairy tale retellings.  A Curse as Dark as Gold takes the basic story of Rumpelstiltskin and sets it in a woolen mill shortly before the Industrial Revolution.  The author retains the feeling of magic and romance, and gives us a determined and strong heroine.

When Charlotte Miller’s father dies, leaving an enormous mortgage on the mill, Charlotte knows she must do something to keep Stirwaters running.  The entire village depends on the mill for their livelihoods.

But everyone says there’s a curse on the mill, and as soon as Charlotte and her sister Rosie overcome one seemingly insurmountable obstacle, another one rises up to take its place.  So when a strange man who calls himself Jack Spinner offers to help, Charlotte seems to have no choice.

This story is dark, as it does involve curses and difficulties.  But Charlotte is such a determined, capable character, you quickly find yourself rooting for her to succeed, even though you can’t imagine how she’ll pull it off.

The author fills the story with details about the woolen industry before the industrial revolution, so it almost feels more like a historical novel than a fantasy.  However, there is a strong undercurrent of magic, which practical Charlotte does not want to acknowledge.

This is a magnificently written book, and I’m excited to learn it’s Elizabeth Bunce’s first.  If this is how she begins her writing career, I will eagerly wait to see what she writes next!

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/curse_dark_as_gold.html

Review of A Is For Art: An Abstract Alphabet, by Stephen T. Johnson

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A Is For Art

An Abstract Alphabet

by Stephen T. Johnson

A Paula Wiseman Book (Simon & Schuster Books for Young Readers), New York, 2008.  42 pages.

Starred Review.

Here’s an alphabet book for adults!  Or teens.  Or children.  A Is For Art is amazing and thought-provoking and clever and playful all at once.

The illustrations are photographs of actual abstract art works.  The artist says,

“For the past six years I have been exploring the English dictionary, selectively choosing and organizing particular words from each letter of the alphabet and, based solely on the meanings of the words, developing a visual work of art.  I took ordinary objects and made them unfamiliar, removing functionality in order to reveal their potential metaphorical associations, which can lead in turn to overlapping and sometimes paradoxical meanings.  I call these individual works ‘literal abstractions’ and the ongoing series An Abstract Alphabet….

“And just for fun, I have included the letter shapes of each letter of the alphabet in all the works.  Well, most anyway — you’ll see.

“For me, art, like language, is about discovery.  At its very best it can be moving, transcendent.  Or on a visceral level it can simply make one laugh out loud.  Art provokes, confounds, challenges, surprises, informs, rejuvenates, and stretches our way of seeing the world.  We cannot get enough of it.  So I hope that my work in this book will ignite and inspire dialogues about art, words, and ideas, which might quicken children and adults to generate creative associations and explore new ways of pulling abstractions out of the real.”

This book, left around, will pull people into delighted browsing.

My personal favorite was the sculpture for the letter M.  Here’s the explanation:

Meditation on the Memory of a Princess

“Motionless, a man-made, monochromatic magenta mass mimics multiple mattresses and makes a massive mound near a mini mauve marble.”

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Review of Miss Spitfire, by Sarah Miller

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Miss Spitfire

Reaching Helen Keller

by Sarah Miller

Atheneum Books for Young Readers, New York, 2007.  208 pages.

Starred review.

Here’s the novelized story of Annie Sullivan, Helen Keller’s teacher.  Sarah Miller does a magnificent job making us feel what it must have been like for a poor orphan to come miles to teach a spoiled, passionate blind and deaf child, who showed an ability for clever imitation, but didn’t show glimmers of understanding.

Annie taught Helen discipline, and then gave her the power of words.  But she might never have persevered if she hadn’t been a spitfire herself.

This book carries the reader into a compelling piece of history, and gives us a window into the mind of someone whose sheer stubbornness was responsible for a miracle.  But how amazing that she didn’t give up before that wonderful day came!

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Review of Hate That Cat, by Sharon Creech

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Hate That Cat

by Sharon Creech

Joanna Cotler Books (HarperCollins), 2008.  153 pages.

Starred review.

Hooray!  Miss Stretchberry moved up a grade, and Jack is in her class once again!  This wonderful follow-up to Love That Dog features Jack doing further explorations with poetry as well as coming to terms with the cat next door.

Hate That Cat plays with language, as Jack writes poems in the style of poets like William Carlos Williams, Walter Dean Myers, and even Edgar Allen Poe.  (The example poems are included at the back.)

This is a wonderful exploration of what you can do with poetry, but along the way it tells a heart-warming story about Jack, who still misses his dog, Sky.

Here’s a wonderful poem Jack writes about his mother, who is deaf:

SILENT SOUNDS OF MOM

(Inspired by Mr. Edgar Allan Poe)

by Jack

See her hands in the air waving here waving there!

What flickering formations

those compositions dare!

How she sing sing sings

in a swish and a bound

bringing sound sound sound

To the silence of the air

to the silentabulation of the hush

and the hums

of the air, air, air, air,

air, air, air–

of the humming and the hushing

of the air.

This book doesn’t take long to read, but it will inspire even an adult reader to look at poetry in a new way.

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