Review of The Lion and the Mouse, by Jerry Pinkney

Animal Characters, Award Winners, Folk Tales, Picture Book Review, Stand-outs, Starred Review 0

The Lion and the Mouse

by Jerry Pinkney

Little, Brown and Company Books for Young Readers, New York, 2009. 36 pages.
Starred Review
2010 Caldecott Medal Winner
Sonderbooks Stand-out 2010: #6 Picture Books

This stunning picture book is my pick for the 2010 Caldecott Medal. The amazingly detailed paintings tell the story of the well-known fable without words, the only text being animal sounds as part of the pictures.

Without words, I was surprised at what a success this book was at Storytime. The big, beautiful pictures captured the children’s attention, and there was lots for them to talk about on each page. The expressions on the faces of the characters show emotion beautifully. There’s lots of variety in the format, from close-ups to wide angle shots. It would take many readings before you had noticed all the detail in the backgrounds.

I got to hear Jerry Pinkney talk about writing this book at the National Book Festival. He clearly loves animals, and that comes across in this magnificent book.

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Review of When You Reach Me, by Rebecca Stead

Award Winners, Children's Fiction Review, Contemporary, Stand-outs, Starred Review 0

when_you_reach_meWhen You Reach Me

by Rebecca Stead

Wendy Lamb Books (Random House), 2009. 199 pages.
Starred Review
Sonderbooks Stand-out 2010: #1 Children’s Fantasy and Science Fiction

When You Reach Me is hard to categorize. Technically, you might call it Historical, since it is set in 1978 and 1979. But the focus is not the time period or issues of the time period, so I don’t think it really fits that category. There’s a touch of science fiction, a touch of mystery, and a touch of adventure. Mostly, I feel like this is a school story, a story of a sixth-grade girl who loses her best friend and must learn how to cope — while strange events are going on around her.

Also interesting, the day before I picked up this book, I read a chapter from Reading Like a Writer, by Francine Prose, on point of view. She talks about the rarity of good fiction written in the second person.

Francine Prose says,
“The truth is that marvelous fiction has been written in the second person, though in these cases, the ‘you’ is less likely to be the reader in general than someone in particular, an individual to whom the story (often metaphorically or imaginatively) is being addressed.”

In When You Reach Me, part of the puzzle is to whom exactly Miranda is telling her story. Who is the “you”?

She’s telling the story to someone, someone who has sent her mysterious letters that seem to be able to foretell the future. How did the letter writer know, for example, that Miranda’s Mom would appear on The 20,000 Pyramid on April 27?

They live in an apartment in New York City, and Miranda must walk past some alarming characters on her way home, but she has her friend Sal to walk with. Until the day that Sal got punched. That’s the day that Miranda thinks it all started.

I admit I can’t help but fall for a character who carries around Madeleine L’Engle’s A Wrinkle in Time everywhere she goes. Miranda faces a lot in this book. Trouble with friends. Scary situations. A stressed-out mother. Things going missing.

Miranda comes through. She figures out how to be a better friend, navigates some tricky situations, and ultimately solves the mystery of the letters.

I like Miranda’s way of dealing with someone she’s afraid of:

“I have my own trick. If I’m afraid of someone on the street, I’ll turn to him (it’s always a boy) and say, ‘Excuse me, do you happen to know what time it is?’ This is my way of saying to the person, ‘I see you as a friend, and there is no need to hurt me or take my stuff. Also, I don’t even have a watch and I am probably not worth mugging.’

“So far, it’s worked like gangbusters, as Richard would say. And I’ve discovered that most people I’m afraid of are actually very friendly.”

This story is surprisingly simple for something with a complicated idea behind it. It will leave your mind spinning in a small, pleasant way, and your heart warmed.

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Review of The Graveyard Book audiobook, by Neil Gaiman

Adventure, Audiobooks, Award Winners, Children's Fiction Review, Fantasy, Stand-outs, Starred Review 0

graveyard_book.jpg

The Graveyard Book

by Neil Gaiman

Narrated by the author.

Recorded Books, New York, 2008.  7 compact discs.  7.75 hours.

Starred review.

2009 Newbery Award winner.

Sonderbooks Stand-out 2010: #2 Children’s Fantasy and Science Fiction

When The Graveyard Book came out, I checked it out for my 14-year-old son to read, knowing he’d want to read anything by Neil Gaiman.  He told me I should read it, but after listening to Coraline, which was very good but exceedingly creepy, I decided that a book by Neil Gaiman with “graveyard” in the title was bound to be too creepy for me.

However, when The Graveyard Book won the Newbery Award, I decided that as a responsible children’s librarian, I really should read it, and I was completely delighted with it.  There’s a little bit of creepiness, but not nearly so much as Coraline.  In fact, I think The Graveyard Book would make fantastic listening for an entire family on a car trip, because it appeals to a wide range of ages.  (If your kids are old enough to handle the fact that the family is murdered at the beginning, they will be able to handle anything else in the book.)

The premise, and the reason for the name, is the same idea as The Jungle Book, except instead of a baby being adopted by the dwellers of the jungle, a baby is adopted by the dwellers of a graveyard.

The book does begin as a family has just been murdered.  The killer is looking to finish the job, but the baby has toddled off.  In the graveyard, a loving woman who always wanted to be a mother convinces her husband to take pity on the baby and take him in.  As Mowgli’s parents needed the approval of the pack, so this baby needs the approval of the inhabitants of the graveyard.  He’s named Nobody Owens, Bod for short.

There are some fun parallels between Bod’s story and The Jungle Book.  For example, instead of getting kidnapped by apes, Bod gets kidnapped by ghouls.  At first the book seems very episodic (with extremely interesting episodes), but by the end, all the adventures tie together into Bod’s need to avenge his family, escape their fate, and live a life outside the graveyard.

Neil Gaiman’s narration is simply awesome.  He now lives in America, but he has a wonderful voice and just enough British accent to sound incredibly cultured.  He gives the different characters different voices, with accents as appropriate.  I found his reading of the chapter with the ghouls especially delightful.

Although I’m sure this book makes great reading on your own, hearing Neil Gaiman read it makes for an incredible listening experience.  I found myself lingering in the car more than once because I got to work too quickly.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/graveyard_book.html