Review of Heir to Sevenwaters, by Juliet Marillier

Heir to Sevenwaters

by Juliet Marillier

A Roc Book (Penguin), 2008. 398 pages.
Starred Review

The Sevenwaters books showed all the signs of being a trilogy. So reading a fourth book feels like a wonderful bonus. Again, we’re looking at another generation of the people of Sevenwaters, in ancient Ireland. Again, the story has echoes of myths and fairy tales.

This book features Clodagh, the daughter of Sean and Aisling. She must go into the realm of the Fair Folk first to save her brother, then for the sake of the man she loves. This book is romantic and mythic and an incredibly good adventure. The worst thing about these books is how hard it is to stop reading them.

“Finbar made a little sound. My whole body stiffened in alarm. His voice was different; wrong. It was not the cry of a healthy, hungry baby but a curious, painful rasp. No normal child made a sound like that. Finbar must be sick. He was choking, he couldn’t breathe . . . I sprang up and hastened to the basket, my heart racing. I looked down, an image of my baby brother still fresh in my mind — the delicate fingers, the soft eyelids, the peachy skin and rosebud mouth. My heart gave a single thump and was still. Now I was cold all over. Finbar was gone. All that lay in his little bed was a curious jumble of sticks and stones, leaves and moss.”

Once again, despite the title, this is the story of a young woman. A young woman who has dealings with the Fair Folk, who is strong beyond her years, and who will risk everything for those she loves.

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Source: This review is based on a book I purchased from Amazon.com.

Review of Maisie Dobbs, by Jacqueline Winspear

Maisie Dobbs

by Jacqueline Winspear

Penguin Books, 2003. 294 pages.
Starred Review

A big thank you to Liz B of A Chair, a Fireplace, and a Tea Cozy for bringing this book to my attention.

This book is about Maisie Dobbs, a brilliant girl who was discovered studying on her own and sent to Cambridge by the upper-class family where she was serving. Now, between the wars, she is a Psychologist and Investigator. Her first case is to find out if a wife is straying — but ends up focusing on a Retreat for soldiers scarred in the Great War.

The middle of the book tells how Maisie got her start and how she interrupted her education to serve as a nurse during the war, and how she got her own scars.

Liz’s review is excellent, so I don’t have a lot to add. But one thing that was interesting to me was how much of the book paralleled another book I just read, The Return of Captain John Emmett, by Elizabeth Speller. Both were set about ten years after World War I, in England. Both involved a supposed haven for wounded or psychologically damaged soldiers. Both had things happen during the war that left lifelong scars to those involved. However, I have to admit that Maisie Dobbs is much more pleasant reading, and didn’t go into nearly as much detail about the awful things that happened during the war. The protagonist in The Return of Captain John Emmett is jaded himself about what he saw and just going through the motions of life. Maisie, on the other hand, has been through some awful experiences, but she is using her clever mind to help people and make things right. This book fits the description of a “cozy” mystery, while the other one had too much grim reality to fit that category. However, you do get the same feeling of what things were like after World War I, and how everything was poised to change.

I’ll definitely be reading more books in this series. Maisie Dobbs is someone I enjoy spending time with.

www.penguin.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of 1222, by Anne Holt

1222

by Anne Holt
read by Kate Reading

Blackstone Audio, 2011. Originally published in Norway in 2007. 9 CDs.
Starred Review

I’ve always loved a locked-room mystery. This one is a snowed-in mystery. And we’ve got even more classic feel with a train wreck starting it all and a paralyzed detective who thinks she is done with police work. But then one of the train passengers is murdered.

At first, I didn’t like the narration. She was reading the lines like a computer. But then I realized that former police detective Hanne Wilhelmson would talk like that. She’s withdrawn almost completely from people since the day when she got shot, the day that ended her career. And once I realized that was intentional, I enjoyed the narrator very much. I definitely wouldn’t have pronounced the Norwegian names correctly if left to my own devices, for a start.

The story is very atmospheric and brilliantly written. Hanne was traveling through the mountains to see a specialist about some additional difficulties. Due to ice, the train went off the tracks. Only the engineer was killed, and she describes the crowd’s reaction to the accident and how they are all brought to a hotel in the mountains and hunker down after the storm builds to hurricane force and they are surrounded by snow. That first night, one of them is murdered. Hanne is recognized as a former police officer, so against her wishes, she is asked to help solve the crime.

One thing I particularly liked: Hanne comments on how the hotel owner grows during the disaster, and the reader can’t help but realize how dramatically Hanne has grown, going from not wanting to speak to anyone to taking charge and solving the crime.

This book is gripping and fascinating and gives modern twists to classic mystery themes. I was listening to the last CD on the way to work and absolutely hated having to shut it off in order to be on time. That evening, I took the audiobook inside so I could finish without any further waiting.

This would have been fun to read during a winter storm — though perhaps that would have made me paranoid, since the book made you almost feel you were experiencing the blizzard yourself. If you want to cool off, this would be good summer reading! Chilling in more than one sense of the word. But with characters you enjoy watching rise to the occasion.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of The Ionia Sanction, by Gary Corby

The Ionia Sanction

by Gary Corby

Minotaur Books, New York, 2011. 335 pages.
Starred Review

Here’s a second mystery set during the dawn of democracy in Athens. In this one, our hero Nicolaos is sent to Ephesus in Ionia to retrieve a letter stolen from a murdered man.

This book also begins with a dead body. The first line is still pretty striking:

“I ran my finger along one foot of the corpse, then the other, making the body swing with a lazy, uncaring rhythm.”

The proxenos for Ephesus in Athens (kind of the opposite of an ambassador; an Athenian with an interest in Ephesus who handles Ephesian business) has been murdered. A letter he received from Ephesus has been stolen. Nico has to go to Ephesus with a mission to find out what was in the letter. The murdered man’s son would like his father cleared of treason while Nico’s at it. And the woman he loves, Diotima, is now a priestess at the Artemsion in Ephesus.

This is no cozy armchair mystery. There are some gritty details and some sexual misadventures, but they do seem to reflect life in that time period. I had known, for example, that impalement was used to kill people, but I’d never before understood what a truly horrible form of death it was. The author explains in his note at the end that crucifixion was introduced later as a more humane alternative to impalement.

Nicolaos travels to Ephesus and Magnesia, where he meets the famed hero of Athens, Themistocles, who was later exiled as a traitor and now enjoys the favor of the Great King of Persia. There’s another death, and Nico has to figure out how they all tie together, as well as fulfill his commission from Pericles in Athens.

The mystery is the sort where you don’t necessarily have the clues to solve the case yourself, but you do enjoy the adventure of watching Nicolaos come to the solution, with lots of help from Diotima.

All in all, despite some moments that made me wince, this book gives a fun story, an adventure with lots of historical details and a strong dose of humor. Nicolaos is something of a bumbler. The more pleased he is with himself, the more confident he is, the more you can be sure he’s going to fail.

Since Nico’s visiting Persia, he naturally looks at their lives with the eyes of an Athenian. This makes an entertaining way of telling the reader the things that were normal in Athens. For example, one character convinces Nico that wearing trousers is a more comfortable way to ride a horse.

Reading the extended author’s note at the end of the book made me all the more impressed with it. Based on the historical record, everything in this book could actually have happened. As in the first book, The Pericles Commission, the list of characters at the front highlights people who are actual historical figures, about half of the list. My favorite, of course, is still Nicolaos’ annoying little brother, Socrates, though he only shows up at the start of this book.

If you read these books, you’ll never think of ancient history the same way again. The Athenian proxenos for Ephesus is murdered. Nicolaos goes to Ephesus to investigate. Highjinks ensue. Now I know what really happened.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Wise Man’s Fear, by Patrick Rothfuss

The Wise Man’s Fear

The Kingkiller Chronicles: Day Two

by Patrick Rothfuss

DAW Books, New York, 2011. 994 pages.
Starred Review
2011 Sonderbooks Stand-out: #6 Fantasy Fiction

I already talked about what motivated me to read The Kingkiller Chronicle. This is not a book that stands alone. This is the second part of one story, or rather one epic saga. You should definitely read The Name of the Wind first. And those who read The Name of the Wind will be compelled to read this next book just as soon as they are able.

The annoying part? The story is by no means finished. Not only does this book not stand alone, it doesn’t even break at a very natural place. The frame is that Kvothe is telling his story to the Chronicler over a period of three days, and this is what he told on the second day. I’m a little skeptical that a story of almost a thousand pages could really be spoken aloud in one day’s time, but I wouldn’t want it to be any shorter. Anyway, like any good storyteller, Kvothe breaks at a place that leaves you wanting more.

But the writing and language are still outstanding. The story is still gripping. We cover a few more of the things Kvothe foreshadowed when he introduced himself. In this book, he has more adventures at the University, but then needs to go out to get some money. Along the way, he learns about sex and about making war. Everything he does, he does well.

I admit, I felt pretty cynical about his adventure with Felurian, one of the Fae who drives men mad with her sexuality. However, Patrick Rothfuss is masterful in keeping that part mythical and wondrous. He doesn’t give graphic descriptions, but instead imaginative names (like “Birdsong at morning”) for the things Felurian teaches Kvothe.

And all the adventures along the way are momentous.

Right now, I’m a little disgruntled from having to wait for the third book. But unless Patrick Rothfuss suddenly gets much worse, this trilogy will be right up there with Tolkien’s Lord of the Rings. If you like fantasy at all, I highly recommend this trilogy. Of course, the one catch to reading it now is that the third book hasn’t been written yet. However, this will give you the delightful excuse to read the first two books again when the third one comes out.

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Source: This review is based on a book I purchased from a Barnes & Noble bookstore.

Review of The Snow Queen, by Mercedes Lackey

The Snow Queen

by Mercedes Lackey

Luna, 2008. 331 pages.
Starred Review
2011 Sonderbooks Stand-out: #4 Fantasy Fiction

Mercedes Lackey’s Tales of the Five Hundred Kingdoms are exactly the sort of books I thoroughly enjoy. I don’t think it’s necessary to have read the earlier books to enjoy the current one, but characters from previous books are mentioned, and if you’ve read them you already understand the key to that world: The Tradition.

The Tradition is a powerful magic woven through that world, molding people’s lives into fairy tale format. It falls to a league of Godmothers to bend the Tradition to good results and avert tragedy.

I never really liked the story of the Snow Queen. I love the way Mercedes Lackey twists it. In this version, the Snow Queen is the heroine. She’s a Godmother who saves selfish and spoiled boys from ruining their lives completely.

Here’s the Snow Queen, Aleksia, thinking about Kay, the latest boy to come to her Ice Palace:

“He could be redeemed — he would not be here, in the Palace of Ever-Winter, the home of the Ice Fairy, if he was not capable of redemption. The Tradition had made that part clear enough by building such an enormous store of magic about him that, if Aleksia had waited until Winter to fetch him, he would have found his initials written in frost on the windowpane, snowmen having taken on his features when he passed, and the cold having grown so bitter that wildlife would have been found frozen in place. Even so, things had gotten to the point that Ravens had taken to following him, which was a very ominous sign had he but known it. Presumably if Aleksia had done nothing, and no other wicked magician had discovered him and virtually eaten him alive for the sake of that power, he would have gone to the bad all by himself. He was too self-centered and arrogant to have escaped that particular fate — and most likely, given his turn of mind, he would have become a Clockwork Artificer, one of those repellant individuals who tried to reduce everything to a matter of gears and levers, and tried to imprison life itself inside metal simulacrums. While not usually dangerous to the public at large the way, say, the average necromancer was, Clockwork Artificers could cause a great deal of unhappiness — and in their zeal to recreate life itself, sometimes resorted to murder.

“Judging by the Ravens, Kay would have become one of that sort.

“The only cure for this affliction was a shock, a great shock to the system. One that forced the youngster to confront himself, one that isolated him from the rest of the world immediately, rather than gradually. He had to lose those he still cared for, at least marginally, all at once. He had to learn that people meant something to him, before they ceased to.”

And I love the lesson Aleksia has for the other character in the story:

“It took two to make this dance, and Kay’s little friend Gerda, the girl who loved him with all her heart, who was currently trudging toward the next episode in her own little drama, was the coconspirator in The Traditional Path that ended in a Clockwork Artificer. Her nature was as sweet as her face, her will as pliant as a grass-stem and her devotion to Kay unswerving, no matter how much he neglected her. She needed redemption almost as much as Kay did. Such women married their coldhearted beloveds, made every excuse for them, smoothed their paths to perdition, turned a blind eye to horrors and even, sometimes, participated in the horrors themselves on the assumption that the Beloved One knew best. Gerda required a spine, in short, and an outlook rather less myopic than the one she currently possessed. And this little quest she was on was about to give her one.”

But Kay and Gerda’s story is on the beginning of this book about Aleksia, the Snow Queen. Because someone else is impersonating her. Someone else is calling herself the Snow Queen and abducting promising young men. Aleksia needs to find out what is going on. She’s not used to having adventures of her own, living alone in the Ice Palace. But this time, setting things right means Aleksia has to get involved herself.

Mercedes Lackey spins a good tale! I love her cleverness in weaving in all the ways the Tradition works. I read lots and lots of fairy tales when I was a little girl, and Mercedes Lackey brings up themes and tropes I’d all but forgotten. I love the whole concept of godmothers bending the Tradition to go the way they want it to — having to know what sorts of things work. That amounts to a vast knowledge of fairy tales.

And as well as inventive use of fairy tale themes, since there are five hundred kingdoms, each book presents a different culture and heritage. This one deals with the Sammi, a people of the far North. We also get new characters in each book (with some mentions of previous characters), and I love looking at the aspect of what life would be like for a powerful Ice Fairy. It would indeed most likely get lonely. There’s always a touch of romance in these books, too.

This book was one that simply made me smile. It was precisely the type of light-hearted reading I was looking for at the time. I had actually purchased the book when it first came out, but then never got it read because it didn’t have a due date. Well, I recently made myself a rule to alternate between library books and books I own. Then I heard that Mercedes Lackey’s next book was coming out, so I thought I really should read this one I bought some time ago. I was so glad I did!

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of I Am Half-Sick of Shadows, by Alan Bradley

I Am Half-Sick of Shadows, by Alan Bradley

Delacorte Press, New York, 2011. 293 pages.
Starred Review
2011 Sonderbooks Standout: #4, Other Fiction

Lovely! A fourth Flavia DeLuce book! I am so happy with how quickly Alan Bradley is writing! And I was all the more happy when I saw this was a Christmas book. I thought it an interesting coincidence that I read two Christmas mysteries this year (The other was A Christmas Homecoming, by Anne Perry), and both involved a theatrical company secluded at an English country home at Christmas in a snowstorm, when a murder occurs. Honestly, I enjoyed this one more because it had Flavia deLuce!

If you haven’t met Flavia before, you will probably do fine just reading this one; you will get the idea. But all the books are so much fun, I do recommend reading them all.

Flavia is an 11-year-old chemical genius with a deep love of poisons. And she’s very good at solving mysteries, but not so good at leaving crime solving to adults. Her mother died years ago climbing mountains, and her father doesn’t pay a lot of attention to bringing up his three daughters. Flavia and her older sisters manage to torment each other rather mercilessly. I did like that it wasn’t quite as bad in this installment — they showed some affection for each other at Christmas.

I love Alan Bradley’s titles, and this one comes from Alfred Tennyson’s poem, “The Lady of Shalott.” In this book, Colonel de Luce, still needing to raise money, has rented out Buckshaw to a film company. The family is still planning to use their own rooms. But then, with the village visiting to see the great film stars perform Romeo and Juliet, a blizzard hits and everyone camps out at Buckshaw — and someone dies. Flavia herself finds the body — in the middle of the night.

I’ve always said that a nice murder mystery makes the perfect Christmas reading, and I thoroughly enjoyed this one. If you can’t be snowed in yourself, how nice to read about others being snowed in, anyway. And I still can’t help but love Flavia. In this book, she does some excellent deducing, and it’s her own home, so surely she can be forgiven for nosing where she’s told to stay away?

Here are some words from Flavia herself:

“Most chemists, whether they admit it or not, have a favorite corner of their craft in which they are forever tinkering, and mine is poisons.

“While I could still become quite excited by recalling how I had dyed my sister Feely’s knickers a distinctive Malay yellow by boiling them in a solution of lead acetate, followed by a jolly good stewing in a solution of potassium chromate, what really made my heart leap up with joy was my ability to produce a makeshift but handy poison by scraping the vivid green verdigris from the copper float-ball of one of Buckshaw’s Victorian toilet tanks.”

Flavia de Luce isn’t someone you forget in a hurry. This is a lovely addition to the series, and I hope that Alan Bradley continues to add books quickly.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Midnight in Austenland, by Shannon Hale

Midnight in Austenland

by Shannon Hale

Bloomsbury, New York, 2012. 277 pages.
Starred Review

I’m interrupting my posting of my 2011 Sonderbooks Stand-outs to write a review of a book that will most definitely be a 2012 Sonderbooks Stand-out, if not my favorite book of the whole year.

Shannon Hale’s Austenland was a 2007 Sonderbooks Stand-out, though that was the year I was working on my Master’s in Library Science and didn’t get very many reviews written. The idea is a fun one, playing off all the Jane Austen frenzy that continues to happen in our time. It’s about a young woman who goes to what is essentially a Jane Austen theme park in England. Guests come to an English manor and are submerged in Regency culture and finish off their vacation with a ball. The original book parallelled Pride and Prejudice in many ways and was a fun and romantic read.

In Midnight in Austenland, Shannon Hale has surpassed herself.

Now, I should say that this book is particularly delightful to me because this time the heroine is a divorced mom whose husband cheated on her. I definitely related to her and her feelings as she worked through the divorce. She felt like a complete idiot because she hadn’t seen the clues that he was cheating, and as the book goes on, it dawns on her just how long he had lied to her. It’s very easy to see — when it’s someone else — that she should not beat herself up for believing someone who vowed to be true to her. But I completely related to all her turmoil about it.

I also loved this book because I am a Jane Austen aficionado. In college, I wrote my English Literature research paper on Jane Austen. I had more than a month to write it — so I spent the time reading ALL her novels and wrote the paper staying up all night the night before it was due.

Pride and Prejudice is definitely my favorite, but Northanger Abbey is the most light-hearted and just plain fun. Midnight in Austenland parallels Northanger Abbey in so many beautiful ways. In fact, the similarities enhanced the story. You see, Charlotte, our heroine in Midnight in Austenland is playing a “Bloody Murderer” game after the lights go out. In the dark, lit only by a flash of lightning, she is in a secret room and touches a cold hand attached to a covered dead body.

But when Charlotte goes back the next day, there is no body. Did she imagine it in the dark, in the night? In fact, is this book simply paralleling Northanger Abbey, in which silly Catherine Morland imagines a murder has taken place where there was none?

I don’t want to say too much more because I don’t want to give away any delicious details. I did like that Charlotte has been reading Agatha Christie, so there was still a tribute to novel-reading, as Catherine Morland had been reading The Mysteries of Udolfo. Again, we weren’t sure if Charlotte was drawing conclusions because she’d read too many detective novels.

I think I can stay spoiler-free if I simply comment that this book has the best heroine-escapes-from-deadly-peril scene EVER!

In short, Shannon Hale combines lots of humor with Jane Austen parallels, romance, suspense, mystery, gothic themes, and eerie atmosphere in a book that will make divorced women everywhere feel empowered.

You can read Midnight in Austenland without having read Austenland, though I do recommend reading both. The heroines and their stories are different — they are just at the same theme park with some of the same actors and the same administrator.

To get you in the mood, I’ll quote from some of the Prologue, where we’re told about Charlotte. It does echo Northanger Abbey:

“No one who knew Charlotte Constance Kinder since her youth would suppose her born to be a heroine. She was a practical girl from infancy, only fussing as much as was necessary and exhibiting no alarming opinions. Common wisdom asserts that heroines are born from calamity, and yet our Charlotte’s early life was pretty standard. Not only did her parents avoid fatal accidents, but they also never locked her up in a hidden attic room….

“We may never know what turned once-nice James away. Was it the fact that his wife was making more money than he was? (A lot more.) Or that his wife had turned out to be clever? (That can be inconvenient.) Had Charlotte changed? Had James? Was marriage just too hard to maintain in this crazy, shifting world?

“Charlotte hadn’t thought so. But then, Charlotte had been wrong before.

“She was wrong when she assumed her husband’s late nights were work-related. She was wrong when she blamed his increasingly sullen behavior on an iron deficiency. She was wrong when she believed the coldness in their bed could be fixed with flannel sheets.

“Poor Charlotte. So nice, so clever, so wrong.

“Charlotte came to believe that no single action kills a marriage. From the moment it begins to stumble, there are a thousand shots at changing course, and she had invested her whole soul in each of those second chances, which failed anyway. It was like being caught in her own personal Groundhog Day, only without the delightful Bill Murray to make her laugh. She would wake up, marvel anew at the bone-crushing weight in her chest, dress in her best clothes, as if for war, and set out with a blazing hope that today would be different. Today James would remember he loved her and come home to the family. Today she would win back her marriage, and her life.

“Eventually the time came when Charlotte sat in the messy ruins of her marriage and felt as weak as a cooked noodle. She would never be nice or clever enough. Hope had been beaten to death. She dried her eyes, shut down her heart, and plunged herself into an emotion coma. So much easier not to feel.

“Once numbness shuts down a damaged heart, a miracle is required to restart it. Things would prove rough for our heroine. Her only hope was Jane Austen.”

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Source: This review is based on my own book, which I pre-ordered via Amazon.com.

Review of The Name of the Wind, by Patrick Rothfuss

The Name of the Wind

The Kingkiller Chronicle: Day One

by Patrick Rothfuss

DAW Books, 2007. 722 pages.
Starred Review
2011 Sonderbooks Stand-out: #2 Fantasy Fiction

This book wasn’t even on my radar until the second book came out and several of my siblings bragged on Facebook about who got their hands on it first. Then my sister Marcy posted a short quotation from the sequel, and by the language alone, I knew this writer was something special. When I went to the bookstore to purchase it, I picked it up and then wandered into the music and movies section of the store. One of the employees saw me holding The Name of the Wind and talked with me for ten minutes about how it’s her favorite book! So I was already quite sure I’d made a good choice.

Then I started reading, and right away the language pulled me in. The book has the feel of a true epic, of something sweeping and important.

The book begins in an inn with a bunch of locals sitting around and Old Cob telling stories. Looking it over after reading the book, I see lots of clues about what’s to follow. On the second page of Chapter One, you understand the significance of the title in the story that’s told of Taborlin escaping from a tower and the Chandrian.

“‘But Taborlin knew the names of all things, and so all things were his to command. He said to the stone: “Break!” and the stone broke. The wall tore like a piece of paper, and through that hole Taborlin could see the sky and breathe the sweet spring air. He stepped to the edge, looked down, and without a second thought he stepped out into the open air. . . .’

“The boy’s eyes were wide. ‘He didn’t!’

“Cob nodded seriously. ‘So Taborlin fell, but he did not despair. For he knew the name of the wind, and so the wind obeyed him. He spoke to the wind and it cradled and caressed him. It bore him to the ground as gently as a puff of thistledown and set him on his feet softly as a mother’s kiss.”

We also quickly learn that there’s something mysterious about the young, red-haired innkeeper.

“He called himself Kote. He had chosen the name carefully when he came to this place. He had taken a new name for most of the usual reasons, and for a few unusual ones as well, not the least of which was the fact that names were important to him.”

I wondered about the subtitle of the book: Day One of the Kingkiller Chronicles. Was the whole thing supposed to happen in a day? Some sort of demon appears and attacks a man, and Kote deals with it without making it obvious that he knows what he’s doing. Several days pass very quickly.

Then a traveler called the Chronicler comes on the path to the inn. In the night, he encounters Kote, who saves him from an attack of more spider-shaped demons with razor-sharp feet. When Kote takes the Chronicler to his inn, the Chronicler recognizes him as Kvothe. He came there to find him, to hear the real story behind all the tales.

Kote takes some convincing. Finally, he tells the Chronicler that the only way he will tell his story is if he has three days. Three days to prepare and tell it properly. So the first book is what he tells the Chronicler on the first day, the start of his story.

Kvothe begins his tale:

“‘In some ways, it began when I heard her singing. Her voice twinning, mixing with my own. Her voice was like a portrait of her soul: wild as fire, sharp as shattered glass, sweet and clean as clover.’

“Kvothe shook his head. ‘No. It began at the University. I went to learn magic of the sort they talk about in stories. Magic like Taborlin the Great. I wanted to learn the name of the wind. I wanted fire and lightning. I wanted answers to ten thousand questions and access to their archives. But what I found at the University was much different than a story, and I was much dismayed.

“‘But I expect the true beginning lies in what led me to the University. Unexpected fires at twilight. A man with eyes like ice at the bottom of a well. The smell of blood and burning hair. The Chandrian.’ He nodded to himself. ‘Yes, I suppose that is where it all begins. This is, in many ways, a story of the Chandrian.'”

His introduction is masterful:

“My name is Kvothe, pronounced nearly the same as ‘Quothe.’ Names are important as they tell you a great deal about a person. I’ve had more names than anyone has a right to.

“The Adem call me Maedre. Which, depending on how it’s spoken, can mean ‘The Flame,’ ‘The Thunder,’ or ‘The Broken Tree.’

“‘The Flame’ is obvious if you’ve ever seen me. I have red hair, bright. If I had been born a couple hundred years ago I would probably have been burned as a demon. I keep it short but it’s unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.

“‘The Thunder’ I attribute to a strong baritone and a great deal of stage training at an early age.

“I’ve never thought of ‘The Broken Tree’ as very significant. Although in retrospect I suppose it could be considered at least partially prophetic.

“My first mentor called me E’lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.

“But I was brought up as Kvothe. My father once told me it meant ‘to know.’

“I have, of course, been called many other things. Most of them uncouth, although very few were unearned.

“I have stolen princesses back from sleeping barrow kings. I have burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during the day. I have talked to gods, loved women, and written songs that make the minstrels weep.

“You may have heard of me.”

This is what you’re getting in this book. It’s only the start of an epic tale, basically the story of Kvothe’s childhood. We learn how he was brought up in a band of traveling players, incredibly quick to learn. We hear how his parents were killed and he spent years on the streets of a city, but then made it to the University. Along the way, a few of the things he mentioned above happen.

And in the frame, in the present time, grave things are afoot. There’s no telling how that will play out.

The worst thing about this series: It is not complete. Of course, I will have the joy of rereading the first two books when the third comes out. Patrick Rothfuss has a lot of loose ends to tie up, but I have no doubts that he will be able to pull it off.

This was the sort of book that I told everybody about while I was reading it. Now I’ll urge my website readers. This book is unforgettable. Read it!

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/name_of_the_wind.html

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Source: This review is based on my own book, purchased in a Barnes & Noble bookstore.

2011 Sonderbooks Standouts: Fiction for Adults

It takes awhile to post a new page of Sonderbooks Standouts, so I’ve decided to blog about one category at a time. I will post the pages and reviews as soon as possible, but for now I can post the lists.

I’m starting with Fiction for Adults, simply because that was my shortest list. I also have more of the books already reviewed and/or posted.

The decisions in ranking were still difficult, though. Two books I read seemed resoundingly, lastingly good, and it’s hard to rank them. The Name of the Wind, by Patrick Rothfuss, is written in lyrical prose and immediately pulls you in. It’s an epic that you can compare to Tolkien with a straight face. However, when I read the sequel, The Wise Man’s Fear, although it is still incredibly well-written, I did get annoyed that the story just stopped at a random place and definitely isn’t finished. I also suffered some excessive eye-rolling at the interlude involving the character learning about sex from a woman of faery whose beauty drives ordinary men mad. Though I have to admit, even that part was written expertly and compellingly.

However, another series I read completely captivated me. Even though I would probably give Patrick Rothfuss the prize for outstanding work of fantasy literature (assuming that when he finishes up, he keeps up the quality), with Sonderbooks Standouts, I’m rating how much I enjoyed reading them. So I have to give my first place honor to Daughter of the Forest, by Juliet Marillier. Like so many of my favorites, it was a fairy tale retelling, and was so incredibly well done, weaving in Irish History and seeming totally realistic.

I always like to separate Fantasy (my favorites) from the other books I read. So here are two lists of 2011 Sonderbooks Standouts in Fiction for Grown-Ups:

Fantasy:
1. Daughter of the Forest, by Juliet Marillier
2. The Name of the Wind, by Patrick Rothfuss
3. Son of the Shadows, by Juliet Marillier
4. The Snow Queen, by Mercedes Lackey
5. Child of the Prophecy, by Juliet Marillier
6. The Wise Man’s Fear, by Patrick Rothfuss

Other Fiction:
1. State of Wonder, by Ann Patchett
2. Minding Frankie, by Maeve Binchy
3. The Pericles Commission, by Gary Corby
4. I Am Half-Sick of Shadows, by Alan Bradley
5. The Saturday Big Tent Wedding Party, by Alexander McCall Smith