Review of The King and the Sea, by Heinz Janisch and Wolf Erlbruch

king_and_the_sea_largeThe King and the Sea

21 Extremely Short Stories

by Heinz Janisch
illustrated by Wolf Erlbruch
translated by Sally-Ann Spencer

Originally published in Germany in 2008 as Der König und das Meer.
Gecko Press, 2015. 48 pages.

There’s something Zen about this book. The stories remind me of the child-like logic found in Winnie-the-Pooh.

As the title indicates, this book consists of 21 extremely short stories. All of them feature the king. A few feature the sea as well. Each story takes up one double-page spread with a very simple cut-paper illustration.

I think you’ll get the idea of the book if I quote a couple of the stories:

The King and the Sea

“I am the king!” said the king.
The sea answered with a whoosh.
“Hmm.” The king cocked his head thoughtfully.
“I see,” he murmured.
And he stood there quietly, listening to the waves.

The King and the Shadow

“Why do you have to follow me around?” asked the king.
“To stop you from coming up with stupid ideas,” said the shadow.
“And to remind you there are two sides to every story.”
“So there are,” murmured the king, staring at the long dark shadow cast by his small gold crown.

The King and the Ghost

“I don’t believe in ghosts,” said the king.
“I don’t believe in kings,” said the ghost.
“Then one of us must be mistaken,” said the king.
“So it seems,” said the ghost, spiriting himself away.

The King and the Bee

“Buzz off,” said the king, shooing the bee from his flower.
“Don’t you know I’m the king?”
“And I’m the queen,” said the bee, stinging the king’s nose.

That gives you the idea. There’s something peaceful about reading these stories, which are silly, yet wise.

I don’t envision using these with a big group – they don’t provoke a big bang. However, these are perfect for one child – or one adult reading to one child – for a cozy, meditative reading experience. I can’t help but love the king.

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Review of The Creeping Shadow, by Jonathan Stroud

creeping_shadow_largeThe Creeping Shadow

Lockwood & Co. Book Four

Disney/Hyperion, 2016. 445 pages.
Starred Review

I finished rereading Lockwood & Co. Book Three, The Hollow Boy a week before this one was scheduled to come out, so I waited for it anxiously. I had a copy preordered via Amazon, but I also put a library copy on hold just in case that would be faster. (The library was only a day behind Amazon, as it happened.)

First, I’ll say right up front that this is not the end of the series. This book, like the rest, ends with some new information that makes you anxious to read the next book. It’s not too annoying – you still have a complete story in these pages – but it does make you impatient for the next installment.

The good side of that is that there will be a next installment! This is a series I don’t want to end.

Yes, you should definitely read these books in order. There is a progression. But each book does feel complete with some adventures that tie together and culminate in a victory for our heroes. Though the new information at the end of each book always promises complications.

The basic scenario of all the books is alternate reality London, where for fifty years there has been a “Problem” with ghosts showing up and terrorizing the populace. Once people reach a certain age, they can’t see ghosts any more, so children in agencies fight the ghosts and find the Sources that keep them coming back to our world.

Most agencies have adult supervisors, but Lockwood & Co. is run by children themselves. (They don’t give Lockwood’s age directly, but I’m thinking he’s about fourteen.) They fight ghosts with weapons like silver-tipped rapiers, salt bombs, and iron chains. Agents are children with psychic talents to sense the ghosts – not everyone has them. And no one seems to be as gifted with Listening as our narrator Lucy Carlyle. She even has a skull in a jar that she talks with and keeps close.

At the start of this book, Lucy has been working on her own for a while as a consultant. She’s developed the Lucy Carlyle Formula for dealing with ghosts. “Use their name. Ask the question. Keep it simple.” She asks ghosts what they want. Sometimes they answer her. Though the way they answer is sometimes dangerous.

As the book opens, Lockwood comes back to her and asks for help on a case, the case of the Ealing Cannibal. The morning after that case, someone breaks into her apartment and steals the skull in the jar.

So this book develops differently than the previous volumes. There’s a lot of mortal danger from living people as well as from ghosts. Someone is keeping lots of powerful Sources from being destroyed. For what purpose? And can Lucy get the skull back?

Jonathan Stroud is definitely not lacking in imagination. There’s still lots of direct fighting ghosts – and he comes up with new twists such as a ghost who can only be seen in mirrors. But there is also a sense of bigger plots going on around our heroes – and a knowledge of danger because powerful people don’t want their plots discovered.

I don’t need to say more about the plot in this book. Read the books in order, and if you’ve read the first three books, I very much doubt you’ll want to stop. Yes, Book Four is just as good. Yes, it brings new twists into the story. Yes, it will be frustrating to wait for Book Five.

There is a progression in the series. We find out a little bit more about Lockwood’s background. (I love the use they find for something from his parents’ collection.) We find out a little bit more about the Problem. We find out a little bit more about the most powerful agencies in London. And along the way we get to enjoy Lockwood’s charisma, Lucy’s talent, George’s cleverness, and Holly’s efficiency. And the relationships between the four of them just get more complex. I can’t get enough of these books!

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Review of Glamour in Glass, by Mary Robinette Kowal

glamour_in_glass_largeGlamour in Glass

by Mary Robinette Kowal

TOR, Tom Doherty Associates, 2012. 334 pages.
Starred Review

A big thank-you to my sister Melanie for giving me this book, which I finally got around to reading.

I have trouble getting around to reading books I own – they don’t have a due date. I read the first book, Shades of Milk and Honey, on a plane trip, and enjoyed it, but wasn’t terribly impressed. I didn’t like the jealousy between the sisters and the tribute to Pride and Prejudice made it quite predictable.

So when I finally read this second book on a plane trip, I thought only to pass the time – and then I loved it!

Jane and her husband Vincent are newly married. They are now working together as Glamourists – people who use magic to create illusions. As the book opens, they have just finished working months on a commission for the Prince Regent.

From there, they decide to go to Belgium as a sort of honeymoon, celebrating the end of the war. Vincent is going to consult with a glamourist there who is developing a new technique that allows one to walk around a glamour and see different things from different sides. There Jane gets an idea of a way to record a glamour in glass so that you can carry it along with you. As they experiment together, they manage to record an invisibility glamour.

However, before long Jane’s activities as a glamourist are put to a halt when she becomes pregnant. The work of creating glamours is too taxing for pregnant women, and she has to sit on the sidelines for a time.

But then word comes that Napoleon has escaped his island exile and is coming back to France, via Belgium. Vincent is more embroiled in events than Jane had realized. Between spies on both sides and the military advantages of the invisibility glamour, Vincent gets into trouble, and it’s up to Jane – who can’t perform glamours – to find a way to get him out.

I thought this book was delightful. Jane’s younger sister wasn’t in it, so there was none of the jealousy or sibling rivalry I didn’t like in the first book. I liked the easy affection between the couple, with natural worries and stumbles as they figure out how to work together and merge their lives together.

This time, I didn’t expect the magic to be earth-shaking – it’s only about glamour, after all – but I think I enjoyed all the more the way it turned out to have military applications. Even before that bit, I liked the way creating glamours was presented as a skill that requires practice and study and invention – and the way Jane and Vincent both brought their talents to this work together. It was a lovely picture of a marriage – yet in a world quite different from our own. The plot wasn’t at all predictable, and I enjoyed the suspenseful elements and political intrigue – all with our heroine mixed up in the middle of it.

I’m going to have to catch up on this series!

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Review of Harry Potter and the Cursed Child, by J. K. Rowling, John Tiffany, and Jack Thorne

hp_cursed_child_largeHarry Potter and the Cursed Child

based on an original new story by J. K. Rowling, John Tiffany, and Jack Thorne

A new play by Jack Thorne

Arthur A. Levine Books (Scholastic), 2016. 327 pages.

It was lovely to be back in Harry Potter’s world. This play features best friends Albus Severus Potter and Scorpius Malfoy. I liked the look at their friendship and what the wizarding world is like twenty-two years later.

But I didn’t love the story. It’s all about Time Turners and changing history — and trying to fix what happened when that goes wrong. I don’t like time travel stories. It’s far too easy to mess up the internal logic. This story completely strained believability, even in the wizarding world.

Hermione’s Time Turner in Harry Potter and the Prisoner of Azkaban always brought you back one hour. The Time Turner in this story can go farther back, for only five minutes — but there’s no indication how you set the time you want to go back to.

I won’t even get started on my disagreements with what would happen because of a simple change. And the silliness of people in the original timeline waiting to see if their kids can fix a different timeline or if they would just wink out. Why wouldn’t the Time Turner just bring them back to when they left? (My son told me about the concept of San Dimas time — “San Dimas Time is used when a writer wants to add some against-the-clock tension to a Time Travel story in spite of how little sense that makes.”) After all, Hermione’s Time Turner would have been pointless if it hadn’t worked that way.

Besides that, sloppy Time Travel stories have the effect of making all the stories seem less significant. How do we know in ten more years someone else won’t go back in time to make sure Voldemort doesn’t lose? If the timeline is so fluid, what “really” happened?

Anyway, I probably shouldn’t belabor it. I have several objections to this particular plot. And the play format doesn’t read as nicely as the novel form.

But what I did like? I liked going back into Harry Potter’s world. I liked looking at what it would be like for the son of the famous Harry Potter if he got sorted into Slytherin and had as best friend the son of Draco Malfoy. I liked finding out that the sweet old Trolley Witch has an important job of keeping young wizards and witches on the Hogwarts Express and can get fearsome when crossed.

A small part of me felt like J. K. Rowling is still trying to vindicate herself for killing off Cedric Diggory. (See what would have happened if he hadn’t died!) But mostly this was a fun excursion into a beloved world. I’m looking forward to the Fantastic Beasts and Where to Find Them movie coming out this Fall. But I don’t think I’d want to read the script. Since I couldn’t go see this play in London — this was the next best thing, but I don’t think I’ll be buying a copy for my own extensive Harry Potter collection.

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Review of The Girl from Everywhere, by Heidi Heilig

girl_from_everywhere_largeThe Girl From Everywhere

by Heidi Heilig

Greenwillow Books (HarperCollins), 2016. 454 pages.

I love the premise of this book. 16-year-old Nix has grown up on a time-traveling ship, the Temptation. Her father, Captain Slate, can Navigate anywhere – as long as he has a hand-drawn map. The map doesn’t have to even be of an actual place. With enough detail, Slate can even bring their ship to fantasy worlds.

They make their living gathering things from one time or place and selling them in another.

But Slate has an obsession. He wants to go back to 1868 Hawaii and stop Nix’s mother’s death.

Now, I didn’t quite believe Nix’s worries about that. She was afraid that if Slate stopped her mother’s death – she died in childbirth – Nix would cease to exist. Whereas her father believed Nix would be able to get to know her mother. I didn’t quite understand why Nix didn’t take that approach.

I also wasn’t crazy about Nix’s potential love interest, probably because I don’t go for the noble thief trope. Kashmir is a crew member who came on board from Vaadi Al-Maas, a location from the story of Sinbad the Sailor. He is a thief, and steals things for Nix from various places.

As the story opens, they are working to get a mythical bird that will heal illness, along with enough valuables to win an auction taking place in 2016 for an 1868 map of Hawaii.

But things go wrong, they end up in Hawaii in 1884, and there get embroiled in a plot against the king of the Hawaiian Islands.

This brings up an interesting ethical question: Is it okay to work with people planning to annex Hawaii to the United States when they know that’s going to eventually happen anyway?

Meanwhile, the novel takes on something of a heist plot, with their part involving a trip to a mythical place to pick up some terra cotta warriors. There’s another potential love interest introduced, a handsome youth who lives in Hawaii. And Nix learns about the place where she would have grown up if her mother had lived.

So you may be able to tell, I didn’t fall too hard for the characters in this book, but I still found it an intriguing premise. It was fun to see Nix comfortable with New York City in the present day as well as other places hundreds of years in the past. The rules of Navigating which were unveiled during the book were quite plausible, and I find myself hoping this is only the beginning of adventures for Nix and the Temptation.

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Review of Kingfisher, by Patricia A. McKillip

kingfisher_largeKingfisher

by Patricia A. Mc.Killip

Ace Books, New York, 2016. 346 pages.

This fantasy tale begins with a young adult named Pierce who is ready to leave his sorceress mother, ready to go to the capital city and find his father, a knight. It’s also about an illegitimate prince looking for his own heritage, a chef who takes on a job her shapechanging father is opposed to, another chef who makes beautiful food that is tantalyzing but tasteless, and a princess who’s worried about her half-brother.

The fantasy world is interesting — with modern things like cars and cellphones, but a magical realm with gods and goddesses competing for power.

The unifying theme is a quest for an object of great power. No one knows where it is or what it will look like, but their heart will know it when they see it.

Along the way secrets are uncovered and there are battles between good and evil.

This is the kind of fantasy I find a little bit annoying. It’s beautifully written and evocative — but I never feel like I actually know quite what is going on or exactly how the magic works or what just happened.

I’m still glad I read it and glad to have spent time with these characters and enjoyed their quest. But it will be better for readers who don’t get hung up on details of world-building and internal logic like I do.

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Review of The Whisper, by Pamela Zagarenski

whisper_largeThe Whisper

by Pamela Zagarenski

Houghton Mifflin Harcourt, Boston, 2015. 36 pages.
Starred Review

The Whisper is a mystical, highly symbolic picture book about imagination.

The main story is that a girl is given a book by her teacher. But when she gets home and opens the book, there are no words inside, only pictures.

As the little girl paged through the wordless book, she heard the wind blow and then a small whisper:

“Dear little girl, don’t be disappointed.
You can imagine the words.
You can imagine the stories.
Start with a few simple words and imagine from there.
Remember: beginnings, middles, and ends of stories can always be changed and imagined differently.
There are never any rules, rights, or wrongs in imagining – imagining just is.”

The whisper sounded so knowing and wise to the little girl that she opened the book to the first page and began.

From there, we see each lavishly painted page and hear the beginning of the story the little girl tells about each one.

There are definitely recurring themes in the paintings (In fact, themes that tie in with Pamela Zagarenski’s other books) which also tie in with the stuffed animals in the girl’s room, and the fox who followed her home.

And that all sounds a lot simpler than this book really is. There are layers upon layers. After a few readings, I’m still not at all sure I’ve grasped everything that’s going on.

You could also use this book as a simple Seek-and-Find book with the various recurring elements happening on each page.

But the overarching idea is this: You can make stories yourself.

And you will be glad you did.

Oh, and my favorite painting is the one of the wizard who blows bubbles in the shapes of things and fills the harbor with enormous white whales.

Imaginative!

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Review of Baba Yaga’s Assistant, by Marika McCoola, illustrated by Emily Carroll

baba_yagas_assistant_largeBaba Yaga’s Assistant

by Marika McCoola
illustrated by Emily Carroll

Candlewick Press, 2015. 132 pages.
Starred Review
2015 Cybils Elementary/Middle Grade Graphic Novels Finalist

This graphic novel is lots of fun. Masha is a modern teenage girl who has heard stories of Baba Yaga from her grandmother. Both Masha’s mother and grandmother cleverly escaped from her.

So when Masha’s father marries again and the new stepmother has a particularly bratty stepsister for Masha to babysit, Masha decides instead to answer an ad to be Baba Yaga’s assistant.

Masha has stories of Baba Yaga to guide her. She must enter Baba Yaga’s chicken-legged house, then pass three tests. But when the third test involves cooking three children for dinner, and one of those children is the naughty new stepsister – things take a turn.

I loved the way this book gives the fairy tale themes a modern twist. Such as when the stepsister throws down a washcloth in Baba Yaga’s bathroom and it begins to become a lake – so they almost drown.

Baba Yaga has a gory reputation, and despite her scary exterior, this book puts a light-hearted spin on things. Ultimately, this is the story of a clever girl finding her own way, while getting some healing for her heart.

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Review of Rebel of the Sands, by Alwyn Hamilton

rebel_of_the_sands_largeRebel of the Sands

by Alwyn Hamilton

Viking, 2016. 314 pages.
Starred Review

Here’s a debut fantasy novel about finding one’s identity and place in the world.

This is wonderful fantasy, but not your traditional medieval European world – this one involves Djinns, Ghouls, Skinwalkers, Nightmares, and other desert beings. We’ve got an oppressive regime and unjust society, and we start by focusing on someone caught in that injustice.

Amani is an orphan living with her uncle in a world where girls have no rights. Everything she has belongs to her uncle – and will belong to her husband after he marries her off. That event is looking harder and harder to avoid, and Amani is desperate to escape.

When the book opens, Amani is risking all the money she has managed to scrape together over the past three years to enter a shooting contest in Deadshot. If she can win the prize, she’ll be able to buy train passage to the capital city.

Amani has the shooting ability to win – but not the ability to overcome the way the contest is rigged. But during the contest she meets a mysterious foreigner who is also a skilled shooter, and she becomes part of a brawl that sets the whole place on fire.

So the next day, she’s back home in Dustwalk, tending her uncle’s shop, hoping no one recognizes her as the blue-eyed boy at the shoot-out. And who should run into her shop but the foreigner from the night before? And he’s followed by a group of soldiers, but Amani lets him hide behind the counter and covers for him. After all, he saved her life the night before. Then when it turns out he’s been shot, she returns the favor.

But while she’s tending his wounds, she hears the bells that mean a Buraqi has been sighted – a desert horse, made of desert sands. When the horse is captured and forced to stay materialized with iron shoes, the Buraqi provides a way out of Dustwalk for Amani – and the foreigner along with her.

But that’s only the beginning of the saga. She continues in an adventure across the desert. The soldiers are looking for her because she’s been seen with the foreigner. And it turns out, he’s involved with the Rebel Prince, who some say is the rightful ruler of Miraji and wouldn’t give their country over to the Gallans.

Along the way, Amani meets others in the rebellion and learns startling things about who she is and where she belongs.

This is a very satisfying fantasy adventure novel. It ends at a good place, finishing one segment of the story, with no cliffhangers (which is how I like it), but still leaves you hoping to hear more about these people and this world. It’s a debut novel, and is a wonderfully propitious start. I hope there will be many more books about Amani and Jin and desert magic and the struggle for the Rebel Prince.

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Review of The Most Wonderful Thing in the World, by Vivian French and Angela Barrett

most_wonderful_thing_in_the_world_largeThe Most Wonderful Thing in the World

by Vivian French
illustrated by Angela Barrett

Candlewick Press, 2015. 32 pages.
Starred Review

This is a fairy tale retold in “the time of your grandmother’s grandmother.” The beautiful paintings show clothing from the early twentieth century or late nineteenth century (I’m sure the illustrator could tell you precisely which). The paintings portray a Venice-like kingdom with a city set on a lagoon.

The king and queen decide that to find their daughter a husband, they will look for a young man who can show them the most wonderful thing in the world.

While princes and courtiers are bringing marvels to the king and queen (and here the illustrations are amazing), Princess Lucia has decided to see the city and to learn about its people.

Salvatore is the grandson of Wise Old Angelo, who gave the king and queen the advice. Salvatore brought the letter, and he’s sitting outside when the princess ventures out.

As Lucia came running out of the palace, she saw Salvatore sitting on the wall, playing with a little tabby cat.

“Excuse me, she said, pulling her cloak closer to cover her silk dress, “do you know the city?”

Salvatore smiled proudly, “Of course! I have lived in the kingdom all my life. Nobody knows the city better than I do, pretty lady. North, south, east, and west.”

“Can you show it to me?” Lucia asked. “Today?”

Salvatore was surprised. “But it would take longer than a day. Much longer.”

The princess put her hand on his coat sleeve. “Please?”

The young man bowed low. “I am Salvatore, pretty lady, and I am entirely at your service. Today, tomorrow, and the next day, until you have seen all that you want.”

“Thank you,” said the princess, and they walked away toward the heart of the city.

You can see where this is going! But the natural progression is carried out so beautifully and satisfyingly. The suitors bring some truly amazing things, but none of them is the most wonderful thing in the world. What the answer is, of course, is perfect.

The paintings in this book are very small and detailed, though truly wonderful, so it wouldn’t necessarily work for reading to a large group.

But anyone who likes an illustrated fairy tale will find a treasure in this book.

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