Review of The Dark Lord Clementine, by Sarah Jean Horwitz

The Dark Lord Clementine

by Sarah Jean Horwitz

Algonquin Young Readers, 2019. 332 pages.
Starred Review
Review written November 7, 2019, from a library book
2019 Cybils Finalist Elementary/Middle Grade Speculative Fiction
2019 Sonderbooks Stand-out: #7 in Children’s Fiction

Clementine’s father is under a curse. Slowly, he is turning into a wooden puppet, and parts of him are being whittled away as he gets smaller and smaller. But he won’t tell Clementine what happened. Instead, he shuts himself in his study with books about witches, and Clementine is left to run the castle, and even to come up with a Dastardly Deed for the Council of Evil Overlords.

Clementine’s father is the Dark Lord Morcerous, and their family has been the evil lords of these mountains for generations. But as her father’s wards begin weakening, Clementine has to start dealing with the local hedgewitches and people of the village.

Clementine doesn’t know how to fix a fence to keep the fire-breathing chickens from harming the ordinary chickens. She needs help feeding the nightmares and harvesting the poison apples, but the animated scarecrows are slowing down as her father gets whittled away. So Clementine needs some help.

She finds a huntress to help with farm work, and then some village boys who want to learn to be knights. It’s all working toward an encounter with the Whittle Witch, but Clementine learns many things about herself along the way.

Here’s a scene when Clementine notices something is wrong:

Clementine stared at the scarecrow. Not once, in all the years she’d spent watching the animated scarecrows at work, had one ever stopped in the middle of a task. In fact, sometimes they were a little too enthusiastic in their work. They had to be given specific instructions, like exactly when to start and stop, or they were liable to turn the same pile of hay over and over again for days on end, or trim the grass in the castle courtyard until there was nothing left but dirt.

Like many things on the farm, the scarecrows were animated by her father’s magic – a complex combination of spells and wards and willpower that kept their estate secure, productive, and most importantly, operating according to the Dark Lord’s express rules and wishes. Nonhuman farmhands would never show up late, or demand vacation time or dental insurance, or even tire. The Dark Lord’s estate hadn’t employed any actual people – with the exception of their castle cook and Clementine’s ever-rotating cast of ill-fated governesses – for decades, at least since her father had inherited the title. Why bother with human workers when the alternative was so much simpler and efficient?

But Clementine had never seen Ethel the cook or any of her governesses simply stop like this, every limb frozen in place. this scarecrow wouldn’t have looked out of place in an actual cornfield – and what use would the Morcerouses have for it then?

Despite being about a Dark Lord, I loved the good-heartedness of this book. There’s a problem – Clementine has to keep things going as her father succumbs to a curse, and there are plot twists and revelations along the way. We thoroughly enjoy getting to know Clementine as we go through these things with her.

sarahjeanhorwitz.com
AlgonquinYoungReaders.com

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Review of How Many? by Christopher Danielson

How Many?

A Different Kind of Counting Book

by Christopher Danielson

2019, Charlesbridge. First published in 2018 by Stenhouse Publishers. 39 pages.
Starred Review
2019 Sonderbooks Stand-out: #2 in Children’s Nonfiction Picture Books

I already loved Christopher Danielson’s earlier book, Which One Doesn’t Belong? It came to my attention when it won a Mathical Book Prize. Now Charlesbridge has taken on his books to hopefully reach a wider audience.

Here’s how the book explains that it is different from other counting books:

This book doesn’t tell you what to count.

It doesn’t start with small numbers and end with big ones.

Instead you decide what to count on each page. You have many choices.

The longer you look, the more possibilities you notice.

And that’s what you get. The illustrations are photographs. The pictures show things like an apple being cored and two shoes in a shoebox. The text asks, “How many do you see?”

After that first picture, the narrator says:

If you thought, “how many what do I see?” then you get the idea.

It does give examples of things you can count: shoes, pairs of shoes, shoelaces, holes for the laces, yellow stitches. And it asks, “What other things can you count?”

The pictures get interesting in different ways. There’s a picture of an egg carton with one egg in it. There’s a picture of eggs frying, one of which has a double yolk. The eggshells are by the stove, and the eggs that were not used are still in the carton next to the stove.

In other pictures, some fruit gets cut in half. We’ve got pictures of pizza, and then pizza in slices. Pictures toward the end show kitchen scenes with many of the things we already looked at – including shoes on the floor.

Questions at the back give you ways to extend the ideas. I do love that there are no answers anywhere in this book.

This is a wonderful book for curious children! It builds sophisticated mathematical ideas into preschool and early elementary school children. Anyone who has learned to count will have something to think about with this book.

As the author says at the end, “When you count carefully and clearly state what you’re counting, you’re doing some great math!”

talkingmathwithkids.com
charlesbridge.com
Stenhouse.com

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Review of White Bird, by R. J. Palacio

White Bird

by R. J. Palacio
inked by Kevin Czap

Alfred A. Knopf, 2019. 220 pages.
Starred Review
Review written December 29, 2019, from a library book
2019 Sonderbooks Stand-out: #6 in Children’s Fiction
2020 Sidney Taylor Book Award Winner

This beautiful graphic novel written and illustrated by the author of Wonder is framed as a story told by the grandmother of a boy who’s a bully in Wonder. But his grandmother tells him the story of how she was hidden in a barn during the Holocaust – and that story will touch anyone’s life.

The boy who helped her escape and whose family saved her life had been crippled by polio. So the other children mocked him, and Sara did not stand up for him against that bullying, even though she’d sat next to him for years because their last names both started with B.

The story of Sara’s escape, and then the constant fear of discovery, and the way Julien and his mother helped her keep her courage up – but at great risk – all makes gripping reading. The story is not true, but there is information at the back telling about how it is all based in fact.

In the present, Julien’s grandmother tells him this was the boy he and his father were named after – someone who showed great kindness when any kindness felt like a miracle. The image of a white bird found throughout the book and the lessons drawn about standing up to evil and showing kindness make this a story that will resonate.

rhcbooks.com

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Review of Sal and Gabi Break the Universe, by Carlos Hernandez

Sal & Gabi Break the Universe

by Carlos Hernandez

Disney Hyperion, 2019. 390 pages.
Starred Review
Review written November 4, 2019, from a library book
2019 Sonderbooks Stand-out: #5 in Children’s Fiction
2019 Cybils Finalist, Elementary/Middle Grade Speculative Fiction

This is the first one of the “Rick Riordan Presents” imprint that I’ve read that doesn’t feel like Rick Riordan could have written it if he belonged to that culture. Yes, it’s an “Own Voices” book from Cuban-American culture. But it doesn’t follow the formula of kid-finds-out-mythological-characters-are-real-and-they-are-part-of-it. Instead, this is science fiction involving parallel universes, a kid who is able to open windows between universes, and his father who studies “calamity physics.”

Now, I have to say that I think the “science” in this book is silly and bogus. There’s hand-waving that goes on about how Sal is able to open windows between universes and pseudoscience about “calamitrons” that result. Also, the thing that happened at the end didn’t make sense to me.

I’ve said before that if a novel makes too much of alternate universes, we start asking, why then are we hearing the story of this particular universe, when a story exists where the characters make different choices? To me, it cheapens the importance of those choices.

However, that said, I loved this book! The characters, especially Sal and Gabi, are completely delightful. I love that Sal, who can open windows between universes and bring things through, is a showman and a magician. What a great trick – to bring a dead chicken from an alternate universe and then make it disappear without a trace!

Right at the start, Sal stands up to a bully by putting a dead chicken in his locker. He does it with flare, and later the evidence disappears. Gabi’s a friend of the bully, and we soon learn that she’s not the sort of person who’s going to let a mystery like that stand.

Sal and Gabi attend an Arts Magnet School – and it makes me wish such a school existed. The teachers and principal are reasonable and try to be fair. Sal’s also got diabetes, and dealing with that is a nice underlying realistic piece of the plot.

There’s a spot where Sal scares Gabi much more thoroughly than he meant to – and he apologizes beautifully. That’s where I thought, What a wonderful kid! But then later in the book, we see an alternate reality Sal whose mother never died of diabetes, and that Sal isn’t nearly so thoughtful. I like that nod to the way difficult experiences make us grow. I could believe that Sal was so aware of others’ feelings because of what he’d been through.

And let’s face it, the interaction between universes was so much fun, I was willing to suspend my disbelief. A chicken in a bully’s locker. Sal’s dead mother coming from another universe and thinking she’s still married to his Papi. A Calamitron-scanner with artificial intelligence and a personality. A lie detector using brain science that Sal turns into a performance.

So maybe the “science” is very hand-wavy. But as a novel about people – people interacting with grace, performing, and dealing with the hard parts of life – this novel shines. I agree with the blurb on the back by William Alexander, “filled to the brim with a fiercely unstoppable joy.”

@WriteTeachPlay
@camphalfblood
DisneyBooks.com

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Review of Saturday, by Oge Mora

Saturday

by Oge Mora

Little, Brown and Company, 2019. 36 pages.
Starred Review
Review written October 29, 2019, from a library book
2019 Sonderbooks Stand-out: #2 in Picture Books

Oge Mora won a Caldecott Honor with her first book, Thank You, Omu! This second book is a delightful story of a girl and her mother trying to have a special Saturday. She knows how to insert just the right amount of repetition and anticipation, and her collage illustrations are fun to look at.

The book begins:

This morning Ava and her mother were all smiles.
It was Saturday!

Because Ava’s mother worked
Sunday,
Monday,
Tuesday,
Wednesday,
Thursday,
and Friday,
Saturday was the day they cherished.

We learn their plans for the day – the library for storytime, the salon for a hairdo, the park for a picnic, and the theater for a special one-night-only puppet show.

As they prepare for each event, we’re assured:

The day would be special.
The day would be splendid.
The day was SATURDAY!

But with each item on their agenda, something goes wrong.

The first three times, what happens after they are stymied is similar:

They paused, closed their eyes,
and — whew! — let out a deep breath.

“Don’t worry, Ava,” her mother reassured her.
“Today will be special.
Today will be splendid.
Today is SATURDAY!”

But when they don’t have the tickets for the puppet show, it’s Ava’s turn to be reassuring.

And they come up with a wonderful solution – together – for a beautiful Saturday.

This book reads aloud well, and it’s a modern story with a working, single mother. But the repetition gives it overtones of a folk tale, and it’s got a whole lot of love.

ogemora.com
lbyr.com

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Review of Free Lunch, by Rex Ogle

Free Lunch

by Rex Ogle

Norton Young Readers, 2019. 208 pages.
Starred Review
Review written January 2, 2020, from a library book
2019 Sonderbooks Stand-outs: #4 in Longer Children’s Nonfiction

Free Lunch looks like an ordinary middle school novel. If you don’t pay attention, you might think it’s simply a hard-hitting, gritty story, with the hardships maybe a little overdone. But this story is true.

I don’t think it’s a spoiler to quote from the Author’s Note at the back. In fact, knowing that it’s true makes this all the more powerful.

I just finished writing the story you’ve just finished reading. I feel exhausted and sad and a little sick to my stomach. (Don’t worry, I’m not going to puke on you.) The reason I feel like I’m about to vomit, or maybe just burst into tears, is because everything that happened in this book happened to me in real life. Every laugh, every lunch, and every punch that you’ve read about is the result of an emotional deep dive into my past.

Like most children entering sixth grade, I was focused on friends and grades and locker combinations. But I was also worried about other things: where I’d get my next meal, what mood my mom or stepdad might be in when I came home from school, and when other kids would finally discover my darkest secret – that I was poor.

I was beyond terrified of my peers knowing that my parents – and by proxy, me – were on welfare, using food stamps and living in permanent-subsidized housing. Along with living under the federal poverty line, I also dealt with verbal and physical abuse on a regular basis. I hated my life and I hated myself. I didn’t want people to know that my family was scraping the bottom of the barrel, because I believed being poor meant being less-than. And I was deeply ashamed for it. And worse, it made me feel completely alone.

The title comes from Rex being on the free lunch program, and every single day the cafeteria worker would make him tell her he was on the free lunch program and loudly tell her his name so she could look it up in a notebook. This made it tricky to hide it from his friends.

In fact, many things in his life revolved around not letting his friends know he was poor. When they moved to subsidized housing near the school, he’d linger at school until most of his friends had left on the bus, so they wouldn’t see where he lived. And he never told them why he hadn’t gone out for football.

This story pulls you into the mind of a middle school kid, including his surprise at people who are kind and like him for who he is. It also gives you an inside perspective on a major problem in America, where nearly one in five children under eighteen live in poverty. This book is written on a level children can understand, but I hope adults will read it, too.

nortonyoungreaders.com

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Review of Butterfly Yellow, by Thanhhà Lai

Butterfly Yellow

by Thanhhà Lai

Harper, 2019. 284 pages.
Starred Review
Review written January 2, 2020, from an advance reader copy picked up at ALA Annual Conference
2019 Sonderbooks Stand-out: #3 in Teen Fiction

(I have to apologize. My web host doesn’t support the notations for the Vietnamese diacritics over ‘a’ and ‘e’. I carefully found the right symbol in Word, but it did not carry over when I copied it to my blog. I acknowledge that this is not the correct name for the main character without the diacritic symbol, nor is it the correct name for the country where she was born. It’s not even the correct last name of the author. I am sorry.)

Butterfly Yellow is set in summer 1981 in Texas, about a girl who has survived a harrowing journey from Viet Nam, including a traumatic journey on a boat where most of the other passengers, including her mother, died or were killed by pirates.

Now Hang is in Texas, staying with her uncle, who got to America before the war. But Hang is on a mission to find her brother, who was taken away from her six years ago, when he was five years old and she was twelve and tried to carry out a scheme.

In the final days of the war in April 1975, Hang thought she was so clever, devising a way to flee while her family strategized and worried. Every day newspapers printed stories about Americans panicking to save hundreds of orphans. There was even an official name, Operation Babylift. She assumed she and her brother would go first, then somehow her family would join them in America. But in line at the airport she was rejected, a twelve-year-old passing as eight. Linh was five, three to foreign eyes, just young enough to be accepted as an orphan. Hang saw little Linh thrashing as he was carried into a Pan Am.

By the time her brother was ripped from her, nobody cared to hear why she lied. With so many scrambling to flee before the victorious Communists marched in, one more screaming child was just that. An American volunteer with puffy, sweaty hands must have felt sorry for her. He pressed a card into her palm as he pushed her away from the ladder. Sun rays radiated through each strand of his mango-colored hair. She had to stop an impulse to extinguish the fiery puff of gold threads on his head. He was the last to board. Hang screamed until the Pan Am blended into the sky and left a long loose-curl cloud. For hours, until dusk enveloped her and mosquitoes chased her home, she focused skyward and pleaded for forgiveness. When she opened her palm, the card had disintegrated except for one clue: 405 Mesquite Street, Amarillo, Texas.

Hang’s mission, her one purpose now she is in America is to find her brother. That mission starts out on a bus, but when the bus’s motion, reminding her of the escape boat, makes her sick, the bus leaves without her. Her mission ends up entwining her fate with that of LeeRoy, a boy who is also eighteen and has left his home for the summer on a mission to ride in rodeos and be a cowboy.

When Hang does find her brother, he doesn’t remember her. And his American mother wants Hang nowhere near him. But Hang is going to find a way to stay as close as she can – and a lot of things happen to Hang, LeeRoy and Linh that eventful summer in Texas.

This book is beautifully written, from several different perspectives. One thing I love about it is how when Hang speaks in English, the phonetic spelling is given – but phonetic from the perspective of someone from Viet Nam, full of diacritic marks, and not using the same phonetics as an English-speaking person would use. The reader has to learn how to understand Hang and gradually figure out what she is trying to say. When she thinks or writes in Vietnamese, she is completely fluent, so the reader understands the difficulty of trying to communicate in a foreign language.

We gradually learn about the trauma Hang survived, both in Viet Nam and as she escaped from Viet Nam. It’s horrific, and explains why she covers herself up and hides even in the Texas summer and doesn’t even think of trying to look pretty.

This is a book of cross-cultural understanding, as well as a book of love and healing.

thanhhalai.com

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Review of Cog, by Greg van Eekhout

Cog

by Greg van Eekhout

Harper, 2019. 196 pages.
Starred Review
Review written October 20, 2019, from a library book
2019 Sonderbooks Stand-out: #2 in Children’s Fiction
2019 Cybils Award Finalist

This book is utterly delightful. It’s true that I’ve got a strong prejudice against books that claim robots have emotion or that assign basically magical abilities to robots, so I did have a tiny bit of trouble with suspension of disbelief. But I loved the characters so much, and they were so quirky and creative, I didn’t really care.

Here’s how Cog introduces himself:

My name is Cog. Cog is short for “cognitive development.” Cognitive development is the process of learning how to think and understand.

In appearance, I am a twelve-year-old boy of average height and weight. This means I’m fifty-eight inches tall and weigh about ninety pounds and seven ounces. In actuality, I am seven months old.

Now I will tell you some facts I have learned about platypuses.

Cog tells us about his home and his bedroom and about Gina, who lives with him and makes repairs and adjustments when he needs them.

Gina is a scientist for uniMIND. She has brown eyes like my visual sensors and brown skin like my synthetic dermal layer. Her hair is black and shiny, like the feathers of birds in the corvid family, which includes crows and ravens. When she smiles, which is often, a small gap is evident between her two front teeth. My teeth, which are oral mastication plates, have no gap, but I enjoy practicing smiling with Gina.

Cog is programmed to learn, to increase his cognitive development. As the book begins, Gina takes him to Giganto Food Super Mart to learn about shopping. She gives him a list and asks him to get the items unsupervised.

Cheese is the first item. Cog discovers many kinds of cheese that he hadn’t known existed before. He fills the cart with them. When he gets back to Gina, she tells him that for a first attempt he did a very good job.

“But we actually don’t need all this cheese,” she continues. “Nor do we need seven dozen apples or eight different kinds of orange juice or twelve different varieties of dish soap. So let’s start putting most of this back.”

I learn that unshopping takes longer than shopping.

As we return items to shelves, Gina explains to me where my judgment was faulty and led me astray.

“Is my judgment the result of a bug?” I ask her. “Can you fix it?”

“No,” she says, hanging seven bags of shredded cheese back on their hooks. “It’s just something you have to learn. It’s like my old professor used to tell me: ‘Good judgment comes from experience, but experience comes from bad judgment.’ That means we learn by making mistakes.”

I process this for a while.

“How long did it take you to learn good judgment?”

“Oh, I’m still learning it, buddy. I’m learning it all the time.”

Since Cog’s mission is to learn, he makes a resolution. The next morning, he sneaks out of the house.

Leaving the house without Gina’s permission is a mistake. this pleases me, because a mistake is an act of bad judgment, and I expect my act of bad judgment to increase my cognitive development.

Unfortunately, out in the yard, Cog sees a Chihuahua about to be hit by a truck. He saves the Chihuahua – and gets hit by the truck.

When Cog wakes up, he is in bed and hooked up to data ports beneath his flipped-up fingernails, but something is not right. He is not in his bedroom at home, and Gina is not there.

It turns out that since she allowed Cog to be hit by a truck, she’s been taken off the project. Cog is at UniMIND headquarters and told it’s his new home.

When he finds out they want to open up his brain and take out the X-Module (whatever that is), Cog resolves to run away and find Gina.

And so we end up with a delightful road trip story. Cog travels with four other robots – ADA, an Advanced Destructive Apparatus who looks like a twelve-year-old girl, a Trashbot that asks everyone if they have waste, a robotic dog, and a talking Car. The Car asks if he will accept liability before it agrees to set out with them.

The adventure is wild – okay, perhaps quite a bit unlikely – but oh, so much fun. Each one of the robots has a distinct and consistent personality, and I love Cog’s voice narrating the whole thing. In fact, I will end this review with some words of wisdom from Cog:

Since leaving the UniMIND campus, I have had several bad experiences, and one thing I have learned is that friends and sandwiches make even the worst of situations more tolerable.

writingandsnacks.com
harpercollinschildrens.com

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Review of That All Shall Be Saved, by David Bentley Hart

That All Shall Be Saved

Heaven, Hell and Universal Salvation

by David Bentley Hart

Yale University Press, 2019. 222 pages.
Starred Review
Review written December 26, 2019, from my own copy purchased via Amazon.com

My cousin Keith mentioned on Facebook that this book was coming out, a book on the same topic as Rob Bell’s Love Wins. He mentioned it with concern, but it gave me great delight, and I ordered the book on Amazon. It makes a nice addition to my collection of books supporting universalism.

This one takes a very academic perspective. The book is written in academic language, and I’m ashamed to admit that some of the language went right over my head. He also takes a primarily philosophical approach, arguing about the nature of God and goodness and free will. (No wonder my cousin knew of this author – my cousin is a professor of philosophy.)

One thing I love about this book is that there’s not a trace of wishy-washiness in his opinions. Now, when I first started reading about universalism, I’m glad I encountered writers with more humility, more willing to concede they might be mistaken. But the more I’ve read, the more universalism seems to make everything make sense, and for me at this point, it feels refreshing to read an author who’s sure about what he’s teaching. Here’s how he puts it in the Introduction:

If Christianity taken as a whole is indeed an entirely coherent and credible system of belief, then the universalist understanding of its message is the only one possible. And, quite imprudently, I say that without the least hesitation or qualification.

And he adds to that in the end of the book:

To say that, on the one hand, God is infinitely good, perfectly just, and inexhaustibly loving, and that, on the other, he has created a world under such terms as oblige him either to impose, or to permit the imposition of, eternal misery on finite rational beings, is simply to embrace a complete contradiction. And, no matter how ingenious the rhetorical tricks one devises to convince oneself that the claim is in fact logically coherent, morally elevating, and spiritually enlivening, the contradiction remains unresolved. All becomes mystery, but only in the sense that it requires a very mysterious ability to believe impossible things.

The book begins by looking at the question of an eternal hell, and then four meditations looking at four questions: “Who is God?” “What Is Judgment?” “What Is a Person?” and “What Is Freedom?”

In the section on the question of an eternal hell, he says that he is okay with the view that suffering in hell is essentially self-imposed.

A hardened heart is already its own punishment; the refusal to love or be loved makes the love of others – or even just their presence – a source of suffering and a goad to wrath. At the very least, this is a psychological fact that just about any of us can confirm from experience.

His problem with the common teaching on hell is strictly with the idea that hell is never-ending.

Once one has had time to think about it for a little while, one should notice that, when all is said and done, this very rational and psychologically plausible understanding of hell still in no significant way improves the larger picture of God as creator and redeemer – at least, not if one insists upon adding the qualification “eternal” or “final” to the condition of self-imposed misery that it describes. At that point, we find that our two questions remain as gallingly unaddressed as ever: the secondary question of whether this defiant rejection of God for all of eternity is really logically possible for any rational being; and the primary question of whether the God who creates a reality in which the eternal suffering of any being is possible – even if it should be a self-induced suffering – can in fact be the infinitely good God of love that Christianity says he is.

David Bentley Hart goes into great detail looking at these questions. He gives a preview of where he’s going:

One argument that I shall make in this book is that the very notion that a rational agent in full possession of his or her faculties could, in any meaningful sense, freely reject God absolutely and forever is a logically incoherent one. Another is that, for this and other reasons, a final state of eternal torment could be neither a just sentence pronounced upon nor a just fate suffered by a finite being, no matter how depraved that being might have become. Still another is that, even if that fate were in some purely abstract sense “just,” the God who would permit it to become anyone’s actual fate could never be perfectly good – or, rather, as Christian metaphysical tradition obliges us to phrase it, could never be absolute Goodness as such – but could be at most only a relative calculable good in relation to other relative calculable goods. And yet another is that the traditional doctrine of hell’s perpetuity renders other aspects of the tradition, such as orthodox Christology or the eschatological claims of the Apostle Paul, ultimately meaningless. If all of this seems obscure, which at this point it should, I hope it will have become clear by the end of the book.

By this time, you understand what I mean when I say this book is primarily philosophical and written in academic language. This book isn’t for every reader, but if these quotations make you wonder or want to argue, you know where to find more.

Now, please don’t think that his arguments are merely philosophical and apart from Scripture. No, as with every book on universalism, an important part of his argument is the assertion that our modern day infernalist view of eternal hell comes from mistranslations of Greek and Hebrew Scripture.

This author has already published his own translation of the New Testament. So that either means that he has a thorough knowledge of the Greek language used or it means that he’s translating to please himself. Since his conclusions match what so many other authors have told me about the meaning of significant Greek words, and since he looks at the historical use of key terms outside the Bible, including their use by Plato as well as by the early church fathers, I’m going with the view that he’s got a thorough knowledge of the Greek.

He covers the writings of the New Testament most closely in his meditation “What Is Judgment?” Here’s a little bit from that section:

There is a general sense among most Christians that the notion of an eternal hell is explicitly and unremittingly advanced in the New Testament; and yet, when we go looking for it in the actual pages of the text, it proves remarkably elusive. The whole idea is, for instance, entirely absent from the Pauline corpus, as even the thinnest shadow of a hint. Nor is it anywhere patently present in any of the other epistolary texts. There is one verse in the gospels, Matthew 25:46, that – at least, as traditionally understood – offers what seems the strongest evidence for the idea (though even there, as I shall explain below, the wording leaves room for considerable doubt regarding its true significance); and then there are perhaps a couple of verses from Revelation (though, as ever when dealing with that particular book, caveat lector). Beyond that, nothing is clear. What in fact the New Testament provides us with are a number of fragmentary and fantastic images that can be taken in any number of ways, arranged according to our prejudices and expectations, and declared literal or figural or hyperbolic as our desires dictate. True, Jesus speaks of a final judgment, and uses many metaphors to describe the unhappy lot of the condemned. Many of these are metaphors of destruction, like the annihilation of chaff or brambles in ovens, or the final death of body and soul in the Valley of Hinnom (Gehenna). Others are metaphors of exclusion, like the sealed doors of wedding feasts. A few, a very few, are images of imprisonment and torture; but, even then, in the relevant verses, those punishments are depicted as having only a limited term (Matthew 5:36; 18:34; Luke 12:47-48, 59). Nowhere is there any description of a kingdom of perpetual cruelty presided over by Satan, as though he were a kind of chthonian god.

On the other hand, however, there are a remarkable number of passages in the New Testament, several of them from Paul’s writings, that appear instead to promise a final salvation of all persons and all things, and in the most unqualified terms. I imagine some or most of these latter could be explained away as rhetorical exaggeration; but then, presumably, the same could be said of those verses that appear to presage an everlasting division between the redeemed and the reprobate. To me it is surpassingly strange that, down the centuries, most Christians have come to believe that one class of claims – all of which are allegorical, pictorial, vague, and metaphorical in form – must be regarded as providing the “literal” content of the New Testament’s teaching regarding the world to come, while another class – all of which are invariably straightforward doctrinal statements – must be regarded as mere hyperbole.

But this book especially stands out in tackling head-on the argument that God has to respect mankind’s “free will” and allow people to choose eternity away from God. Even C. S. Lewis had this view. But is someone who acts irrationally truly free?

A choice made without rationale is a contradiction in terms. At the same time, any movement of the will prompted by an entirely perverse rationale would be, by definition, wholly irrational – insane, that is to say – and therefore no more truly free than a psychotic episode. The more one is in one’s right mind – the more, that is, that one is conscious of God as the Goodness that fulfills all beings, and the more one recognizes that one’s own nature can have its true completion and joy nowhere but in him, and the more one is unfettered by distorting misperceptions, deranged passions, and the encumbrances of past mistakes – the more inevitable is one’s surrender to God. Liberated from all ignorance, emancipated from all adverse conditions of this life, the rational soul could freely will only its own union with God, and thereby its own supreme beatitude. We are, as it were, doomed to happiness, so long as our natures follow their healthiest impulses unhindered; we cannot not will the satisfaction of our beings in our true final end, a transcendent Good lying behind and beyond all the proximate ends we might be moved to pursue. This is no constraint upon the freedom of the will, coherently conceived; it is simply the consequence of possessing a nature produced by and for the transcendent Good: a nature whose proper end has been fashioned in harmony with a supernatural purpose. God has made us for himself, as Augustine would say, and our hearts are restless till they rest in him. A rational nature seeks a rational end: Truth, which is God himself. The irresistibility of God for any soul that has truly been set free is no more a constraint placed upon its liberty than is the irresistible attraction of a flowing spring of fresh water in a desert place to a man who is dying of thirst; to choose not to drink in that circumstance would be not an act of freedom on his part, but only a manifestation of the delusions that enslave him and force him to inflict violence upon himself, contrary to his nature. A woman who chooses to run into a burning building not to save another’s life, but only because she can imagine no greater joy than burning to death, may be exercising a kind of “liberty,” but in the end she is captive to a far profounder poverty of rational freedom.

He’s also very clear about the injustice of applying eternal punishment to finite creatures.

None of this should need saying, to be honest. We should all already know that whenever the terms “justice” and “eternal punishment” are set side by side as if they were logically compatible, the boundaries of the rational have been violated. If we were not so stupefied by the hoary and venerable myth that eternal damnation is an essential element of the original Christian message (which, not to spoil later plot developments here, it is not), we would not even waste our time on so preposterous a conjunction. From the perspective of Christian belief, the very notion of a punishment that is not intended ultimately to be remedial is morally dubious (and, I submit, anyone who doubts this has never understood Christian teaching at all); but, even if one believes that Christianity makes room for the condign imposition of purely retributive punishments, it remains the case that a retribution consisting in unending suffering, imposed as recompense for the actions of a finite intellect and will, must be by any sound definition disproportionate, unjust, and at the last nothing more than an expression of sheer pointless cruelty.

So that gives you the idea. There’s much more in this book. I hope there are people out there who are intrigued by this (to me) refreshing logic. Here’s where the author leaves us at the end of the meditation on freedom:

Freedom consists in the soul’s journey through this interior world of constantly shifting conditions and perspectives, toward the only home that can ultimately liberate the wanderer from the exile of sin and illusion. And God, as the transcendent end that draws every rational will into actuality, never ceases setting every soul free, ever and again, until it finds that home. To the inevitable God, every soul is bound by its freedom. In the end, if God is God and spirit is spirit, and if there really is an inextinguishable rational freedom in every soul, evil itself must disappear in every intellect and will, and hell must be no more. Only then will God, both as the end of history and as that eternal source and end of beings who transcends history, be all in all. For God, as scripture says, is a consuming fire, and he must finally consume everything.

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Review of Look Both Ways, by Jason Reynolds

Look Both Ways

A Tale Told in Ten Blocks

by Jason Reynolds

Simon & Schuster Audio, 2019. 4 CDs.
Starred Review
2019 National Book Award Finalist
Review written November 22, 2019, from a library audiobook

This book is a set of overlapping stories about lots of kids, all of them walking home from school. The audiobook version is read by too many people to list at the top of this review, so I’ll list them here: Heather Alicia Simms, Chris Chalk, Bahni Turpin, Adenrele Ojo, Kevin R. Free, JD Jackson, Guy Lockard, January LaVoy, David Sadzin, and Jason Reynolds. Something odd that all the stories have in common is the mention of a school bus falling from the sky.

School’s important in this book, because the kids are leaving school, but our heroes and heroines are walkers. They do get passed by buses and talk about buses and think about school buses falling from the sky, but most of the action happens once school gets out, in the ten blocks near the school.

I think it was a little more difficult to notice details that overlapped between stories when listening. If I’d had the print book in front of me, I would have leafed back to make sure I remembered when a name popped up again. But I did enjoy the variety of narrators, so I think it was worth listening. I may not be sure if there was a big picture in this book, but I do know I enjoyed each individual story.

The stories include things like buying penny candy from a lady in the neighborhood after scrounging change; planning to outwit a new fierce dog that’s popped up on the route home from school; preparing to talk with someone you like; navigating hallways; and figuring out how to protect your mother who’s there to protect others – and who got hurt doing that.

These are slice-of-life stories about a lot of different kids, and there’s something here for everyone to like. Some of the stories do have hard things, but through all the stories, there’s an infusion of joy and a splash of friendship. Everybody’s got someone looking out for them.

As usual, Jason Reynolds is writing about a black neighborhood, and that makes me happy – but there’s nothing here that kids of any ethnicity won’t enjoy. I’m also glad that this isn’t an issue book. It’s a book about kids being kids together during that daily activity – walking home from school.

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