Review of Cloaked in Red, by Vivian Vande Velde

Cloaked in Red

by Vivian Vande Velde

Marshall Cavendish, 2010. 127 pages.

I loved Vivian Vande Velde’s The Rumpelstiltskin Problem, so I made sure to snap up Cloaked in Red when I heard about it.

In both books, she takes a fairy tale you thought you knew, and casts it in a very different light. Okay, several different lights. She looks at the story from many different perspectives.

Her Author’s Note at the beginning makes some fun points:

“There are different versions, but they all start with a mother who sends her daughter into the woods, where there is not only a wolf, but a talking, cross-dressing wolf. We are never told Little Red Riding Hood’s age, but her actions clearly show that she is much too young, or too dimwitted, to be allowed out of the house alone.”

Or how about the heroine’s unusual name?

“And what happened later in life, when Little Red Riding Hood was no longer little? Did she shift to ‘Medium-Sized Blue-Beaded Sweater’? Did she eventually become ‘Size-Large and Yes-That-DOES-Make-Your-Butt-Look-Enormous Jeans’?”

I love the way she points out how unlikely it all is. Here’s Red in the cottage:

“I don’t like to criticize anyone’s family, but I’m guessing these people are not what you’d call close. Little Red doesn’t realize a wolf has substituted himself for her grandmother. I only met my grandmother three times in my entire life, but I like to think I would have noticed if someone claiming to be my grandmother had fur, fangs, and a tail.

“But Little Red, instead of becoming suspicious, becomes rude.

“‘My,’ she says — as far as she knows — to her grandmother, ‘what big arms you have.’

Big she notices. Apparently hairy and clawed escape her.”

Vivian Vande Velde concludes her introduction with these words:

“However you look at it, ‘Little Red Riding Hood’ is a strange and disturbing story that should probably not be shared with children.

“That is why I’ve gone ahead and written eight new versions of it.”

The eight stories that follow are amazingly varied, even though you can see how they relate to the fairy tale. These ones seemed darker to me than the ones in The Rumpelstiltskin Problem, but then “Little Red Riding Hood” is a quite dark and violent tale.

We’ve got one from the perspective of pretty much every one in the story. I like the one where Jakob and Wilhelm, the dimwitted Grimm brothers, sons of a woodcutter, misunderstand when Grandma’s talking about making a wolf draft-stopper for her granddaughter. My favorite is probably the one about the nice wolf who is trying to be helpful after an annoying little girl steps on his tail, screams, and drops her basket.

“The wolf inhaled deeply the tantalizing smells of meat and baked goods, and was strongly tempted to gobble everything up. But his mother had raised him better than that.

“‘Little girl!’ he called after the fleeing child. He could no longer see her, though her shrieks trailed behind her like a rat’s tail. ‘You forgot your food!’

“Apparently the little girl could not understand wolf speech any more than the wolf could understand human speech, since she didn’t come back.

“If the wolf hadn’t had such a deeply held moral belief system, he could have convinced himself that by leaving the basket behind, the girl had forsaken her rights to it. But, instead, he picked up the basket in his teeth, then loped through the trees, following the trails of wailing, crushed forest vegetation and human scent.”

Reading this book makes me want to try my hand at rewriting fairy tales. Above all, all the variations are clever and inventive and a nice exercise in how point of view changes a story.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/cloaked_in_red.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own book, ordered from Amazon.com.

Review of The Snow Queen, by Mercedes Lackey

The Snow Queen

by Mercedes Lackey

Luna, 2008. 331 pages.
Starred Review
2011 Sonderbooks Stand-out: #4 Fantasy Fiction

Mercedes Lackey’s Tales of the Five Hundred Kingdoms are exactly the sort of books I thoroughly enjoy. I don’t think it’s necessary to have read the earlier books to enjoy the current one, but characters from previous books are mentioned, and if you’ve read them you already understand the key to that world: The Tradition.

The Tradition is a powerful magic woven through that world, molding people’s lives into fairy tale format. It falls to a league of Godmothers to bend the Tradition to good results and avert tragedy.

I never really liked the story of the Snow Queen. I love the way Mercedes Lackey twists it. In this version, the Snow Queen is the heroine. She’s a Godmother who saves selfish and spoiled boys from ruining their lives completely.

Here’s the Snow Queen, Aleksia, thinking about Kay, the latest boy to come to her Ice Palace:

“He could be redeemed — he would not be here, in the Palace of Ever-Winter, the home of the Ice Fairy, if he was not capable of redemption. The Tradition had made that part clear enough by building such an enormous store of magic about him that, if Aleksia had waited until Winter to fetch him, he would have found his initials written in frost on the windowpane, snowmen having taken on his features when he passed, and the cold having grown so bitter that wildlife would have been found frozen in place. Even so, things had gotten to the point that Ravens had taken to following him, which was a very ominous sign had he but known it. Presumably if Aleksia had done nothing, and no other wicked magician had discovered him and virtually eaten him alive for the sake of that power, he would have gone to the bad all by himself. He was too self-centered and arrogant to have escaped that particular fate — and most likely, given his turn of mind, he would have become a Clockwork Artificer, one of those repellant individuals who tried to reduce everything to a matter of gears and levers, and tried to imprison life itself inside metal simulacrums. While not usually dangerous to the public at large the way, say, the average necromancer was, Clockwork Artificers could cause a great deal of unhappiness — and in their zeal to recreate life itself, sometimes resorted to murder.

“Judging by the Ravens, Kay would have become one of that sort.

“The only cure for this affliction was a shock, a great shock to the system. One that forced the youngster to confront himself, one that isolated him from the rest of the world immediately, rather than gradually. He had to lose those he still cared for, at least marginally, all at once. He had to learn that people meant something to him, before they ceased to.”

And I love the lesson Aleksia has for the other character in the story:

“It took two to make this dance, and Kay’s little friend Gerda, the girl who loved him with all her heart, who was currently trudging toward the next episode in her own little drama, was the coconspirator in The Traditional Path that ended in a Clockwork Artificer. Her nature was as sweet as her face, her will as pliant as a grass-stem and her devotion to Kay unswerving, no matter how much he neglected her. She needed redemption almost as much as Kay did. Such women married their coldhearted beloveds, made every excuse for them, smoothed their paths to perdition, turned a blind eye to horrors and even, sometimes, participated in the horrors themselves on the assumption that the Beloved One knew best. Gerda required a spine, in short, and an outlook rather less myopic than the one she currently possessed. And this little quest she was on was about to give her one.”

But Kay and Gerda’s story is on the beginning of this book about Aleksia, the Snow Queen. Because someone else is impersonating her. Someone else is calling herself the Snow Queen and abducting promising young men. Aleksia needs to find out what is going on. She’s not used to having adventures of her own, living alone in the Ice Palace. But this time, setting things right means Aleksia has to get involved herself.

Mercedes Lackey spins a good tale! I love her cleverness in weaving in all the ways the Tradition works. I read lots and lots of fairy tales when I was a little girl, and Mercedes Lackey brings up themes and tropes I’d all but forgotten. I love the whole concept of godmothers bending the Tradition to go the way they want it to — having to know what sorts of things work. That amounts to a vast knowledge of fairy tales.

And as well as inventive use of fairy tale themes, since there are five hundred kingdoms, each book presents a different culture and heritage. This one deals with the Sammi, a people of the far North. We also get new characters in each book (with some mentions of previous characters), and I love looking at the aspect of what life would be like for a powerful Ice Fairy. It would indeed most likely get lonely. There’s always a touch of romance in these books, too.

This book was one that simply made me smile. It was precisely the type of light-hearted reading I was looking for at the time. I had actually purchased the book when it first came out, but then never got it read because it didn’t have a due date. Well, I recently made myself a rule to alternate between library books and books I own. Then I heard that Mercedes Lackey’s next book was coming out, so I thought I really should read this one I bought some time ago. I was so glad I did!

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/snow_queen.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Daughter of the Forest, by Juliet Marillier

Daughter of the Forest

by Juliet Marillier

Book One of the Sevenwaters Trilogy
TOR Fantasy, New York, 2000 554 pages.
Starred Review

A huge thank-you to my sister Marcy, who gave me this book. I began reading it on the first leg of my trip to ALA Annual Conference 2011, read the first two chapters, and actually somehow left it behind between flights. So as soon as I got home, I ordered a replacement. Now I’ve read the second book as a library copy, but I’ve decided to order both the second and third books to have for my own. I am absolutely sure I will want to reread them again some day.

Daughter of the Forest is incredibly well-written. This is one of those books I love, a fairy tale retelling, but it’s done with a tremendous amount of loving detail, creating an intricate tapestry of a book. The story is told in old Ireland, in the time of the Druids, with Christianity just beginning to come. Sorcha and her six brothers are the children of Lord Colum, the powerful chieftain of Sevenwaters. Sorcha runs a little wild, the youngest of so many brothers. She has a bond with her brother Finbar, so they can speak without words.

Then her father and brothers capture and torture a Briton. Finbar, who is different, not so warlike, takes a bold step to help the Briton escape. The Briton is sheltered in the friar’s house. Can Sorcha, learning skills as a healer, help him survive? Will he be even willing to survive?

But her time helping the Briton is interrupted when her father comes home — with a new wife. This wife has a strange power over him. Sorcha and her brothers are uneasy.

And then the fairy tale I recognize begins. The evil stepmother turns all the brothers into swans. The only way Sorcha can restore them is to knit them all shirts out of nettles. But she must not utter even one sound until the work is done.

I never thought about it before, but there is definitely a novel in that tale! Juliet Marillier brings it to us with rich detail. There are some horrible moments, but you will be completely captivated by Sorcha’s tale. She goes from Ireland to Britain. The Fair Folk get involved. And the romantic hero is one of the most wonderful men I have ever encountered in fiction. He’s so loving, so careful to protect Sorcha.

Here’s a taste of Juliet Marillier’s rich prose, in the first chapter, when Finbar has declared he will not join his father’s military campaigns:

“Why do I remember this so well? Perhaps his displeasure with what we were becoming made Father take the choice he did, and so bring about a series of events more terrible than any of us could have imagined. Certainly, he used our well-being as one of his excuses for bringing her to Sevenwaters. That there was no logic in this was beside the point — he must have known in his heart that Finbar and I were made of strong stuff, already shaped in mind and spirit, if not quite grown, and that expecting us to bend to another will was like trying to alter the course of the tide, or to stop the forest from growing. But he was influenced by forces he was unable to understand. My mother would have recognized them. I often wondered, later, how much she knew of our future. The Sight does not always show what a person wants to see, but maybe she had an idea as she bade her children farewell, what a strange and crooked path their feet would follow.”

A truly magnificent tale.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/daughter_of_the_forest.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book given to me by my sister Marcy.

Review of Hereville: How Mirka Got Her Sword, by Barry Deutsch

Hereville

How Mirka Got Her Sword

by Barry Deutsch

Amulet Books, New York, 2010.
2011 Eisner Award Nominee
Starred Review

Here’s one more review of a book from School Library Journal’s Battle of the Kids’ Books. I hope I’ve convinced my readers to follow the Battle next year!

I don’t read a lot of graphic novels, but when I saw the caption on the cover of Hereville, I knew I had to try it: “Yet Another Troll-Fighting 11-Year-Old Orthodox Jewish Girl.” I’m sorry, but that’s one caption I can’t possibly resist.

Hereville gained high praise from Judge Susan Patron in Round One of the Battle:

Hereville: How Mirka Got Her Sword, a graphic novel by Barry Deutsch, must be the only book ever whose outside front cover made me laugh. “Yet Another Troll-Fighting 11-Year-Old Orthodox Jewish Girl,” it proclaims. Thick, shiny, paper painted in shades of coral, brown, black and white—changing to deep purples and grays in the scary night scenes—feel silky to the touch. Every page is vibrant with energetic pictures, dialogue, sound effects—and extremely minimal exposition.

“The story plays with genres, tilting them on their sides; using incongruity, it skewers conventions. Seemingly we are in the middle of a Hansel and Gretel pastiche, a fairy tale, in which the characters sprinkle their dialogue with Yiddish words, “A klog iz mir: Woe is me!” as well as expressions like “Yaaaah!” ”Mumph!” and “Aaak!” Mirka, one daughter in a large family of sibs and step-sibs, rebels against the traditional role expected of her in the Orthodox Jewish community of Hereville. Rather than learning such “womanly arts” as knitting, she wants to fight dragons. There is lots of very clever stuff here: visual jokes such as an illustration contained within an exclamation point, table legs morphing into trees, and a deliciously horrid troll.

“Wit and irony also abound in the text: a monster pig eats Mirka’s homework, Mirka and her clever, loving stepmother engage in wonderfully funny debates, and some Orthodox traditions are gently poked fun at (“preparing for all that non-working [on Shabbos] takes a lot of work!” and “In Hereville, kids aren’t allowed to have non-Jewish books. So Mirka keeps hers hidden”). I was hugely entertained, even as one tender scene brought tears to my eyes.”

I don’t read a lot of graphic novels, but I know that I will want to read absolutely anything Barry Deutsch writes about Mirka. The setting is utterly unlike any other book I’ve read (a small orthodox Jewish community in the country), but I can relate to Mirka’s fairytale dreams. I love the prosaic nature of her first nemesis — the giant talking pig. You can see she has the heart to fight a troll as well.

This book is funny, magical, insightful, and a joy to read. I can’t wait to find out what Mirka will do with her sword.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/hereville.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of A Tale Dark and Grimm, by Adam Gidwitz

A Tale Dark and Grimm

by Adam Gidwitz

Dutton Children’s Books, 2010. 256 pages.

Here’s another book that appeared in School Library Journal’s Battle of the Kids’ Books. To celebrate the excellent battle action this year, I’m posting reviews of books from the Battle, and including commentary from the distinguished judges. This will give you an idea of the stellar critiques that make sljBoB so entertaining.

In the first round, this book drew a judge whose readers I think are just perfect for A Tale Dark and Grimm: R. L. Stine. He talked at length about why he chose it to win:

“When I was in elementary school, I was already fascinated by the worlds of fantasy and magic and horror. I read every book of fairy tales in our school library. I then proceeded to our town library where I moved up and down the shelves of fairy tales, Norse legends, and Greek myths, devouring book after book.

“As a long-time devotee of these stories, I opened Adam Gidwitz’ A Tale Dark and Grimm with great anticipation. I’m happy to say the book provided a wonderful return to the Grimm world—the world of dark woods, unspeakable evil, not-so-innocent children, witches, dragons, and more—that had enthralled me as a child.

“Gidwitz has not only presented us with a masterful retelling and re-imagining of the original Grimm works. His book provides a wonderful lesson in story-telling—how stories are made, how they can be twisted and turned, and how they change over time.

“The book is inviting right from the start. The author warns that the old Hansel and Gretel story isn’t what you expect, that fairy tales aren’t for the faint-of-heart. His warning that “the one true tale is as violent and bloody as you can imagine” makes the book irresistible. Who could stop reading after a warning like that?

“He then presents a retelling of several Grimm tales, beginning with Hansel and Gretel and using them as protagonists for the ensuing stories. We follow the brother and sister from adventure to adventure, into the woods and out, into king’s castles and witch’s hovels, into deep darkness, and finally to redemption– and even a happy ending. Thus he has cleverly tied the stories together and turned them into a novel.

“Gidwitz’ writing is simple, clean, easy-to-read. In a word: delightful. He manages to capture all the dark feelings and atmosphere of the original tales in language appealing to kids today. He doesn’t modernize. He doesn’t camp it up. The writing is crisp and clear, and he takes the story-telling seriously.”

However, in the second round, A Tale Dark and Grimm lost to Trash, by Andy Mulligan. Judge Pete Hautman still had good things to say about A Tale Dark and Grimm. I love the way he explains why kids might enjoy it more than adults:

“I felt a little uncomfortable stepping into these books. Okay, I’ll admit it—I like happy books that make me glad I am who I am. Murderous parents, child-eating witches, orphaned trash pickers, and monstrously corrupt politicians do not make me feel good about being human. But that’s because I’m a grownup, all tender and vulnerable and fiercely protective of my comfort level. Younger readers are more adventurous. As was I, once upon a time. Clearly, to give these books a fair shake I would have to channel my younger self.

“In A Tale Dark and Grimm, Adam Gidwitz makes it easy. These fairly straightforward retellings are interrupted, frequently, by the author, who offers warnings (“This next bit is a bit gross,”) commentary (“No, I didn’t think the moon ate people either. But is says so, right in the original Grimm,”) and alternate endings to several of the tales. There is a forbidden fruit deliciousness here—like being a kid and having your most favorite and funniest uncle telling you stories that might make your overly-protective helicopter parents blanch.”

For me, I enjoyed the book. I like the way it reminded me of reading the Grimm fairy tales as a kid. The book is clever and well-written and nicely plotted — but it didn’t win my heart. The fact is, I like the original tales better. And I admit my favorites were the happier, princess-filled tales. I wasn’t ever really a fan of the ones with heads chopped off. This book ended up with a very different tone than what I remember from being a little girl reading fairy tales.

However, I think my boys would have loved it! When they were around upper elementary or middle school age. This would have made an excellent family read-aloud. And I’m looking forward to recommending this book to boys in the library, especially ones who like a little blood and gore. This is a perfect book to hand to a boy who’s been reading A Series of Unfortunate Events, or, yes, R. L. Stine’s books.

Now if you’ll excuse me, I think I’ll go enjoy a fairy tale or two.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/tale_dark_and_grimm.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Toads and Diamonds, by Heather Tomlinson

Toads and Diamonds

by Heather Tomlinson

Henry Holt and Company, New York, 2010. 278 pages.

Toads and Diamonds is a beautiful twist on the Charles Perrault fairy tale, with the story set in India.

As in the fairy tale, one stepsister has precious gems and flowers fall out of her mouth whenever she talks, and the other has snakes and toads come out of her mouth. However, in this book, the stepsisters love each other dearly, and it’s not so clear which is the gift and which is the curse.

And both girls must leave their beloved home. They each have a long journey ahead of them to learn their destiny.

This book is full of beautiful writing and an intriguing story. Both girls have adventures and learn about themselves before they are reunited again. The Indian setting makes this quite different from most fairy tale retellings. You can’t help but like both sisters and hope that they both overcome the challenges they’re faced with.

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Teens/toads_and_diamonds.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an ARC I got at ALA Annual Conference.

Blog Tour Author Interview with Diane Zahler

Today I’m excited to host my second-ever Blog Tour Author Interview with Diane Zahler, author of A True Princess. You’ll find my review of the book just below in the previous post on this blog.

I found Diane’s answers to my questions intriguing. I hope you enjoy them!

Diane Zahler
Diane Zahler

I’ve always loved fairy-tale retellings, and can think of several that I love, such as The Goose Girl, by Shannon Hale, Beauty, by Robin McKinley, and Ella Enchanted, by Gail Carson Levine. What are some of your favorite retellings? Would you say those influenced your own writing?

I love Beauty and The Goose Girl too – in fact, those are my absolute favorite retellings. The way Robin McKinley and Shannon Hale filled out their stories and grace with which they write were a real inspiration to me. I also love East by Edith Pattou, a retelling of “East of the Sun, West of the Moon,” and Ash by Malinda Lo, a retelling of “Cinderella.” As these writers did, I wanted to create a complete world in my retellings, with intriguing characters and settings and a sense of magic.

Which were some of your favorite fairy tales as a child?

I read all the Andrew Lang fairy tale books – The Red Fairy Tale Book, The Blue Fairy Tale Book, yellow, green – if there’d been a puce one or a vermillion, I’d have read those too! I was especially taken with “The Twelve Dancing Princesses,” which I used as the basis of my first book, The Thirteenth Princess. And I loved “Rapunzel.” But I didn’t notice, at that age, that the princesses in these stories were not in control of their own fates – they were manipulated by magic, and later, generally, saved by a prince. I like a princess who can call the shots! And if there had been princesses like that when I was a kid, I think I would have loved them.

Can you put your finger on some reasons why you love fairy tales? (I’m not sure I could!)

Fairy tales treat both our earliest fears and our deepest hopes. The fact that similar tales are found in cultures around the world and have been popular for centuries indicates that the themes they treat resonate with us on a deep level. Many of them deal with abandonment, the death of a parent, and other situations that seem hopeless and out of the characters’ control. And yet often good vanquishes evil, and there’s a happily-ever-after. The idea that we – identifying with the characters in the stories – can face our fears and overcome them is empowering.

I actually very recently finished revising a middle-grade fairy-tale-type novel of my own, and have begun sending queries to agents. Do you have an agent? Any tips about getting published? Did you find any resistance to such traditional fantasy, with so many vampire and werewolves out there?

I don’t have an agent. I’ve had agents in the past, and they were not particularly helpful. Of course, the books I was sending out at the time weren’t particularly publishable, so that might have been the problem! But I had worked in children’s book publishing years ago and still knew some people, so I was able to get my work read. And I found that the fact that my books were fantasy in a more traditional vein was an relief to my editors. I get the impression from agents and editors I know that fairy tales are more likely to endure than the trendy vampire/werewolf/angel-fallen-to-earth fiction that’s so popular at the moment. As for tips – endurance. Resilience. A thick skin. Never give up! It took me decades to get here, but it took me much of that time to learn how to write.

I think of A True Princess as a wholesome story, suitable for young girls beginning on chapter books who love fairy tales, but also offering plenty to enjoy for older people like me. The main character encounters many good people who care about her, and it’s a feel-good story, even with the moments of danger. I wish that saying that didn’t make the book sound boring, because it’s not! Would you care to comment about that and about the age level of your imagined reader?

A True Princess, like The Thirteenth Princess, is marketed for the middle-grade, or tween, reader. That’s between 8 and 12 years old, though I’ve heard from many girls of 13-16 who really enjoyed The Thirteenth Princess. I did keep my readers in mind to some extent as I wrote, but the fact that my protagonist in both my novels is 12 keeps certain topics naturally off-limits. Lots of fairy tales in their original form are the opposite of wholesome – they feature murder, betrayal, abuse, every horror you can imagine, and some that are beyond imagining. Needless to say, I haven’t included most of those details in my retellings. My aim is not wholesomeness, or creating a feel-good story. Instead, my intention is to take the elements of the original story that I think would resonate with readers – the struggle between good and evil, the search for identity, the tension between fear and courage –and use those to craft a story that contains both aspects of the original and themes that work for today’s readers.

Thank you so much for sharing your thoughts with my readers and me!

A True Princess

Some more about Diane Zahler and A True Princess:

About Diane Zahler
Diane Zahler, author of A True Princess, has loved tales of fairies and magic since before she was old enough to read. She has worked in the children’s room at a public library, in children’s book publishing, and as an elementary and high school textbook writer. The Thirteenth Princess, her first novel for young readers, was published in 2010. She lives with her husband and dog in an old farmhouse in the Harlem Valley that is held together with duct tape and magic spells. Diane’s website is: www.dianezahler.com.

About A True Princess
Twelve-year-old Lilia is not a very good servant. She daydreams, she breaks dishes, and her cooking is awful! Still, she hardly deserves to be sold off to the mean-spirited miller and his family. Lilia refuses to accept that dreadful fate, and with her best friend Kai and his sister Karina beside her, she heads north to find the family she’s never known. But danger awaits. . . .

As their quest leads the threesome through the mysterious and sinister Bitra Forest, they suddenly realize they are lost in the elves’ domain. To Lilia’s horror, Kai falls under an enchantment cast by the Elf-King’s beautiful daughter. The only way for Lilia to break the spell and save Kai is to find a jewel of ancient power that lies somewhere in the North Kingdoms. Yet the jewel will not be easy to find. The castle where it is hidden has been overrun with princess hopefuls trying to pass a magical test that will determine the prince’s new bride. Lilia has only a few days to search every inch of the castle and find the jewel—or Kai will be lost to her forever.

Here’s a link to order this book from Amazon.com

Here’s the complete list of blog sites on the tour:

February 1: The Compulsive Reader — Review, book giveaway
February 2: The Brain Lair — Author interview, review
February 3: Jean Little Library — Review
February 3: Galleysmith — Author post, review
February 4: Write for a Reader — Review
February 5: The Cozy Reader — Author post, review
February 6: Libri Dilectio — Review
February 7: Tales from the Rushmore Kid — Interview with my editor
February 8: Green Bean Teen Queen — Review
February 8: Mother Daughter Book Club — Review
February 9: There’s a Book — Author interview, review
February 10: Mrs. V’s Reviews — Author interview, review
February 11: The Cazzy Files — Author interview, review
February 11: Sonderbooks — Author interview, review
February 12: BookScoops — Author interview, book giveaway, review

Review of A True Princess, by Diane Zahler

A True Princess

by Diane Zahler

HarperCollins Children’s Books, 2011. 182 pages.
Starred Review

Today I’ll be posting my second-ever Blog Tour Author Interview on my blog, where I interview Diane Zahler about this book, which has just come out. I did not agree to do the interview until I’d read the book, so I was happy that I enjoyed it very much! I wasn’t surprised, because some of my very favorite books are retellings of fairy tales, but I was happy about it, and happy as well to spread the word about such a good book.

A True Princess is a loose retelling of “The Princess and the Pea.” One thing I like in a fairy tale retelling is when they plausibly explain odd details in the original fairy tale. Like Ella Enchanted explains why Cinderella was such a doormat to her stepsisters, while still being spunky. A True Princess by the end of the book reveals why in the world a queen would use a pea below a pile of mattresses in order to test whether a candidate was a true princess.

But I do like it that the author didn’t adhere slavishly to the fairy tale and gave a more modernized ending, with some true love involved in the prince’s choice.

This book is a feel-good story, which I also enjoy. All the fully human characters are kind, except Lilia’s stepmother, and she’s only at the beginning. She’s not actually even Lilia’s stepmother, since Lilia was a foundling, taken in by kind man when she was a toddler. Lilia explains how she got there:

“I was about two years old when Jorgen, out fishing in the river, grabbed a strange, rough basket as it floated past. He found me inside, sound asleep. The river came down from the mountain glaciers and was ice cold. If the basket had tipped in the swift current or leaked, I would have perished from the freezing water. But I was perfectly dry, and when I opened my eyes — the color of spring violets in this land of the blue-eyed — Jorgen was overcome with astonishment and could not leave me to the river. He carried me home to his new wife and two motherless children — his son Kai, who was close to my age, or so they guessed, and his daughter Karina, who was five years older. I had stayed with them ever since, but I certainly was not part of the family, and Ylva never let me forget that. I helped Kai with the shepherding and Karina and Ylva with the household chores, and I slept on a pallet in the barn with the sheep. Ylva did not even let me eat at the table with the others.”

The book begins as Lilia overhears Ylva telling her husband that they must hire Lilia out to the miller, whose wife needs a serving girl. The miller is a cruel man, even to his own children, and Lilia decides to run away, to head north and see if she can find answers about her origins.

Lilia is rarely truly alone in this book — which makes it all the more of a feel-good book to read. For the next day, Kai and Karina, and the dog Ove, catch up with her. They tell Lilia that they are coming with her. Ylva was so angry when Lilia left, she threatened to betrothe Karina to the miller’s son. So the story is more of friends going on an adventure than of a lonely quest.

But the friends do face an adventure. At an inn, they meet some kind (and handsome) lords who are also traveling. They warn the three travelers about the Bitra Forest, where the Elf-King lives, who steals children and poses great danger to travelers.

Despite the warnings, they are attacked by bandits in the forest and go off the path. They encounter the Elf-King and his people, and his daughter decides she likes Kai. She enchants him and decides to keep him.

So the quest to find Lilia’s origins ends up being a quest to rescue Kai. Lilia bravely stands up to the Elf-King and negotiates with him. If Lilia will bring back Odin’s own cloak clasp, dropped on his Hunt, and now in a palace not far away, Kai will be released. But she is only given a fortnight in which to do it.

So there is real danger and tension, but because of Lilia’s support from Karina, and others she meets along the way, things never get truly dark.

This is a good yarn and with its feel-good nature is suitable for a middle grade student’s first fairy tale retelling. But it also has plenty to offer for people like me, who have loved fairy tale retellings for years.

And you’ll finally understand why the princess was bothered by that pesky pea!

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Source: This review is based on an advance review copy sent to me by the author.

Review of Princess of Glass, by Jessica Day George

Princess of Glass

by Jessica Day George

Bloomsbury, New York, 2010. 266 pages.
Starred Review

I’m becoming a bigger and bigger fan of Jessica Day George. Princess of Glass is a follow up to her excellent Princess of the Midnight Ball, but it’s also an incredibly creative twist on the story of Cinderella.

I thought that the Cinderella story has been rewritten so well so many different ways, there was not much more that could be done with it. Though I must admit all the versions I’ve read are among my favorite fairy tale retellings: Ella Enchanted, by Gail Carson Levine, Bella at Midnight, by Diane Stanley, and Just Ella, by Margaret Peterson Haddix.

Jessica Day George does something quite different with the story and wonderfully creative, using the version where Cinderella attends three balls. What if the godmother were really an evil witch bent on entrapping Cinderella for her own evil purposes? What if the prince and all the people at the ball were affected by an enchantment and falling in love with Cinderella despite their true feelings?

Finally, what if a princess who had experience with evil enchantments and how to protect against them was at the court and was falling in love with the prince herself?

The main character of the book is Poppy, one of the younger of the 12 Dancing Princesses featured in Princess of the Midnight Ball. After so many princes suffered fatal accidents trying to break their family’s enchantment, the king tries to build bridges by sending some daughters to foreign courts.

Poppy is a delightfully independent young lady. When she notices strange things going on around Eleanora, a clumsy servant girl from an impoverished family, she determines to get to the bottom of it. I like the way she’s still knitting charms to help, which she learned from her brother-in-law.

The author includes two knitting patterns at the end, one for the poppy-decorated shawl Poppy wears to a ball. My only complaint is that I wish there were a picture. I’m going to have to make one to see what it looks like!

I found it ingenious how Jessica Day George wove in all the motifs of the Cinderella story (except maybe the stepsisters) in a way so completely different than I’d ever thought of them before. Brilliant!

I can’t help but hope that more stories will be forthcoming about some of the other 12 princesses and their adventures in other foreign lands.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Calamity Jack, by Shannon and Dean Hale

Calamity Jack

by Shannon and Dean Hale
illustrated by Nathan Hale

Bloomsbury, New York, 2010. 144 pages.

Here’s a companion graphic novel to Rapunzel’s Revenge, which was also written by Shannon Hale and her husband Dean and illustrated by Nathan Hale, who, interestingly enough, is no relation to the other Hales.

In Rapunzel’s Revenge, the creators took the story of Rapunzel as sort of a framework for a melodrama set in some sort of version of the Wild West, only with magic and a witch-like tyrant and strange creatures. In Rapunzel’s adventures, she met up with a con-artist named Jack who carried around a goose that laid golden eggs.

You don’t really need to read Rapunzel’s Revenge first to enjoy Calamity Jack. In it, Jack is bringing Rapunzel to the big city where he grew up. In Rapunzel’s Revenge, they rescued Rapunzel’s mother from a tyrant terrorizing the whole area. In Calamity Jack their plan is to rescue Jack’s mother from a tyrant terrorizing the whole area.

We also learn about Jack’s background. Not surprisingly, it involves a beanstalk and a giant. Though like Rapunzel’s Revenge, the fairy tale framework is simply a jumping-off point.

The story is wild, over-the-top, not exactly believable, and melodramatic — but a whole lot of fun. This is a graphic novel adventure yarn with a touch of romance and lots of teamwork, as Jack acquires a rival who’s also interested in Rapunzel. She’s still wielding her braids as a lasso, but it also takes Jack’s schemes to defeat the giants and save the town.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/calamity_jack.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.