Review of The Cassatt Sisters, by Lisa Groen

The Cassatt Sisters

A Novel of Love and Art

by Lisa Groen

Black Rose Writing, 2025. 260 pages.
Review written November 5, 2025, from my own copy, ordered via Amazon.com
Starred Review

Full disclosure: The author of this book is a friendly acquaintance of mine. She was a regular customer back when I worked at Sembach Air Base Library in Germany, and we became Facebook friends, and I read and enjoyed her first book, The Mother’s Book of Well-Being.

So when I heard that she’d written a novel about the Impressionists, of course I preordered a copy!

Now, I didn’t know a lot about the Impressionists except having been thrilled to enjoy their work in Paris at the Musée de l’Orangerie and the Musée d’Orsay – which together are my favorite museums in Paris, or, yes, in the world. So I enjoyed finding out more – and especially about Mary Cassatt, the only American woman among the Impressionists.

This book covers her life beginning in 1877. Mary Cassatt had already been living in Paris, working to establish herself as an artist, living with her sister Lydia and her parents. They had settled in Paris as well, to support her. Mary’s close relationship with Lydia is a primary thread all through this book. Lydia was her muse, and often the subject of her work.

But the book begins with her admiring the work of Edgar Degas, meeting him, beginning to work with him – and starting a romantic relationship.

Now, honestly, if that were all there was to it, the book might have been a little trite. Let’s just say the relationship doesn’t last, and Mary coping with that – while grappling with who she is as an artist – deepens and enriches the book.

And life as an artist wasn’t the same for Mary as it was for the male Impressionists. Nor was it the same as for Berthe Morisot, who was a mother. This story of Mary Cassatt’s life, work, loves, and ambitions, makes the reader think about women and our place in the world – and how things have changed and not changed in 150 years.

I did laugh when Mary called Monet’s Water Lilies glorified wallpaper – apparently an actual comment of hers. The book included black-and-white reproductions of the specific paintings that got mentioned, which added richness to the narrative, since art was such an important part of Mary’s life. Another thing I thought was funny was when Mary used her nieces and nephews as models – and then her mother wouldn’t let her “sell the grandchildren.” She was more limited than the men in whom she could use as models – and then her mother didn’t want her to sell the paintings of family. What’s a woman to do?

By the end of the book, I felt like I’d spent time in Paris – only in such a way that I really need to go back as soon as possible. I will look at the Impressionists’ art with new eyes, now feeling like they are interesting individuals with personalities, instead of one big group. This book, as happens with the very best historical fiction, made these great artists of history come alive in my mind.

lisagroen.com
blackrosewriting.com

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Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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