Review of Red Hood, by Elana K. Arnold

Red Hood

by Elana K. Arnold

Balzer + Bray, 2020. 353 pages.
Review written April 11, 2020, from a library book
Starred Review

Red Hood is an amazing and impressive book. It’s not a retelling of Little Red Riding Hood, though you can almost think of it as standing the story on its head. And we do have wolves in the woods, a girl, and her grandmother.

But this girl in the woods is not prey, oh my, no! Instead she hunts down wolves – instinctively and fiercely.

For it turns out that sometimes, when there’s a full moon, men and boys turn into wolves. They attack and devour unsuspecting young women, who need a defender. Bisou turns out to be a ferocious defender.

But the book doesn’t begin that way. It begins with Bisou in the back of a truck, trying out sex with her boyfriend, whom she loves very much. But before the night is over, she’s in the woods alone, being attacked by a wolf – which she kills. The next morning, a boy is found dead in the woods where Bisou thought she left the wolf.

Now I loved Elana K. Arnold’s earlier book, Damsel. After going a little way into this book, I decided that both books were similar. Both books are very explicit about sex, almost clinically descriptive. Both books portray men cruelly exploiting women – but then meeting with vicious retribution – and that violent retribution is frighteningly satisfying.

However, by the time I was finished, I was super impressed with what the author pulled off here. Because not every boy turns into a wolf. Bisou has a wonderful relationship with her boyfriend, a loving and kind young man. There’s a point where Bisou has something to do having to do with hunting on a day when they usually have sex – and James is disappointed, but he doesn’t give her a hard time at all. I was waiting for it to all be a big trap and for him to turn into a wolf – and he remained a loving and kind person.

In fact, there’s another boy at their high school who harasses and abuses one of Bisou’s friends – and they deal with it without magical powers, and he never turns into a wolf. (I’m trying not to give spoilers. I don’t think this will ruin it for you.) I kept expecting every jerk to end up being a horrible wolf or the apparently loving individual to be a wolf at heart – and that just doesn’t happen here, and that impressed me.

What’s more, though the heroine of Damsel was basically alone, Bisou makes friends with other girls in this book. So as well as becoming a testament for girls standing up for themselves and standing against sexual violence, it also tells a beautiful story of the power of sisterhood and girls supporting each other as they do that standing.

I ended up so impressed with this book. It ends up being richly nuanced, telling a story of a girl gaining new powers to defend the weak against sexual violence, but not being alone as she navigates those new powers. It shows sexual violence as a horrible threat against women – but not a threat hiding in every man’s heart, and something that both men and women are willing to help destroy.

elanakarnold.com
epicreads.com

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Review of Pride, by Ibi Zoboi

Pride

by Ibi Zoboi

Balzer + Bray (HarperCollins), 2018. 289 pages.
Starred Review
Review written October 15, 2018, from a library book
2018 Sonderbooks Stand-out:
#4 General Teen Fiction

This is a Pride and Prejudice “Remix,” set in the Bushwick neighborhood of Brooklyn. I have lost count of how many Pride and Prejudice tributes I have read (Actually, that’s not quite true, since you can find links to all the ones I’ve reviewed on the page when I post this.) – and honestly, I’ve loved them all. This is no exception.

Zuri Benitez and her four sisters watch as a new family moves into the house across the street. It used to be run-down, but they’ve been renovating it for a year, and now it’s a mini-mansion. Ainsley and Darius Darcy are fine – but who are they to come strutting into the neighborhood thinking they’ll help it out? You guessed it – older sister Janae and Ainsley hit it off right away, but there are fireworks first between Zuri and Darius.

I got to thinking about Pride and Prejudice. It might seem obvious, because it’s right there in the title, but isn’t it all about respect? When someone smart, good-looking, and yes, rich, moves into town – who is he to think he’s better than the rest of us? The Elizabeth Bennets of the world – highly intelligent themselves and with a loving, close-knit family – deserve respect, too.

But maybe they’re a bit quick to believe they’re not getting it from the Mr. Darcys of the world.

The Pride and Prejudice story is universal because it’s about earning respect – and discovering that good-looking, rich man who has the world’s respect might actually be kind and sensitive and doing good things that go beyond the externals – he might actually deserve Elizabeth Bennet’s respect, too.

It’s also about culture clash. The guy who has made it in the predominant culture moving in near the metaphorical peasantry – and needing to learn to appreciate that their lives, too, have rich community around them.

Pride tells that universal story in a new setting, with a great big helping of delight. Zuri is an Elizabeth Bennet with attitude. She’s a poet, and I’m guessing she’s going to make it into Howard. Here’s a window into her process of discovering that Darius Darcy is more than externals, too.

ibizoboi.net
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Review of Frankly in Love, by David Yoon

Frankly in Love

by David Yoon
read by Raymond J. Lee

Listening Library, 2019. 10 hours on 8 compact discs
Review written December 30, 2019, from a library audiobook
2020 Asian/Pacific American Award for Young Adult Literature Honor
2020 William C. Morris Award Finalist

2020 Capitol Choices Selection

Frank Li is a senior in high school whose parents came to America from Korea before he was born. His parents want him to marry a nice Korean girl, and they have someone in mind. They’ve stopped talking to Frank’s older sister because she married an African American man. Frank’s best friend Q is African American, and they don’t mind that, but they want their children to marry someone Korean.

This audiobook explores the expectations and assumptions Frank and his friends have to endure. I like the way Frank, who’s telling the story, describes white folks as “European Americans” – because that seems only fair.

Frank has grown up going to “Gatherings” – where his parents and other friends who came to America from Korea get together with their families. The kids call themselves the “Limbos” – because they’re not quite seen as American and not quite seen as Korean.

When Frank falls in love with a European American girl, he works out a fake dating arrangement with Joy Song, one of the Limbos who his parents are pushing him to spend time with. Joy has had a Chinese American boyfriend for years, but hasn’t told her parents. If she and Frank pretend to go on dates with each other, they have a cover for spending time with their own beloved.

The scheme seems simple, but neither one can quite bring themselves to tell their real date. And things rapidly get more complex.

This is a fun story with lots of poignant moments. This book makes you think about relationships, and not only romantic ones, but also relationships with friends and family.

DavidYoon.com
ListeningLibrary.com

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Review of The Toll, by Neal Shusterman

The Toll

Arc of a Scythe, Book 3

by Neal Shusterman

Simon & Schuster Books for Young Readers, 2019. 625 pages.
Starred Review
Review written December 5, 2019, from a library book
2019 Sonderbooks Stand-out: #5 in Teen Fiction

I should not have checked this book out and taken it home when I was supposed to be reading Middle Grade Speculative Fiction for the Cybils Awards. But how could I possibly resist? Still… 625 pages! I could have read three middle grade books in the time it took to read this.

And I didn’t read it all at once. I used a couple of chapters of this book as a reward for doing my other reading, which actually worked surprisingly well – by this time in the series, the author had several threads going at once, so there were logical places to pause my reading.

Yes, you need to read this trilogy in order. Definitely. And I don’t want to give much away about the earth-shaking way Book 2 ended.

Amazingly, Neal Shusterman brought all the threads and all the characters to a satisfying conclusion. I was surprised how well he pulled it off.

This third book’s title character is the Toll – a prophet who’s arisen among the Tonist religion, the only one the Thunderhead will talk to, because the whole world is Unsavory. But there’s a lot going on beyond that – power has been seized by ruthless people. Scythes are supposed to kill a small percentage of people to keep the earth from becoming overpopulated. But they aren’t supposed to enjoy it.

Can the surviving main characters we’ve come to care about in this series do anything about the seizure of power by those who are evil? Can the Thunderhead do anything, despite the separation of scythe and state?

I am still amazed that Neal Shusterman was able to come up with satisfying affirmative answers to those questions.

This series makes you look at life and mortality and the human race with new eyes.

storyman.com
simonandschuster.com/teen

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Review of Butterfly Yellow, by Thanhhà Lai

Butterfly Yellow

by Thanhhà Lai

Harper, 2019. 284 pages.
Starred Review
Review written January 2, 2020, from an advance reader copy picked up at ALA Annual Conference
2019 Sonderbooks Stand-out: #3 in Teen Fiction

(I have to apologize. My web host doesn’t support the notations for the Vietnamese diacritics over ‘a’ and ‘e’. I carefully found the right symbol in Word, but it did not carry over when I copied it to my blog. I acknowledge that this is not the correct name for the main character without the diacritic symbol, nor is it the correct name for the country where she was born. It’s not even the correct last name of the author. I am sorry.)

Butterfly Yellow is set in summer 1981 in Texas, about a girl who has survived a harrowing journey from Viet Nam, including a traumatic journey on a boat where most of the other passengers, including her mother, died or were killed by pirates.

Now Hang is in Texas, staying with her uncle, who got to America before the war. But Hang is on a mission to find her brother, who was taken away from her six years ago, when he was five years old and she was twelve and tried to carry out a scheme.

In the final days of the war in April 1975, Hang thought she was so clever, devising a way to flee while her family strategized and worried. Every day newspapers printed stories about Americans panicking to save hundreds of orphans. There was even an official name, Operation Babylift. She assumed she and her brother would go first, then somehow her family would join them in America. But in line at the airport she was rejected, a twelve-year-old passing as eight. Linh was five, three to foreign eyes, just young enough to be accepted as an orphan. Hang saw little Linh thrashing as he was carried into a Pan Am.

By the time her brother was ripped from her, nobody cared to hear why she lied. With so many scrambling to flee before the victorious Communists marched in, one more screaming child was just that. An American volunteer with puffy, sweaty hands must have felt sorry for her. He pressed a card into her palm as he pushed her away from the ladder. Sun rays radiated through each strand of his mango-colored hair. She had to stop an impulse to extinguish the fiery puff of gold threads on his head. He was the last to board. Hang screamed until the Pan Am blended into the sky and left a long loose-curl cloud. For hours, until dusk enveloped her and mosquitoes chased her home, she focused skyward and pleaded for forgiveness. When she opened her palm, the card had disintegrated except for one clue: 405 Mesquite Street, Amarillo, Texas.

Hang’s mission, her one purpose now she is in America is to find her brother. That mission starts out on a bus, but when the bus’s motion, reminding her of the escape boat, makes her sick, the bus leaves without her. Her mission ends up entwining her fate with that of LeeRoy, a boy who is also eighteen and has left his home for the summer on a mission to ride in rodeos and be a cowboy.

When Hang does find her brother, he doesn’t remember her. And his American mother wants Hang nowhere near him. But Hang is going to find a way to stay as close as she can – and a lot of things happen to Hang, LeeRoy and Linh that eventful summer in Texas.

This book is beautifully written, from several different perspectives. One thing I love about it is how when Hang speaks in English, the phonetic spelling is given – but phonetic from the perspective of someone from Viet Nam, full of diacritic marks, and not using the same phonetics as an English-speaking person would use. The reader has to learn how to understand Hang and gradually figure out what she is trying to say. When she thinks or writes in Vietnamese, she is completely fluent, so the reader understands the difficulty of trying to communicate in a foreign language.

We gradually learn about the trauma Hang survived, both in Viet Nam and as she escaped from Viet Nam. It’s horrific, and explains why she covers herself up and hides even in the Texas summer and doesn’t even think of trying to look pretty.

This is a book of cross-cultural understanding, as well as a book of love and healing.

thanhhalai.com

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Review of The Wicked King, by Holly Black

The Wicked King

by Holly Black
read by Caitlin Kelly

Hachette Audio, 2019. 10.5 hours on 9 CDs.
Starred Review
Review written 9/13/19 from a library audiobook

The Wicked King is the sequel to The Cruel Prince, and was just as action-packed and full of plots and intrigue as that one.

In this installment, Jude, a mortal who has grown up in Faerie, has gained power over Carden, who once bullied her and is now the High King of Faerie. (Never mind how she gained power – that’s what the first book was about.) Jude’s twin sister Taryn is getting married to Locke, another immortal who has treated Jude terribly.

But gaining power is one thing; keeping it is quite another. The Queen of the Sea is plotting something with Carden’s older brother, who had expected to gain the throne but is now in prison for murder. And it looks like they will make their move at Taryn’s wedding.

There are plots within plots, shifting alliances, and confusing feelings toward Carden. Can Jude navigate it all, stay alive, protect her little brother, and keep hold of the power she finds she enjoys perhaps a little too much?

There’s a lot more I could say, but I don’t want to give anything away. I don’t think I’ve expressed how gripping this book is, with one tense situation happening after another. It ends at a satisfying place – but also at a place where you need to know what will happen next! The next book cannot come out soon enough for me!

blackholly.com
HachetteAudio.com

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Review of Damsel, by Elana K. Arnold

Damsel

by Elana K. Arnold
performed by Elizabeth Knowelden

HarperAudio, 2018. 7.75 hours on 7 discs.
Starred Review
2019 Printz Honor winner
Review written October 16, 2019, from a library audiobook.

First let me say that I have a new favorite audiobook narrator. Yes, Elizabeth Knowelden has a wonderful accent and her voice is a delight to listen to, but she also has the ability to pack every word with drama. When I raved about her reading this book and tried to imitate her, I simply sounded overdramatic, but when she does it, she makes every word seem important. She achieves exactly the right amount of emphasis and compels your attention.

The book itself is amazing.

Now, there’s a startling ending – but I had a strong clue what that ending would be from hearing the author’s Printz Honor speech. I had a feeling that Ama would not meekly succumb to the forces urging her to be a good little girl and submit. Let me say only that this book is perfect for the “Me Too” generation.

For generations, the prince of the kingdom of Harding, in order to become king after his father dies, must conquer a dragon and rescue a damsel. He will bring the damsel back to his castle and marry her at the Winter Solstice. They will have one child, a son, who will repeat this process after them.

Ama wakes up in Prince Emory’s arms, and he tells her that he rescued her from a dragon. She doesn’t remember anything from her life before. As they journey back to the castle, Emory kills a mother lynx that he thought was threatening Ama (she wasn’t), and Ama takes the baby with her to the castle. She names the baby lynx Sorrow.

At the castle, Ama must learn her place. There are still some months before midwinter, and she must learn her role in the scheme of things. But it’s almost as hard for Ama to fall into place as it is for Sorrow.

The reading of this story is outstanding, but this is not a family tale. There are many vulgar moments, and sexual things explicitly described. And Prince Emory is not a nice man.

Honestly, if I didn’t expect Ama to triumph, I would not have been able to listen to this story, so I think it’s safe to tell you that the horrible things that happen along the way make the ending of this audiobook all the more sweet.

elanakarnold.com
harperaudio.com

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Review of Further Chronicles of Avonlea, by L. M. Montgomery

Further Chronicles of Avonlea

by L. M. Montgomery

Seal Books, 1987. First published in 1920. 199 pages.
Review written September 17, 2019, from my own copy.

I feel guilty reading this book, because I know full well that it was published against the author’s wishes and without her getting any of the profits. She, in fact, sued her publisher to desist publication, and won that case. It’s kind of too bad to go against her wishes after her death.

And yet… stories by L. M. Montgomery!

Now, I was enjoying them thoroughly, marveling in her quirky, humorous characters and the wide variety of situations – until I got to the last two.

What happened when this book was published was that L. M. Montgomery had already split with the publisher of Anne of Green Gables, L. C. Page. So that publisher pulled out stories she had submitted for possible publication in the first volume — Chronicles of Avonlea — but that they had decided not to use.

In her lawsuit, Maud Montgomery claimed that the book damaged her reputation, because she had used some of the plots here in other places.

Well, I disagreed about it damaging her reputation – until I got to the last two stories. The next-to-the-last story uses the same plot as one of the subplots used in Anne’s House of Dreams. There may be other stories repeated, but I couldn’t pinpoint where. I was enjoying them greatly.

But the last story – the last story is completely, horribly, blatantly racist toward Indians and “half-breeds.” Just horribly so. It’s assumed that they are inferior and shouldn’t dare to aspire to fall in love with someone with a “good pedigree.” And things are said about their “natures” – which are simply despicable. It’s even worse than the racism in Kilmeny of the Orchard.

Now, she was a product of her time, and everyone around her thought that way – but that story, “Tannis of the Flats” – is still horrible. And yes, reading it damages her reputation for me – though I doubt that’s the story she was thinking of.

I would have been better off if I’d bowed to the author’s wishes and refused to read this book.

But I was enjoying some gems before I got to that point! L. M. Montgomery got her start writing stories, and she mastered the form. So let me just give my readers fair warning – you might want to stop before you get to the end.

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Review of The Cruel Prince, by Holly Black

The Cruel Prince

by Holly Black

Little, Brown and Company, January 2018. 370 pages.
Starred Review
Review written in January 2018 from a library book.

Wow. Before reading this book, I’d read two children’s books with very clunky writing. Then I picked up The Cruel Prince at the library – the first published 2018 book I’ve read (instead of an advance reader copy) – and I was entranced, enthralled and pulled into the world.

I’m writing this review in 2018, before I’ve talked with anyone else about the book – so these opinions are entirely my own. I’m also not sure how much Newbery consideration I should give to a book so clearly written for young adults. The Newbery criteria say we’re looking at excellence in presentation for a child audience, and I’d say this book isn’t written for a child audience. But on the other hand, it then defines a “child” as someone between the ages of 0 and 14, and there are certainly 14-year-olds who will enjoy this book. Anyway, that’s something I’m going to ask about when our committee meets in February. Once I’ve gotten some more advice, I won’t discuss it in reviews.

Newbery consideration aside, one of the things that makes this book so wonderful to read is how completely Holly Black immerses the reader into the world of faerie. It’s a dark, dangerous, and scary world, but we feel like we understand what it’s like for Jude to live there.

The book opens with a Prologue – in which seven-year-old Jude sees both her parents killed by a tall man who comes to their door.

The man, Madoc, is a faerie. He tells her big sister Vivienne that he is her father. She was stolen from him, and he has come to take her to her true home, in Elfhame beneath the hill. He takes Jude and her twin sister Taryn as well. They are the children of his wife, so he takes responsibility for them. They are brought up in luxury – in Faerie.

Ten years later, Jude reflects:

The servants are overfond of telling me how fortunate I am, a bastard daughter of a faithless wife, a human without a drop of faerie blood, to be treated like a trueborn child of Faerie. They tell Taryn much the same thing.

I know it’s an honor to be raised alongside the Gentry’s own children. A terrifying honor, of which I will never be worthy.

It would be hard to forget it, with all the reminders I am given.

“Yes,” I say instead, because she is trying to be kind. “It’s great.”

Faeries can’t lie, so they tend to concentrate on words and ignore tone, especially if they haven’t lived among humans. Tatterfell gives me an approving nod, her eyes like two wet beads of jet, neither pupil nor iris visible. “Perhaps someone will ask for your hand and you’ll be made a permanent member of the High Court.”

“I want to win my place,” I tell her.

Jude wants to compete in the upcoming tournament and be chosen to be a knight. But the rivals in the tournament, faeries her own age, despise her for being mortal. And Madoc has other plans, forbidding her to become a knight.

But then she gets an offer to be a spy for one of the princes of Elfhame.

The High King has chosen to retire soon, and he has chosen Prince Dain to be his successor. But there are intrigues and plots unfolding around the succession, and Jude gets caught in the middle of it.

That’s the beginning – and my summary doesn’t do the intricacies of the plot justice.

This is the story of a teen girl coming of age and trying to make her way in a world where she is utterly foreign, seen as a different species. There’s lots of danger and lots of on-stage death – but the look at the world of faerie – which Jude is accustomed to – is fascinating and exotic and intriguing. As the story develops, Jude must not only find a place and gain some power, but she also needs to stay alive.

This is the first of a series, and the book ends at a frustrating point – but at a place where readers will be eager to read on as soon as they get the chance.

The romance seems clichéd. I’m sure she’s going to end up with the person she hates most at the start of the book – for no good reason except that they hate each other at the start. But the author succeeds in making him very interesting by the end of the book – so I can at least understand that Jude would be interested as well.

This book has an elaborately portrayed world. It has an intricate plot, with twists and surprises and dangers. The characters are complex. The theme of coming of age – even if you have to kill and lie to gain power – is the part that doesn’t seem suitable for a child audience. But teens are going to love it.

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LBYR.com

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Review of The Stars We Steal, by Alexa Donne

The Stars We Steal

by Alexa Donne

Houghton Mifflin Harcourt, February 2020. 389 pages.
Review written July 12, 2019, from an advance reader copy picked up at ALA Annual Conference

The Stars We Steal is a science fiction retelling of Jane Austen’s Persuasion. Because I love Persuasion so much, and because I love Diana Peterfreund’s science fiction retelling of it, For Darkness Shows the Stars, and because I loved Alexa Donne’s science fiction retelling of Jane Eyre, Brightly Burning, I picked this one up eagerly after I got the advance reader copy at ALA Annual Conference.

I’m afraid I was a little disappointed. It’s still a fun romance, with an interesting science fiction setting, but it’s not a terribly faithful retelling and doesn’t have the poignancy of the original.

Right off the bat, the difference in the age of the heroines made me less sympathetic. Anne Elliot in Persuasion, was nineteen years old when she was in love with Frederick Wentworth and was persuaded to reject him. The story takes place seven years later. She is twenty-six years old and has no prospects for marriage. In The Stars We Steal, Princess Leo Kolburg is nineteen years old. She was briefly engaged to Elliot Wentworth when she was sixteen, but her father and aunt opposed the engagement. I probably shouldn’t be less sympathetic to younger love, but Leo seems to have much more chance for finding someone new than Anne Elliot did.

Anyway, that aside, Leo is a princess living in a society centered in space – humans have taken to space while waiting for earth to warm up from a human-induced ice age. She’s a princess, and lives with her father and sister – but they are running out of money, so Leo has rented out their ship while they stay with their aunt on the Scandinavian and participate in the big once-every-five-years match event where all the eligible young royals and nobility get together to find matches.

Now, Leo needs to find a match with money to save her family’s ship. But she would rather get the money with her water filtration invention. Meanwhile, Elliot is now wealthy, captaining a ship of his own, and ready to find a match. He doesn’t seem to mind Leo becoming fully aware of what she lost.

I want to mention, without giving anything away, that this book has the first mention I’ve seen in a YA novel of an asexual character. It’s a nice answer to a marriage of convenience.

The plot itself is somewhat convoluted. I didn’t really believe some of the interactions and motivations.

However, that said, I did thoroughly enjoy reading this book. It may not be my new favorite, but it was a whole lot of fun, and I hope Alexa Donne has more retellings in store for readers in the future, with more insight into this future society in the stars where the glittering wealthy try to forget about those who are struggling for space and food and teens figure out their response to that.

alexadonne.com
hmhbooks.com

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