Review of Goliath, by Scott Westerfeld

Goliath

by Scott Westerfeld
read by Alan Cumming

Simon & Schuster Audio, 2011. 9 CDs, 10 hours, 30 minutes.
Starred Review

I finally read, that is, listened to, the concluding volume of the Leviathan trilogy. Although each book does have a reason to be an individual book and the separate episodes are distinct, this is not a trilogy where you’d want to start anywhere but the beginning. So go back and read Leviathan and then Behemoth!

The narration is well done, and I recognized the voices back from when I listened to the first book. There were times when I did get tired of the breathless pace, but I think that was more a function of the writing and it fitting the style of WWI adventure novels. I’d just take a breather between CDs and then be willing to listen again. And to be fair, once I got more than halfway, I couldn’t wait at all between CDs, but was eagerly popping the next one in immediately.

This trilogy provides an alternate steampunk history of World War I, where the Darwinists, who use genetically modified creatures, are pitted against the Clankers, who use fantastical steam-powered creations. Alek, the Prince in exile of Austria-Hungary, is back aboard the Leviathan, the giant British air beast where Deryn Sharp is serving as a midshipman, disguised as a boy, because she loves to fly.

Each book involves a progressively bigger weapon. The first book, Leviathan, was about the giant air beast itself. Then there was a water weapon called Behemoth. In this book, they pick up Nikolai Tesla in Russia. He claims to have leveled miles of Siberian forest with the power of his electrical weapon, Goliath. With it, he hopes to stop the war.

Alek believes Mr. Tesla, and wants nothing more than to stop the war, too. Deryn is not so sure. But either way, the Leviathan is bound across the Pacific and then across the continent on its way to take Tesla back to his laboratory in New York City. The United States is neutral, so they have to go through Mexico, where they are not completely successful getting past revolutionary generals.

Another thing I like about this series is they way they cover the whole world. Leviathan started in Great Britain and Austria. In Behemoth, they spent most of their time in Istanbul. In Goliath they head through Russia to Siberia and then go on to Tokyo. Then it’s across the Pacific, landing in California, flying across Mexico and then up to New York. So we get to see how all the countries are aligned in this steampunk alternate world Scott Westerfeld has created.

There’s plenty of intrigue, peril, and real historical characters put into somewhat different situations than they actually faced. Of course, best of all is the resolution of the story about Alek and Deryn. They can’t possibly have a future together. Or can they?

scottwesterfeld.com
audio.simonandschuster.com

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of What Came From the Stars, by Gary D. Schmidt

What Came From the Stars

by Gary D. Schmidt

Clarion Books, Boston, September 2012. 293 pages.

Chapter One of this book happens in Outer Space. The title is “The Last Days of the Valorim.” On a distant planet from ours, the Valorim are about to be defeated, but they make a decision:

Let us take all our song, our story, our beloit, gliteloit, all we have made from our hearts, all we have brought against the Silence, and let us forge it together and send it out from us, so that the Art of the Valorim might still be heard and seen and known even when the Valorim are no longer. Then shall the Silence be defeated.

Young Waeglim was able to forge their Art into a Chain and send it on his own Song and Thought across galaxies and finally to a small star and to a single small planet that is blue like its home planet.

It fell, cooling as it went, down toward the sea and the green land and the red brick building, until, with a final tumble, the Chain of the Valorim Art, the Chain that held their Heart, the Chain that was all that was left against the Silence, struck a window ledge, dangled through, skidded across a white plastic table top, fell toward a gray plastic bench, and dropped into the Ace Robotroid Adventure lunch box of Tommy Pepper, sixth-grader, of the class of Mr. Burroughs, of William Bradford Elementary School, of Plymouth, Massachusetts.

It took some time before Tommy noticed.

Now, Tommy, as a sixth-grader, really hates having an Ace Robotroid Adventure lunch box in sixth-grade. But Tommy’s grandmother waited in a long line so she could get one to give to him for his twelfth birthday, and Tommy’s dad insists that he should take it to school. He tries to hide it. He tries to leave it in his lunch box and take just the food out, “but that kind of plan never works.”

Just when it looks like Tommy’s in for the greatest of humiliations, he sees a quick flash of light at the window and his lunch box falls on the ground. Tommy still thinks he’s doomed, but he can’t help but pick up the glowing chain he sees next to his lunch box and put it around his neck. Then. . . something completely astonishing has happened to his lunch box.

And that’s only the first amazing thing that happens. Tommy can cut intricate shapes out of the birthday cake his teacher made. Tommy knows strange words (that seem normal to him) that other people don’t know. When he sings happy birthday with his father and sister, something else strange happens:

And with that wind in his face, and looking at the sea, and feeling the light fall on him from the first star, and with those he loved beside him, and his mother gone, gone, Tommy felt the chain warm, and he began to sing too. He sang of parting and of grief. He sang of friends and loved ones who must leave him. He sang of friends and loved ones who must leave him. He sang of the loneliness of one star without another. He sang in a high keen, as high-pitched as wind, and he felt the melody twine wih the strange starlight, and heard the sound of Hreth rising out of the ocean, and he sang of that too.

And when he finished, he looked at his father and at Patty, who stared at him in amazement and wonder. And he saw in his sister’s eyes that she was a little afraid.

“What?” he said.

Well, the conqueror of the Valorim is mighty upset when he finds that the Art of the Valorim is not in his grasp after all. So alternate chapters deal with him trying to get it back. Meanwhile strange things are happening in Plymouth, Massachusetts, at William Bradford Elementary School, and powerful people are trying to buy their house, the house they lived in with Tommy’s mother, the house that’s been in their family for generations — to build condos in its place.

And there’s evil to confront. Evil on the other planet, but also evil in Plymouth. Can Tommy and his friends overcome this evil? Can the Young Waeglim keep evil Lord Mondus from reaching across the galaxies and recovering the Art of the Valorim?

I did enjoy this book, and I especially enjoyed the parts set in Plymouth, the story of Tommy and his friends, but I’m not sure the overall story of the Valorim really worked for me. It was never clear how sending the Chain to earth really helped, and how they ever thought to recover it (though it turns out it just so happens that they want to recover it by the end of the book). The way Tommy uses another language is supposed to show that something alien is affecting his mind, but it doesn’t really work smoothly. The sections in outer space read like something from imitation Tolkien, and that didn’t quite work for me. I never really understood completely the story of what happened on the other planet, and I don’t really understand why they didn’t just send the chain to another part of their own planet — except that then it wouldn’t have affected an American kid.

Still, this book takes a story of an ordinary boy with tough problems and sets them in an extraordinary context. In the end, ordinary Tommy Pepper figures some things out that the mighty Valorim need to learn.

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Source: This review is based on an Advance Reader Copy I got at an American Library Association conference.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of For Darkness Shows the Stars, by Diana Peterfreund

For Darkness Shows the Stars

by Diana Peterfreund

Balzer + Bray, 2012. 407 pages.
Starred Review

Wow. I’ve always loved Jane Austen’s Persuasion. The poignancy runs extra deep since Anne Elliot allowed herself to be persuaded to reject Captain Wentworth’s suit years ago. When he returns, successful and sought after, what can she do?

For Darkness Shows the Stars is a retelling of Persuasion in a science fiction setting. Diana Peterfreund keeps all the poignancy of the romantic situation, but adds layers of complexity involving technology and responsibility.

The story takes place on unknown islands of a post-apocalyptic Earth. Our descendants played with genetic engineering until they met with disaster. The survivors hid for years in caves. They proudly name themselves the Luddites. They did not use technology to play God, and so God allowed them to survive. Now their descendants are the rulers and estate owners. The descendants of the Lost were Reduced — mentally deficient, barely able to speak two words. The Reduced work the land, and the Luddite lords have a responsibility to care for them well.

Eighteen years ago, three babies were born on the same day on the North estate. Elliot North will grow to manage her father’s estate. Ro is Reduced, and loves Elliot and loves color and beauty, but her mental powers are not strong. Then there’s Kai. He’s Post-Reduction. He has full mental powers. But because his grandparents were Reduced, he doesn’t have the rights of the Luddite lords. He works on the estate and becomes friends with Elliot. But he can never be her equal.

Four years ago, Kai left the estate and asked Elliot to join him. But she can’t leave her responsibilities. Her mother died, and her father and sister were only interested in horses and status, not in running the estate and doing what’s best for all the people who live there.

Now Kai has returned. The North family has been forced to rent her grandfather’s boatyard to a prosperous group of Posts who are making a fleet of ships to explore the seas around the islands. They have already met with much success. The group has rejected their background on estates and chosen multisyllabic names for themselves. Admiral Innovation and his wife bring along a promising young captain, Malakai Wentforth. Elliot’s father and sister don’t even recognize that he is Kai returned. But she is all too aware. Kai is back, and he’s angry for being rejected.

Diana Peterfreund did a marvelous job paralleling the plot of Persuasion. And so doing, she keeps all the poignancy of the original, all of Elliot’s pain that she was the one who did the rejecting. And now Captain Wentforth has succeeded beyond her wildest dreams, and she’s the one in difficult straits. He is far more interested in the daughter of the neighboring estate. And why shouldn’t he be?

She also adds complexity. The Luddites have strict protocols against overusing technology. But Elliot has been experimenting with better strains of wheat in order to feed the people on her estate. What is right? And then what about the Posts who come stretching the limits of what is acceptable? Are they inviting another apocalypse?

In this book, the somewhat silly accident in the middle of Persuasion takes on whole new significance when it leads to a revelation about the Posts.

Knowing the outline of what was going to happen made the story that much more compelling, and I was all the more surprised by some of the twists the author inserted. They didn’t change the romance, but they did add to the story.

To some Luddites, the Reduced were children, fallen and helpless, but still human. To others, they were beasts of burden, mostly mute and incapable of rational thought. Elliot’s mother had taught her that they were her duty, as they were the duty of all Luddites. Cut off as the population of these two islands had been since the Wars of the Lost, they might be the only people left on the planet. The Luddites, who had kept themselves pure of the taint of Reduction, therefore had the responsibility to be the caretakers not only of all of human history and culture but of humanity itself.

It had been generations since any Luddites had tried to rehabilitate the Reduced. Mere survival had taken precedence. But Ro was more than Elliot’s duty. She’d become Elliot’s friend, and sometimes Elliot even dared wonder what Ro could be — what any Reduced could be — if the Luddites had the resources to try.

The strength of Persuasion lies in the history between the two characters. In For Darkness Shows the Stars, the author plays on the history by inserting letters Elliot and Kai exchanged through the years as children growing up together. Their friendship was never sanctioned, so they placed letters in a knothole in the barn, a knothole Elliot can’t stop checking, even now.

This is a magnificent retelling of a classic romance. A story of lost love and regret and redemption mixed with genetic engineering and tampering with technology and divine right and responsibility to rule. Not a book I could stop reading before I’d finished.

dianapeterfreund.com
epicreads.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I write the posts for my website and blogs entirely on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of A Confusion of Princes, by Garth Nix

A Confusion of Princes

by Garth Nix
read by Michael Goldstrom

Listening Library, 2012. 9.5 hours on 8 CDs. Unabridged.
Starred Review

This book had me mesmerized as soon as I turned it on. I brought a CD into the house to listen to the next complete disc not once, but twice when I got home from work.

Khemri tells you right from the start that this is the story of his first three deaths. Khemri’s a Prince of the Empire, and Princes are mostly immortal. Of course, the Aspect of the Discerning Hand does not have to choose to bring a Prince back to life. If the Imperial Mind is not witnessing the death, they will not come back. And if a new Prince is killed before they gain their contact with the Imperial Mind, they will not come back. But no one tells the Prince candidates that.

So Khemri’s in for a big surprise when his candidacy is over and he’s an official Prince. He doesn’t get to roam the galaxy in his own ship. Fortunately, he has an excellent Master of Assassins, who can help him survive the initial attacks. You see, others of the millions of Princes hope to advance by eliminating some of the competition. In a mere two years the Emperor is abdicating, and one of those Princes will become the new Emperor.

Much of this book is taken up with a fascinating look at mankind’s future in this world. They have mastered three technologies — MechTech, BiTech, and PsyTech. And Princes are enhanced in all three ways. But Khemri gets into a situation where he needs to learn how to live and work in an unenhanced body. He needs to learn how actual unenhanced humans think. That may be the greatest challenge of all.

Through most of the book, I was afraid I was going to get to the end and then hear, “To Be Continued.” But, no, this book is stand-alone, fantastic, and hugely satisfying.

Part of the brilliance of this book is the elaborate future world created. It all works, all makes sense. As Khemri deals with having and not having his enhanced powers, you come to understand what they are and how they work. Another level is what happens inside Khemri. When he’s acting as a regular human, he encounters people who hate Princes and you see him learn to understand and care about them. You see Khemri change and understand why he’s changing.

I also enjoyed the production. There is plenty of telepathic messaging between the Imperial Mind and the Princes and some of the BiTech engineered machines. Those messages are easily designated with a sound effect on the CDs so you can easily understand what is going on.

This is an outstanding science fiction tale that covers what is most important about being human.

garthnix.com
listeninglibrary.com

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Cinder, by Marissa Meyer

Cinder

The Lunar Chronicles: Book One

by Marissa Meyer

Feiwel and Friends, New York, 2012. 390 pages.
Starred Review

I’ve always loved fairy-tale retellings, but this science fiction version of Cinderella is even better than most. Once again, I stayed up all night reading to finish the book, even though I know that’s not good for me. But the book was so good! Since I was able to take a nap the next day, I’m afraid my bad behavior was reinforced, and it was totally worth it.

Cinder is set in New Beijing, 126 years after the end of the fourth world war, after which the kingdoms of the earth have been at peace. They’ve been at peace, but not without problems. There’s a plague raging, and even the Emperor of the Eastern Alliance is sick with it.

Linh Cinder is a cyborg, which is why she’s a second-class citizen. She’s 63.72% human, but she has some machine parts, like her left hand and foot, and some brain and sensory enhancements. She doesn’t remember anything from before the accident and fire that burned her when she was eleven years old.

Since her adoptive father died, Cinder’s been the one making a living for her family as a mechanic. She’s a good mechanic, as her cyborg enhancements give her special abilities, but she’s surprised when Prince Kai brings in an old android that needs repair.

Cinder barely heard him above the blankness in her mind. With her heartbeat gathering speed, her retina display scanned his features, so familiar from years spent watching him on the netscreens. He seemed taller in real life and a gray hooded sweatshirt was like none of the fine clothes he usually made appearances in, but still, it took only 2.6 seconds for Cinder’s scanner to measure the points of his face and link his image to the net database. Another second and the display informed her of what she already knew; details scribbled across the bottom of her vision in a stream of green text.

There’s something important about the android, but Prince Kai has many other things to worry about. The evil queen of the Lunar Colony wants to marry an earth emperor. But the people who live on the moon have evolved the ability to control the minds of others. If she marries Kai, she will enslave the people of his country as she has her own. But she can apply powerful pressure.

In the meantime, there is a draft of cyborg “volunteers” to test potential plague antidotes. When Cinder’s stepmother decides it’s time for Cinder to “volunteer,” Cinder learns some surprising new things about herself. But she also runs into the prince again.

This book takes the framework of the fairy tale and plays with it. I don’t think it’s too much of a spoiler to say that instead of losing a shoe when she leaves the ball, Cinder loses a foot. I admit I was sad that there wasn’t a fairy godmother in this story, because I wanted that for Cinder, but it’s quite amazing what she manages to accomplish herself.

And there’s no Happily Ever After yet for Cinder, but the title page warned that this is Book One, so I didn’t expect it. But at the same time, it tells a satisfying story, following the Cinderella basic framework, yet adding in an intricate plot all its own. The future world is credibly and skilfully built. And the romance between Cinder and the Prince is done well.

I’m going to want to read the next volumes just as soon as they come out. Though I will definitely try to start very early on an evening when I have no other plans.

thelunarchronicles.com
macteenbooks.com

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Source: This review is based on a book I got at a library conference.

Review of Lost & Found, by Shaun Tan

Lost & Found

by Shaun Tan

Arthur A. Levine Books, 2011.
Starred Review
2011 Sonderbooks Stand-outs: #5 Other Teen Fiction

Lost & Found is a collection of three short books originally published in Australia. I find myself wishing they were still separate, because each story is powerful by itself. But I am glad I got to read all three.

Like The Arrival, and Tales from Outer Suburbia, these stories all have a surreal element. The artwork is amazingly detailed, and includes many alien-looking creatures.

The first story, “The Red Tree,” published alone would make an encouraging Oh, the Places You’ll Go!-type gift book, though not as cheery. A girl is having a dark and dreary day, which is vividly expressed with surreal images. But the story ends with a red tree growing in her bedroom, a smile of hope, and these words:

“but suddenly there it is right in front of you bright and vivid quietly waiting just as you imagined it would be.”

I think I can get away with telling the words at the end of the story, because the power to this story lies in the images. You definitely still need to read it yourself to understand the way that final image turns the dreariness around and gives life and hope.

The second story is “The Lost Thing.” A kid finds a strange and large lost creature, not like anything you’ve ever seen before, and needs to find it a home. This requires quite a journey, and there’s some philosophizing about things that don’t quite fit in. Once again, the power is in the pictures and Shaun Tan’s incredible imagination.

The final story, “The Rabbits,” is a sad one, with words by John Marsden and drawings by Shaun Tan. It’s a simple story of the devastation to the native plants and animals when colonists brought rabbits. The rabbits are drawn wearing clothes and acting like the human invaders did. The devastation they brought is bleak and clear, but the ending is open-ended. Perhaps the creatures can be saved.

Shaun Tan’s work, as always, is breathtaking. With this one, you definitely should see for yourself.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Audiobook Enchantress from the Stars, by Sylvia Louise Engdahl

Enchantress From the Stars

by Sylvia Louise Engdahl

performed by Jennifer Ikeda

Recorded Books, 2006. 9 compact discs, 10.5 hours.
Starred Review
2011 Sonderbooks Stand-out: #1 Audio Rereads

I already reviewed Enchantress from the Stars on Sonderbooks back in 2001, back when it was an e-mail newsletter. I’m finding that listening to audiobooks is a good way to reread and savor truly great books like this one. For one thing, I “read” more slowly than I ever can stand to do with print. And it’s a whole new way to enjoy it.

Enchantress from the Stars is particularly suited for audiobook form, because it’s supposedly the narration of Elana, a space traveller from a highly advanced society, giving a report of what happened on Andrecia. When she talks from the perspective of the other two main characters, she changes tone, but Elana is the voice telling the story, and Jennifer Ikeda does a good job of becoming the actual voice of Elana.

This book is so brilliant because it provides a perfectly plausible explanation for many traditional fairy tales. A Space Empire, less advanced than Elana’s society, is trying to take over Andrecia, which still has a medieval society. The Andrecians are so primitive, the Imperials don’t even think they’re human. They bring machines to clear the ground for a colony, and the Andrecians believe it is a fearsome dragon.

Elana’s people can’t reveal themselves to the Imperials, but she can reveal herself to the Andrecians, posing as an Enchantress. She is able to give them gifts of magic (awaken latent powers) to fight the dragon — and send away the Imperials. But none of this is simple.

I loved experiencing this book again in audio form. I love the way the story works from all three perspectives, and I love all the food for thought it provides. It’s fun that any one of the three cultures could actually be Earth, in the past or in the future.

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Source: This review is based on a library audiobook from the Fairfax County Public Library.

Review of Ship Breaker, by Paolo Bacigalupi

Ship Breaker

by Paolo Bacigalupi

Little, Brown, and Company, New York, 2010. 326 pages.
Starred Review
2011 Printz Award Winner
2010 National Book Award Finalist
2011 Sonderbooks Stand-out: #2 Other Teen Fiction

Ship Breaker tells the story of a boy caught on the wrong side of progress in a future world after the Age of Acceleration has ended. The story is gripping, with Nailer in life-or-death danger on every page. Yet Paolo Bacigalupi builds a world that shows the consequences of society’s actions now, without ever letting the story slow down to tell us what’s going on. We learn through the eyes of the characters.

The book begins with Nailer crawling through the ducts of an old oil tanker, lit only by LED glowpaint on his forehead. He’s after the light stuff – copper wiring, steel clips, things that can be dragged out to his crew waiting outside.

The author doesn’t have to tell us they’re poor. He describes the wire being pulled out of the duct, “She sucked the wire out like a rice noodle from a bowl of Chen’s soup ration.” We begin to understand that he’s scavenging parts when we read about the new clipper ships: “Replacements for the massive coal- and oil-burning wrecks that he and his crew worked to destroy all day long: gull-white sails, carbon-fiber hulls, and faster than anything except a maglev train.”

Nailer was too slow in there, and he needs to go back in to get more scavenge before a big storm hits. He forgets to renew his LED paint, and gets caught in the dark. That’s okay, he’s finding plenty of copper wire that leads him out – until a duct collapses under him and he falls into a tank of oil.

“How could he die in such a stupid way? This wasn’t even a storage tank. Just some room full of pooled waste oil. It was a joke, really. Lucky Strike had found an oil pocket on a ship and bought his way free. Nailer had found one and it was going to kill him.

I’m going to drown in goddamn money.

“Nailer almost laughed at the thought. No one knew exactly how much oil Lucky Strike had found and smuggled out. The man had done it slow, over time. Sneaking it out bucket by bucket until he had enough to buy out his indenture and burn off his work tattoos. But he’d had enough left over to set himself up as a labor broker selling slots into the very heavy crews that he’d escaped. Just a little oil had done so much for Lucky Strike, and Nailer was up to his neck in the damn stuff.”

Then one of his crewmates, Sloth, finds him. He begs her to bring help, to get him out, but she can’t resist the thought of pulling her own Lucky Strike. But when Nailer does find a way out, even though the oil goes out with him, Sloth is exposed as a traitor, and Nailer’s new nickname is Lucky Boy, because everyone knows he should have died.

That dramatic incident is important, because after the storm Nailer and his crewmate Pima find a wrecked clipper ship with one lone survivor. The rings on the girl’s fingers alone would be enough to set them up for life. But Nailer doesn’t have the heart to kill the girl, because he now knows what it was like to be left for dead. That incident gets him thinking throughout the book about what it means to be family, what it means to be Crew.

The tension in this book doesn’t let up for a second, and it’s life-or-death danger on almost every page. Nailer and Pima aren’t the only ones to find the girl, and the group with Nailer’s father is not at all interested in keeping her alive, only in getting money from her.

They go from one danger to another, with Nailer trying to figure out not only what’s the right thing to do, but also how to stay alive.

This book is a thriller all the way along, with a never-flagging plot. And it presents hard-hitting commentary and questions about our way of life now.

I finally read this book when taking a class on the Printz Award. It definitely seems worthy of the award it won: Besides telling a rip-roaring story, it warns us that in our policies even now, we should look out for the little guys. We should think about the consequences of the things we do.

Here are my notes on his brilliant acceptance speech at the Printz Awards.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Zita the Spacegirl, by Ben Hatke

Zita the Spacegirl

Book One: Far From Home

by Ben Hatke

First Second, 2010. 184 pages.

This is a fun graphic novel that will appeal to a wide variety of kids. We have adventure, humor, strange space creatures, robots, deathly peril, and lots of action.

Zita’s adventures begin when she and her friend Joseph discover a crater with a smoking meteorite. Zita investigates and finds poking out of it a little device with a big red button.

Joseph knows the obvious: If you push a big red button, you are asking for certain doom. Zita, however, cannot resist. She pushes the big red button — and tentacles appear and pull Joseph into a vortex, calling out to Zita for help.

Well, Zita can’t just abandon Joseph when she was the one who pushed the button. She pushes the button again and gets sucked in herself.

She finds herself on a distant planet — a planet that is going to be destroyed by an asteroid in three days. She sees Joseph taken away in a spaceship, and learns that he’s being held by the dread Scriptorians.

So: Zita’s quest is to rescue Joseph and get back to earth before the planet explodes. Along the way she gains some strange companions — space creatures, robots, and others — all with their own quirks.

I like the artwork — colorful, full of variety, and clear in what’s happening. (I don’t know much about art, but this is pleasing to the eye.)

I’m not a big graphic novel fan, but I liked this one enough that I will keep my eyes open for Zita’s further adventures. I like her determination, her loyalty, and her spunk.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Stonewall Hinkleman and the Battle of Bull Run, by Michael Hemphill and Sam Riddleburger

Stonewall Hinkleman and the Battle of Bull Run

by Michael Hemphill and Sam Riddleburger

Dial Books for Young Readers, 2009. 168 pages.
Starred Review

This book was absolutely perfect reading for this weekend — the 150th anniversary of the 1st Battle of Bull Run. I actually had tickets to a reenactment today, an especially big one because of the Sesquicentennial. However, then we had a heat wave and I’ve had a headache for three weeks that I’m really hoping will finish up. Basically, I figured out that being outside during a heat advisory to watch people pretend to kill each other probably wouldn’t be a very smart thing to do. Instead, I read this book, and it thoroughly convinced me I made the right choice!

I love the way the book begins, giving you the tone right from the start:

“All right, let’s get the whole name thing out of the way quickly.

“My name is Stonewall Hinkleman.

“No, it’s not a nickname. It’s my real name. Like I tell my parents — even Stonewall Jackson’s real name wasn’t Stonewall. But they don’t listen and it’s too late now anyway. I’m stuck with it.

“So, you’d think I could at least go by my middle name, right? It’s Traveler, after Robert E. Lee’s horse. Yeah, that’s right, a horse!

“I’m Stonewall Traveler Hinkleman and if you think that’s as bad as it gets, you haven’t heard the worst part.

“You see, both of my parents are Civil War reenactors. This means my dad — who’s really a geeky computer tech — dresses up in a uniform and runs around in fields with a bunch of other boring guys who are all pretending they are in the Civil War. My mother pretends she’s a nurse, even though in real life she barfs at the sight of blood.”

And Stonewall explained all about a reenactment, so I didn’t need to see it myself!

“You want to know what a reenactment is really like? It doesn’t matter which battle it is, because they’re all the same.

“A big bunch of guys wearing blue Yankee costumes come huffing up the hill. Waiting for them are my dad’s friends — a big bunch of guys in gray Confederate costumes. We jump out and we charge. I have to blow my bugle and everybody else fires their guns, which don’t have ammo but are still ridiculously loud. About half of them fall down and pretend to be dead. They roll around with these hilarious grimaces on their faces. Then they’re still for a while, probably taking a nap or eating a candy bar, until the ‘battle’ moves somewhere else and they get back up and rejoin the ‘fight.'”

But the reenactment of the First Battle of Bull Run ends up being completely different for Stonewall. You see, he left his bugle at home. When he goes to buy a replacement, he’s given a magic bugle. He doesn’t know it’s magic until he blows it and it sends him back in time — to the actual Battle of Bull Run. It turns out, he’s been sent on a mission. A crazy right-wing nut has also gone back in time, and he’s planning to change history to make it so the South will win the war. Stonewall’s job is to stop him. Fortunately, the crazy guy’s beautiful daughter, about Stonewall’s age, also got sent back in time.

And the real battle is not anything like a reenactment.

“Am I freaked out? Of course I’m freaked out. Reenactments may be boring, but at least they’re predictable — pretend to charge, pretend to shoot, pretend to die. But there’s no pretend about this. I can actually hear bullets buzzing over my head. I look down. There’s a guy on the ground in front of me holding his bloody stomach and trying to keep his insides from spilling out. I throw up all that leftover soup I ate for breakfast.”

This book is a completely fun way to learn about Civil War history. I’ve listened to Bull Run, by Paul Fleischman. It’s very excellent and well-written, but I’m not sure I retained a lot. In this case, following along with Stonewall Hinkleman, I got a much better grasp of the advances and retreats involved in the battle. Of course, I’ve also been to the battlefield (It’s a few miles down the road.), so it was easy to visualize the houses, roads, and hills he refers to. (And that made me wonder how they can make the reenactment work at all, since it doesn’t take place on the actual battlefield, just on a big field — without the houses and hills at the actual battlefield.)

I loved it that Stonewall knew what was going on because of his parents being Civil War buffs and his having gone to reenactments all his life. He knew when Yankee charges were due; he knew when to expect retreat. His perspective makes it easy for the reader also to understand the various movements of the battle.

And Stonewall meets his great-great-great-great-uncle Cyrus, the one he’s always mocked for getting shot in the butt at Bull Run and dying of an infection. It turns out that Cyrus is a teen and the furthest possible thing from a coward. In fact, Stonewall would like to just get out of there, but that’s hard to do when someone like Cyrus is around, gallantly helping the injured, capturing artillery, and the like.

I’ll definitely be pushing this book all summer. In fact, I think it will make great reading for the entire Sesquicentennial. It gives you a taste both of what the war was like and also the whole reenactment craze. But even more, it’s a great read. Laugh-out-loud funny, but with real danger and a difficult task.

Sam Riddleburger is the pseudonym of Tom Angleberger, who wrote The Strange Case of Origami Yoda, and he’s becoming my number one choice of author for middle school boys. Though it’s not only middle school boys who love his books.

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Source: This review is based on a library book from the Fairfax County Public Library.