Review of Love for Imperfect Things, by Haemin Sunim

Love for Imperfect Things

How to Accept Yourself in a World Striving for Perfection

by Haemin Sunim
translated by Deborah Smith and Haemin Sunim

Penguin Books, 2018. Originally published in Korean in 2016. 259 pages.
Starred Review
Review written June 27, 2020, from a library book

This is a lovely and peace-inducing book written by a Zen Buddhist teacher. It worked well to read a chapter or half a chapter each day, as I had time, and I was uplifted when I did.

The book is illustrated with peaceful pictures. It’s a book about loving yourself and others, and about healing and going through the world with compassion – very general, nice things. The format is each chapter has a section or two of narrative and then several pages of shorter bits of wisdom.

The book didn’t give me any new, earth-shaking insights, but reading its wisdom helped me calm my thoughts and meditate on truth.

I’ll grab a few examples of the sort of sayings you’ll find here:

When someone does something to distress you
for no apparent reason,
or behaves completely unreasonably,
for your own sake, repeat to yourself:
“Big world, some weirdos!”

If you want to kindle firewood,
there needs to be space between the logs.
If you pack the wood too densely,
the fire will not take; the flames need room to breathe.
In the same way, if our lives have no breathing room,
we won’t be able to enjoy all the things we have,
no matter how great or precious they are.

If you point out someone’s faults,
don’t expect their behavior to change.
Often all that happens
is that they get hurt.
Instead, praise their strengths,
which will grow to overshadow their weaknesses.

There are many aspects of life that we cannot control.
When it comes to our children, spouse, relatives, and friends,
we can love them, pray for them, show them interest,
but we cannot control them,
even when we have good intentions,
since their happiness ultimately depends on themselves.
Let them take responsibility for their choices.
When we get through an illness, we develop immunity.
If we protect others from illness,
they may not develop proper immunity against life.

I found those quotations on pages I opened to at random – the quality of the observations is consistently good. You can see that they aren’t necessarily things you don’t already know – but they are things it’s good to be reminded about.

haeminsunim.com
penguinrandomhouse.com

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Review of Friends Forever, by Shannon Hale and LeUyen Pham

Friends Forever

by Shannon Hale
artwork by LeUyen Pham
color by Hilary Sycamore and LeUyen Pham

First Second, 2021. 300 pages.
Review written September 21, 2021, from a library book
Starred Review

Friends Forever is the third in Shannon Hale’s graphic novel trilogy of memoirs about middle school. This one covers eighth grade.

The things Shannon faces in eighth grade aren’t surprising: issues with friends, family, boys, her own looks, popularity, how people see her, and what is she good at. But since these are things most eighth graders have to deal with – it’s great to have a story out there in an accessible graphic novel form of a kid facing those things.

I’m not sure I’d want to revisit the angst of eighth grade to write a book about it. Shannon Hale has done this in an encouraging and uplifting way, and kids today will benefit.

And don’t think this is only a problem novel. It’s also an entertaining true story about the ups and downs of middle school – but she doesn’t neglect the upside. This is a fun and quick read about one particular eighth grade kid who indeed grew up to be a famous author.

shannonhale.com
leuyenpham.com
firstsecondbooks.com

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Review of Cloud Cuckoo Land, by Anthony Doerr

Cloud Cuckoo Land

by Anthony Doerr

Scribner, September 28, 2021. 623 pages.
Review written September 14, 2021, based on an advance reader copy.
Starred Review

If you enjoyed Anthony Doerr’s All the Light We Cannot See, I think that Cloud Cuckoo Land is even better.

The title comes from Aristophanes’ play, The Birds, talking about a utopian city for birds located in the clouds. This book is threaded through with a story, supposedly written by Antonius Diogenes and only recently recovered in a damaged copy, about a shepherd named Aethon who wishes to become a bird so he can travel to this mythical city. Along the way, he has unpleasant adventures, including being transformed into an ass, before he can reach his goal.

Small fragments of Diogenes’ story are threaded through the book, along with stories from five other times. One of those times is February 20, 2020 at the Lakeport Public Library. (I wonder if originally the date was during the pandemic when libraries were closed. This was sidestepped by making it just before that date.) Another time is inside and outside Constantinople in the 1400s. Another time is the future, on the ship Argos traveling to an exoplanet from earth. And then we get backgrounds of two characters who we’ve seen in the library. One of their stories begins in 1941, and another begins in 2002.

All these characters and times end up having a relationship with the story of Aethon, as well as parallels with his story. The weaving together of the stories is beautiful.

I’m now more accustomed to reading children’s books, so starting such a long book was daunting. But once I got off to a good start, the result was rewarding. I’d like to read it again, because even glancing at the Prologue, I see some details I’d missed the first time around.

It’s hard to even describe this book. Is it historical? Is it contemporary? Is it science fiction? What we do have is an epic tale about the power of story and the importance of dreamers. Read this book! You’ll be glad you did.

Here’s how the main part of the book opens:

He escorts five fifth graders from the elementary school to the public library through curtains of falling snow. He is an octogenarian in a canvas coat; his boots are fastened with Velcro; cartoon penguins skate across his necktie. All day, joy has steadily inflated inside his chest, and now, this afternoon, at 4:30 p.m. on a Thursday in February, watching the children run ahead down the sidewalk – Alex Hess wearing his papier-mâché donkey head, Rachel Wilson carrying a plastic torch, Natalie Hernandez lugging a portable speaker – the feeling threatens to capsize him.

And the first fragment of Aethon’s story, Antonius Diogenes relating the discovery to his niece, goes like this:

. . . how long had those tablets moldered inside that chest, waiting for eyes to read them? While I’m sure you will doubt the truth of the outlandish events they relate, dear niece, in my transcription, I do not leave out a word. Maybe in the old days men did walk the earth as beasts, and a city of birds floated in the heavens between the realms of men and gods. Or maybe, like all lunatics, the shepherd made his own truth, and so for him, true it was. But let us turn to his story now, and decide his sanity for ourselves.

The caption on the story of Aethon is a fitting introduction to the book:

Stranger, whoever you are, open this to learn what will amaze you.

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Review of Subpar Parks, by Amber Share

Subpar Parks

America’s Most Extraordinary National Parks and Their Least Impressed Visitors

by Amber Share

Plume (Penguin Random House), 2021. 206 pages.
Review written September 7, 2021, from a library book
Starred Review

I have several friends who have recently vacationed in National Parks, and I want all of them to read this book. I love it! It’s a travel book, it’s a book of beautiful artwork – and it’s hilarious as well.

Amber Share traveled to National Parks from every region of America and made an iconic painting of a scene from each one. Then she superimposed on each painting the words from a one-star review of that park she found on the internet, in the style of an old-fashioned travel poster. The result is wonderfully comical in the juxtaposition.

Here are some examples, though it’s not nearly as good without the artwork:

At Gates of the Arctic National Park in Alaska: “Mountains not nearly tall enough.”

At Craters of the Moon National Monument in Idaho: “Not really what I thought.”

At Hawai’I Volcanoes National Park in Hawaii: “Didn’t even get to touch lava.”

At Lassen Volcanic National Park in California: “No idea what people like about this.”

At Yosemite National Park in California: “Trees block view and there are too many gray rocks.”

At Arches National Park in Utah: “Looks nothing like the license plate.”

At Bryce Canyon National Park in Utah: “Too orange; too spiky.”

At Great Sand Dunes National Park in Colorado: “It’s just a big mountain of sand.”

At Gateway Arch National Park in St. Louis: “No real point.”

At Assateague National Seashore in Maryland and Virginia: “Horse poop on the beach.”

I should stop! The gorgeous paintings (always in poster style) of these parks make the comments all the funnier.

Besides the silly commentary from disgruntled visitors, this book is packed with information about the various national parks and gives ideas of what to see and do when you visit, including insider tips from park rangers. I for one have revived a childhood desire to do a big road trip and visit national parks across America. If I ever do it, I will bring along a copy of this book.

subparparks.com
penguinrandomhouse.com

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Review of Da Vinci’s Cat, by Catherine Gilbert Murdock

Da Vinci’s Cat

by Catherine Gilbert Murdock
decorations by Paul O. Zelinsky

Greenwillow Books (HarperCollins), May 2021. 278 pages.
Review written March 6, 2021, from an advance reader copy sent by the author
Starred Review

I’ll admit it – time-slip novels aren’t really my thing. My logical mind gets caught up in the contradictions inherent in changing the past, so that I can’t properly enjoy them. However, because this one was written by Catherine Gilbert Murdock, who won Newbery Honor the year I was on the committee with The Book of Boy, I was able to squelch my logical objections and enjoy this book. I suspect most kids will enjoy it, too.

In this book, we meet Federico II Gonzaga, eleven years old in 1511, in Rome as a hostage of Pope Julius II for his family’s good behavior. But he was treated well in Rome, became friends with his Holiness, and got to pose for the painter Raphael, as well as maybe see some of what Michelangelo was doing while painting the Sistine Chapel.

Then one day, there’s a strange large box, a sort of closet, in a deserted hallway, made by Leonardo da Vinci. A kitten comes out of it.

Federico has fun with the kitten, but it dashes back into the box – and disappears. The next night, it comes out of the box again – but now it is a fully grown cat.

Federico’s adventures really begin after the cat disappears again – and comes back with a stranger, wearing strange clothes. This man is terribly interested in Raphael’s and Michelangelo’s sketches, as well as seeing the paintings in the Vatican Palace “when they are new,” whatever that means. The man promises Federico a wonderful sweet called “chocolate” in exchange for more sketches.

But after a couple of adventures with this man, Part II of the book begins in the present day with a girl named Bee, who is house-sitting with her moms at a place in Brooklyn. When Bee finds a cat outside killing birds, she takes the cat to the house next door. The old lady there stares at her in wonder – and shows Bee a drawing of herself – drawn by Raphael. So later, when Bee sees a large box in that house in a hidden study, the reader is not surprised when she follows the cat into the box that looks like a wardrobe and finds herself in Federico’s time. And she’s got a quest – some things to set right.

Like I said, if you don’t let your mind get hung up on how this would actually work, but just accept that of course Leonardo da Vinci could have invented a time machine, the story is a whole lot of fun. I love the details of life in Rome in 1511 and what Federico thinks is normal, and how Bee can slip into that and pass for a page. Did you know that Michelangelo smelled terrible because he didn’t bathe? And that he and Raphael had a rivalry going? And that they hadn’t tasted chocolate in Rome in 1511?

A fun story of a cat moving through time and bringing two kids together across centuries.

catherinemurdock.com
greenwillowbooks.com

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Review of The Girls I’ve Been, by Tess Sharpe

The Girls I’ve Been

by Tess Sharpe
read by the author

Listening Library, 2021. 9 hours, 48 minutes.
Review written August 12, 2021, from a library eaudiobook
Starred Review

Wow! This thriller for teens doesn’t let up the tension for a second.

The book begins as Norah goes into a bank with her girlfriend and her best friend, Wes. We learn that Norah’s worried about Wes, who’s mad because he hadn’t known Norah and Iris were a couple and this is one more time Norah has lied to him.

Then the guy in the line behind them pulls out a gun.

The bank robbery clearly doesn’t go according to plan – the bank manager is not in his office – so the two would-be robbers take hostages. They have no idea who they’re dealing with in Norah. They’re going to be sorry they thought they could use her to their own advantage.

The story is told beautifully, with little bits of Norah’s background slipping out as the tense situation in the bank keeps developing. We learn she’s escaped her mother, who is a con-artist. Her mother used to find a mark and play a con – and then get out, completely changing their identities. So Norah has been many different girls.

But can she use what she learned from those other girls to get herself and her friends out of the hostage situation alive? It’s for sure not going to be easy.

I wish I could say more – but it’s all revealed in perfectly small, tantalizing doses, and I don’t want to detract from that. Let me simply say that this is one of the best suspense novels I’ve ever read.

And it’s a big mistake for bad men to mess with Norah!

Besides the gratifying triumphs and clever, surprising escapes (I’m talking about the past, not necessarily the bank, because I don’t want to give that away), this book also shows the beautiful friendships Norah has during the present time of the story, after escaping the abusive childhood with her mother. So this book also gives the hope that people can recover and heal. They may still have scars, but they can rise above.

The author reads the audiobook, and it’s just as well I listened to it, because this is a book I don’t think I could have stopped reading if I didn’t have to turn off the sound.

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Review of The House in the Cerulean Sea, by T. J. Klune, read by Daniel Henning

The House in the Cerulean Sea

by T. J. Klune
read by Daniel Henning

Macmillan Audio, 2020. 12 hours, 12 minutes.
Review written June 29, 2021, from a library eaudiobook
Starred Review

I listened to this book based on several recommendations from my Silent Book Club Facebook group as a feel-good read. I was delighted with the story. It felt like a familiar children’s fantasy book opening, but then I realized the twist is that the main character is a man in his forties.

Linus Baker has worked for the Department in Charge of Magical Youth for seventeen years. His reports are meticulous and he cares about the children in the orphanages that he inspects. No matter what their alarming magical capabilities, children deserve to be well-cared for.

However, when Linus is not in the field inspecting orphanages, his life at the office and at home is gray and dreary. Besides the constant rain and the rows of desks a little too close together for someone of Linus’s girth, there’s a supervisor always looking for reasons to give demerits. So one day when she calls out Linus and tells him to report to Extremely Upper Management, he thinks he’s in big trouble.

But because of those meticulous reports, Linus has been asked to inspect an orphanage that is Classified Level Four because of some very unusual magical powers in the children. He’ll spend a month there, and he’s expected to keep an objective demeanor.

And that’s where if the story were a film, it turns from black-and-white to technicolor. The orphanage is a house on an island in the Cerulean Sea. And this is where the book turns to one of those stories where the adult’s life is transformed because of the love of children – but again, the twist is that this time we’re seeing it from the adult’s point of view. Oh, and also because the children are extremely unusual.

The master of the orphanage, Arthur Parnassas, is also unusual. As Linus gets to know the children and Arthur, he sees someone training some rather alarming children with wisdom and grace. He needs to stay objective, but he also wants to do what’s best for the children.

It’s not too much of a spoiler to tell the reader that one of the children’s files says he is the antichrist, and his father is the devil. If you know anything about what the Bible has to say about the antichrist, as I do, you’ll know that they get every detail about that wrong. However, if you can shake that aside and think of Lucy as a fantasy creature and a little boy who is presumed to be evil because of his parentage, and who plays on all the stereotypes of that parentage – but who Arthur teaches Linus to see as a child with as much potential for good as any other – then you will still thoroughly enjoy this book.

I didn’t like the narrator at first, because I think he puts pauses in odd places, but he grew on me and seemed right for Linus Baker, a bureaucrat who lives his life by the book – the book of Rules and Regulations that he carries around with him.

This is a lovely warm story of transformation and the wonder of children – even wildly diverse children. And there’s even a nice bit of romance.

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Source: This review is based on a library eaudiobook from Fairfax County Public Library.

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Review of Simon at the Art Museum, by Christina Soontornvat, art by Christine Davenier

Simon at the Art Museum

by Christina Soontornvat
art by Christine Davenier

Atheneum Books for Young Readers, 2020. 36 pages.
Review written July 2, 2021, from a library book
Starred Review

I was happily disposed to Simon at the Art Museum as soon as I opened the cover and saw the Musée d’Orsay in Paris filling the end papers. (I’ve spent some happy hours there.) It isn’t named, and there’s an “Art Show” sign in English, but it’s enough for me. As the book begins, Simon and his parents enter the museum, and Simon shouts his greetings.

“Shhh,” whispered Simon’s mom.
“Sweetie, remember what we agreed about inside voices?”

Simon is still enjoying the big building with its slippery floors. This part had me won over:

Simon and his parents looked at the art together.
They looked at more art.
And then more.

So. Much. Art.

What IS it with this place? thought Simon,
before remembering that it was, in fact, an art museum.

“Is that a swimming pool?” asked Simon.

“It’s a reflecting pool,” whispered his dad.
“It’s a work of art too, just like the paintings.”

Simon casually suggested they could make the art even better if they chased the pigeons along its edge.

After that, his parents decided they wanted to hold his hands.

Of course, the pictures accompanying those words make them all the more delightful. Simon’s noticing things – maybe not the same things as his parents.

In another gallery, Simon sits while his parents look at the art, and I love the things he sees as he watches the people looking at the art.

Just when I wondered why they made the choice to portray Simon and his parents as white when the author (who won TWO Newbery Honor awards last year) is a person of color, I came across the probable reason why – when they found a child in a painting very like Simon. (I assume it’s a real painting and wish they had a note. Though I suppose even if it’s a generic Impressionist painting, it makes more sense having a white child in the picture.)

If I had small children and I was planning to visit a museum, I’d read this book together first. It’s a great jumping-off point for talking about what museums are like – but it also reminds parents to see things from their children’s eyes. And for older folks like me who don’t have young kids – this picture book simply makes me smile.

soontornvat.com

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Two Trains Leave Paris, by Taylor Marie Frey and Mike Wesolowski

Two Trains Leave Paris

Number Problems for Word People

by Taylor Marie Frey
and Mike Wesolowski
illustrations by Patrick Torres

Abrams Image, 2019. 176 pages.
Review written August 5, 2021, from a library book
Starred Review

I think this book is hilarious and utterly delightful.

What we have here is a review of high school and early college mathematics – with stories told about the elusive characters who show up in the word problems.

The first problem in the book, after a review of Algebra, tells about two trains leaving Paris, heading in different directions, and where the two trains are at their first stop. Then we’re asked:

How much distance is between Natalya and Andy when they simultaneously look back toward the city of love, thinking, Every end is a new beginning, and breaking up was for the best. No turning back now, this train only goes one way.?

This gives you an idea of the tone of this wonderfully silly book. Some problems are solved on the following page (like that first one), while the rest have answers in the back.

Here’s the second problem:

When asked his age, your math teacher, Mr. Newman, responds, “If you multiply my age by 4, then subtract 2, the answer is 110.”

A) How old is he?
B) Why does Mr. Newman talk this way?

So this book brings you snappy and funny summaries of math concepts, and then opportunities to try out what you’ve learned, while finding out about the adventures of a cast of characters you’ll come to recognize and maybe even sympathize with. The final chapter, after a review of calculus and probability and statistics, brings you to a wedding where all the characters gather.

Here’s part of the explanation at the start of the Trigonometry chapter:

You see, dear friend, Trig offers you a powerful gift: the chance to gain information about things without directly engaging with them. The people who determine which ads you see on social media know lots of Trigonometry.

And okay, if you don’t think this all sounds hilarious, this may not be the right book for you. As someone who once taught college math, I adored this book. The authors are far more interesting teachers than I ever was.

abramsbooks.com

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Review of Flight of the Puffin, by Ann Braden

Flight of the Puffin

by Ann Braden

Nancy Paulsen Books (Penguin Random House), 2021. 229 pages.
Review written July 8, 2021, from a library book
Starred Review

Flight of the Puffin follows four different kids, each of them a bit of a misfit. We’re only given the locations of two of the four, and they’re on opposite sides of the country, so we’re interested in finding out how the stories will connect.

I love the beginning. Libby is painting the best sunrise ever. And as she works on it, making it colorful and beautiful, the principal steps around the corner, and we discover she’s painting on a wall of the school.

Then there’s Jack, who goes to a small two-room school in Vermont. He’s good with the younger kids, and misses his brother, who was six when he died. Next we meet T. T has a shorter chapter, sleeping on a sidewalk with their dog. The fourth person we meet is Vincent, who’s decided he wants to be like a puffin. Instead of the t-shirts his mother buys for him, he finds an old button-down white shirt with a small puffin, and that represents him. But it doesn’t make him fit in at school.

The kids are all seventh graders. They’re on opposite ends of the country. Libby’s up against her parents not appreciating her need to make art and spread joy with it. Jack is up against the school board that wants to close their school. Vincent is up against bullies. And T is up against survival.

And Flora’s art – and puffins – end up connecting them. It’s a lovely book with some threads about trans kids without that taking up the whole book. Mostly, these four kids are deeply nuanced characters it’s a delight to spend time with.

annbradenbooks.com
penguin.com/kids

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