Review of Small Shoes, Great Strides, by Vaunda Micheaux Nelson, illustrated by Alex Bostic

Small Shoes, Great Strides

How Three Brave Girls Opened Doors to School Equality

by Vaunda Micheaux Nelson
illustrated by Alex Bostic

Carolrhoda Books, 2024. 44 pages.
Review written June 5, 2024, from a library book.
Starred Review

You’ve probably heard of Ruby Bridges. It turns out that first graders Leona Tate, Tessie Prevost, and Gail Etienne, were ten minutes ahead of Ruby integrating a previously all-white school in a different part of New Orleans.

This lovely book tells their story. It’s in picture book format, with large artwork on each spread, but there’s also a lot of text on each spread, so the target audience is upper elementary school kids who can handle that much reading. There are ten pages of back matter, giving more to the story.

This book leads off with telling how the girls were taught in a classroom with paper over the windows and had to have recess and lunch indoors. Federal marshals escorted them to school and even to the bathroom.

The book also covers the threats they faced even at home and the constant police presence. We can all be so thankful that they and their families saw it through. Already the next year, they were able to take the paper down from the windows.

I have to admit, though, that I was saddened by the pages in the back matter describing what school was like for them from third grade on in an integrated school. No longer protected by federal marshals, students and even teachers were often cruel. But it still doesn’t diminish the powerful thing they accomplished as first graders and the lasting effects.

vaundamicheauxnelson.com
alexbostic.com
lernerbooks.com

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Review of Bei Bei Goes Home, by Cheryl Bardoe

Bei Bei Goes Home

A Panda Story

by Cheryl Bardoe

Smithsonian Kids (Candlewick Entertainment), 2021. 44 pages.
Review written March 5, 2022, from a library book
Starred Review

The only thing cuter than a book full of photographs of pandas is one full of photos of a baby panda. Bei Bei Goes Home tells the story of the giant panda born at the National Zoo in Washington, DC, in August 2015.

Who knew that a giant pandas are minuscule at birth? The pictures of mother Mei Xiang cradling the tiny baby emphasize how tiny Bei Bei was as a cub. The reader gets the whole story of his birth, keeping him healthy (had to wait until Mei Xiang put him down for a minute), choosing his name, getting vaccinated, learning to get around and play.

At one year old, they had a traditional Chinese ceremony and Bei Bei chose luck and friendship to represent his future. In multiple photographs on every spread, we see Bei Bei exploring his habitat, playing with toys, and growing quickly.

Then, as referred to in the title, at four years old, we see Bei Bei shipped to China.

Where Bei Bei lives now is part of the China Conservation and Research Center for the Giant Panda. Researchers there hope to raise panda cubs who can succeed in the wild. Bei Bei cannot do this himself because he is too comfortable around humans. Keepers in China have begun donning panda costumes to help raise cubs who will be released into the wild. After Bei Bei is fully mature, around six or seven years, he may become the father to such a cub.

This is a book to enjoy looking at, and you’ll pick up plenty of information about giant pandas along the way.

candlewick.com

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Review of Remarkably Bright Creatures, by Shelby Van Pelt

Remarkably Bright Creatures

by Shelby Van Pelt
read by Marin Ireland and Michael Urie

Harperaudio, 2022. 11 hours, 17 minutes.
Review written July 9, 2024, from a library eaudiobook.
Starred Review

Oh, this one is truly wonderful. Here’s a feel-good story about some good people – and a Giant Pacific Octopus – whose lives entwine.

The first character we meet is the octopus, Marcellus. He speaks with a sardonic, knowing tone and tells us how many days he’s lived in captivity at the Sowell Bay aquarium – in a small town in Washington, off the coast of Puget Sound.

It turns out that Marcellus likes to roam the aquarium at night and help himself to snacks from the other tanks – as our next main character learns one night when he gets stuck in some electrical cords. Tova Sullivan is in her 70s, and she started cleaning at the aquarium after her husband died, because she wanted something to do. She has no living children – her son Erik disappeared in an apparent boat accident thirty years ago when he was eighteen years old. She rescues Marcellus and starts to notice how remarkable he is.

Our third main character is a thirty-year-old drifter named Cameron. He lost his job – again – and then his girlfriend kicked him out because he lied about it. So he’s at loose ends until the aunt who brought him up gives him some things that belonged to his mother – the mother who left him when he was nine years old. It turns out that his mother went to high school in Sowell Bay. She left a class ring and a picture of herself with a man – a man whom research reveals to be a wealthy real estate developer. If this is his father, Cameron finally has a way to get a boost in life.

So he borrows money from his aunt, heads north to Washington, and one thing leads to another – and Cameron ends up getting a temp job at the aquarium after Tova sprained her ankle. Unbeknownst to others, Tova can’t stay away, so she comes in at night and shows Cameron the proper way to clean. And she says hello to Marcellus while she’s at it, showing Cameron that he’s friendly.

Marcellus can see things about them that they are blind to. But how can he tell them? While Cameron is waiting to get an appointment with his would-be father, he gets pulled into small town life, where everyone seems to know about everybody else. Meanwhile, after her ankle sprain, Tova is coming to terms with aging without anyone to look after her, and she thinks it’s time to retire to an old folks’ home.

This book is completely charming as the different threads come together and we come to care about the conscientious and capable woman living alone as well as the irresponsible young man who might be learning a thing or two about putting down roots. And of course, also about the Giant Pacific Octopus.

shelbyvanpelt.com

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Review of Stamped (for Kids), by Jason Reynolds and Ibram X. Kendi, adapted by Sonja Cherry-Paul

Stamped

(For Kids)

Racism, Antiracism, and You

by Jason Reynolds and Ibram X. Kendi
adapted by Sonja Cherry-Paul
read by Pe’Tehn Raighn-Kem Jackson

Hachette Audio, 2021. 2 hours, 22 minutes on 2 CDs.
Review written April 13, 2022, from a library audiobook
Starred Review

This is now the third iteration of this book, and the third I’ve read or listened to. First, Dr. Ibram X. Kendi wrote a big and long and scholarly book for adults called Stamped from the Beginning: The Definitive History of Racist Ideas in America. Then Jason Reynolds “remixed” that content into a book for teens, called Stamped: Racism, Antiracism, and You. That was the first version I listened to. It was accessible and easy to understand, but had some powerful and thought-provoking content.

Now they’ve gone another step, and Sonja Cherry-Paul has adapted the content from Jason Reynolds’ book into an even shorter version that is easy for kids to understand. I like the kid narrator who reads the audiobook, making it feel like a kid talking with his friends.

I was happy to refresh my memory of these ideas. The authors give the history of racist ideas in America. They explain segregationalists, who believe Black people are inferior, assimilationists, who believe Black people can be good people if they work at it, and antiracists who believe that Black people are human and valuable and just as worthy as anyone else.

I also appreciate the explanation that most people aren’t just one thing all the time. They explain why ideas like the “Talented Tenth” are assimilationist, even when those putting forward the ideas are trying to be helpful. Even in this short and simple adaptation, we’ve got complex concepts clearly explained.

And make no mistake about it — this is a book about fairness and caring and seeing past discrimination. Kids who listen to this audiobook or read this book will be able to spot policies that treat any one class of people as inferior to others. Here’s to a new generation of antiracists!

jasonwritesbooks.com
ibramxkendi.com
Downpour.com

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Review of Every Child a Song, by Nicola Davies, illustrated by Marc Martin

Every Child a Song

A Celebration of Children’s Rights

by Nicola Davies
illustrated by Marc Martin

Crocodile Books (Interlink), 2020. 36 pages.
Review written December 29, 2021, from a library book

This beautiful picture book honors the thirtieth anniversary of the UN Convention on the Rights of the Child, and it does that by celebrating the beauty of each child who is born.

In pulling out clips, I find myself wanting to quote the whole book. Here are the first two spreads:

When you were born, a song began.

Sometimes it didn’t sound much like a song.
Sometimes no one could hear it.

But it was there in every heartbeat,
every breath; tiny, fragile, and unique.

A melody the world had never heard before.

The book goes on to talk about the love and safety the song needs to grow and about how as you learned and grew, your song soared.

All around you, everywhere,
other songs are singing.

Some are loud,
and some are quiet,

some sing a single note
and some a symphony.

And then we have some pages about what each song should be protected from.

Even among storm and change and danger,
every song must be heard above the noise
and chaos of the world.

And the book ends by celebrating each child’s song.

For together, we raise our voices
for the right of every song to sing out loud, bold and unafraid.

This is a simple picture book with lilting language. The pictures mainly use soaring birds as a metaphor for the songs. There are some hints of danger in the pages about what children should be protected from, enough that an adult reading the book could skip over it or simply explain a little more. There are notes about the UNCRC at the front and the back.

nicola-davies.com
interlinkbooks.com

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Review of How to Find a Fox, written by Kate Gardner, photographs by Ossi Saarinen

How to Find a Fox

written by Kate Gardner
photographs by Ossi Saarinen

Running Press Kids (Hachette), 2021. 48 pages.
Review written November 29, 2021, from a library book.
Starred Review

Here’s a wonderful first science book for little ones. The big, beautiful photographs, mostly of foxes in the wild, steal the show.

There’s a short and simple text in big letters. It begins by talking about where you can look to find a fox. There’s a paragraph in smaller text on most pages, giving some more background information.

For example, after pages saying “Listen for yips, yowls, and growls,” we’ve got this text in a smaller font:

Red foxes make a range of noises, though none of them sound much like a common dog’s barking. Instead, foxes’ high-pitched howls, chirps, and screams are more birdlike. . . . And sometimes, a fox can even sound like a person crying. Different calls are used when playing, or fighting, or when fox parents want to warn their babies of danger.

The photos are big, colorful, and striking. I am so taken with this book, I want to try it in Toddler Storytime, as I think the photos can catch even their attention. They will like the pages that tell you where not to look for a fox, and name the animals found in the sky, in the trees, in the river, and in the pond.

runningpress.com/rpkids

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*Note* To try to catch up on posting reviews, I’m posting the oldest reviews I’ve written on my blog without making a page on my main website. They’re still good books.

Review of Homebody, by Theo Parish

Homebody

by Theo Parish

HarperAlley, 2024. 224 pages.
Review written June 7, 2024, from a library book.

Homebody is a graphic novel memoir about the author’s search for home in their own body — their coming-out journey as transgender nonbinary.

I’ll be honest — it’s harder for me to understand nonbinary gender than other transgender journeys. But Theo telling their own story helps me understand better. I love their depictions of gender euphoria — of feeling happy and at home in their own skin after realizing that nonbinary was the right fit for them.

As a graphic novel, this is a quick read. I had trouble distinguishing between different people in the pictures — they mostly looked alike to me, but the most important character is Theo themselves, and I could tell which one they were.

This book tells about Theo’s journey feeling at home in their body, and mentions they are attracted to women (so first thought they were lesbian), but there is no mention or depiction of sexual experiences, unlike Gender Queer, which is a favorite target for book banners. I’m guessing they’ll still take offense at someone explaining how they know nonbinary is the right description of their gender, but let it be known that this book is not about sex.

And it is a book about joy. Reading this book lifted my heart with gladness for Theo learning to make her own body feel like home.

EpicReads.com

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ALA Annual Conference 2024 Day 2

Saturday, June 29, 2024, was the second day of the American Library Association Annual Conference in San Diego.

The first session I attended was about selecting Board Books.

Panelists were board book authors Anne Wynter, Carole Boston Weatherford, Alisha Sevigny, and Steve Light

I liked the way they talked about joy and play in board books. Steve Light wrote his first board book (about trucks) when he imitated a boy in his class of 3-year-olds who just found joy in drawing trucks.

Board books are inherently playful, and kids play physically with the books, but also play with the language of the books. Also many board books are interactive, encouraging play. The interactive books are perfect for the wiggly ones.

Next I got in on the end of a panel of Newbery Honor winners led by Travis Jonker. I didn’t get notes written, but afterward I personally congratulated Erin Bow on her amazing book, Simon Sort of Says, and somehow we got to talking about my mathematical knitting.

Next, I went to a panel of Science Fiction and Fantasy Authors called “Chaotic Good and Lawful Evil: The Appeal of Morally Gray Characters in Science Fiction and Fantasy books.”

Here are the signed books I got after that panel ended:

The authors were O. O. Sangoyomi, Mary E. Pearson, Veronica Roth, and Yume Kitasei

Moderator: Your books are based on folklore and myth. How do they get populated with these morally ambiguous characters?

MP: Morally ambiguous characters are real, and they are us.

YK: So often retellings flip who the good guys and bad guys are and help us see more. Gives the myths a whole new life.

OS: You can also give traditional villains more of a back story, which makes the story more interesting.

VR: A quote: “Through folklore we learn about a people and what they think about humanity.” We learn from Slavic folklore that being human is a drag! Unfair stuff happens all the time. They teach us about humanity, not necessarily about morality.

Moderator to OS: The king in her Hades retelling is so convinced he’s right?

OS: That’s what drew her to the myth. She wanted to give Persephone more agency. Love bordering on obsession. Love can change people for the better or the worse.

YK: He’s a villain but not a villain. The love story is somewhat toxic, but still beautiful. He’s a foil for her journey.

Moderato to VR: Your book gets us cheering for vampires.

VR: The long history of Monster Fiction is making them sympathetic. The character is deprogrammed from brainwashing. Polish immigrants came to Chicago fleeing monsters, too. They’re just trying to survive.

YK: VR has got characters working toward opposing goals, all sympathetic, but they can’t all win.

Moderator to YK: Everyone’s hero is someone’s villain. In your book, every side has a solid reason for what they’re doing. They all have a valid point.

YK: As someone biracial and bicultural, within herself, her own identities war against each other. Everybody has a different perspective, rooted in their background.

VR: Come to YK’s book for Indiana Jones and stay for thoughtful meditation on what it means to be human.

Moderator to MP: Romantasy has a trope of morally gray characters with a trope “I must keep secrets from you for your own protection.”

MP: She gets in their heads and explores their motivations. They all think they’re doing the right thing. One guy is lying because of past betrayal. Another one has a very deep fear for people’s lives. Moral conundrums are true to life. Life isn’t black and white.

VR: As an author, we don’t even want to have all the answers. Better to write questions you don’t know the answers to.

YK: Selfishness itself is not inherently bad. It can be your motivation, but that doesn’t have to be a bad thing.

Now some responses that came from audience questions:

VR: Folklore is for people in the time it exists. It’s a living thing.

MP: Celtic folklore was never written down until the Christian monks. She tries to get at what it would have been behind that filter.

OS: Greek mythology + Nigerian mythology is her personal interpretation.

VR: How much can you forgive? You don’t get to decide what other people can forgive.

MP: Can a person be redeemed?

OS: What do we consider offenses in the first place? We might not need to forgive them if we understand their motivations.

VR: People who demand moral clarity have a lack of appreciation for a narrative arc. Do you want me telling your children what to do?

After that panel, I got the four books signed. Then I went to the main session where Kwame Alexander was speaking.

He had fun talking about winning not just a Newbery, but also an Emmy for Crossover.

Then he read an amazing and precocious letter from a 5th grade fan who demanded that he write a book with a female main character. So he talked about his next book, inspired by his great-grandmother, Black Star. It is book two of a trilogy.

Then he told us about Black librarians who fought against book bans 100 years before Moms for Liberty. Folks had forbidden too many Black books in one place. But in 1921, Virginia Lee found ways to get the books to the people, despite the orders.

Public librarians, if you want a model – look no further than the Black librarians of the early 20th Century.

We are in the imagination business, and we are reimagining what it means to be in community in a paradoxical time.

Libraries aren’t just the refuge in the storm – libraries are the rainbow.

His parents surrounded him with books that made him believe he mattered.

Then during the audience question time, Kwame called Jerry Craft on stage and announced that they’re collaborating on a book together! (Even though Jerry Craft has never won an Emmy.)

It was funny, because after Kwame finished speaking, I got in a line to greet librarian Mychal Threets, who posts about Library Joy and Library Kids.

After that session, I went back to my hotel room and fell asleep – but woke up in time to walk 2 miles along the bay to go to a Macmillan Happy Hour on a boat that’s part of the San Diego Maritime Museum. There were lots of authors there, and it was an opportunity to talk with some, but I mostly hung out on the deck, where it was breezy, and talked with my fellow Morris committee members who were there, finally meeting them in person after all our Zoom meetings.

And to top it off, they told us to take as many books as we wanted, so I walked back with these. Two of them are second books from debut authors who made an impression during my Morris reading.

All in all, it was a grand first full day of the conference. No wonder I was tired!

ALA Annual Conference – The Printz Awards

The first big event of ALA Annual Conference is the Printz Awards and Reception on Friday night.

The ceremony was as exuberant and lovely as ever. I love that we get to hear from all the honorees, not the winner only.

My camera doesn’t do great in a big auditorium, but let me post some pictures and notes from the speeches:

First Honor Book Author was Moa Backe Astöt for Fire from the Sky

This award is beyond anything she imagined. She was 22 when the book was published, but was 15 when she started writing it. As a Sami teen, she didn’t see books about teens like her. She wanted to write a painful story with a happy ending. It’s crucial that indigenous people and minorities feel seen and represented in literature.

Next, her translator, Eva Apelqvist, spoke:

Sometimes we meet a book that we just want to share with the world. She first just translated a chapter to promote the book, and was so happy to get to translate more. The setting brings you to northern Sweden. She had to let go of cultural shackles and approach it with humility.

Next up was Kenneth M. Cadow, author of Gather:

A book with an award and a dog on the cover – and the dog lives!

He told a story of going to the solar eclipse – somehow we like to be reminded that we are small. People are unpredictable, sometimes pleasantly so. Our hope comes from knowing each other and tiptoeing around each other’s humanness. His book humannizes the data about white rural males and drugs.

Then came Shannon Gibney for The Girl I Am, Was, and Never Will Be:

She reaches out to other people on Planet Adoptee. Other adoptees see and recognize the experiences here. And non-adoptees have told her: We didn’t know.

Next up was Candice Iloh for Salt the Water:

Cerulean is someone she never had the chance to be at 17. She’d believed she had to follow what adults said she should do. Young people lose hope in the institutes they’re supposed to trust. What happens when our young people have had enough? She illuminated one Black queer child’s choice to seek safety. No one is safe until we all are.

Finally, they presented the Printz Medal for the short story collection, The Collectors, edited by A. S. King. All the authors went up front to the side, and A. S. King gave the speech.

She wanted the speech to be weird. (And succeeded!) She started off with a story of how she ended up recommending Slaughterhouse Five to an old guy – and then warning him it’s a weird book.

She thinks the word “weird” actually means “humane.” Which means that being humane is weird.

Teenagers live in an entirely different world than we did. There’s emotional currency in weirdness. It’s weird to tell the truth. Weird is humane. It wants you to tell the truth.

They remove humane books.

Not one career here tonight was self-made.

Protect trans kids for no other reason than it’s the right thing to do.

We work with battle-weary kids whose adults can’t see the war. We serve children because we’ve all been children.

The opposite of humane is Shame.

We are artists. We are art.

Some claim to protect children by removing their emotional fire extinguishers.

Be weird!

ALA Annual Conference 2024 – Trevor Noah and Exhibits!

I just finished attending the 2024 American Library Association Annual Conference!

I flew to San Diego on Friday, June 28, and here was the view from my hotel room:

And the view of the Convention Center:

My flight was delayed about 45 minutes, and even with just a quick stop in my hotel room, I wasn’t in time for the start of the Opening Session with Trevor Noah, but I did get to hear the end of it.

Trevor’s an advocate for libraries. I don’t remember all he said, being in a bit of a daze after my flight. But he did speak about the power of libraries and books that aren’t trying to manipulate you and get clicks.

Next was the opening of the exhibits.

I have a neck condition (a small right vertebral artery) which means I shouldn’t carry heavy bags of books. So usually, I go to ALA Member Services, show my doctor’s note, and get permission to bring a wheeled bag on the exhibit floor. But now I have a job where publishers send advance reader copies to me directly. Surely I don’t need to grab so many at the conference? I decided not to bring a wheeled bag and limit myself to not carry more than 3 books at a time. And, well – the first three days I succeeded in keeping it down to 4 at a time.

The first night, I picked up 4 books, 5 tote bags, some Booklist magazines, and a publisher catalog:

I must say that I demonstrated incredible restraint!

Then it was back to my hotel to get ready for the Printz Awards.