Review of The Obelisk Gate, by N. K. Jemisin

The Obelisk Gate

by N. K. Jemisin

Orbit Books, 2016. 410 pages.
2017 Hugo Award Winner
Review written April 2, 2019, from a library book

I wish I could say that I enjoyed this book more than I did. It is the middle book of the first-ever trilogy to have all three books win the Hugo Award. The world-building is intricate, complex, and mind-blowing.

I’ll say the good things first. I indeed understood better what was going on in the second book, and appreciated the richness of the background that her way of writing the first book gave us. In this book, Essun has lost track of her daughter Nassun, but the reader gets to follow both. Both find a place of refuge against the Season which is building up – ash covering the sky and the whole world hunkering down and trying to survive.

Orogeny – the ability to sense and manipulate the movement of the earth and stone – is commonplace in that world, although feared by the “stills.” Both Essun and Nassun are powerful orogenes still growing in their power. In this book, they each also discover an ability to sense magic – silver threads in the world and people and creatures around them.

Most of the book is about their survival concerns in two different locations. Essun is in an underground comm that accepts orogenes – or do they? Nassun is far to the south, still learning from Schaffa – and we’re not sure if that’s a good thing or very, very dangerous.

But we do sense that something much, much bigger is at stake. We learn that the moon left the earth’s regular orbit long ago – and that’s what started the cycle of fifth seasons. But it’s due to come back around before long. Alabaster is dying – but he’s trying to teach Essun what she will need to be able to do to deal with that. And then there are those obelisks in the sky, obelisks with strange and awesome power. And stone eaters – those statue-like creatures that move either very slowly or more quickly than sight – turn out to be both benevolent and malevolent, with agendas of their own.

This book is also very violent. You should not pick this up if you’re looking for pleasant, light-hearted reading. The earth has been broken, and everyone on it is somewhat futilely fighting for survival. Unfortunately, this is the book I was reading when I tried to read on the metro going into DC and was struck with motion sickness. Alas! In that section, a couple of arms got cut off and many people died in gruesome ways. That was decidedly not good for decreasing my nausea. So I’m afraid that influenced my enjoyment of the book.

I am indeed fascinated by the world-building, and I do want to know what happens next, so I will be finishing the trilogy before long. But I’m going to read something light and fluffy first!

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Review of Becoming Mrs. Lewis, by Patti Callahan

Becoming Mrs. Lewis

by Patti Callahan

Thomas Nelson (HarperCollins), 2018. 406 pages.
Review written March 16, 2019, from a library book.
Starred Review

It was good to again have a novel keeping me up late at night reading (we’re talking 3 am), and since it was a novel for grown-ups instead of all the children’s books I read last year for the Newbery – it kept me up late more than one night. This wasn’t necessarily a good thing – except that it was nice to be pulled into the world of the novel that thoroughly.

This book tells the same story as one of my favorite movies, Shadowlands with Anthony Hopkins, but of course the book went into much more detail. It’s the story of Joy Davidman and how she fell in love with C. S. Lewis and married him. But they didn’t have long together, because she got cancer.

I don’t feel like I’m giving away too much, even though the marriage happens at the end of the book – because anyone who knows that C. S. Lewis wrote A Grief Observed about his much loved wife will know this is coming. And, oh yes, the book is called Becoming Mrs. Lewis. So it’s not a surprise that they fall in love. The story is in the exquisite way they fall in love.

The book opens with Joy Gresham’s salvation experience. Although she’d been an atheist, in a moment when she was feeling desperate, stranded at home after a call from her drunken husband, thinking he was either committing suicide or with another woman – she suddenly felt the presence of God.

God didn’t fix anything in that moment, but that wasn’t the point of it all. Still I didn’t know where Bill was, and still I was scared for his life, but Someone, my Creator it seemed, was there with me in all of it. This Someone was as real as my sons in their beds, as the storm battering the window frames, as my knees on the hardwood floors.

After she became a Christian, she had many questions about her faith, and then read an article about C. S. Lewis which led her to read and reread all of his books (the ones written by 1950). She talked to the professor who’d written the article, and he urged her to write a letter to C. S. Lewis, thinking he could answer some of her questions about her relatively new faith.

And so began their long and avid correspondence.

The book includes excerpts from their letters, though I was disappointed to learn at the back that we don’t have existing copies of the actual letters. Patti Callahan used his other writings and talks to simulate their correspondence. But she did have a set of poems of longing that Joy had written during that time and dedicated to Jack. Some lines from the poems are at the head of each chapter.

In so many ways, this is a novel of longing. Because Joy fell in love with Jack long before he fell in love with her – but their friendship blossomed from the start. First, it was in their letters. They each found a correspondent who understood and to whom they could really open up.

Joy and her husband were both writers and were having trouble getting work finished. Joy had some health troubles and decided to go to England. She could stay with a friend who was living in London, research a book she had begun on King Charles II, and even get her teeth fixed and get medical care she’d been putting off because medical care in England was almost free even to tourists, and she couldn’t afford it in America. Her cousin Renee and her two daughters had been staying with them since her divorce, so Renee could hold down the fort while Joy tried to get back on track in England. And she could finally meet Jack, to whom she’d been writing for three years.

And in England her friendship with Jack deepened. And her husband ended up having an affair with Renee.

But it’s all told in much more exquisite detail than that. Joy already had a firm and deep friendship with Jack on that first trip to England. She went back to her home in America to get her sons and straighten things out – and file for divorce.

But divorce wasn’t easy to get in the 1950s. She was still technically married when she moved back to England with her boys. After the divorce did go through, the authorities had extended her visa too often, and she was going to have to move back to America. A civil marriage in name only to Jack allowed her to stay. In the Shadowlands movie, this was her idea. In this book, it’s Jack’s idea, because he doesn’t want her to leave. She was typing his manuscripts for him and essentially collaborating with him on the book Till We Have Faces.

But even after her divorce had gone through, the Anglican church still wouldn’t permit their marriage – and Jack scrupulously wouldn’t allow himself to fall in love with her. He’d written The Four Loves by then, and was keeping things as philea brotherly love. Even though she was obviously precious to him.

There’s a wonderful chapter where Joy comes to peace with this. She has long loved him, and he’s not loving her back. They’ve written Till We Have Faces together.

It was as clear as if someone had walked into the room and ripped the veil off my soul, forcing me to stare into its darker depths. Much of what I’d done – mistakes, poems, manipulations, success and books and sex – had been done merely to get love. To get it. To answer my question: do you love me? Even as I gave love, was I trying just to gain it? Had it really taken the fictional Orual to show me the truth?

In my bedroom, I fell to my knees on the hard floor and rested my head on the edge of the mattress, pressing my face into the softness.

The face I already possessed before I was born was who I was in God all along, before anything went right or went wrong, before I did anything right or wrong, that was the face of my true self. My “bareface.”

From that moment on, the love affair I would develop would be with my soul. He was already part of me; that much was clear. And now this would be where I would go for love – to the God in me. No more begging or pursuing or needing. It was my false self that was connected to the painful and demanding heart grasping at the world, leading me to despair. Same as Orual. Same as Psyche. Same as all of humanity.

Possibly it was only a myth, Jack’s myth, that could have obliterated the false belief that I must pursue love in the outside world – in success, in acclaim, in performance, in a man.

The Truth: I was beloved of God.

Finally I could stop trying to force someone or something else to fill that role.

The pain of shattered illusion swept through me like glass blown through a room after a bomb.

All had been turned around. No longer was the question Why doesn’t Jack love me the way I want him to? But now Why must I demand that he love me the way I want him to?

I was already loved. That was the answer to any question I held out to the world.

This was a beautiful time in my life to read this. I’m divorced and have an empty nest. After finishing the Newbery reading, I decided I no longer have an excuse not to go back online – but for various reasons I’m not setting my heart on quickly finding a good match there.

So to read about the peace she got, loving this good man who didn’t think it was right to love her back – that peace passed on to me. Yes. I, too, am loved. I, too, am doing my work, living my life, caring about my friends – all under God’s hand.

And when did C. S. Lewis finally come around? When did he finally marry her before God? After she was diagnosed with cancer and given only a few months to live.

But this book is not a tragedy. In fact, it’s one of the most beautiful love stories I’ve read in a long time.

And though I’ve told a lot of what happens, because it’s really not a secret (And watch the movie Shadowlands if you haven’t already!) – the beauty of this book is in how it all happens, the beautiful details along the way. You’ve got wise gems from C. S. Lewis as they discuss their faith – and lots of wisdom from Joy Davidman as well.

It’s an exquisite and slowly unfolding love story between two remarkable people, but it’s also full of wisdom about life and about God’s working in the world and observations about what it was like for a strong woman to make her way in the world in the 1950s. I’m afraid the worst effect of the book was that it made me want to pack up and just move to England. (Finding an Englishman to marry me might be a problem, though.)

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Review of The Fifth Season, by N. K. Jemisin

The Fifth Season

The Broken Earth, Book One

by N. K. Jemisin

Orbit Books, 2015. 471 pages.
Starred Review
Winner of the 2016 Hugo Award

After the Newbery, I was ready to read something completely different. Both my adult children highly recommended the Broken Earth trilogy. They told me N. K. Jemisin was the first black woman to win the Hugo – and then the first person to win the Hugo three years in a row – with the books of this trilogy.

Tonight I finished The Fifth Season, and I had to go back to the beginning to see if I understood now what was going on at the start of the book. I think maybe, sort of? I am hoping things will be a bit less murky after book two. Which I am going to read.

This book, like much science fiction, is more cerebral than emotional. The world-building is amazing. We’ve got three plot threads going on, one of them addressing the reader as “you.” You do learn how the three threads are connected before the book ends – but it does end up having you do some rethinking.

The world here is a world that may be ending. They’ve long had “Fifth Seasons” – where ash from a volcano or some other disruption means there is a prolonged winter and little to harvest. They’ve got stonelore to tell them what to do, how to prepare. A new one is beginning, and this may be the worst ever.

This world has orogenes – people who can sense and manipulate the earth. They can raise volcanoes and still earthquakes. Earthquakes that are constantly happening in this world. Orogenes can also kill you by icing you – sucking all the energy out of an area around them and instantly freezing you to death. So they are deeply feared – and kept away from society, trained at the Fulcrum.

There are also Stone Eaters. They seem to be made of stone and can eat stone and move through stone And then there are Guardians, who can neutralize the power of orogenes. Their job is to watch over them. But if you don’t follow the rules, you’re in trouble.

The book follows a woman who was hiding her orogeny and has lost her son, a young girl being taken to the Fulcrum to be trained, and an orogene well along in her training, given a job under a new mentor – where something happens that she can’t explain and changes everything.

I’m still not sure I completely understand all that happened in this book. I need to read on…. How lovely that for once I’m reading a trilogy that’s already completely written!

Go to this book for intricate world-building and mind-blowing ideas. I have a feeling I’ll like it more as I begin to understand more of what’s going on! But I’ve definitely gotten hooked.

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Review of The Death of Mrs. Westaway, by Ruth Ware

The Death of Mrs. Westaway

by Ruth Ware
read by Imogen Church

Random House Audiobooks, 2018. 12 CDs.
Starred Review

I’m reviewing another audiobook for adults! Our Newbery committee agreed not to listen to audiobooks of eligible books, since that might influence us one way or the other. So I’m using my commute to listen to books for adults. After reading The Woman in Cabin 10 and thoroughly enjoying spending time with a thriller, I was excited to see the library had an audio version of Ruth Ware’s latest thriller.

The Death of Mrs. Westaway is a completely different story from The Woman in Cabin 10, but it, too, sets the stage, lets you thoroughly understand the characters – and leads up to a completely tense, edge-of-your-seat, the-author-wouldn’t-really-let-her-die-would-she? moment.

At the beginning of this book, Harriet (known as “Hal”) Westaway receives a letter from her lawyer informing her that her grandmother has died and she needs to go to Trepassen House in Cornwall to receive her inheritance.

The thing is – Hal’s grandmother died before she was born. Her mother was single (said her father was a student she had a one-night stand with) and though she was named Westaway, her birth certificate lists a totally different name than the supposed grandmother of the letter.

But Hal is in deep financial trouble. When her mother died, Hal continued her tarot-reading booth on the pier in Brighton. But that’s not a reliable income, and she got in trouble borrowing money from a loan shark after her mother’s death, and now he wants her to pay back several times what she originally borrowed.

What if she just goes to Cornwall and tries to claim the money? They’re rich. Surely it won’t hurt them for her to take a little.

But when Hal gets there, she finds people with faces, not just selfish rich folks. Though there are some disturbing things about the house.

And then she finds out two things. One is that her mother spent time at Trepassen House right around the time Harriet was conceived. The other is that Mrs. Westaway named Hal in her will – and left her the bulk of her estate, passing over her three living children and the missing daughter who had the same name as Hal’s mother.

This book moves slowly, building the scenes and the relationships step by step by step. Which makes it all the more powerful when it comes to the terrifying, but ultimately satisfying, ending.

The narrator is the same one who read The Woman in Cabin Ten — and though Hal wasn’t as desperate a woman as that narrator, I enjoyed Imogen Church’s way of voicing her just as much. Though it’s no secret I’ll enjoy listening to anyone who has a British accent – she does a good job on top of that.

If you enjoy psychological thrillers, here’s another outstanding one.

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Review of Artemis, by Andy Weir

Artemis

by Andy Weir
performed by Rosario Dawson

Brilliance Audio, 2017. 8 hours, 59 minutes on 8 discs.
Starred Review

I got to read a novel for adults! The Newbery committee decided to avoid listening to audiobooks of eligible books, since we don’t want the skill of the readers to influence our opinions one way or the other – so when I drive to and from work, I do not listen to children’s books. And Artemis is indeed a book for adults – there is plenty of profanity and sexual innuendoes.

Jazz Bashara, the main character of this book, is not as likable as the main character of The Martian, the author’s first brilliant book. At least not for me. I’m a rule follower. Jazz is the opposite of that. She’s surviving in her home town on the moon as a smuggler.

But then she gets a chance to change that completely, if she’ll pull off a sabotage job for a billionaire. But then something goes wrong, and then the billionaire gets murdered, and to save her own life she ends up planning a much bigger job.

Like The Martian, this book is full of suspense and full of authentic details about the technology. Artemis is a city on the moon, built in domes named after the men of the first manned mission to the moon. The book is full of details about how life works on the moon, and the job Jazz needs to pull off can only be done using science. The problems she confronts have to do with science, too.

There are also details about how the economy works in a frontier town. And law enforcement. Even the things Jazz smuggles – like flammable items – make sense in this near future world the author has built so carefully. (I like that it’s the Kenya Space Agency that built Artemis, for a fun little detail.)

So it’s a book completely different from the author’s first, but it’s also full of life-and-death science scenarios. And I tend to be extremely picky – but it never disrupted my suspension of disbelief even once.

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Review of The House of Unexpected Sisters, by Alexander McCall Smith, narrated by Lisette Lecat

The House of Unexpected Sisters

by Alexander McCall Smith
narrated by Lisette Lecat

Recorded Books, 2017. 9.5 hours on 8 compact discs.

Another book about Precious Ramotswe of the No. 1 Ladies’ Detective Agency! I keep reading these books (now listening) because the characters feel like an extension of my family. Now that I’m on the 2019 Newbery committee, during 2018 I’m trying not to listen to Newbery-eligible books, not wanting to be swayed by a good or bad narrator. But that gives me one opportunity to “read” books for adults – during my commute. This is a wonderful choice, because Lisette Lecat’s accents make me feel like I’m in Botswana itself.

I wouldn’t, though, recommend that anyone first introduce themselves to the No. 1 Ladies’ Detective Agency with this book. They only have one real case, and it’s one they don’t get paid for, which makes me wonder how they’re carrying on.

Alexander McCall Smith’s books all seem to progress at a leisurely pace, but this one seemed even slower than usual. I still enjoyed it – because I love these characters. But even I thought of switching to something else a few discs in.

One place where I laughed out loud – not in a good way – was when something villainous came up and you-know-who was involved – Yes, none other than Violet Sepotho! It’s getting a bit silly how much she gets around. I remember at the beginning of the series, there were some very creative puzzles. Instead of having the main mystery be how did Violet Sepotho cause trouble this time?

But the part I enjoyed most was the part that related to the title – discovering unexpected sisters. I won’t say more, because I’ll let you enjoy what drama there is. It is truly a surprise – but ends up (no surprise there) being a delightful one.

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Review of The Woman in Cabin 10, by Ruth Ware

The Woman in Cabin 10

by Ruth Ware
read by Imogen Church

Encore (Simon & Schuster Audio), 2016. 9 discs.
Starred Review

While I’m reading lots and lots of children’s books for the 2019 Newbery Medal, during my commute I indulged in a thriller for adults. This book is so intense, I can’t promise that it didn’t mess with my driving.

We’ve got a wonderfully unreliable narrator. Lo Blacklock is a travel writer, and she gets an opportunity to go on a luxury cruise on a small lavish ship while her boss is on maternity leave. But a few days before the trip, she suffered a break in, and she’s very much on edge. And then, yes, she had quite a bit too much to drink the first night of the cruise.

So when she wakes up suddenly in the night to the sound of a body thrown into the sea, we definitely wonder if that’s really what she heard. But there must be an explanation for the fact that before dinner, there was a woman in Cabin 10 who gave Lo mascara when she asked to borrow some, and didn’t want it back. After Lo hears the splash in the night and calls security, there is no one in Cabin 10, and she’s told that the person who booked that room never came on the cruise at all. So who did Lo see and talk with?

The security staff don’t believe her. The reader isn’t sure we should either. The ship keeps traveling on.

But some more odd things start to happen.

This book does a wonderful job of setting a puzzle which I not only couldn’t solve, but I couldn’t imagine how the author could possibly solve.

Let’s just say that the author did make the puzzle work – with plenty of life-and-death danger and suspense along the way.

The narrator was fabulous. Though I have to say that I’m easily pleased by anyone with a British accent – but she did a good job and was a delight to listen to. Lo’s precarious mental state was communicated often by the tone of voice, sounding somewhat desperate when called for, or bewildered, or simply exhausted.

This was one of those audiobooks I eventually brought into my house to finish, because I couldn’t stand waiting until my next commute. Highly recommended for a version of a locked-room mystery – at sea.

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Review of Precious and Grace, by Alexander McCall Smith

Precious and Grace

by Alexander McCall Smith
narrated by Lisette Lecat

Recorded Books, 2016. 9.75 hours on 8 CDs.

Here’s another book about the No. 1 Ladies’ Detective Agency, with co-directors Precious Ramotswe and Grace Makutsi. The main puzzle of the book involves a Canadian lady who wants to find the place where she grew up in Gabarone and the lady who cared for her. But Mma Ramotswe senses there’s more to the case than meets the eye.

Other plot threads involve a stray dog befriended by Fanwell and a business scheme which Mr. Polopetsi falls for. And guess who’s up for Woman of the Year? It’s Grace Makutsi’s nemesis, Violet Sepotho.

It’s interesting that this one doesn’t have a surprisingly amusing title, but boils the work down to a story of friendship between two interesting ladies, Precious and Grace. They have their difficult moments, but ultimately they help people solve their problems. The book is filled with the usual gentle philosophy.

I’m now enjoying listening to these in audiobook format, getting more of the flavor of the book, as well as correct pronunciation, with the skilled narration and lovely accent of Lisette Lecat.

There’s nothing really new in this installment. But if you’ve come this far, you’ll enjoy another installment of philosophy and friendship with Precious and Grace.

alexandermccallsmith.com
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Review of A Christmas Return, by Anne Perry

A Christmas Return

by Anne Perry

Ballantine Books, 2017. 176 pages.

Anne Perry’s Christmas murder mysteries have become a holiday tradition for me. They’re cozy; they’re short; and reading one is a nice way to indulge myself as Christmas approaches.

A Christmas Return features Charlotte Pitt’s grandmother Mariah Ellison, who is asked for help with a striking message – a Christmas pudding with a fake cannonball inside. She’s being told that someone is digging up the case about an old friend who was killed when his bookcase fell over and a decorative fake cannonball struck him, which happened twenty years before.

The dead man’s grandson is asking for her help. He was only ten years old when the death happened. Now he wants Mariah’s help clearing his grandmother’s name. Mariah was there at the time, so she alone can help.

These Christmas mysteries are short, but Anne Perry gives us enough back story to care. And there’s something nice at Christmas about seeing justice done and good people vindicated.

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Review of Provenance, by Ann Leckie

Provenance

by Ann Leckie

Orbit Books, 2018. 439 pages.
Starred Review

Ann Leckie is incredibly skilled at building alien worlds and cultures and imagining how they will interact with each other. Provenance is set in the same universe as her brilliant Ancillary trilogy, after those events have taken place, but you don’t have to read the first trilogy to enjoy this book, which takes place on a different set of planets altogether.

We’re following the actions of Ingray, the foster daughter of the Netano, a powerful political leader on the planet Hwae. The Netano hasn’t yet chosen which of her children will be her successor, and Ingray has spent all her money trying to show up her brother Danach. She’s trying to break a person out of Compassionate Removal, a lifetime prison planet, and find out from him where he put the originals of the vestiges he stole and replaced with forgeries.

The first problem is that the person she’s broken out is delivered in a suspension pod. When he awakes, he says he is not the person she sought. And the captain of the ship she’s taking back to Hwae is in trouble with the ambassador from Geck – an alien race that no one dares offend.

That’s just the beginning of her problems, and the beginning of her embroilment in intergalactic affairs.

This one is similar to the second Ancillary book, Ancillary Sword, in that it reveals a seething mass of complicated local planetary politics. On Hwae, vestiges are revered and important – souvenirs and artifacts from important events. But some of the most revered vestiges may not be authentic. Then there are the people from another planetary system who want control of the gate in another system. Then there are the oh-so-alien Geck and the upcoming Conclave to renegotiate the treaty that keeps them from killing humans.

In this book, we aren’t dealing with the sentient Artificial Intelligence of the earlier books, though some people have mechs they can pilot with thought. But Hwae culture does have three genders, and I liked the way that was seamlessly woven into the story, including the pronouns used for the gender that’s neither male nor female – e, em, eir. The pronouns were used naturally and made a lot of sense. It seemed much more natural than using they, them, and their as singular pronouns.

I also like the way she shows us the importance of the vestiges and how they work, as well as the process on Hwae of naming a successor, who can then stand in for the person who does the naming. She weaves these details in seamlessly without spending all our time on exposition. We find out when it’s important to the plot.

The various plots and counterplots, including a murder mystery, finish up with the tension of a life-threatening hostage situation, so you’ve got a suspenseful read as well as a fascinating look at what alien cultures might be like.

After reading an Ann Leckie novel, I come away thinking – Now, why did we think that alien cultures would be so much like our own? Oh yeah, that way it’s easier to use human actors in science fiction films. Reading this book will open your mind to many more possibilities.

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