Review of Dancing Hands, by Margarita Engle and Rafael López

Dancing Hands

How Teresa Carreño Played the Piano for President Lincoln

by Margarita Engle
illustrated by Rafael López

Atheneum Books for Young Readers, 2019. 36 pages.
Starred Review
2020 Pura Belpré Illustrator Award Winner
Review written February 10, 2020, from a library book

Dancing Hands tells the story of Teresa Carreño, who was born in Venezuela in 1853. She learned to play the piano when she was very young.

I love that this book won the Pura Belpré Illustrator Award, because the artist does a wonderful job of using the art to convey the joyful music Teresa played with bright, colorful, and playful images. The author does a good job of using poetic language that was a perfect vehicle for the art. Here’s what’s written on two spreads about Teresa learning to play the piano:

At first, making music seemed magical,
but Teresa soon learned that playing a piano
could be hard work. Sometimes she had to struggle
to make the stubborn music behave
as she practiced gentle songs
that sounded like colorful birds
singing in the dark and light branches
of a shade-dappled mango tree . . .
and powerful songs that roared
like prowling jaguars, beside towering waterfalls
in a mysterious green jungle.

If Teresa felt sad, music cheered her,
and when she was happy, the piano helped her
share bursts of joy. By the time she was six,
she could write her own songs, and at seven
she performed in the peaceful chapel
of a magnificent cathedral, playing hymns
that shimmered like hummingbirds.

When she was eight years old, her family was forced to flee Venezuela because of war, and they came as refugees to New York City. Teresa began to perform in her new country and became famous as the Piano Girl.

But the United States was at war, too. Teresa traveled many places to perform, but this book features the invitation she received to play for President Abraham Lincoln at the White House when she was ten years old.

The president’s son had recently died, so the book focuses on how her joyful playing – and dancing hands – brought comfort to the grieving family.

A note at the back adds details to put it all in context, but this exceptionally beautiful book tells the true story of a young girl who used music to bring joy to others.

rafaellopez.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Me and White Supremacy, by Layla F. Saad

Me and White Supremacy

Combat Racism, Change the World, and Become a Good Ancestor

by Layla F. Saad

Sourcebooks, 2020. 242 pages.
Review written March 29, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-out: #3 General Nonfiction

Wow. Me and White Supremacy is a book full of gut punches. This isn’t a book to read; it’s a book to work through, along with a journal. And I’m afraid that when you’ve finished the book, your work isn’t done.

There are twenty-eight days of work here, so you’re going to have to renew it if you use a library book. Might as well purchase your own copy, since you’ll want to go back and think about these things again. My first time through brought me new awareness and new understanding of issues I’d never grappled with before. And it also made me aware that is only the beginning. I haven’t graduated; I’ve only begun.

Here are some paragraphs from the note to the reader at the beginning of the book, to help you understand what this book is trying to accomplish.

Dear Reader,

How did you feel the first time you saw the title of this book? Were you surprised? Confused? Intrigued? Uncomfortable? Maybe all of the above? I want to begin by reassuring you that all those feelings and more are completely normal. This is a simple and straightforward book, but it is not an easy one. Welcome to the work.

I’m Layla, and for (at least!) the next twenty-eight days, I’m going to be guiding you on a journey to help you explore and unpack your relationship with white supremacy. This book is a one-of-a-kind personal antiracism tool structured to help people with white privilege understand and take ownership of their participation in the oppressive system of white supremacy. It is designed to help them take responsibility for dismantling the way that this system manifests, both within themselves and within their communities.

The primary force that drives my work is a passionate desire to become a good ancestor. My purpose is to help create change, facilitate healing, and seed new possibilities for those who will come after I am gone. This book is a contribution to that purpose. It is a resource that I hope will help you do the internal and external work needed to become a good ancestor too. To leave this world in a better place than you found it. The system of white supremacy was not created by anyone who is alive today. But it is maintained and upheld by everyone who holds white privilege – whether or not you want it or agree with it. It is my desire that this book will help you to question, challenge, and dismantle this system that has hurt and killed so many Black, Indigenous, and People of Color (BIPOC).

I’ll be honest – I was somewhat skeptical even after reading the introduction. I still didn’t realize all I didn’t realize.

Here are more of the author’s words. (This isn’t everything – please read the book for yourself, but this gives you an idea of what you’ll find here.)

Many white people hear the words white supremacy and think That doesn’t apply to me, that they don’t hold that belief but rather that they believe that all of us are equal and that they don’t modify their treatment of people based on the color of their skin. What this book, which is a deep-diving self-reflection tool, will help you to realize, however, is that that isn’t true. White supremacy is an ideology, a paradigm, an institutional system, and a worldview that you have been born into by virtue of your white privilege. I am not talking about the physical color of your skin being inherently bad or something to feel shame about. I am talking about the historic and modern legislating, societal conditioning, and systemic institutionalizing of the construction of whiteness as inherently superior to people of other races. Yes, outwardly racist systems of oppression like chattel slavery, apartheid, and racial discrimination in employment have been made illegal. But the subtle and overt discrimination, marginalization, abuse, and killing of BIPOC in white-dominated communities continues even today because white supremacy continues to be the dominant paradigm under which white societies operate.

So we must call a thing a thing.

We must look directly at the ways in which this racist ideology of white supremacy, this idea that white equals better, superior, more worthy, more credible, more deserving, and more valuable actively harms anyone who does not own white privilege.

If you are willing to dare to look white supremacy right in the eye and see yourself reflected back, you are going to become better equipped to dismantle it within yourself and within your communities.

This book explains concepts such white privilege, white fragility, tone policing, white silence, white superiority, white exceptionalism, color blindness, anti-Blackness, racist stereotypes, cultural appropriation, white apathy, white centering, tokenism, white saviorism, optical allyship, and many more ideas. You’re asked to look at your own life and heart to see when these things have shown up. And you’re asked about your values and commitment to make changes.

The author approaches all this with compassion. I love this paragraph at the end of the first week’s work, and I think it shows the consistent attitude she takes toward this work:

On this reflection day, I want to remind you that we are not looking for the happy ending, the teachable moment, or the pretty bow at the end of all learning. We are also not looking for dramatic admissions of guilt or becoming so frozen with shame that you cannot move forward. The aim of this work is not self-loathing. The aim of this work is truth – seeing it, owning it, and figuring out what to do with it. This is lifelong work. Avoid the shortcuts, and be wary of the easy answers. Avoid the breaking down into white fragility. Question yourself when you think you have finally figured it out – there are always deeper layers, and you will continue to reflect even more as you continue on with this work.

This book is a challenge – and it’s a challenge I didn’t conquer. But it did begin to open my eyes.

I highly recommend this book to anyone with light skin.

laylafsaad.com
sourcebooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of Until Tomorrow, Mr. Marsworth, by Sheila O’Connor

Until Tomorrow, Mr. Marsworth

by Sheila O’Connor

G. P. Putnam’s Sons, 2018. 356 pages.
Starred Review
Review written August 24, 2018, from a book sent by the publisher
2018 Sonderbooks Stand-out:
#4 Historical Children’s Fiction

Until Tomorrow, Mr. Marsworth is a story told through letters. The setting is 1968 in a small town named Lake Liberty. Reenie Kelly is staying at her grandmother’s house with her big brothers Billy and Dare. She has just gotten a paper route and she’s determined to show that an eleven-year-old girl can do just as good a job as any boy. She wasn’t able to meet Mr. Marsworth, since he didn’t come to the door, but she puts a friendly note in his milk box.

Mr. Marsworth answers with a friendly note in the milk box back to her. He doesn’t want to meet her, but says, “Any child of Betsy Kelly’s will be a perfect papergirl, I’m sure.” He sends a P.S. with his sympathy about her mother’s recent death from cancer.

I know it’s been some time since your mother passed away, but she was among the best this world has known. Such a strong young heart. How terrible that she left this earth too soon.

So begins a wonderful correspondence. Reenie is nothing if not loquacious, and she doesn’t have friends yet in Lake Liberty, so she pours out her thoughts to Mr. Marsworth.

She does already have another pen pal – a soldier named Skip fighting in Vietnam. But she doesn’t like to send him any bad news. And some bad news like trouble with bullies does start to come up.

But Reenie’s biggest worry is that her oldest brother Billy has turned 18 and that he’ll get drafted. She is trying to save money on her paper route so that he can afford to go to the University of Missouri. If he doesn’t go to college, surely he’ll get drafted. She doesn’t realize that their family is bankrupt because of paying for her mother’s cancer treatments.

Mr. Marsworth agrees with her that she should try to keep Billy from being drafted. It turns out that he was a conscientious objector during World War I and spent time in prison. The town still dislikes him for that. Reenie gets Billy to go to Minneapolis to talk to the folks at the Draft Information Office about how to become a conscientious objector. But when Billy writes a letter to the Tribune, the whole town turns against them and their troubles with bullies get much worse.

So that’s the basic outline of how things begin. But leaves out the charm, the life and spunk of Reenie’s letters, and the gentle wisdom coming from Mr. Marsworth. You fall in love with both of them. I was moved to tears before the book ended, and in a good way.

sheilaoconnor.com
penguin.com/middle-grade

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Review of Pride, by Ibi Zoboi

Pride

by Ibi Zoboi

Balzer + Bray (HarperCollins), 2018. 289 pages.
Starred Review
Review written October 15, 2018, from a library book
2018 Sonderbooks Stand-out:
#4 General Teen Fiction

This is a Pride and Prejudice “Remix,” set in the Bushwick neighborhood of Brooklyn. I have lost count of how many Pride and Prejudice tributes I have read (Actually, that’s not quite true, since you can find links to all the ones I’ve reviewed on the page when I post this.) – and honestly, I’ve loved them all. This is no exception.

Zuri Benitez and her four sisters watch as a new family moves into the house across the street. It used to be run-down, but they’ve been renovating it for a year, and now it’s a mini-mansion. Ainsley and Darius Darcy are fine – but who are they to come strutting into the neighborhood thinking they’ll help it out? You guessed it – older sister Janae and Ainsley hit it off right away, but there are fireworks first between Zuri and Darius.

I got to thinking about Pride and Prejudice. It might seem obvious, because it’s right there in the title, but isn’t it all about respect? When someone smart, good-looking, and yes, rich, moves into town – who is he to think he’s better than the rest of us? The Elizabeth Bennets of the world – highly intelligent themselves and with a loving, close-knit family – deserve respect, too.

But maybe they’re a bit quick to believe they’re not getting it from the Mr. Darcys of the world.

The Pride and Prejudice story is universal because it’s about earning respect – and discovering that good-looking, rich man who has the world’s respect might actually be kind and sensitive and doing good things that go beyond the externals – he might actually deserve Elizabeth Bennet’s respect, too.

It’s also about culture clash. The guy who has made it in the predominant culture moving in near the metaphorical peasantry – and needing to learn to appreciate that their lives, too, have rich community around them.

Pride tells that universal story in a new setting, with a great big helping of delight. Zuri is an Elizabeth Bennet with attitude. She’s a poet, and I’m guessing she’s going to make it into Howard. Here’s a window into her process of discovering that Darius Darcy is more than externals, too.

ibizoboi.net
epicreads.com

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Review of Playlist, by James Rhodes

Playlist

The Rebels and Revolutionaries of Sound

by James Rhodes
illustrated by Martin O’Neill

Candlewick Studio, 2019. 68 pages.
Review written April 1, 2020, from a library book
2019 Cybils Award Winner, Senior High Nonfiction
Starred Review

This book is visually stunning as well as audibly stunning (more on that in a minute). It’s oversized, but many will realize it’s the same square shape and size as a record album.

Once inside, every spread is a presentation. This is an author who loves classical music and is excited about it. If anyone can communicate that love and excitement to a young reader, this would be the person.

Here’s an excerpt from his Introduction:

I’ll be honest with you: classical music is not usually seen as riveting material for a book. I know that. You know that. It is thought of as dull, irrelevant, belonging to other (usually old) people, and about as interesting as algebra. I will say this though: classical music saved my life when I was a kid. And even today, many years later, every single time I listen to it, it makes me feel amazing.

Classical music has a bad and, in my mind, unfair reputation. Those composers with the white curly wigs, such as Bach and Mozart, might seem super old-fashioned now. But they were the original rock stars. They changed history, inspired millions, and are still listened to and worshipped all around the world today. So I hope you’ll leave behind your preconceptions: even if you think you hate it, give it an hour or two of your time and then decide.

It does have to be said that there are a LOT of classical composers, and it can be quite overwhelming to decide where to begin. I have chosen seven composers to get us started. For each composer I have selected two pieces to discuss and listen to. I’m also going to explain a bit about the lives of the composers. (You won’t believe some of their stories. Did you know Beethoven peed into a chamber pot he kept under his piano and Bach had twenty children?) I’ve chosen Bach, Mozart, Beethoven, Chopin, Schubert, Rachmaninoff, and Ravel: the perfect introduction to classical music.

So that gives the format of what follows: We’ll have a spread for each composer, then a spread telling about his life, then a spread for each of the two pieces of music that James Rhodes analyzes for us. And that’s what makes this book extra vivid: At the front he’s got a playlist of all the music. You put tinyurl.com/jamesrhodesplaylist into a browser, and you’ll get to listen to all the pieces on Spotify. So you get to listen to the music as he describes it.

And his enthusiastic descriptions help you appreciate and understand the significance of the pieces he chooses.

All of his descriptions ring with his love for the pieces. Here’s an example taken from the spread about Rachmaninoff’s Piano Concerto No. 2 in C Minor, Finale:

As we know, Rachmaninoff was a giant, and this concerto requires really, really big hands. He asks the pianist to play enormous chords and super-fast runs of notes and jumps from the bottom of the keyboard to the top and back again. The last movement, which we’re going to focus on here, is my favorite, for reasons that will become obvious as you listen to it. It has everything that any music fan could ever want – incredible, unforgettable melodies, insane piano pyrotechnics (I mean just listen to the first time the piano enters!), excitement, melancholy, heartbreak, and heroism, all in eleven minutes. There are giant cymbal crashes, sweeping romantic tunes with the entire orchestra and solo piano playing at full volume, and an electrifying ending. But it’s the big tune, perhaps his most famous melody, that really does it for me. It starts at 1’47, and Rachmaninoff, knowing how special it is, repeats it three times during the course of the movement, each time adding little touches and making it fresher and more magnificent until the very last time (9’55 OMG), when it becomes this enormous, grand, sweeping melody that has inspired dozens of Hollywood composers and would feel right at home in one of the Jurassic Park, Fantastic Beasts and Where to Find Them, or Incredibles movies.

Speaking of movies, in the section on the composer’s life, he always includes some movies that use music by the composer.

There are some additional spreads with musical terms and a timeline of Western Classical Music, and absolutely nothing in this book is remotely boring. It gives the reader a nice background of classical music, and a wonderful audio sampling of the riches you can find there.

At first when I opened this book, I was reluctant to go to the trouble of listening to the playlist. By the time I was done, I was eager to hear and notice the things James Rhodes pointed out.

As he says to finish his Introduction:

So, this is my plea: give this music a chance. Read the book, listen to the pieces in the playlist I’ve built for you (turn the page!), and then, if you want, NEVER listen to it again, safe in the knowledge you’ve given it a go and hated it. But maybe, just maybe, it’ll blow your mind and improve your life a little bit, and you’ll want to send me a giant box of cookies as a thank-you. (I’m not even joking – send as many as you like.)

Enjoy. Take it slowly. Allow yourself to experience something magical.

Count me as someone whose mind was blown. Though in lieu of sending cookies, I’m writing this review.

candlewickstudio.com

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Review of The Dutch House, by Ann Patchett

The Dutch House

by Ann Patchett

HarperCollins, 2019. 337 pages.
Review written March 29, 2020, from an advance reader copy signed by the author
Starred Review

I received an Advance Reader Copy of this book at the Public Library Association Member Welcome Breakfast at which I received the 2019 Allie Beth Martin Award. Ann Patchett spoke at the breakfast, and she did talk about the book. She said it was the book about one of her deepest fears – becoming a horrible stepmother. After her talk, she signed the advance reader copy to me, including “Congratulations!”

It took me almost a year to actually get around to reading the book. Not because I didn’t want to! Ann Patchett’s writing is amazing! Mainly it was because I owned a copy, so it wasn’t a library book and didn’t have a due date. I was trying to read all of L. M. Montgomery’s books last year, too.

But when I did read it – as always I was amazed by Ann Patchett’s writing ability. Yes, there is a terrible stepmother in this book. A lot of the book focuses on the Dutch House – a mansion on the outskirts of Philadelphia where the narrator and his sister grew up. Their father had bought it, with all its contents, after the VanHoebeeks had all died and it was sold off.

The VanHoebeeks weren’t the story, but in a sense the house was the story, and it was their house. They had made their fortune in the wholesale distribution of cigarettes, a lucky business Mr. VanHoebeek had entered into just before the start of the First World War. Cigarettes were given to soldiers in the field for purposes of morale, and the habit followed them home to celebrate a decade of prosperity. The VanHoebeeks, richer by the hour, commissioned a house to be built on what was then farmland outside of Philadelphia.

The stunning success of the house could be attributed to the architect, though by the time I thought to go looking I could find no other extant examples of his work. It could be that one or both of those dour VanHoebeeks had been some sort of aesthetic visionary, or that the property inspired a marvel beyond what any of them had imagined, or that America after the First World War was teeming with craftsmen who worked to standards long since abandoned. Whatever the explanation, the house they wound up with – the house we later wound up with – was a singular confluence of talent and luck. I can’t explain how a house that was three stories high could seem like just the right amount of space, but it did. Or maybe it would be better to say that it was too much of a house for anyone, an immense and ridiculous waste, but that we never wanted it to be different. The Dutch House, as it came to be known in Elkins Park and Jenkintown and Glenside and all the way to Philadelphia, referred not to the house’s architecture but to its inhabitants. The Dutch House was the place where those Dutch people with the unpronounceable name lived. Seen from certain vantage points of distance, it appeared to float several inches above the hill it sat on. The panes of glass that surrounded the glass front doors were as big as storefront windows and held in place by wrought-iron vines. The windows both took in the sun and reflected it back across the wide lawn. Maybe it was neoclassical, though with a simplicity in the lines that came closer to Mediterranean or French, and while it was not Dutch, the blue delft mantels in the drawing room, library, and master bedroom were said to have been pried out of a castle in Utrecht and sold to the VanHoebeeks to pay a prince’s gambling debts. The house, complete with mantels, had been finished in 1922.

This book is the story of the life of Danny Conroy – but perhaps more ends up being the story of the life of his older sister Maeve. And even though they get thrown out of the Dutch House by their stepmother after the death of their father, the Dutch House pervades their lives.

This is a story about a family, and a story about complicated relationships. This is no typical family at all, but somehow the emotions and relationships ring true. The people seem all the more real because, not in spite of, the fact that people with this particular life story surely never existed.

This is a book for people who like character-driven novels. There’s not a lot of dramatic action, and the story covers decades – but we get to know who these people are. There’s a mother who left her family to serve the poor, a father absorbed with work, a stepmother obsessed with getting the house, a little brother who does what he’s told, a big sister who misses her mother and hates her stepmother, and a dutiful wife who doesn’t realize what she’s getting into. Through all of it, the Dutch House represents all that Danny and Maeve lost.

In her talk, Ann Patchett said that when she told Kate DiCamillo what the book was about, Kate gave her the ending. I highly approve, for I especially loved the ending.

I finished the book happy for the time I’d spent with these people.

annpatchett.com
harpercollins.com

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Review of Knights vs. Dinosaurs, by Matt Phelan

Knights vs. Dinosaurs

by Matt Phelan

Greenwillow Books (HarperCollins), 2018. 150 pages.
Starred Review
Review written October 27, 2018, from a book sent by the publisher
2018 Sonderbooks Stand-out:
#4 Children’s Fiction – Fantasy

This one is silly fun with speculation: What would happen if knights had to fight dinosaurs?

Erec is a knight in King Arthur’s court, and he’s been bragging. The truth is, he’s never seen even one dragon. But all the knights start bragging when they get together, and he got carried away and claimed he’d defeated 40 dragons.

That gave Merlin an idea. He suggested that Erec go defeat a “Terrible Lizard” in a cave the next morning – Merlin would give him a map.

It’s probably just as well that some other knights didn’t want Erec to get all the glory. Because it turned out that Merlin put a time-traveling spell on the cave – and sent them all back to the time of the dinosaurs.

(Okay, the truth is that not all the dinosaurs that appear in this book lived at the same time. But that’s admitted at the back of the book and kind of beside the point. We’ve got knights fighting dinosaurs and living to tell the tale.)

There’s a nice twist that it turns out the strongest knight of them all is female. It’s a lot of good-hearted fun, including battles with dinosaurs.

This is an early chapter book and includes plenty of Matt Phelan’s illustrations. Some of the battles are told with panels, in fact.

Knights fighting dinosaurs and realizing they’re going to have to work together. What could be more fun?

mattphelan.com
harpercollinschildrens.com

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Review of Thank You, Omu! by Oge Mora

Thank You, Omu!

by Oge Mora

Little, Brown and Company, 2018. 36 pages.
Starred Review
Review written October 3, 2018, from a library book
2018 Sonderbooks Stand-out: #3 Picture Books – Silly Fun
2019 Caldecott Honor Book

Here’s a contemporary story with a folk tale feel about a friendly elderly lady who makes a delicious big fat pot of thick red stew and shares with everyone who asks. A note at the front tells us that “Omu” is the Igbo term for “queen.”

As the thick red stew simmered on the stove, its scrumptious scent wafted out the window and out the door, down the hall, toward the street, and around the block, until –

KNOCK!

Someone was at the door.

Here’s the first encounter, with a little boy:

“Little boy!” Omu exclaimed. “What brings you to my home?”

“I was playing with my race car down the hall when I smelled the most delicious smell,” the little boy replied. “What is it?”

“Thick red stew.”

“MMMMM, STEW!” He sighed. “That sure sounds yummy.”

Omu thought for a moment. She was saving her stew for dinner, but she had made quite a bit. It would not hurt to share. “Would you like some?”

The little boy nodded.

And so Omu spooned out some thick red stew from the big fat pot for her nice evening meal.

“THANK YOU, OMU!” the little boy said, and went on his way.

A progression of people show up at Omu’s door, smelling the delicious stew. She gives to all – and then when she’s ready for her delicious dinner, there is nothing left!

But that is not the end of the story. Everyone who received from Omu that day comes back in the evening with something in return – and there’s a happy celebration.

I’m going to try to use this one in storytime and get the kids to call out “Thank you, Omu!” every time a character says that. This is a happy story about the joy of sharing.

ogemora.com
lbyr.com

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Review of My Father’s Words, by Patricia MacLachlan

My Father’s Words

by Patricia MacLachlan

Katherine Tegen Books (HarperCollins), 2018. 135 pages.
Starred Review
Review written October 29, 2018, from a book sent by the publisher
2018 Sonderbooks Stand-out:
#3 Contemporary Children’s Fiction

My Father’s Words is a stunningly beautiful book.

It’s a beginning chapter book about the death of a father. But it’s beautiful.

Fiona and Finn’s father Declan was a psychologist, gentle and wise. The book begins with him making omelets for his kids, and on page 7 he’s killed in a car accident.

The book is about dealing with his death.

Their mother and their friends gather round. Even one of their father’s patients helps Fiona. But the biggest help, especially for Finn, is when they go to an animal shelter and spend time with the rescue dogs.

Their father’s will said not to have a funeral, but to have a party.

The party for my father was somehow both joyful and sad, with laughter and tears all mixed up. Finn and I were confused at that. My grandparents were ill and far away and couldn’t come. My mother spoke to them every day on the phone. But cousins and aunts and uncles came. And friends.

The book is full of memories. Those are set apart in a different font. And from their father’s patients, we learn many wise things that their father said. And those wise things help them heal as well as show love and receive love from the rescue dogs.

It’s hard to explain how beautiful this little book is. But I was thoroughly blessed and uplifted by reading it.

It’s hard to recommend to young readers a book about a father dying. But this lovely book is about healing, and I think kids will respond to it. After all, they know more about sadness than we realize – so why not read about dealing with sadness?

Note: I ended up posting this review exactly six months after my own father died. When I read it, I had no idea it would so soon be so applicable. Yes, it’s good to read about dealing with deep sadness and appreciating those you’ve loved who are no longer here.

harpercollinschildrens.com

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Review of Strange Planet, by Nathan W. Pyle

Strange Planet

by Nathan W. Pyle

William Morrow Gift Books, 2019. 144 pages.
Starred Review
Review written December 26, 2019, from my own copy, signed by the author and purchased via premierecollectibles.com

I’m a big fan of Nathan Pyle’s comics posted on Facebook with smooth-bodied aliens living the lives of humans but describing what they are doing in very basic terms that highlight the absurdity or simplicity.

I’ve decided that the alien way of speaking reminds me of nice logical German word construction when the aliens called an umbrella a “sky shield,” because the actual German word for umbrella is Regenschirm, which broken down translates as “rain shield.”

Many of the words make you look at the things in a different way, such as the aliens calling a vacuum cleaner a “rollsuck” which has “the filth window.” Or honey, which is called “plant liquid partially digested by insects and then stolen.” Or balloons, which are “elastic breath traps.” Coffee is “jitter liquid,” and a vase is a “death cylinder” for holding “dying plants.”

Names for things are fun, but the interaction between people and between people and animals can be wonderfully touching. I think my favorite is the one that begins with one of the aliens crying. Their friend says, “Why does your face malfunction? Request mutual limb enclosure.”
“Permission granted.”
As they hug, the crying friend says, “You are absorbing my face fluids.”
“Let me absorb.
Let me absorb.”

I also love the one where one alien is on the phone, saying:

“Hello we do not want to make sustenance.
We will literally pay a being to come here with sustenance.
Please pile edible items onto a vast dough circle.
OK Gratitude. We will stay here and do nothing.”

There are certainly days I would pay a being to come to my home with sustenance.

I find myself Sharing Nathan Pyle’s comics often, so when he was promoting a special on autographed copies of his new book, I thought it would be a great way to support an author and pick up some Christmas gifts. I’m happy to say that the unsigned one I’d previously preordered for myself (had to hit the dollar limit) was a maximum-traded item at the staff Christmas party this year!

If you haven’t seen Nathan Pyle’s work, try this out. If you have: There’s a book out!

hc.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/strange_planet.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?