Review of The Empty Grave, by Jonathan Stroud, read by Emily Bevan

The Empty Grave

by Jonathan Stroud
read by Emily Bevan

Listening Library, 2017. 12 hours, 41 minutes on 10 compact discs.
Starred Review

Ah! Another chance to enjoy the fifth and final book in the Lockwood & Co. series! Yes, listening to the book on CD is even more fun than reading it yourself.

Of course the reader’s accent helps you get into the mood of this alternate-reality London. And hearing it read slows you down so you can savor the story. (The books are hard to put down, but sometimes I had to simply turn off the car, shut off the CD, and go to work.)

I still say that these books make outstanding family listening – once your children are old enough to handle some seriously spooky events as well as people seriously trying to murder our heroes besides the incidental life-or-death danger they face routinely.

For the plot, I refer you to my review of the written book. I’m here to say that the audiobooks make them even more enjoyable – though it’s hard to believe that’s even possible, because they’re so good in the first place.

I have liked my approach to the whole series – devour each book as quickly as possible as soon as it comes out. Then, when I can get my hands on the audiobook, enjoy it again, savoring it a bit more slowly and catching some details I didn’t notice the first time.

(And that reminds me! I noticed a tiny, tiny flaw while I was listening! At the end, there’s a rapier fight between Lucy and the powerful woman who’s been running London. Well, the woman kicks off her heels when she starts fighting – but we’d already been told there were shards of glass all over the floor. If she had done that – then as the two move around the room fighting, she would have cut her feet and given Lucy a big advantage. But that’s the very first quibble I’ve found in these books.)

jonathanstroud.com
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Review of Braving the Wilderness, by Brené Brown

Braving the Wilderness

The Quest for True Belonging and the Courage to Stand Alone

by Brené Brown

Random House, 2017. 194 pages.
Review written in 2017

The newest book by Brené Brown didn’t hit me as hard as her earlier books. This may well be that although I know I have a problem with perfectionism (so The Gifts of Imperfection was perfectly appropriate), I already have strong roots of community in my life, especially through my church, but also a wide-ranging network of friends.

Braving the Wilderness is about True Belonging – yet at the same time about having the willingness to be authentic, even when it means standing alone.

Her tips on finding this weren’t as pithy as in some of her other books. In fact, a few months ago, one of my colleagues came back to work after going to a class and was talking about it. I don’t remember much about it except that they used a very long acronym BRAVING, and I thought it was not only unmemorable to have such a long acronym, but I also thought that using V for Vault – to mean not betraying confidences – was a pretty silly stretch. (My co-workers and I thought Vegas would even be better, as in “what happens in Vegas stays in Vegas.”) So imagine my surprise to see that same acronym in this book.

Now that I’m looking at the acronym, I see that she first introduced it in Rising Strong. (I didn’t remember that.) But now since “Braving” is part of the title, it was a little more central, and used as a checklist for trusting others and trusting yourself. The acronym stands for: Boundaries, Reliability, Accountability, Vault, Integrity, Nonjudgment, and Generosity.

She does have some good points when she talks about the need to come back together as a society. I agree that we’re in a place where we need that.

So here’s the big question: Wouldn’t you think that all of the sorting by politics and beliefs we’ve been doing would lead to more social interaction? If we’ve hunkered down ideologically and geographically with people who we perceive to be just like us, doesn’t that mean that we’ve surrounded ourselves with friends and people with whom we feel deeply connected? Shouldn’t “You’re either with us or against us” have led to closer ties among the like-minded? The answer to these questions is a resounding and surprising no. At the same time sorting is on the rise, so is loneliness.

Confronting that, here are what she calls the four elements of true belonging:

“People are hard to hate close up. Move in.”

“Speak truth to bullshit. Be civil.”

“Hold hands. With strangers.”

“Strong back. Soft front. Wild heart.”

There are chapters titled with all four of these suggestions. And it’s good stuff – but it didn’t really stick in my mind.

However, I did like what she had to say about True Belonging at the front of the book.

Belonging to ourselves means being called to stand alone – to brave the wilderness of uncertainty, vulnerability, and criticism. And with the world feeling like a political and ideological combat zone, this is remarkably tough. We seem to have forgotten that even when we’re utterly alone, we’re connected to one another by something greater than group membership, politics, and ideology – that we’re connected by love and the human spirit. No matter how separated we are by what we think and believe, we are part of the same spiritual story.

I do like the way she connects true belonging with standing alone. If you’re just trying to be like everyone else, you’re working on fitting in, and that’s very different from true belonging. But if you are vulnerable enough to show people who you really are – then you’ll be able to find true belonging.

Again, this book might have hit me harder if I were feeling lonelier and didn’t have true community in my life. As it was, it reminded me that even though I live alone, I really do have people in my life with whom I truly belong. And that was a nice thing to remember.

BreneBrown.com
randomhousebooks.com

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Review of Under the Sabbath Lamp, by Michael Herman

Under the Sabbath Lamp

by Michael Herman
illustrated by Alida Massari

Kar-Ben Publishing, 2017. 32 pages.

Here’s a lovely story about inheritance and traditions. A group of neighbors has a tradition of hosting each other for Shabbat dinner. The first time Izzy and Olivia Bloom host, the children notice there are no Shabbat candles. Then Izzy shows them the Sabbath lamp that burns oil and has been in his family for one hundred fifty years.

There’s a story-within-a-story as Izzy tells about how his great-great-grandfather Isaac moved to America for a better life. But they couldn’t afford for his whole family to come.

As Isaac packed his belongings, Rachel handed him the drip pan from the Sabbath lamp.

“Take this with you,” she told him. “Just as this part is separated from the rest of the lamp, we will be separated from you. When we come to join you, we will bring the other parts, and the lamp will be whole again. Just like our family.”

One by one, the children and his wife joined Isaac in America, and when they were all together, they lit the Sabbath lamp.

When Izzy and Olivia got married, his father entrusted the lamp to them.

I like the way the book brings the tradition into the present with Izzy and Olivia enjoying the Sabbath lamp together with their friends.

karben.com

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Review of The Steep and Thorny Way, by Cat Winters

The Steep and Thorny Way

by Cat Winters

Amulet Books, 2016. 335 pages.
Starred Review
Review written November 2016

The Steep and Thorny Way is a reimagining of Hamlet in 1920s Oregon.

Hanalee Denny has white mother and an African American father, so she’s not very welcome in their town, where it’s illegal even for her parents to be married. But her father died two years ago, hit by a teenage drunk driver, and her mother has remarried to the doctor who comforted her after her husband’s death.

Now Joe, the teen who hit her father, is out of jail for good behavior, but he’s hiding out, because some people are after him. But Hanalee talks to him. He tells her that her father only had a broken leg after being hit by the car, and the doctor who’s now her stepfather must have killed him. What’s more, Hanalee learns that her father’s ghost has been seen on the highway at the crossroads where he was hit. Perhaps she can talk to his spirit and find out what really happened.

Okay, so far I thought we were going to get a straight retelling of Hamlet, so I thought I knew what was going to happen. But there are many twists and turns in this story. Things get sinister when we learn that the Ku Klux Klan is active in their town. They’re recruiting young people, and even Hanalee’s childhood friend is turning against her. And they have reasons for wanting Joe out of the picture as well.

So you’ve got a mystery – how did her father actually die? You’ve also got peril unfolding as Hanalee tries to get to the bottom of the mystery. And there are plenty of historical details about Oregon in that time period.

Reading about someone who’s made to feel “other” is a good antidote to bigotry. I hope this book isn’t as timely as it seems.

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Review of Strong Is the New Pretty, by Kate T. Parker

Strong Is the New Pretty

A Celebration of Girls Being Themselves

by Kate T. Parker

Workman Publishing, 2017. 250 pages.
Starred Review

Strong Is the New Pretty is a book of photographs of girls being strong – and they are indeed beautiful.

My library has put this in the juvenile nonfiction section, but I think in many ways, this is a book for families. If you have girls in your family, stick this on your coffee table. Let the whole family browse the photos. It would also make a nice high school graduation gift for a girl, encouraging them to be themselves. (Though the girl isn’t likely to take such a large book off to college with them, so I suppose that’s a little problematic.)

The text accompanying the pictures isn’t exactly geared to children. There’s an introduction, and then nine chapters, with titles “Confident is Strong,” “Wild is Strong,” “Resilient is Strong,” “Creative is Strong,” “Determined is Strong,” “Kind is Strong,” “Fearless is Strong,” “Joyful is Strong,” and “Independent is Strong.” Each chapter has an inspiring explanation at the front of how these pictures fit with the theme. Every photo has a quotation from the featured girl.

For example:

Cancer stole part of my leg but not my joy. I choose happiness. Being happy is my superpower.

— Grace B. age 12

Leaf jumping is the best.

— Alice age 6

Through music I have the ability to make others smile and even cry when I perform in a way that moves someone.

— Nora age 11

She had a knot in her cleats. I’m really good at untying knots, so I helped.

— Lily S. age 5

Yeah, I am a little muddy. So what?

— Tayla age 6

The quotations aren’t usually profound, but the photographs are stunning! And I love that the photographer gave each subject a voice.

In the Introduction, the author explains how the project got started.

This photo series started as a personal project. I work as a professional photographer, but I’m also a mom (the mom with the giant camera and bag of lenses at most events). And it’s not uncommon for me to be photographing my girls and their friends – constantly – when they’re riding their bikes, at soccer practice, or exploring tide pools while on vacation. The more I shot, the more I began to notice that the strongest images, the ones that resonated most with me, were the ones in which the girls were being 100 percent themselves. When they were messy and funny and stubborn and joyful and in your face, I kept shooting. I didn’t ask them to smile or go put on a pretty dress. I wanted to capture these girls as they were, and how they were was amazing. I wanted to continue capturing them in just that way – not just for my sake, but for theirs, too.

As a body of work emerged, I kept at it with more intention. I wanted to show my girls that beauty isn’t about being a certain size, or having your hair done (or even brushed, in their cases), or wearing a fancy outfit. I wanted to combat the messages the media sends to women every day. I wanted my girls to know that being themselves is beautiful, and that being beautiful is about being strong.

I strongly recommend checking this book out and enjoying the beautiful images. And I even more strongly recommend sharing them with your daughters. Talk about them. I’m guessing they, too, will see how pretty these strong girls are.

https://katetparkerphotography.com/blog
workman.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of The Death of Mrs. Westaway, by Ruth Ware

The Death of Mrs. Westaway

by Ruth Ware
read by Imogen Church

Random House Audiobooks, 2018. 12 CDs.
Starred Review

I’m reviewing another audiobook for adults! Our Newbery committee agreed not to listen to audiobooks of eligible books, since that might influence us one way or the other. So I’m using my commute to listen to books for adults. After reading The Woman in Cabin 10 and thoroughly enjoying spending time with a thriller, I was excited to see the library had an audio version of Ruth Ware’s latest thriller.

The Death of Mrs. Westaway is a completely different story from The Woman in Cabin 10, but it, too, sets the stage, lets you thoroughly understand the characters – and leads up to a completely tense, edge-of-your-seat, the-author-wouldn’t-really-let-her-die-would-she? moment.

At the beginning of this book, Harriet (known as “Hal”) Westaway receives a letter from her lawyer informing her that her grandmother has died and she needs to go to Trepassen House in Cornwall to receive her inheritance.

The thing is – Hal’s grandmother died before she was born. Her mother was single (said her father was a student she had a one-night stand with) and though she was named Westaway, her birth certificate lists a totally different name than the supposed grandmother of the letter.

But Hal is in deep financial trouble. When her mother died, Hal continued her tarot-reading booth on the pier in Brighton. But that’s not a reliable income, and she got in trouble borrowing money from a loan shark after her mother’s death, and now he wants her to pay back several times what she originally borrowed.

What if she just goes to Cornwall and tries to claim the money? They’re rich. Surely it won’t hurt them for her to take a little.

But when Hal gets there, she finds people with faces, not just selfish rich folks. Though there are some disturbing things about the house.

And then she finds out two things. One is that her mother spent time at Trepassen House right around the time Harriet was conceived. The other is that Mrs. Westaway named Hal in her will – and left her the bulk of her estate, passing over her three living children and the missing daughter who had the same name as Hal’s mother.

This book moves slowly, building the scenes and the relationships step by step by step. Which makes it all the more powerful when it comes to the terrifying, but ultimately satisfying, ending.

The narrator is the same one who read The Woman in Cabin Ten — and though Hal wasn’t as desperate a woman as that narrator, I enjoyed Imogen Church’s way of voicing her just as much. Though it’s no secret I’ll enjoy listening to anyone who has a British accent – she does a good job on top of that.

If you enjoy psychological thrillers, here’s another outstanding one.

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of Snow White, by Matt Phelan

Snow White

by Matt Phelan

Candlewick Press, 2016. 216 pages.
Starred Review

Here’s another amazing graphic novel by Matt Phelan. I’ve loved his art ever since I saw it in The Higher Power of Lucky, by Susan Patron.

This is a retelling of “Snow White,” set during the 1920s and 30s in New York City. Who knew you could fit Snow White into such a setting?

And it’s beautifully done. Samantha’s mother gets drops of blood on the snow not from pricking her finger on a needle, but from her cough with drops of blood. Ten years later, her father meets the “Queen” of the Ziegfeld Follies. Instead of running into the woods, Samantha runs into Hooverville, where she’s helped by seven boys who won’t tell her their real names.

The stepmother seems to have some sort of magic. And she’s very good with poison.

The story is told with very few words – in fact, at times I would have liked more to tell me exactly what was going on. It’s possible I was being lazy and not paying enough attention.

But whether or not I caught every detail – this story is striking and wonderful. Now here’s a twist on the fairy tale that I’ve never seen before.

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Review of Super Late Bloomer, by Julia Kaye

Super Late Bloomer

My Early Days in Transition

An Up and Out Collection

by Julia Kaye

Andrews McMeel Publishing, 2018. 160 pages.
Starred Review

This book is published for adults, though it will definitely have an audience with some teens, but it’s not a children’s book, so I think I’m okay to post the review during my Newbery reading year.

This is a memoir in comic format, taken from the Up and Out webcomic. Julia Kaye is a transgender woman who transitioned as an adult. This book tells the story of her transition.

I loved this book. My own daughter is transgender and transitioned as an adult – so I think it helped me understand what she’s gone through and is going through.

The comic format, even using simple lines, is great for showing emotion and helping the reader feel what the author was going through. You can feel some of the pain of gender dysphoria and feel why misgendering causes ongoing pain and insecurity. The book communicates that even though there are ongoing causes of pain as someone transitions – that doesn’t mean transitioning is all a mistake. It doesn’t magically make all issues go away.

I’m hoping that transgender folks will enjoy this book to read about someone else having experiences similar to their own. And cisgender folks can enjoy it to get an inkling of the kind of bravery it takes for transgender people to present themselves to the world as who they truly are. As well as better understand and empathize with fellow human beings.

We may not all be transgender. But we all know what it’s like to feel different, to feel like people are staring at you, or to be unhappy with the way we look and the way people respond to us. This book helps the reader understand what we have in common.

Instagram.com/upandoutcomic
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Review of Pig & Goose and the First Day of Spring, by Rebecca Bond

Pig & Goose

and the First Day of Spring

by Rebecca Bond

Charlesbridge, 2017. 48 pages.
Starred Review

This is a beginning reader in the classic “two friends” tradition. We learn how Pig meets Goose on the first day of Spring.

Here’s the start of the book and the story “A Spring Morning”:

It was spring at last.
Pig was in a good mood.
“The sun is shining!” said Pig.
“The sky is blue!” said Pig.
“Goody gumdrops!” said Pig.
“I am going to have a picnic by the pond.”

Pig is anthropomorphic, wearing a dress and gathering things from her cozy home into a picnic basket. On the way to the pond, Goose lands beside her. She admires how well Goose flies, so Goose offers to teach her.

You can figure out how the flying lesson will end up! But I like the way they collapse into a pile of good-hearted laughter after they try it. And then they go together to eat the picnic by the pond.

The second story is “A Picnic Lunch.” They share lunch and talk about how spring is the best season but then agree that all the other seasons are best, too. Pig naps in the sunshine and dreams of flying like Goose. When she wakes up, she learns that Goose can also swim. What an amazing new friend she has!

That story ends with Pig inviting Goose to the party she’s having that evening, her First-Day-of-Spring Party.

The final story is about the party. Pig introduces Goose to her many friends. Pig made wonderful food to eat, tells delightful stories and jokes, and laughs and dances with her friends.

After the party, Goose tells Pig how wonderful she is – and I like that the author doesn’t have to explain to the reader why that is, they’ve already seen how delightful she is. Even her exuberant cry (repeated often) of “Goody Gumdrops!” tells us how enthusiastic she is about her joys.

[I used to like to say “Goody Gumdrops!” when I was a kid. Made me wonder if Rebecca Bond is the same age as me. Well, she’s 8 years younger, but that’s not too far off. Do kids today say “Goody Gumdrops!”? Maybe now they will.]

This is a picture book about friendship and about simple joys. And I like the way it shows us that each friend has something of their own to offer.

I’m glad we can peek in on the start of this beautiful friendship.

[Note: I was looking up Rebecca Bond’s website and discovered, sadly, that she died August 2, 2017, at 45 years old. So the friendship of Pig and Goose will only be developing in our imaginations.]

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Review of I Woke Up Dead at the Mall, by Judy Sheehan

I Woke Up Dead at the Mall

by Judy Sheehan

Delacorte Press, 2016. 278 pages.

Here’s how this book begins:

I woke up dead. At the mall. Still dressed in the (hideous) mango chiffon bridesmaid gown I was wearing when I died. My hair was still pulled back in an elaborate ponytail that was meant to look windswept, but trust me, it would have survived a tsunami. This proves that if you use enough product, your hair can endure things the rest of you can’t. My shoes sparkled in the light. My French manicure was unchipped. I was surrounded by waves and waves of mango chiffon.

Isn’t this perfect? I had actually kept my mouth shut, opting not to tell the bride that I’d never be caught dead in mango. Now here I was. Dead. In mango.

It turns out that the place where Sarah woke up dead is the Mall of America in Minnesota. She was from New York City. Most of the people can’t see her, but then she meets Bertha, her Death Coach. Bertha informs Sarah that she was murdered. (How can this be? Sarah didn’t know enough people to have enemies.) Bertha puts Sarah into a support group with other murdered teens from New York who need to move on. If they don’t move on, they’ll become mall walkers, walking through the mall reliving their deaths.

The teens in the group, one of whom is amazingly attractive, get to visit their own funerals and one day out of their past lives. All with the hope that this will help them let go and move on.

But when Sarah learns who killed her and that her father is in danger, she doesn’t want to move on without helping her father first. That little problem of falling in love isn’t going to help her move on, either.

Do I have to mention that I don’t think for a moment any of this will happen after anyone dies? Do I have to mention I don’t agree with the theology here? But this is a tremendously fun novel. I binge-read it in one sitting and enjoyed myself greatly. There’s mystery – who killed Sarah? There are fun characters and creative world-building. (How does this whole death thing work?) The characters are great, and they all have interesting back stories (which ended up getting them killed).

This is a fun read that leaves you smiling – about death. Sure, maybe you’ll think a little harder about how you live your life. But mostly you’ll enjoy watching a good kid named Sarah navigate a difficult and unfamiliar situation by not necessarily following the rules, but doing the best she can.

judysheehan.com
randomhouseteens.com

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Source: This review is based on a library book from Fairfax County Public Library.

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