Sonderling Sunday – Jinx und der magische Urwald

It’s time for Sonderling Sunday! That time of the week when I play with language by looking at the German translation of children’s books.

I have a new book to look at today! I found this German edition of one of my favorites, Jinx, by Sage Blackwood, on Amazon, and I had to order it!

Jinx

You can see that my copy is an Advance Reader’s Edition — hopefully there weren’t too many changes.

You’ll also notice they’ve added to the title. I find I like Jinx und der magische Urwald, “Jinx and the magical Primeval Forest.”

Oh! Surprise! This is one of the few books that is shorter in German. Maybe because of the bigger pages? It’s 360 pages in English, and only 351 in German. Wow. Looking more closely, that’s even with the English Chapter One starting on Page 1, but the German Erstes Kapitel starting on Seite 7.

I’m going to begin with some interesting front matter. The translator’s name is Sylke Hachmeister.

Opposite the title page, we have the author bio:
“Sage Blackwood lives at the edge of a large forest, with thousands of books and a very old dog, and enjoys carpentry, cooking, and walking in the woods of New York State.”

This translates to: Sage Blackwood lebt am Rande eines dunklen Waldes, mit Tausenden von Büchern und einem sehr alten Hund. Sie liebt es, zu tischlern und zu kochen, und macht gerne Spaziergänge durch die Wälder des Bundesstaats New York.

My favorite in that bio is “carpentry” = tishlernen, “table-learning.”

The dedication in English is, “To Jennifer Schwabach because it’s her kind of story.”

It has a lilt in German: Für Jennifer Schwabach weil es eine Geschichte nach ihrem Geschmack ist. (“For Jennifer Schwabach because it a story after her taste is.” But the sound of it rolling off the tongue is what’s especially nice about it.)

Jinx has a classic opening line, so let’s look at that.

“In the Urwald you grow up fast or not at all.”
= Im Urwald wurde man entweder schnell groß oder gar nicht.

Now I’ll mention interesting words and phrases as they come up:

“carefully” = bedächtig

Interesting. “Stepparents” = Stiefeltern (“boot-parents”)

“Inherited” = geerbt

Here are some good-to-know phrases for your next foreign adventure!

“died of werewolves” = von Werwölfen getötet

“was carried off by elves” = von Elfen verschleppt worden war

“a passing firebird” = eines vorüberfliegenden Feuervogels (“an over-flying Firebird”)

“ignited” = angezündet

“Besides” = Zu allem Überfluss (“To all this overflow”)

Something German has a word for:
“the winter would be a hungry one”
= ein Hungerwinter stand bevor
(“a Hungerwinter stood before”)

“calculating eye” = berechnenden Blick (“reckoning glance”)

“surplus children” = überzählige Kinder

“a single bite of his toad porridge”
= nur einen Happen von seinem Krötenbrei
(“only one bite of his toad-brew”)

Again, it actually feels a little smoother in German:
“great trees as big around as cottages”
= gewaltige Bäume mit hausbreiten Stämmen
(“huge trees with house-wide trunks”)

“the front of his coat” = Mantelkragen (“coat collar”)

“doomed” = verdammt

Interesting. This must be where we got the word:
“twilight” = Zwielicht

“disapproval” = Missfallen

“gnarled” = knorrigen

“twisty hair” = zwirbeligen Haaren

“pointed beard” = Spitzbart

Here’s a good phrase:
“the wizard’s nose twitched at the bad smell of the lie.”
die Nase des Zauberers zuckte, als er die Lüge roch

“measly” = mickrigen

“Bergthold drew himself up.” = Bergthold straffte sich.

That’s a good stopping place for now, just before a violent death. I feel like I need to walk in the woods to get good use out of these phrases — which makes me miss living in Germany, where there are always plenty of woods to walk in.

Have a wonderful week! It may be a cold winter, but at least it’s not a Hungerwinter!

Review of The Farmer and the Clown, by Marla Frazee

farmer_and_the_clown_largeThe Farmer and the Clown

by Marla Frazee

Beach Lane Books, New York, 2014. 32 pages.
Starred Review

More than any other, this was the book I was sad to see not represented when the Caldecott Award and Honors were mentioned. I didn’t read it until after 2015 had begun, or I’m sure it would have been a 2014 Sonderbooks Stand-out. (Now it has to wait for the 2015 Stand-outs.)

I’m already a huge fan of Marla Frazee’s art. I became so by reading the Clementine books. You can see her distinctive style in these pages, especially the adorably round kid faces.

This is a wordless picture book. It tells a simple story, but one bursting with life.

An old-fashioned farmer is working in his flat, brown fields, when he sees a circus train go by. Then a small clown child falls off the train. The farmer goes to him and takes him home. The two spend a night and day together before the train comes back. In the process, they become friends. And the way the artist shows that friendship developing is where this book is a work of genius.

Parents who are all about their children practicing reading may not realize how much a wordless picture book can do. They even work wonderfully for storytime. You can ask children what is happening, and you will be amazed at the things they notice and the vocabulary they use to describe it.

What’s more, children who haven’t yet learned to decode letters will be delighted to be able to read this book. And they will learn the sequencing of a book, going from left to right and from front to back. Even for older children, who have mastered reading, this book has so much to offer.

But aside from all that, I challenge anyone to read this book and not be delighted by the story of this unlikely pair and their budding friendship. (I especially like where the little clown tries to teach the farmer to juggle eggs. And the farmer waking the little one up with silly antics.)

marlafrazee.com
simonandschuster.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Jedi Academy: Return of the Padawan, by Jeffrey Brown

return_of_the_padawan_largeStar Wars Jedi Academy

Return of the Padawan

by Jeffrey Brown

Scholastic, 2014. 176 pages.

This is the second book in the Star Wars Jedi Academy series. Roan is back, ready and confident for his second year at Jedi Academy.

At last he’ll get to take Jedi pilot training! And he already has friends!

But the pilot instructor doesn’t seem to like Roan after the flight simulator almost blows up on his first flight. And things go wrong with his friends. The girl he likes hardly talks to him.

Basically, he’s got all sorts of regular middle school problems — only they’re happening at Jedi Academy.

And Roan’s a budding cartoonist, so the text never gets long and involved and is always broken up with comics.

I haven’t seen the first volume of this series on the shelf much since it was published (always checked out), and I am sure the same will be true for this one. And at the back, Roan gives tips for making your own comics.

jeffreybrowncomics.blogspot.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Dear Committee Members, by Julie Schumacher

dear_committee_members_largeDear Committee Members

by Julie Schumacher

Doubleday, New York, 180 pages.
Starred Review

Dear Committee Members is a novel told entirely in the form of Letters of Recommendation written by Jason Fitger, an English professor at a small liberal arts college. That may not sound like a way to write a hilarious novel, but trust me, it is.

When my hold on this book came in, I dipped into it – and then had to put it on the top of my to-be-read pile. I finished it the next day, reading it while waiting at a doctor’s office, trying to restrain my laughter.

I don’t think I can describe all the delights and sophisticated humor of this book. I will settle for copying out a few example letters.

Here’s one addressed to the manager of Wexler Foods:

Dear Ms. Ingersol,

This letter is intended to bolster the application to Wexler Foods of my former student John Leszczynski, who completed the Junior/Senior Creative Writing Workshop three months ago. Mr. Leszczynski received a final grade of B, primarily on the basis of an eleven-page short story about an inebriated man who tumbles into a cave and surfaces from an alcoholic stupor to find that a tentacled monster – a sort of fanged and copiously salivating octopus, if memory serves – is gnawing through the flesh of his lower legs, the monster’s spittle burbling ever closer to the victim’s groin. Though chaotic and improbable even within the fantasy/horror genre, the story was solidly constructed: dialogue consisted primarily of agonized groans and screaming; the chronology was relentlessly clear.

Mr. Leszczynski attended class faithfully, arriving on time, and rarely succumbed to the undergraduate impulse to check his cell phone for messages or relentlessly zip and unzip his backpack in the final minutes of class.

Whether punctuality and enthusiasm for flesh-eating cephalopods are the main attributes of the ideal Wexler employee I have no idea, but Mr. Leszczynski is an affable young man, reliable in his habits, and reasonably bright.

His letter to the new Chair of the Department of English introduces some themes that continue throughout the book:

Dear Ted,

Your memo of August 30 requests that we on the English faculty recommend some luckless colleague for the position of director of graduate studies. (You may have been surprised to find this position vacant upon your assumption of the chairship last month – if so, trust me, you will encounter many such surprises here.)

A quick aside, Ted: god knows what enticements were employed during the heat of summer to persuade you – a sociologist! – to accept the position of chair in a department not your own, an academic unit whose reputation for eccentricity and discord has inspired the upper echelon to punish us by withholding favors as if from a six-year-old at a birthday party: No raises or research funds for you, you ungovernable rascals! And no fudge before dinner! Perhaps, as the subject of a sociological study, you will find the problem of our dwindling status intriguing.

To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren’t pretty….

Ted, in your memo you referred briefly, also, to the need for faculty forbearance during what we were initially told would be the “remodeling” of the second floor for the benefit of our colleagues in the Economics Department.* I’m not sure that you noticed, but the Econ faculty were, in early August, evacuated from the building – as if they’d been notified, sotto voce, of an oncoming plague. Not so the faculty in English. With the exception of a few individuals both fleet of foot and quick-witted enough to claim status as asthmatics, we have been Left Behind, almost biblically, expected to begin our classes and meet with students while bulldozers snarl at the door. Yesterday afternoon during my Multicultural American Literature class, I watched a wrecking ball swinging like a hypnotist’s watch just past the window. While I am relieved to know that the economists – delicate creatures! – have been safely installed in a wing of the new geology building where their physical comfort and aesthetic needs can be addressed, those of us who remain as castaways here in Willard Hall risk not only deafness but mutation: as of next week we have been instructed to keep our windows tightly closed due to “particulate matter” – but my office window (here’s the amusing part, Ted) no longer shuts. One theory here: the deanery is annoyed with our requests for parity and, weary of waiting for us to retire, has decided to kill us. Let the academic year begin!

Cordially and with a hearty welcome to the madhouse,

Jay

*Under whose aegis was it decided that Economics and English should share a building? Were criteria other than the alphabet considered?

I have to also include this one:

Dear Admissions Committee Members – and Janet:

This letter recommends Melanie deRueda for admission to the law school on the well-heeled side of this campus. I’ve known Ms. deRueda for eleven minutes, ten of which were spent in a fruitless attempt to explain to her that I write letters of recommendation only for students who have signed up for and completed one of my classes. This young woman is certainly tenacious, if that’s what you’re looking for. A transfer student, she appears to be suffering under the delusion that a recommendation from any random faculty member within our august institution will be the key to her application’s success.

Janet: I know your committees aren’t reading these blasted LORs – under the influence of our final martini in August you told me as much. (I wish I had an ex-wife like you in every department; over in the Fellowship Office, the formerly benevolent Carole continues to maintain an icy distance. I should think her decision to quit our relationship would have filled her with a cheerful burst of self-esteem, but she apparently views the end of our three years together in a different light.)

Ms. deRueda claims to be sending her transcripts and LSAT scores at the end of the week. God help you – this is your shot across the bow – should you admit her.

Still affectionately your one-time husband,

Jay

P.S.: I’ve heard a rumor that Eleanor – yes, that Eleanor, from the Seminar – is a finalist for the directorship at Bentham. You got back in touch with her despite her denouncements of me; do you have any intel?

P.P.S.: A correction: you got back in touch with Eleanor because she denounced me. I remember you quoting what she said when I published Transfer of Affection: that I was an egotist prone to repeating his most fatal mistakes. I’ll admit to the egotism – which is undeniable – but I’d like to think that, after fourteen years of marriage, you knew me better than Eleanor did. We were happy for some of those fourteen years, especially before Transfer; why shouldn’t I believe that you were right about me, too?

The themes brought up in these letters toward the beginning of the book continue. Yes, we find out more about Janet, Eleanor, and Carole. We hear more about the fiasco of the building remodeling and inequities of funding between departments. We learn about Jay’s history in “the Seminar,” his publishing history, and his attempts to further the fortunes of some particular students.

Mostly, this is an inside look at academia, and the result is surprisingly funny and enjoyable. Oh, and it’s also fun that the person writing the letters is articulate and insightful. An example of a highly intelligent person who sees the foibles around him and can poke fun with razor-sharp precision.

julieschumacher.com
doubleday.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Sam and Dave Dig a Hole, by Mac Barnett and Jon Klassen

sam_and_dave_dig_a_hole_largeSam and Dave Dig a Hole

by Mac Barnett
illustrated by Jon Klassen

Candlewick Press, 2014. 40 pages.
Starred Review
2015 Caledecott Honor

This book is simply genius. So simple. And so much to notice.

The plot is that Sam and Dave dig a hole.

“When should we stop digging?” asked Sam.
“We are on a mission,” said Dave.
“We won’t stop digging until we find something spectacular.”

Their dog goes along with them on their adventure. In each spread, we see the cross-section of the hole — and that they keep just missing a spectacular treasure, in fact, they keep missing treasures that get more and more spectacular.

The dog, however, knows what they’re missing. In every picture, he’s got his nose pointed toward the treasure that the boys are missing. They decide to stop digging downward, to split up, to turn corners — all just before they would have found treasure.

Finally, the boys stop and take a nap. This time, the treasure they have just missed is a bone. That one, the dog is not going to leave be.

But when the dog digs for the bone, the floor of their tunnel collapses and they all fall down. . .

until they landed in the soft dirt.

“Well,” said Sam.
“Well, said Dave.
“That was pretty spectacular.”

And they went inside
for chocolate milk and animal cookies.

At first glance, it looks like they have landed in their own yard, which was pictured at the beginning.

At second glance? Well, something has happened here.

In fact, before our library got this book and I even read it, I read theories about it, thanks to the brilliant Travis Jonker, writer of 100 Scope Notes

Here are his theories about what happened in the book.

And later, he revisits and gives us a link to what Aaron Zenz and his 9-year-old son think happened.

So you see, this is truly a book for all ages. The words and pictures are simple, even iconic. But the details! And the philosophical questions! This is a book that, besides being a joy and delight, will spark conversations.

Absolutely brilliant.

macbarnett.com
burstofbeaden.com
scholastic.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of Mr. Ferris and His Wheel, by Kathryn Gibbs Davis

mr_ferris_and_his_wheel_largeMr. Ferris and His Wheel

written by Kathryn Gibbs Davis
illustrated by Gilbert Ford

Houghton Mifflin Harcourt, 2014. 40 pages.
Starred Review

I love this kind of nonfiction for kids – It’s engaging and simply told, with plenty of facts, but written to be read and enjoyed, not to use as reference for a report.

This is a picture book, and the illustrations are beautiful, evoking the time of the Chicago World’s Fair, when Mr. Ferris built his wheel.

The author tells the tale as a suspenseful story, with supporting facts alongside. Here’s an example page:

Now it was America’s turn to impress the world at the 1893 Chicago World’s Fair. But what could outshine the famous French tower? And who would build it? A nationwide contest was announced.

Here’s the sidebar on that two-page spread, in a corner and printed in a smaller font:

Before TV and the Internet, people from around the globe gathered at World’s Fairs to share their different ways of life and new technologies. Tasty inventions such as hamburgers and Cracker Jack first appeared there!

It goes on to dramatize George Ferris getting the idea, submitting his plans, and the large technological challenges they faced. One of the pages during the construction phase shows spectators who are critical and skeptical that the thing will stay up, let alone actually work.

The author and illustrator dramatize the completion, and the very first ride, giving us a feeling of the majestic spectacle the wheel made, as well as the sweeping view of Chicago.

All summer, visitors from around the world traveled to the Chicago World’s Fair. It didn’t matter whether one was a senator, a farmer, a boy or girl. Everyone wanted to take a spin on the magnificent wheel. Adventurous couples asked to get married on it! On hot, steamy days, the wheel was the perfect place to escape up, up, up into the cooling breezes. All you needed was fifty cents.

[Sidebar:] During the nineteen weeks the wheel was in operation, 1.5 million passengers rode it. It revolved more than 10,000 times, withstood gale-force winds and storms, and did not need one repair.

Let’s hear it for a book that highlights the heroism and accomplishments of an engineer! This book tells a good story, but it will also capture kids’ imaginations. A page at the back supplies further reading and websites. Who knows? This book may inspire future engineers.

gibbsdavis.com
gilbertford.com
hmhco.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Sonderling Sunday – Kapitel 18

Hooray! At long last, it’s again time for Sonderling Sunday: That time of the week when I play with language by looking at the German translation of children’s books.

I hardly got to it when I was reading for the Cybils. And then I wanted to catch up on posting reviews. And then I went to ALA Midwinter Meeting. And had a medical scare. (Benign!) And have just been busy.

So tonight I may not be able to go as long as I’d like. But I am going to do it. And since it’s been awhile, I am going to go back to the book that started it all, Der Orden der Seltsamen Sonderlinge, The Order of Odd-fish, by James Kennedy.

Sonderlinge 2

Last time, we actually finished up Chapter 17, so we are on Kapitel 18, which is on page 223 and Seite 281.

It begins with a sentence that’s good to know in any language:

“Jo and Audrey became fast friends.”
= Jo und Audrey freundeten sich rasch an.
(“Jo and Audrey friended themselves rapidly.”)
Apparently “to friend” was a concept in German before Facebook!

Now you know what to call these people:
“a stuttering deliveryman” = den stotternden Lieferanten

“a hapless tourist” = den ahnungslosen Touristen

“seemingly inexhaustible collection” = scheinbar unerschöpfliche Sammlung

And now you know how to ask for this if you’re ever in Germany and need to go undercover:
“false whiskers” = falschen Backenbärten

“fat suits” = Fettpolstern

I like this one:
“furious” = recht ergrimmt

“slightly daunted” = leicht eingeschüchtert zusammen

This is for when you’re describing why you’re going undercover:
“nefarious plans” = ruchlosen Pläne

This is a good word to know:
“nonsense” = Quatsch

“barely restrained contempt” = kaum verhüllter Verachtung

“scrawling notes in the margins” = Notizen in kleine Hefte kritzelte

“constructing bewildering charts of arrows and boxes and labels”
= merkwürdige Tabellen mit Pfeilen, Kästchen und Etiketten anfertigte

Okay, that’s actually a good stopping place — the end of the first section of Chapter 18. Perhaps if I give it a short segment tonight, it will be easier to get around to next week.

And this week I’ll wish you someone with whom you may friend yourselves rapidly!

Review of Small Victories, by Anne Lamott

small_victories_largeSmall Victories

Spotting Improbable Moments of Grace

by Anne Lamott

Riverhead Books, New York, 2014. 286 pages.
Starred Review

I so love Anne Lamott! This book has a notation on the front: “New and Selected Pieces.” I did, in fact, recognize some of the essays from her previous books – but they were so excellent, I didn’t mind at all being reminded of them.

Anne Lamott has such a disarming style. She reminds us that it’s completely okay to be human and that God thinks of us fondly in spite of that. Of course, I love that she’s a left-wing Christian. (There aren’t so many of them writing, but I am one, too.)

She tells true stories from her own life, and she doesn’t shy away from the ways she screws up. She doesn’t hide from us her crummy attitudes and uncharitable thoughts. When she draws lessons from these things, we’re blessed as well. And if she can get through these things, as fully human as she is – well, then maybe we can, too.

Of course, her writing also, unfailingly, makes me laugh. I love her way of looking at things. She always gives me a new, happier perspective.

The best way, though, to understand the awesomeness of Anne Lamott’s writing is to look at examples. Any time I read her books, she starts filling up my Sonderquotes pages. Now, I should mention that if you’re politically right wing, there may be a few of her comments that bother you (which is too bad, but there it is). Take a look at some examples, and then check out or buy this book!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Blue Lily, Lily Blue, by Maggie Stiefvater

blue_lily_lily_blue_largeBlue Lily, Lily Blue

Book III of the Raven Cycle

by Maggie Stiefvater

Scholastic Press, New York, 2014. 391 pages.

Why in the world was I thinking this is a trilogy? All along, they carefully called it The Raven Cycle, not The Raven Trilogy. Yes, some extreme things happened in this book, but they just inched the plot further along, rather than wrapping things up, as I had hoped.

I’m not crazy about this series — It’s a darker story, with more occult elements, than I usually like. But I can’t look away! And I’ve come to care about the characters. I’ve even come to believe in a romance between Blue and Gansey — and that took some skilled writing!

This cycle of books is like no other fantasy I’ve ever read. We’ve got a bunch of entitled rich kids and their scholarship friend and a girl from the hills looking along a ley line in West Virginia for a buried Welsh king. And all sorts of amazing supernatural things are happening while they’re looking.

In some ways, this felt like a bridge piece. It wasn’t as striking as either the first or the second book. And the characters were dealing with consequences from the second book, looking for Maura, and getting much closer in their quest to find the sleeping king.

There’s not a lot I need to say. If you’ve read the first two books, this strings you along with more of the same. Maggie Stiefvater is an amazing writer, and manages to make her crazy world seem plausible, even as not a bit of the story is predictable.

I may not be crazy about this series, but one thing’s for certain: I will be reading the next book as soon as it comes out.

maggiestiefvater.com
scholastic.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?

Review of As You Wish, by Cary Elwes

as_you_wish_largeAs You Wish

Inconceivable Tales from the Making of The Princess Bride

by Cary Elwes
with Joe Layden
foreword by Rob Reiner

A Touchstone Book, Simon & Schuster, 2014. 259 pages.
Starred Review

Reading this book was wonderful! Fans of The Princess Bride will love it! And if you’re not a fan of The Princess Bride? How on earth are you not? That very idea is inconceivable to me – and I know what the word means.

What’s in the book? Cary Elwes, who, of course, starred as Westley in the movie, tells stories about making the movie. The book is also peppered with reminiscences by the other actors and actresses. They do all work together to convince the reader that making that movie was almost as extraordinary an experience as the final film turned out to be extraordinary.

I loved it that Cary Elwes had read and loved William Goldman’s book The Princess Bride when he was thirteen years old. What are the chances?

A huge part of making The Princess Bride was the actors learning to swordfight. I have a completely new appreciation for the Greatest Swordfight in Modern Times.

”Don’t worry,” Rob insisted. “You’ll be training with the best. It’ll be fun!”

Training, with the best!

It always sounds fun in conversation. But the practical reality is something quite different. More like, “Don’t worry, you’ll be training with the best Sherpa to help you climb Everest!” or “Don’t worry, you’ll be training with the greatest human cannonball before we fire you out of the cannon.” I’d long admired serious athletes, and I always try to treat a challenge as an opportunity. And then I began to think, Wait a minute! How hard could it really be? I’d seen plenty of Errol Flynn and Douglas Fairbanks movies. My developing, inane theory was that if they could do it, so could I. It didn’t seem all that difficult. A few quick thrusts, some fancy footwork. More like dancing than combat.

I could handle it, I thought. No problem.

I was, of course, somewhat deluded….

And then we went to work. The first day was devoted to the most basic body mechanics, starting with the proper stance. Mastery wasn’t really the goal – there wasn’t enough time for that. Rather, it would have to be the illusion of mastery, and that could only be achieved by adhering to the fundamentals of fencing: how to stand, where to place your arms and feet. How to hold your free hand, not clenched but relaxed (something I had a hard time perfecting). A professional fencer, they explained, could watch a sword-fighting sequence on film and tell immediately if the actors involved were complete amateurs. The easiest to spot were when the actors or stuntmen could be seen just hitting the swords back and forth, over and over in the same manner, the way kids do with sticks.

They explained that they had requested that the fighting sequences be filmed late in the production, allowing us a few weeks of intense daily training in prep, followed by a few months of training while on location. Bob then pointed out that although it wasn’t possible for either of us to become an Olympic-caliber fencer in that amount of time, maybe with the help and guidance of both himself and Peter, we might just be capable of fooling all but the most discerning of viewers. Their reputations were at stake as well, after all, he pointed out.

Cary had nothing but praise for Robin Wright as Buttercup. He pointed out something I hadn’t noticed:

Buttercup falls in love, loses her love, gets kidnapped, is forced into an arranged marriage, reconnects with her one true love, and then lets him go in order to save his life. It really requires a great deal of emotional range. What it doesn’t require – or at least doesn’t display – is the comedic talent for which The Princess Bride is so well known. Goldman wrote a screenplay that we now know is filled with great, classic funny lines. Unfortunately, few, if any, of those lines are given to Buttercup. Robin is not merely the victim in the film; she is also the straight man (or, in this case, the straight woman). And even though Westley is not exactly a comedian, he does have some funny lines, and is involved in some rather broad physical comedy. Robin’s character is permitted no such relief. From start to finish, she had to play it straight, exactly as the role demanded.

Of course, I had to watch The Princess Bride again (for the I-have-no-idea-how-many-th time) after reading this book. I watched for evidence of Cary Elwes’ broken toe, and totally saw it. But mostly, the book just gave me added appreciation for a film I already love with all my heart.

This book celebrates a film that was done right, from start to finish.

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