Review of Julián at the Wedding, by Jessica Love

Julián at the Wedding

by Jessica Love

Candlewick Press, 2020. 36 pages.
Review written 10/20/2020 from a library book
Starred Review

It’s another picture book about gender-nonconforming Julián, from the lovely book Julián Is a Mermaid. What I love about both books is that this is a story about Julián and his vivid imagination. He happens to enjoy pretending in ways that don’t strictly follow gender norms. That’s who he is, and that’s celebrated – but the point of the book is Julián and his imagination, not his gender-nonconforming.

In this book, Julián and his abuela are going to a wedding, and Julián is in the wedding, dressed in a snazzy purple suit that isn’t strictly masculine or feminine. Two women are joyfully getting married, and we’re told, “A wedding is a party for love.”

At the dinner after the ceremony, Julián makes friends with Marisol, the flower girl. They go to play in the “fairy house” made by the leaves of a weeping willow tree. When Marisol plays with a dog and gets her dress all dirty, Julián has a solution, and both kids get to pretend to be fairies.

In both books, I love the way the adults appreciate Julián’s and now Marisol’s antics, rather than scolding. It’s another celebration of the power of imagination.

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Review of Barracoon, by Zora Neale Hurston, read by Robin Miles

Barracoon

The Story of the Last “Black Cargo”

by Zora Neale Hurston
read by Robin Miles

HarperAudio, 2018. 4 hours, 25 minutes.
Review written August 22, 2020, from a library eaudiobook

A barracoon is an enclosure used to hold people who were abducted and then shipped to America to be enslaved. In 1927, Zora Neale Hurston interviewed Cudjo Lewis, the last living survivor of the last ship that had brought captives from Africa. This book tells his story.

Cudjo Lewis was eighty-six years old in 1927 and had outlived his children and his wife, so his story is a tough one. I did enjoy listening to this rather than reading it, because the narrator Robin Miles did a wonderful job reading his dialect so I could listen to it smoothly, and I think that reading it might have made me stumble. As it was, she captured the character of this old man remembering an eventful life.

The Introduction at the beginning is dry, and I almost gave up, but the narrative once Cudjo starts his story is gripping. He was an older teen when his whole village was slaughtered or abducted in Africa. Then there was a secret voyage across the ocean, since shipping captives from Africa was then illegal. He was enslaved for five years. After they told him he was free, those who had come from Africa were looked down on by the American-born freed people, so they formed their own town and built their own church and school. He wanted to go back to Africa, but it was far too expensive, so he made the best of life in America.

A lot of the book is devoted to what his life was like in Africa. He was not yet considered a man when he was abducted, but he was old enough to remember experiencing his entire childhood in Africa.

The story of his children’s deaths is hard to listen to, though at least he had grandchildren left and one daughter-in-law. He was sexton of his church and clearly had a community looking out for him. I like the way he’d tell Zora Neale Hurston to stay away for a few days when he planned to work in his garden. She didn’t insert herself into the narrative much, but I did like hearing about them sharing peaches and watermelons together. He appreciated someone listening to his stories – and now you can hear them, too.

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Review of Amina’s Song, by Hena Khan

Amina’s Song

by Hena Khan

Salaam Reads (Simon & Schuster Children’s Publishing), 2021. 280 pages.
Review written April 28, 2021, from a library book

Amina’s Song comes after the events of Amina’s Voice, but I hadn’t read the first book and did not feel lost during this one, so I think it’s okay to read them out of order.

As Amina’s Song opens, Amina is visiting her family in Pakistan and having a wonderful time. Though she would like to fit in better and understand the language better, she’s going to especially miss her cousin Zohra, who doesn’t understand why she’d want to live in America.

But Amina has to go back to America to start seventh grade. Seventh grade has new challenges. She doesn’t have many classes with her friends. And when they have a living history project, she chooses Malala, from Pakistan, only to have her classmates react that Pakistan must be a terrible place to live, where women don’t have rights. How can she show them how beautiful Pakistan is?

Meanwhile, there’s a boy who’s becoming her friend and everybody – including Amina – wonders what it means when a boy is your friend. He’s showing her how to make digital music. And her beloved uncle back in Pakistan is very sick. Altogether, the book communicates the joys and conflicts and challenges of middle school in a lovely way.

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Review of A Most Clever Girl, by Jasmine A. Stirling and Vesper Stamper

A Most Clever Girl

How Jane Austen Discovered Her Voice

by Jasmine A. Stirling
illustrated by Vesper Stamper

Bloomsbury Children’s Books, 2021. 44 pages.
Review written June 16, 2021, from a library book
Starred Review

How do you tell kids about the life of a novelist who writes books for adults? Jasmine Stirling talks about Jane Austen’s supportive family and life circumstances growing up. But she also, in a simple way, explains what kind of writing was prevalent in Jane’s day and how she made fun of it. Here’s how the book begins:

Jane loved stories – long ones, short ones, worn and new.

But there were some kinds of stories that she just couldn’t stand.
These were pale stories with delicate ladies who fainted all the time. (ALAS!)
Or gloomy stories with orphans on doorsteps and terrible secrets in the attic. (OOOH!)
Or sticky-sweet stories where people fell in love at first sight. (EWW!)

This was the fluff that was fashionable in those days. Jane found it, well, stale. And predictable.

You see, Jane had a lively, playful disposition, which delighted in anything ridiculous.

Jane started writing silly stories that poked fun at the fluff.
In one, a pair of pale ladies took turns fainting on a sofa. (ALAS!)
In another, a mother abandoned her baby under a haystack only to discover her alive . . . weeks later. (OOOH!)
In yet another, two children were so hungry they bit off their mother’s fingers. (EWW!)

After this engaging beginning, the book goes on to tell about the circumstances of her life. How her father encouraged her writing. (I love the inclusion of the writing desk he gave her, since I’ve seen that desk in the British Library, and when I did, it brought tears to my eyes.)

But then money got tight, they moved to Bath, and Jane’s father died. The book takes us through those events and on to the time when her brother gave Jane and her sister and mother a cottage to live in. There, Jane began writing again and found her voice.

The illustrator explains at the back how much she enjoyed researching on location. She uses pink to represent youthful playfulness, gray for the hard years, and green as Jane found new maturity.

This book came along just in time for the Jane Austen virtual symposium I’m attending beginning the day after I’m writing this review. The author is going to be speaking and talking about how she attempted to convey Jane Austen’s life in picture book form. I’m looking forward to hearing her speak, already impressed with the results of her work.

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Review of Unmarriageable, by Soniah Kamal

Unmarriageable

Pride and Prejudice in Pakistan

by Soniah Kamal

Ballantine Books, 2019. 342 pages.
Review written June 1, 2021, from a library book
Starred Review

I’ve signed up for a virtual Jane Austen Summer Program happening in June, and Soniah Kamal is one of the speakers, so I wanted to read this book in advance, and I was delighted when I did so.

This is a pretty straight retelling of Pride and Prejudice, following fairly closely parallel scenes and conversations, only this time set in modern-day Pakistan. But let’s face it: Pride and Prejudice tells a wonderful story, so this version was wonderful, too.

One nice twist is that our heroine, Alysba Binat, teaches English Literature at an international school. So in the first chapter, we see her going over an assignment with a class of ninth-grade girls: to rewrite the first sentence of Pride and Prejudice. The one the author chooses to begin the book is this:

It is a truth universally acknowledged that a girl can go from pauper to princess or princess to pauper in the mere seconds it takes for her to accept a proposal.

As in the original, Alysba is the second of five sisters, and her mother is very concerned with them grabbing husbands. Especially when the event of the season is coming up – a major wedding celebration. At the first event of the wedding, Alys’s sister Jena meets a rich man “Bungles” Bingla, who seems quite taken with her. Now her mother is determined she must get him to propose. Meanwhile, Bungles has a proud friend, Valentine Darsee, and Alys overhears him saying that he is particularly unimpressed by her.

This continue as we know they will – and it’s wonderful. Something I particularly liked about this retelling is that everybody’s drawn a little more sympathetically. We see that Mrs. Binat simply wants the best for her daughters. Dr. Kaleen is honestly helpful to Annie dey Bagh, and we see that Alys’s friend Sherry honestly does find happiness by marrying him. Even the awful proposal and later reversal is as realistic and believable in this story as it is in the original.

Darsee and Alys talk in this novel about literature and how Pakistan adopts literature from all over the world, as well as writing some that is uniquely Pakistani – and I liked that touch, showing deep appreciation for Jane Austen and her universal themes, while giving those themes a new setting.

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Review of Jane Anonymous, by Laurie Faria Stolarz

Jane Anonymous

by Laurie Faria Stolarz

Wednesday Books (St. Martins), 2019. 306 pages.
Review written December 21, 2020, from a library book
Starred Review

Jane Anonymous is a thriller for teens about a girl who was taken captive for seven months.

The story flashes between “Now” as she’s trying to recover and “Then” when the kidnapping unfolded. The book would be too intense done any other way, because it would be unbearable to think she never escaped. As it is, you can’t stop reading to find out what happened to mess with her head so badly and how she did get out of it.

Here’s how the book begins, in a Prologue with the heading “Now.”

Dear Reader(s),

Before ten months ago, I didn’t know that the coil spring from a mattress could be used as a makeshift weapon, or that the rod inside a toilet tank worked just as well as the claw of a hammer.

Before ten months ago, I never imagined that the sense of smell could be so keen – that the scent of my breath, like rotten fruit, could wake me out of a sound sleep, or that cooked rice carries a distinct aroma, like popcorn kernels heating.

Before.

Ten months.

Ago.

I’d never considered the power of light – that when one is deprived of it, illogical thoughts can gnaw like rats at the brain, keeping one up, driving one mad.

Nor had I any reason to predict how intimately I’d come to know myself: the oily stench of my own hair, the salty taste of my own blood, and the touch of my unbathed body (the scaly layer of scabbing that would form all over my skin, and the fire-ant sensation that would crawl up and down my limbs.)

By telling the reader what’s going to happen, the author grabs our attention right away. By weaving together the two timelines, we come to understand that a trauma like that doesn’t get all better simply by escaping the situation.

This powerfully written thriller will have you on the edge of your seat.

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Review of Code Breaker, Spy Hunter, by Laurie Wallmark, art by Brooke Smart

Code Breaker, Spy Hunter

How Elizebeth Friedman Changed the Course of Two World Wars

words by Laurie Wallmark
art by Brooke Smart

Abrams Books for Young Readers, 2021. 44 pages.
Review written May 15, 2021, from a library book
Starred Review

This picture book biography features a female American code breaker, a woman I’d never heard of before – whose work was declassified in 2015, thirty-five years after her death.

Most of us have heard of Alan Turing, the British mathematician who broke the German’s Enigma code. I hadn’t realized that America was working separately on cracking the code and succeeded separately. And the person in charge of that effort was a woman, Elizebeth Friedman.

Her work as a code breaker began long before that. She was hired in 1916 to try to find secret messages hidden in Shakespeare’s plays by Francis Bacon, whom her employer thought was the real author of the plays. She didn’t succeed in finding any, but that got her started in decoding. She and her husband were involved in the United States government’s first code-breaking unit, the Riverbank Department of Ciphers, in 1917 during World War I. They wrote pamphlets about the techniques they developed which are considered the basis for the modern science of cryptology.

She didn’t only work during war time, although she served during both wars. She also used her methods to catch smugglers during Prohibition and later captured spies.

I’ve recently reviewed books about making and breaking codes and ciphers, so I love this one about a woman who made that her life’s work. The author includes fun details such as the dinner party that Elizebeth and her husband hosted in 1938 where the guests had to solve clues to figure out where each course was being served.

Because of the top secret nature of her work, Elizebeth wasn’t celebrated for her accomplishments in her lifetime. Here’s how this picture book biography ends:

Elizebeth was a true heroine of both World War I and World War II. She is now considered one of the most gifted and influential code breakers of all time. Yet no one knew how many codes she broke, how many Nazis she stopped, how many American lives she saved . . . until now.

There’s more information at the back of the book including hints about coded messages hidden in the illustrations. This is a perfect book for kids interested in codes.

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Review of A Deadly Education, by Naomi Novik

A Deadly Education

Lesson One of the Scholomance

by Naomi Novik

Del Rey, 2020. 320 pages.
Review written May 21, 2021, from a library book
Starred Review

Oh, this book is wonderful. It’s the story of magical kids sent to wizard school – but this wizard school wants to kill the students.

Naomi Novik’s world-building in this new series is incredible. All kinds of details about this school for wizards, existing in the void, where maleficaria – monstrous creatures – come to feed on people who use magic. And the heroine of the story, Galadriel, daughter of a good witch who lives in a mundane commune and is loved by everyone – was born to balance that out, destined to be a powerful sorceress wielding death and destruction. And nobody likes her.

Here’s how the book begins:

I decided that Orion needed to die after the second time he saved my life. I hadn’t really cared much about him before then one way or another, but I had limits. It would’ve been all right if he’d saved my life some really extraordinary number of times, ten or thirteen or so – thirteen is a number with distinction. Orion Lake, my personal bodyguard; I could have lived with that. But we’d been in the Scholomance almost three years by then, and he hadn’t shown any previous inclination to single me out for special treatment.

Selfish of me, you’ll say, to be contemplating with murderous intent the hero responsible for the continued survival of a quarter of our class. Well, too bad for the losers who couldn’t stay afloat without his help. We’re not meant to all survive, anyway. The school has to be fed somehow.

Ah, but what about me, you ask, since I’d needed him to save me? Twice, even? And that’s exactly why he had to go. He set off the explosion in the alchemy lab last year, fighting that chimaera. I had to dig myself out of the rubble while he ran around in circles whacking at its fire-breathing tail. And that soul-eater hadn’t been in my room for five seconds before he came through the door: he must have been right on its heels, probably chasing it down the hall. The thing had only swerved in here looking to escape.

The whole elaborate world-building is fascinating and surprising. In that world, kids brought up in wizard enclaves have big advantages – being able to share power, and with automatic alliances. You need alliances to survive graduation – when the seniors on the bottom level of the school have to get out through the graduation hall, where maleficaria have been building up.

Those who aren’t in an enclave, like El, are at a disadvantage. It turns out she’s got amazing abilities – but her natural affinity is toward death and destruction, and she’s determined not to suck the life force out of any living creatures. Which makes things more difficult for her. And when Orion is anywhere near, anything dramatic she pulls off is assumed to be his work.

It’s hard to explain the charm of this book. If you like elaborate world-building at all, this one is amazing. And you’ll be pulled in by the grumpy witch trying not to become an evil sorceress, but trying to survive. And she might have to make some friends and kill some monsters to do so.

The book ends in a way that hints at a big conflict in the future. Nothing’s ever simple for El! I plan to preorder Book 2, coming out in September. I don’t even want to wait for a library copy.

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Review of Sticks and Stones, by Patricia Polacco

Sticks and Stones

by Patricia Polacco

Simon & Schuster Books for Young Readers, 2020. 48 pages.
Review written January 27, 2021, from a library book
Starred Review

Patricia Polacco’s books are long for picture books. Lots of pages, and lots of words on each page. These are not for the preschool storytime crowd, but they are for young elementary school proficient readers or for elementary school classrooms, people who appreciate pictures to go with the thoughtful text.

It’s a story of bullying. But also a story of friendship. As in many of her books, Patricia tells a story from her childhood in first person. One year, she spent the school year with her father in Michigan instead of with her mother in California. But her summer friends abandoned her, and the boy who was nice to the new girl was called Sissy Boy by the bully. The bully called Patricia, Cootie, and their other friend, Her Ugliness.

But the book shows the beauty of their friendship. Continued bullying, but fast friends. It turns out that Sissy Boy secretly takes ballet classes and loves ballet, and Her Ugliness makes beautiful kites and costumes from hand-painted silk.

The book tells the story of their friendship and culminates in a stunning ballet performance by Patricia’s friend Thom. But what really packed a punch for me was the author’s note at the back saying that now, more than fifty years later, Thom has retired as the artistic director of the American School of Ballet, and Ravanne (“Her Ugliness”) lives in Paris and has retired after an incredible career as a fashion designer.

I love the message this gives to kids that so often, bullies are just plain wrong.

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Review of Intimate Conversations with the Divine, by Caroline Myss

Intimate Conversations with the Divine

Prayer, Guidance, and Grace

by Caroline Myss

Hay House, 2020. 271 pages.
Review written May 10, 2021, from my own copy, purchased via amazon.com
Starred Review

I wasn’t completely sure what to expect with this book. Knowing she’s a medical intuitive, I was expecting something New Age-y. But I’m going to list it in the “Christian” section of my review page, because these are prayers addressing God as “Lord,” and I’m completely comfortable with them as a Christian. She does have a note at the front that her current idea of God doesn’t look a lot like the God she was taught about in her Catholic upbringing. She believes that humans crave love and crave the sacred. Her note finishes this way:

If there is one thing I could communicate to you with this book, it’s that our holy channel of communication with the Divine has nothing to do with religion. Heaven is not the formal organization that religion is. Leave all the formalities in your rearview mirror. And don’t let the misdeeds human beings have perpetrated in the name of religion stand in the way of your nourishing yourself with the grace of the Divine. Choose an intimate way of addressing the Divine in your prayers, one that works for you, and pray. If there’s one thing I know, it’s that all prayers are heard and heaven always responds.

This is a book about prayer and a book of prayers. In the Introduction, she talks about the importance of prayer:

When we pray, we ask the Divine to show us how to see, how to speak, how to create. We ask God to reveal, to illuminate, the right path for us. God, show me how to see this. Reveal your wisdom to me, Lord. Show me the way. One word will do. One word is all I need. Then, suddenly, the word hope arises in you. Or patience. This word, this revelation, becomes the most holy word you have. You can hang on to it; you can use it to guide you. This is the true meaning of prayer: a request for help in how to see.

This is why I had to write this book, to urge you toward this new way to pray, one that is not about supplication and asking God to remove the consequences of your bad decisions. It’s not to explain why bad things happen to good people – that’s above my pay grade. It’s to share my way of prayer, which is a simple request for grace. “Help me out here, God. Don’t let me say something stupid. Give me the words. If I try to do this on my own, I’m going to do damage.

The bulk of the book consists of one hundred of the author’s prayers, written out, prayers asking for grace. Along with each prayer, she includes Guidance – teaching about the issues coming up in this prayer. She also includes a shorter petition asking for a certain kind of Grace.

The prayers are from actual situations and problems, when she needed different graces, such as acceptance, determination, endurance, healing, or hope. There’s an index at the back of which grace is requested in which prayer.

She has this to say at the front of the prayers:

The pages that follow contain 100 of my own personal prayers. Many of my students use them as they are, reading and contemplating them. But truly, my intention is to inspire you to engage in a prayer practice of your own. Contemporary prayer is a dialogue with the Divine and is the conduit for grace to enter your life and our world. Each of these prayers illustrates a different type of grace that feeds the human soul. As such, I have included words of guidance as well as a petition for grace with each prayer.

I already had a prayer practice before reading this book – but reading a prayer from this book each day has become part of it. Now that I’ve gone through the whole book, I’m starting over again immediately. They are that encouraging. These prayers make me think, but even more than that, they make me feel heard. They remind me that God is paying attention to my life, and I want to pay attention to God.

This is a lovely set of prayers whatever your religious or non-religious background.

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