Review of Let Your Voice Be Heard, by Anita Silvey

Let Your Voice Be Heard

The Life and Times of Pete Seeger

by Anita Silvey

Clarion Books (Houghton Mifflin Harcourt), 2016. 101 pages.

This is a straightforward biography of Pete Seeger for upper elementary audiences. There are plenty of photographs and the print is large and lines are widely spaced, so it’s not an intimidating amount of reading.

I hadn’t known a lot about Pete Seeger’s life, and I was inspired. His approach to music — reviving folk songs, popularizing them, and collaborating with others — is partly what makes him such a likable character.

But he also stood up for causes. He provided a voice — and songs — for the Labor movement, for anti-war protesters, for the Civil Rights movement, and for cleaning up the environment.

But a big part of his life I hadn’t known much about was him being brought up before the House Un-American Activities Committee, and how much that impacted his life. I hadn’t realized how much was done against people suspected of Communist sympathies — in America.

It’s also impressive that Pete Seeger didn’t let those things make him bitter. He continued to sing and spread the belief that working together we can make the world a better place. “Pete would call up a radio station, get a spot on the air, and then be out of town before the American Legion could protest.”

Here’s how the author sums up Pete Seeger’s legacy:

Throughout his life Pete Seeger remained committed to the idea that people need to come together. “It’s been my life’s work, to get participation, whether it’s a union song, a peace song, civil rights, or women’s movement, or gay liberation. When you sing, you feel, I’m not alone.”

Support for workers. Peace. The right to speak and sing in freedom. Civil rights for all people. The preservation of the planet. The causes to which Pete Seeger dedicated his life remain relevant and evergreen. He lived with purpose and meaning. As he often said, “Nobody really knows what the world’s going to bring. . . . We always find solutions, we’re an intelligent race . . . As long as I’ve got breath, I’ll keep on doing what I can.”

His life stands as a testament for social and political change, reminding everyone to fight for what they believe in and to let their voices be heard.

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Review of Flora and the Peacocks, by Molly Idle

Flora and the Peacocks

by Molly Idle

Chronicle Books, San Francisco, 2016. 32 pages.

Flora’s back! She’s dancing with a new kind of bird – this time not one, but two peacocks!

Flora looks a little more sophisticated this time, with flowers in her hair and holding a fan. She’s still got her child-sized round body shape.

Again, Flora dances with the birds, using the fan to mirror the peacocks’ tails.

Besides the beauty of the illustrations, the fun and motion of the flaps, and the way the child and birds mirror each other’s movements, Molly Idle always puts in a surprising amount of story in her books, even without words.

In this case, the fact that there are two birds means that a rivalry springs up. Jealousy threatens to destroy the dance – but then they come together in the biggest fold-out section of all.

Will the book and the huge fold-out hold up to library usage? That remains to be seen. It also makes me think it would be difficult to use in a storytime. But one on one, or with a few children at a time, I can easily imagine children reading this book again and again, enjoying the beauty and telling you all they notice about the characters, the feelings involved, and the ultimate happy ending. Without printed words, children will take pride in reading this book long before they can decode print. And what a wonderful way to introduce them to story with a beginning, a middle, and an end.

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Review of Wet Cement, by Bob Raczka

Wet Cement

A Mix of Concrete Poems

by Bob Raczka

Roaring Brook Press, New York, 2016. 44 pages.
Starred Review

Bob Raczka explains what’s going on in this book in a note at the front:

I like to think of poems as word paintings. A poet uses words like colors to paint pictures inside your head.

In concrete poems, or shape poems, the words also paint pictures on the page. The poet arranges words in the shape of the thing the poem is about or in a way that emphasizes the poem’s meaning.

But here’s what’s really cool: by cleverly arranging individual letters, you can also paint a picture on the page with a single word. In this case, the letters become your colors.

In this book, I’ve done both. In the title of each poem, I’ve created pictures with letters. In the poems themselves, I’ve created pictures with words.

Besides showing kids what concrete poems are, this book gets the reader looking at things in new ways. I love the title example of calling the book of concrete poems Wet Cement and having the words pictured coming out of a cement mixer.

An example I can easily explain is his poem “Hopscotch.” In the title, the nine letters of “Hopscotch” go up the page in place as if in a hopscotch grid. On the next page, the twelve words of the poem go up the page in the same format.

The title of the poem “Clock” places the letter L inside the letter O looking like a clock. The poem has these words in a circle like the numbers of a clock: “The clock on the wall says it’s five ‘til three but”

Then the hands of the clock, appropriately placed, use the words: “the kids in my class say it’s five ‘til free.”

There’s lots of cleverness here. The poems are short and sweet and don’t look difficult. They’re at least not difficult to understand, but get you looking at the objects in new ways.

This book will definitely spur kids to try to create their own concrete poems. They may discover it’s harder than it looks!

But I like the way the ending poem, “poeTRY,” invites experimentation (and these lines are centered):

poetry is about taking away the words you don’t need
poetry is taking away words you don’t need
poetry is words you need
poetry is words
try

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Review of The Airport Book, by Lisa Brown

The Airport Book

by Lisa Brown

A Neal Porter Book (Roaring Brook Press), 2016. 36 pages.

Having just taken a plane trip a couple days before I read this book, it struck me as especially useful for a family planning a flight with preschool children. Having done that many times in my life, I wish this book had been around then.

And this is a modern airport. The pictures match my experience of airports well.

There are lots of people
saying lots of goodbyes.
Sometimes they hug.
Sometimes they cry.

They have big bags on wheels and smaller bags on their shoulders and backs.

Sometimes you can tell exactly what is packed inside the bags.
Sometimes it is a mystery.

Inside the airport you stand in lines.
You stand in lines to get your ticket.
You stand in lines to check your bags.
There are lines for the restrooms.
There are lines to go through security.

The text tells you all that goes on, but the real treat is in the pictures. They’re not as crowded as a Where’s Waldo book, but there’s plenty of things to see on each page, with many side stories.

We watch the little sister’s monkey make its way (with the tail sticking out of the luggage). Various other passengers set out and journey as well.

The featured family has an interracial couple, and there are an abundance of families on the flight itself. You’ll see more details about the other passengers with each pass through the book.

Planning a flight with young ones? This book provides perfect preparation. Your child will know what to expect and what to watch for. Interested in talking with your little one about a trip they’ve taken or that you’ve taken? This book also provides a lovely jumping-off point for that. I hope this one gets displayed prominently in airport bookstores.

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Review of Samurai Rising, by Pamela S. Turner

Samurai Rising

The Epic Life of Minamoto Yoshitsune

by Pamela S. Turner
illustrated by Gareth Hinds

Charlesbridge, 2016. 236 pages.
Starred Review

This book of narrative nonfiction for children booktalks itself. Samurai warriors! Murder and betrayal and kidnapping! Epic battles and clever strategy! And it’s all true!

Pamela S. Turner has done in-depth research about an ancient Japanese Samurai warrior, around whom many legends have sprung up. She does a good job separating what is known from what is speculated about him, and the final 73 pages of the book are back matter, including notes about the history and about her research, a timeline, bibliography, and an index.

The story itself reads like a gory and dramatic novel. Now I personally am not a big fan of war stories, but for kids who don’t mind that (and there are many), this book is filled with excitement – all the more exciting because it really happened.

The Introduction is short and explains why Minamoto Yoshitsune’s story is important:

Few warriors are as famous as the Japanese samurai. We remember those beautiful swords and those fearsome helmets. We recall, with both horror and fascination, how some chose to end their own lives. But no one can understand the samurai without knowing Minamoto Yoshitsune.

Yoshitsune’s story unfolds in the late twelfth century, during the adolescence of the samurai. Yes, cultures have their youth, maturity, and old age, just as people do. During Yoshitsune’s lifetime the samurai awakened. Their culture was bold, rebellious, and eager to flex its muscle. The samurai would ultimately destroy Japan’s old way of life and forge a new one using fire and steel and pain.

Yoshitsune was at the very heart of this samurai rising. Exile, runaway, fugitive, rebel, and hero, he became the most famous warrior in Japanese history. The reason is simple: Yoshitsune was the kind of man other samurai longed to be.

The book begins with the uprising and death of Yoshitsune’s father in 1160. It ends with Yoshitsune’s suicide before his enemies came for him in 1189. In between we hear the story of the warrior’s glory that went unappreciated except in legend.

The author does an amazing job of making this all accessible and understandable to the reader, while inserting little reminders that this is history, and we don’t know everything. She mentions eyewitness accounts, where the information is sketchy, and uses language like “probably” and “Imagine…” where she’s drawing inferences.

No child who reads this book will think that history is boring!

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Review of Bear & Hare: Where’s Bear? by Emily Gravett

Bear & Hare

Where’s Bear?

by Emily Gravett

Simon & Schuster Books for Young Readers, 2016. Originally published in Great Britain in 2014. 28 pages.
Starred Review

Here’s a sweet toddler-friendly story that provides counting practice along the way.

The text is simple. The first line is the most complicated one of the whole book:

Bear and Hare are playing hide-and-seek.

From there, the words are the numbers 1 through 10 written large, stretching across the page, showing Hare with his eyes covered. On the other side of the spread, next to the number 10, are the words “Where’s Bear?”

We turn the page and see Bear trying very inadequately to hide behind a lamp. Hare is pointing and saying, “There!”

The idea repeats.

After three tries where Bear is very easy to find, we see:

Maybe Hare should try hiding instead?

We’ve got the big numbers across the page again, this time with “Where’s Hare?”

Hare’s a lot harder to find. Sharp readers will spot his ears poking out. But when Bear looks under the blanket, the bed calls to him. Now Hare comes out and can’t find him!

It all ends with Hare shouting “I WANT BEAR!”

On the final page, we’ve got a cozy hug, and the words “There.”

You couldn’t ask for a cozier story to make toddlers feel clever – and get counting practice in, too.

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Review of Elizabeth Started All the Trouble, by Doreen Rappaport and Matt Faulkner

Elizabeth Started All the Trouble

written by Doreen Rappaport
illustrated by Matt Faulkner

Disney Hyperion, Los Angeles, 2016. 40 pages.

This is an accessible overview for elementary school children about the struggle for women’s rights. Reading it, I discovered that I hadn’t realized myself just how long the battle had taken.

The Elizabeth of the title was Elizabeth Cady Stanton. The book does begin earlier than Elizabeth Cady Stanton by mentioning Abigail Adams’ request to her husband when working on the Constitution to “Remember the ladies.”

Seventy-two years later, Elizabeth started the trouble when she and Lucretia Mott were forbidden to even be seen at a convention in London against slavery. They couldn’t be delegates, and had to sit behind a curtain to hear the men’s speeches.

After this, Lucretia and Elizabeth planned the first National Women’s Rights Convention, held in Seneca Falls, New York. Elizabeth modified the Declaration of Independence to be a Declaration of Sentiments, which was a rallying call for the women’s suffrage movement.

The book shows how long and slow and adamantly opposed that movement was. It also pictures many, many of the additional women who took part. One page shows many women who worked for the war effort during the Civil War on both sides.

Emancipation came for the slaves with the Thirteenth Amendment on January 31, 1865.

Then the lawmakers began debating giving the vote to black men.

Now, Elizabeth thought, now is our chance to get the vote, too.

But they didn’t

The next phase of working for women’s rights involved demonstrations, parades, and arrests. Some states individually gave votes to women. The people who started the struggle, including Elizabeth Cady Stanton, grew old and died.

The book ends with a double-page spread showing women from many time periods (including the present) standing together.

On August 26, 1920, the Nineteenth Amendment, granting women the right to vote, became law. The lawmakers had finally done what Abigail Adams wanted the Founding Fathers to do in that big room in Philadelphia so long ago.

The women had triumphed after battling for the vote for seventy-two years. But they knew their work was not over. There were still many unfair laws to change so that women could have true equality with men.

And we’re still working on it.

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Review of Among a Thousand Fireflies, by Helen Frost and Rick Lieder

Among a Thousand Fireflies

poem by Helen Frost
photographs by Rick Lieder

Candlewick Press, 2016. 28 pages.

This story is simple. What makes it amazing are the photographs.

We meet one firefly among thousands. She finds her match by the pattern her lights flash.

Across a distance
wide and dark,
she looks out from
her flower
and sees –

Light. Dark.
Light. Dark.

Inside the flower,
her light flashes back,
pulsing through the night.

Here I am. She sends a silent call.
Over here.
Look! I’m here.

As I said, it’s a simple dramatization of a firefly finding its mate through the pattern of its flashes. But who knew that pictures of fireflies could be so stunning? I especially like the way her light lights up the flower she’s sitting on.

It’s simple. It’s short. But it will make you look twice. And it will help you notice the wonder of fireflies on the next summer night.

Mind you, kids are already good at noticing such things. I think this book will validate their wonder. And it may start a conversation about the science of fireflies, with some simple notes (so parents will know what they’re talking about) at the back of the book.

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Review of Jumping Off Library Shelves, selected by Lee Bennett Hopkins

Jumping Off Library Shelves

A Book of Poems

selected by Lee Bennett Hopkins
illustrated by Jane Manning

Wordsong (Highlights), Honesdale, Pennsylvania, 2015. 32 pages.

A book of poems about libraries! Yes, please!

There are fifteen poems in this book, all by different authors except for Rebecca Kai Dotlich, who has the starting and ending poem. All the poems have something to do with libraries.

I’m going to simply quote some of my favorite lines.

From “Refuge,” by Nikki Grimes:

. . . smiling at the sweet kingdom of story
inviting me in
to rest, to explore –
to dream.

From “At the Library,” by Michele Krueger:

I’ve found a treasure,
a literal pleasure.

a book
I’ve not read
before.

From “Enchantment,” by Jane Yolen:

Stack by stack,
shelf by shelf,
I pick out books
all by myself.

Of course I like “Librarian,” by Joan Bransfield Graham

How do you
always find
the perfect
book?

You get that
look
in your eyes
and there
it is . . .

another
surprise
to savor.

From “The Poetry Section,” by Alice Schertle:

It reached out and grabbed me!
That poetry sound
set my heart singing,
spun me around

like a million bells ringing,
a hundred-piece band –
those poems made music
right there in my hand.

There’s even a poem about reading to dogs at the library, “Reading with Riley,” by Kristine O’Connell George:

all ears, all listen,
as we snuggle deeper
into story.

From “Book Pillows,” by Amy Ludwig Vanderwater:

With my head on a book
I dream of a place
where a pig loves a spider. . . .

Wild things on a rumpus!
Fat evil kings!
Boy wizards, girl witches!
Horses with wings!

And the beginning and ending poems imagine mice in the library at the start and end of the day. Of course at night they read the books! From “Midnight in a Library,” by Rebecca Kai Dotlich:

whiskers, tails twitch,
there’s magic in the air;

These poems are accessible for very young children as well as kids in school. And they celebrate libraries. What could be better?

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Review of Apples and Robins, by Lucie Felix

Apples and Robins

by Lucie Felix

Chronicle Books, San Francisco, 2016. First published in France in 2013. 52 pages.

Here’s a simple picture book by a graphic designer. I was surprised by the high page count when I counted the pages – there are only a few words on each page, so it goes quickly. The point of the book is the art, not the words.

This book is done with simple shapes and cut-outs and bright colors. It shows how simple shapes can make recognizable things.

The book begins, “All you need for apples are circles and the color red.” On a red page, there are three white circles, but two of those circles are made from cut-outs. When you turn the page, the circles become red apples in a tree, with leaves and stems.

The next interesting transformation is this one:

All you need for a ladder are six rectangles: five short and one long.

When you turn the page, sure enough, the long rectangle cut-out turns the short rectangles into the spaces between the rungs of a ladder.

And the shapes and cut-outs get more complicated. My favorite is the robin, made from a circle cut-out placed around “three bright triangles like the robin’s whistle and a red oval like its round red breast.”

We’ve got a little bit of drama with a storm blowing down the bird house and later the arrival of Spring. But the point of this book is the fascinating transformations.

It will get kids thinking, seeing things from a new perspective, and perhaps trying out this kind of art themselves. This is a lovely and surprising picture book.

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