Review of Peace, Love, and Healing, by Bernie S. Siegel

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Peace, Love, and Healing

Bodymind Communication and the Path to Self-Healing

An Exploration

by Bernie S. Siegel, M.D.

Reviewed September 6, 2007.
HarperPerennial (HarperCollins), New York, 1998 (first published in 1989). 295 pages.
Starred Review.In this book, Bernie Siegel looks at healing, and the way our attitude and spirit can aid in our own healing. In the foreword to the new edition, he talks about living a full life.

Don’t follow my advice to avoid death. Follow it to celebrate life. Let there be no need for therapy in heaven to work out resentments of all the things you did to not die, and all the fun you missed out on while exercising, meditating, and preparing your vegetables.

 

He begins the text of the book looking at how love, joy, optimism can actually change your physiology.

What we get back to again and again is that, although there’s no question that environment and genes play a significant role in our vulnerability to cancer and other diseases, the emotional environment we create within our bodies can activate mechanisms of destruction or repair. That’s why two people who grow up in the same environment, even when they have the same genes, as identical twins do, don’t necessarily have the same disease at the same time. A man showed up in my office at age fifty-nine with cancer. Some thirty years before, his identical twin had died of cancer. He told me that until recently he had always been happy and busy, but he had just been through a year of total despair and depression and had wanted to die. His brother, however, had always been unhappy. Sometimes it’s not so much a matter of disease grasping us as of our being susceptible to the disease.

 

He asks his patients five questions, the answers to which can help them get in touch with what is happening at deep levels of consciousness and help direct them toward healing:

1. Do you want to live to be a hundred? 2. What happened in the year or two before your illness? 3. Why do you need your illness and what benefits do you derive from it? 4. What does the illness mean to you? 5. Describe your illness and what you are experiencing.

He gives fascinating descriptions patients gave of their illness which helped them get to the root of what was happening and heal themselves.

By calling your attention to feelings and problems you may not have been aware of, the disease may be the first step in overcoming them. That’s one of the reasons why I think the five questions are so important and why I hope more doctors will use them in addition to the traditional review of systems.

He talks about how coincidences are “God’s way of remaining anonymous.” He says, “Once you start to become receptive to these messages, you get more and more of them.” This, coincidentally, fits in perfectly with another book I’ve been reading, Guidance 24/7, by Christel Nani.

He points out that illnesses can be “spiritual flat tires.”

When you are open and aware, you will have them in your life. They help you get in touch with the schedule of the universe, as opposed to your own personal schedule, which relates only to questions like, “Am I late? How do I look? What do other people think?” They get you to look at the real questions: “How can I live and understand the moment?” Diseases can be our spiritual flat tires—disruptions in our lives that seem to be disasters at the time but end by redirecting our lives in a meaningful way. These will occur more often when you are in touch with your intuitive, unconscious awareness.

 

After talking about what your body can tell you, he talks about what you can tell your body. He has had good results with music or affirmations played in the operating room. He even says, “I keep talking to patients throughout the operation, telling them how things are progressing and enlisting their cooperation if I need it. For example, I may suggest that they stop bleeding, or lower their blood pressure or pulse. People who have worked with me in the operating room know how effective these suggestions can be.”

Then he talks about the doctor-patient relationship, and how his patients help him.

I have always made a distinction between healing and curing. To me “healed” represents a condition of one’s life; “cured” relates strictly to one’s physical condition. In other words, there may be healed quadriplegics and AIDS patients, and cured cancer patients who are living unhealthy lives. What this means to me is that neither my patients nor I need ever face the inevitability of failure, for no matter how life-threatening their disease or how unlikely a cure, healing is always possible.

 

There’s much profundity in his message.

The doctor I would want for myself or for anyone else I cared about would be one who understands that disease is more than just a clinical entity; it is an experience and a metaphor, with a message that must be listened to. Often the message will speak to us of our path and how we have strayed from it, so that our life is no longer a true expression of the inner self, or, as Larry LeShan would say, we are no longer singing our own song. Only by listening to that message can we mobilize all the healing powers that lie within, and that is what the doctor must help each patient to do. 

Accept your mortality and live your life, reach out for the help you need and accept it. To do so is a gift to those around you. You become their teacher and healer.

While explaining how important it is the way you think about your illness, he tells about a study done with dogs that focused on “learned” helplessness.

Similarly, people may learn helplessness if they have had repeated experiences of being unable to change external circumstances through their own efforts, especially if this sense of helplessness was learned early on from parents who gave them very little autonomy and had no personal sense of autonomy in their own lives. 

One example of a cognitive change you can make is to interpret the side effects from your medications not as just another of your afflictions, but as evidence of something positive happening.

What is suggested by the Harvard study and a growing body of similar work is that our mental attitudes affect first our susceptibility to disease, then our ability to overcome it. Does this mean that sick people must bear the burden not only of their illness but of responsibility for having gotten sick in the first place?

He answers his question,

Viewing disease as a sign of personal inadequacy or culpability is both cruel and false….I hope all therapists, doctors, family members, and friends never make people feel like failures, or make them feel that they are still ill because they have not changed enough, achieved enough or made significant enough existential shifts. That is why I focus on teaching people how to live, not how to not die, for that is something that is always within their ability.

 

He talks about how much damage is done because people don’t love themselves.

We’re so self-destructive there have to be laws—what I call please-love-yourself laws—even to get us to wear seatbelts or helmets. We poison and numb ourselves with cigarettes, tranquilizers, drugs, alcohol and unhealthy diets, and we seek out relationships that can never work in a desperate attempt to convince ourselves of our own value. No relationship in the world can make us feel worthy if we don’t know that we are. 

Without self-love it’s hard to fight for one’s life. When we give advice to someone about how to live, it’s fine if it falls on the ears of an individual who wants to live. But if it falls on the ears of someone who does not love life, there’s no point to it. Why live longer if one does not enjoy living? I think the message needs to be “I love you and I hope someday you will love yourself.” Criticizing doesn’t help; it will only destroy a relationship and cause feelings of failure

Yes, I do think there may be things happening in a child’s family life that can contribute to illness. I say that not to assign blame but to empower people, to give them insight into positive ways of dealing with illness if there are family problems they can do something about. I want them to respond with love, not guilt; I want to turn on the repair mechanisms, not create further breakdown.

We’re used to the idea of disease as a punishment or a failure—but a gift?

He talks about lessons he’s learned from people who accept their diseases with grace.

We too have to learn to step back and start saying, “We’ll see.” Instead of judging the events in our lives as good, bad, right or wrong, we must recognize that of itself nothing is good or bad, and everything has the potential to help us get back on the universe’s schedule. This does not mean that we have to like what happens, simply that we must remain open to the uses even of adversity. A disease may serve as a redirection—or, as I often describe it, a reset button (which starts you up again the same way the reset button works on a jammed garbage disposal). 

When you learn to live your life with a “we’ll see” attitude, you will understand how it is that disease can be considered a gift. You will know why it is that people asked to describe their illness have called it a beauty mark, a wake-up call, a challenge and a new beginning.

I want to add that this can apply to any trial in your life. I’m beginning to think of my own marital separation and the illness I had along with it as God’s Accelerated Program for Personal Growth. (The illness is what got me reading books like this.) Now I’m paying attention to things God wants to teach me. Perhaps He had been trying to teach me those things for years before—but now that I’m in the middle of trials, I’m actually learning.

Does it take courage to be open to this kind of healing? Sure. Do I have the right to tell you your disease is a gift? No, I do not. The gift is yours only if you choose to create it—as I’ve seen thousands of others do. Listen to the people who have lived the experience, and realize you are the source of your healing. 

Cancer, death or loss are not the issue but love and healing are, and we finally see that in the pain lies the opportunity to love and care even more. As Mother Teresa has said, the greatest disease of mankind is the absence of love. There is only one treatment for that, to let in the loving light and to heal your life.

He talks about taking control of your own treatment, as well as asking for help when you need it.

One characteristic of people who have achieved peace of mind is their independence. They trust their instincts. Nobody can tell them what to think if their inner voices say otherwise.

He is quick to point out that everyone dies, eventually.

If you choose to be exceptional and confront life’s challenges, after you are gone your loved ones will go on living with a fullness, not an emptiness. Yes, there will be grief, but not emptiness. I have spoken around the country at memorial services held by family members of those who have died. And these people are living memorials to their loved ones, because they bring something back to the community, a way of sharing what they have learned about life from the individual who died. It is wonderful to see this happen because it means that life and the message of that person’s life have continued. 

What we’re talking about is taking on the challenges of life, not living forever.

In his final chapter, he tells the following story. It’s a bit long, but I like it very much:

I think that every spring when the leaves come out, if you look closely you’ll see that each one is slightly different. Some are reddish, some bright green, some pale, and they have different shapes and sizes too. But picture yourself as a maple leaf coming out. You think of how you can express yourself by manifesting your uniqueness, but the other leaves on the tree say, “Hey, this is a maple tree, fit in. You’ll be green and this shape. Do you want people to look at us and point and say, ‘What a funny tree’?” You want to be liked, so during the spring and the summer, when the sun is shining and you have plenty of food, you turn the same green as everybody else, take the same shape and fit in. 

Then the fall comes and it gets cold, and some of the guys who were telling you how to behave start dropping. You’re still hanging on, but you realize that you’re not going to be able to hang on forever, and if you’re not, then you’d like to let everyone know who you really are before you let go of the Tree of Life. So the green, which is a cover-up, goes, and you become your unique individual beautiful self.

Then you hang on as long as you want. There are still some dried-up scrawny leaves hanging on even in January, just as there are some dried-up scrawny specimens walking the streets. But this is an individual choice—how long you want to hold on to the Tree of Life, how long before you can feel that you’ve shown your true colors and lived your life. If you have lived and had your moment, then it will be much easier to let go. You will know and your loved ones will know your unique beauty, and it will be something they remember and live with.

Truly this is a wise, beautiful, and loving book.

Review of The Little Lady Agency, by Hester Browne

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The Little Lady Agency
by Hester Browne

Reviewed August 18, 2007.
Viking, New York, 2006. 378 pages.

About a week after I finished The Cinderella Pact, by Sarah Strohmeyer, I found myself yearning for another dose of feel-good, light-hearted chick lit. The Little Lady Agency was the perfect choice.

Like The Cinderella Pact, The Little Lady Agency involves a woman with a secret identity. In this case, Melissa Romney-Jones runs The Little Lady Agency to help those men who don’t have their own “little lady” to do things like pick out gifts, plan a party, or play a jealous ex-girlfriend to make breaking up simpler.

Melissa didn’t originally plan on this career choice, but after she completely organizes the estate agency where she works, the agency is bought by an American firm, and they have to “let her go.” She refuses to ask for money from her rich MP father, since he’s still hounding her for the money he loaned to her to invest in a deadbeat boyfriend’s business—before he ran off.

In the interests of discretion, Melissa buys a blonde wig and runs her agency as Honey Blennerheskitt. Although Melissa herself is extremely capable, she finds that Honey is outspoken and charming and freely stands up for herself. Honey knows she is attractive and dresses to please. Honey wouldn’t let her family take advantage of her skills by planning her sister’s wedding for no compensation, as Melissa does.

Melissa’s favorite client ends up being Jonathan Riley, the new American manager of Melissa’s former office. He was recently divorced and wants Honey to pose as his girlfriend so that people will stop trying to set him up and stop asking him how he’s holding up. He seems to like Honey, but he doesn’t even know the real Melissa. And is it possible to let a relationship that begins as business change into something else?

This book is lots of fun, heart-warming, and made me smile. The characters have depth and you can’t help but like them (or like to hate them, such as Melissa’s father). Definitely a cheering book.

Caddy Ever After, by Hilary McKay

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Caddy Ever After

by Hilary McKay


Reviewed August 12, 2007.
Margaret K. McElderry Books (Simon & Schuster), New York, 2006. 218 pages.
Starred Review. I love the Casson family! Their delightful chaos and artistic creativity are authentic and warm-hearted.

Each of the books features one of the children of the family. In this one, Caddy gets to be in the title and has the most dramatic story, but each kid gets a long section to tell. In many ways, the story is truly about obsessive, creative Rose, who gets to begin and end.

The book begins with Rose telling us about why the Ghost Club has been banned from her school, and her daring rescue attempt.

Then Indigo takes up the story. He begins, “I can only think of two things that Rose is good at. One is art and the other is loving.” Indigo goes on to tell how Rose inspired him to invite Sarah to the Valentine Dance, and how he figured out a way to get her to go, despite her wheelchair.

Saffron then tells about how she lets down her friend Sarah and is haunted by a balloon. Then she ends up lost and stranded with Rose, and they are saved by someone whom Caddy thinks is probably the “Real Thing.”

So Caddy plans a wedding, but Rose is terribly upset. Because Caddy is planning to marry someone who isn’t darling Michael.

Once again, Hilary McKay weaves an absolutely delightful tale.

Forgive for Good, by Fred Luskin

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Forgive for Good
A PROVEN Prescription for Health and Happiness
by Dr. Fred Luskin

Reviewed August 11, 2007.
HarperSanFrancisco, San Francisco, 2002. 240 pages.
Starred Review.

I’ve checked out or bought several books on forgiveness since my husband left. This one, so far, has seemed the most practical and do-able.

I don’t care who you are or what your spouse did.—In any divorce, you will both have major things to forgive. For that matter, in any marriage, you will both have major things to forgive. Didn’t Harold Kushner say that forgiveness is the main quality of a mature marriage?

It seems fairly obvious that if we hold onto resentment over what our spouse did, we will never be able to be happy. Even our health is in jeopardy. There’s one little problem: How can you forgive someone who’s hurt you so deeply?

This book doesn’t only cover forgiveness between partners, but also forgiving for people whose family are victims of war or terrorism, forgiving for victims of child abuse, forgiving great evil as well as small inconsiderate acts.

He uses a practical approach. Why should you let the offender harm you further by taking up so much space in your mind? Why should the offender have the power to destroy your health and happiness?

Right at the beginning, he talks about some myths about forgiveness. Forgiveness is for you, and not for the offender. Forgiving does not mean condoning evil or turning into a doormat. Forgiveness is not about denying or minimizing your hurt. It doesn’t even necessarily mean reconciling with the offender.

Forgiveness is a choice, and a skill that people can learn to do, as this author has shown with the studies he has done (even with Irish mothers whose children were killed). Forgiveness is taking back your power, and taking responsibility for how you feel. Forgiveness is about your healing and not about the people who hurt you.

Dr. Luskin says, “I define forgiveness as the experience of peace and understanding that can be felt in the present moment. You forgive by challenging the rigid rules you have for other people’s behavior and by focusing your attention on the good things in your life as opposed to the bad. Forgiveness does not mean forgetting or denying that painful things occurred. Forgiveness is the powerful assertion that bad things will not ruin your today even though they may have spoiled your past.”

First, he talks about how a long-standing grievance is formed. He says there are only three components:

–The exaggerated taking of personal offense.
–The blaming of the offender for how you feel.
–The creation of a grievance story.

The author never promises that people will stop hurting you. He says,

Learning to handle hurts, wounds, and disappointments more skillfully will not stop things from going wrong in life. People may still be unkind, and random events can still hurt you. The world is filled with suffering and difficulty, and just because you have learned to adapt better does not mean these problems go away. What will change, however, is the space you rent them in your mind and the amount of anger, hopelessness, and despair you feel. I cannot emphasize this point too strongly. Life may not be perfect, but you can learn to suffer less. You can learn to forgive, and you can learn to heal.

The first component, taking things too personally, can be solved by learning to look at the impersonal aspects of a hurt. This sounds callous or as if you are excusing the offender, but that’s not it. You are, in effect, acknowledging that being hurt is common, and reminding yourself that you will be able to deal with it, just as so many others have done.

The author says,

The easiest way is to realize how common each painful experience is. It is a fact of life that nothing that has happened to you is unique. If you remind yourself that you are just one of two hundred people burglarized in your community, it is hard to take it as personally. By looking carefully, we can always find at least ten people hurt in the same way…. Remembering how common our suffering is can make it seem like the hurt is being trivialized, but it is worth taking that risk to suffer so much less pain.

The second way to uncover the impersonal dimension of hurt is to understand that most offenses are committed without the intention of hurting anyone personally…. Many of the offenses we ache over were not intended to hurt us personally…. To suggest there is an impersonal dimension to many of our offenses is not to deny the pain of loss and neglect.

Please note that Dr. Luskin is not advocating denying all your hurt feelings and sucking it up because you’re human like everyone else. He is talking about avoiding forming a long-term grievance. There’s a personal aspect as well as the impersonal one.

People deal best with offenses when they can find both perspectives. When you see the impersonal dimension after focusing only on your personal pain, you discover that your specific hurt does not have to cripple you…. When we react to things that happened to us or to others we want to be able to acknowledge the pain but not remain stuck in it…. I believe we heal best from our offenses when we are able to acknowledge the damage done. At the same time, I want each of us to be able to say that what happened is not a unique catastrophe but the beginning of a new story of forgiveness and healing.

The second component in forming a grievance is blaming the offender for how you feel.

When we become upset and ask ourselves “Whose fault is this?” and then insist that the reason for our suffering lies with someone else, we have entered the second step in the grievance process. We are playing the blame game, blaming someone else for our troubles. This is a problem because when the cause of the hurt lies outside us, we will look outside ourselves as well for the solution.

When we are in pain in the present, we often blame our bad feelings on the hurts done in the past. One of the ways we do this is to assume that people meant to hurt us. Another way is to link the cruelty in the past with our current feelings. Both of these hypotheses make it harder for us to heal….. When we blame someone for our troubles, we remain stuck in the past and extend the pain. Unfortunately, we are unaware of how much we limit our chances of healing when we blame someone else…. Blame hypotheses are usually guaranteed to make us hurt and hurt and hurt until we change them.

The beguiling thing about the blame game is that at first you may feel better. You may feel short-term relief because the hurt you feel is someone else’s responsibility. Over the long run, however, the good feelings fade and you are left feeling helpless and vulnerable. Only you can take the steps that will allow you to ultimately feel better.

I like the author’s practical tone. When someone has clearly (to our way of thinking, anyway) wronged us, we feel we have a right to be angry. But he doesn’t make right or wrong the issue. He points out that blaming isn’t good for us.

When we blame another person for how we feel, we grant them the power to regulate our emotions. In all likelihood, this power will not be used wisely, and we will continue to suffer. The number of people who give power over to those who did not care about them is shockingly high.

Feeling bad every time we think of the person who has hurt us becomes a habit and leads us to feel like the victim of someone more powerful. We feel helpless because we are constantly reminded both in mind and body of how bad we feel. When we blame this normal protective response on the offender, we make a mistake. This mistake takes the keys to our release out of our hands and puts them in someone else’s hands.

Holding people accountable for their actions is not the same as blaming them for how you feel. It is justified to hold wayward spouses to their commitment to pay child support. It is justified to expect a hit-and-run driver to spend time in jail. What leads to unnecessary suffering is making your spouse responsible for your continued suffering or your inability to enter into another relationship. What does not help you is holding that hit-and-run driver responsible for your ongoing depression or the unwillingness you might feel to take risks ever again.

The third step that crystallizes a grievance is creating a grievance story.

Mistreatment often ends up as a story of victimization, a story told over and over. Whether we tell it to ourselves or to others, the constant retelling offers scant relief or hope.

Grievance stories describe the painful things you have endured but not healed from. You will know these stories because telling them makes you mad or hurt all over again. You know it’s a grievance story when you feel a flutter in your stomach, a tightening in your chest, or sweat forming in your palms. Grievance stories are the stories you tell when you explain to a friend why your life has not worked out the way you hoped. They are the ones you tell to make sense of why you are unhappy or angry.

Unfortunately, a grievance story is counterproductive.

We suffer if we tell the grievance story repeatedly to others or ourselves. Even though it is the third and final step of the grievance process, the grievance story often signals the onset of future difficulties. The grievance story is our tale of helplessness and frustration based on taking something too personally and blaming someone else for how we feel. The grievance story seems true every time we tell it because familiar stress chemicals course through our body. However, telling a grievance story too often is dangerous to both confidence and mood. It is also a health risk since high blood pressure can become a factor when thinking about a grievance story too often.

I love his solution—create a new story where you are the hero, rather than the victim.

We begin the process of creating a new story by taking care every time we talk about the unresolved painful things that have happened to us. When you hear yourself talking about a past hurt, stop for a moment to see if you are telling a grievance story. If so, pause and take a deep breath. Your grievance story, which seems so comforting and familiar, is your enemy. That grievance story, more than what hurt you, has imprisoned you. It keeps you in the past. It alienates your friends and family and reminds you and others that you are a victim. Once we change our grievance story, we are on the road to healing.

What a refreshing outlook this book provides. Dr. Luskin promises,

I will teach you how to forgive. I will teach through the experience of forgiveness to tell a different story. You will see that you have the choice to amend your story so you no longer highlight the wrong done or the hurt you have suffered. You will learn to tell your story so your problems become challenges to overcome, not simply grievances on which to dwell. By the end of this book, your story will show you as the conquering hero capable of overcoming difficult obstacles. Your story will be that of a hero who succeeded on a journey of forgiveness.

Before getting to the process of forgiveness, Dr. Luskin talks about why we create grievances in some situations, but not in others. He states that the underpinning of the grievance process is found in “unenforceable rules.” Unenforceable rules are rules we have for other people’s behavior that we can’t possibly enforce. He uses the metaphor of a police officer whose car doesn’t work sitting and fuming in his car, writing tickets.

Often when trying to enforce unenforceable rules we write mental tickets to “punish” the one who has acted wrongly. Unfortunately, if our rule is unenforceable, the only person we end up hurting with our ticket is ourselves. We clog up our minds with these tickets. We become frustrated because things do not go the way we want. We become angry because something wrong is happening. We feel helpless because we cannot make things right.

I am convinced that when you try to enforce something over which you have no control, you create a problem for yourself. That problem gets in your way as you try to figure out what is the best thing to do. It is much harder to know what to do when you are angry, frustrated, and helpless. Making a good decision is tough when you are constantly writing tickets and there is no one to give them to.

We know we are trying to enforce an unenforceable rule if anything, except a very recent grievous loss or illness, causes us a good deal of emotional distress. When facing the recent death of someone we love or the loss of one’s home or the news of a major illness, it is natural to feel overwhelmed and not be able to think clearly. However, after a short period of time we must confront the problem of enforcing a rule we cannot enforce.

An unenforceable rule is one where you do not have control over whether your rule is enforced or not. An unenforceable rule is one where you do not have the power to make things come out the way you want. When you try to enforce one of your unenforceable rules, you become angry, bitter, despondent, and helpless. Trying to force something you cannot control is an exercise in frustration. Trying to force a spouse to love you or a business partner to be fair or a parent to treat each sibling fairly is unenforceable.

The second half of the book shows how we can transform a grievance and learn to forgive. Dr. Luskin says,

Forgiveness is the feeling of peace that emerges as you take your hurt less personally, take responsibility for how you feel, and become a hero instead of a victim in the story you tell. Forgiveness is the experience of peacefulness in the present moment. Forgiveness does not change the past, but it changes the present. Forgiveness means that even though you are wounded you choose to hurt and suffer less. Forgiveness is for you and no one else. You can forgive and rejoin a relationship or forgive and never speak to the person again.

He has some practical steps to help you:
–take a hurt less personally
–take responsibility for how you feel
–become a hero instead of a victim in thee story you tell.

His techniques about taking a hurt less personally resonate well with the things I learned in Steven Stosny’s You Don’t Have To Take It Anymore.

Many of us are renting more space to rehashing our grievances than focusing on gratitude, love, or appreciation of nature. My central message here is when you bring more positive experiences into your life, your hurts will diminish in importance. In fact, this is the first step to taking responsibility for how you feel and beginning to forgive. If I rent out more and more space in my mind to appreciating my children or the loveliness of a rainy day, there is as a result less space and time for dwelling on the hurts.

Doesn’t this sound beautiful?

Forgiveness is the practice of extending your moments of peacefulness. Forgiveness is deciding what plays on your TV screen. Forgiveness is the power that comes from knowing a past injustice does not have to hurt today. When we have good experiences, such as moments of beauty or love, then for those moments we have forgiven those who have hurt us. Forgiveness is the choice to extend those moments to the rest of our life. Forgiveness is available anytime. It is completely under your control. It does not rely on the actions of others; it is a choice you alone can make.

He gives us some valuable techniques for refocusing our attention. He also explains some ways to challenge our own unenforceable rules. After all, “It is easier to change your thinking than to get unenforceable rules to be obeyed.”

When you find an unenforceable rule, the goal is to return to the desire and get rid of the demand. I urge each of you to fervently hope things go the way you want. At the same time, remind yourself that it is foolish to demand things go a certain way when you do not have the power to make it happen.

To heal, forgiveness is important. I am convinced that the frustration you feel enforcing unenforceable rules is the biggest threat to your motivation to succeed. Most of us give up more readily when we demand something we cannot have than when we make plans to optimize our chances to get what we want. When we hope for a caring parent, we leave room for having to make other plans. When we demand a caring parent, there is little room to maneuver.

I love his idea of changing your story from the story of a victim to the story of a hero. Maybe it’s because I’m a writer. What story would be at all interesting without the hero facing some difficulties? So now the hurts are actually obstacles that make you shine!

A victim is one who often feels helpless to respond to painful circumstances or to control thoughts and feelings. A hero has worked hard to overcome adversity and refuses to be beaten by difficult life events. Forgiveness is the journey of moving from telling the story as a victim to telling the story as a hero. Forgiveness means that your story changes so that you and not the grievance are in control.

The biggest drawback to telling grievance stories is they keep us connected in a powerless way with people who have hurt us. When we mull over our past wounds and hurts, we remind ourselves of a part of our life that did not work. Reconnecting with our positive intention reminds us of our goals and enables us to move forward.

In any grievance story, someone does not get what he or she wants. Unacknowledged is that behind each painful situation is a positive intention. Once found and reclaimed, the positive intention alters the grievance story. The story is no longer just about the person and or situation that caused pain but about the goal that was not quite reached. Suddenly, instead of just recycling pain, the grievance story becomes a vehicle for learning how to change to attain that goal. The grievance story becomes a part of the positive intention story.

You will discover as you tell your positive intention story that you feel better. One reason is that you are closer to telling a balanced story. This is because each of us has many experiences. Negative ones are not more important than positive ones. A grievance freezes a hurtful experience into an unchangeable solid. Then it rents too much space in our mind and leads to feelings of helplessness. The truth is that wounds hurt, but they do not have to be crippling.

Each of us can forgive those who have hurt us. When we put our grievances into the perspective of challenges to our goals, we are giving an accurate account. Everything that hurts us is a challenge to our happiness. It is a challenge to be happy in this world. Wounds can cripple the happiness only of those who do not know how to cope and forgive. Finding our positive intention helps us connect with the big picture. Telling a positive intention story reminds everyone who hears us that we are a hero and not a victim. We deserve the best, and forgiveness helps us find it.

The author says, “From the first to the last page, my goal is to make forgiveness practical.” He achieves that goal beautifully. This book has brought me much farther along in my journey to recovering peace and joy. Thank you so much, Dr. Luskin.

Journey Between Worlds, by Sylvia Engdahl

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Journey Between Worlds

by Sylvia Engdahl


Reviewed August 8, 2007.
G. P. Putnam’s Sons (Penguin Young Readers Group), New York, 2006. Originally published in 1970. 240 pages.
Starred Review.

I would call Journey Between Worlds science fiction for girls. Although I’m sure boys who like science fiction would enjoy it as well, the other-worldly setting isn’t the main point of the story. Instead, Melinda Ashley’s life is complicated by her father’s gift of a trip to Mars, and it provides the background for difficult decisions.

First, Melinda must decide how to react to a gift she didn’t want, but that her father went to great lengths to get for her and is sure she’ll be delighted about. On the way to Mars, she travels with someone else who is not excited about going there—someone to reinforce her complaints. But then she meets a young man born on Mars, and all of her ideas are challenged.

In the end, she has to consider which is more important: her world, her plans, the dreams she grew up with, or the unchanging, real things in people’s hearts.

I love this book, as I love all of Sylvia Engdahl’s books. I like her heroines. They are people I’d like to be friends with. They are faced with difficult decisions and rise to the challenge. I’m delighted at this chance to read another of her books.

The Fourth Bear, by Jasper Fforde

fourth_bear.jpg 
The Fourth Bear
by Jasper Fforde

Reviewed August 7, 2007.
Viking, New York, 2006. 378 pages.

Jasper Fforde’s books are impossible to satisfactorily classify. Perhaps I should start a new category for his books only. Let’s see—I could call it “humor for clever readers” or “fantasy-sci-fi-mystery-humor-with literary allusions.” I took the easy way out by calling the Thursday Next books “science fiction,” since they do involve alternate universes, and I called the first of the Nursery Crime series “mystery,” since it is a detective story. However, the fact that the detective is a character in a nursery rhyme investigating such people as the Gingerbreadman and Goldilocks and the Quangle-Wangle, does make it an extremely atypical detective story.

I could call this fantasy, but it’s very different from what people expect from that category. So I’ll stick with “mystery,” which scratches the surface of what this book is about.

In The Fourth Bear, the second book in the Nursery Crime series, Jack Spratt investigates the disappearance of Goldilocks. He’s currently in trouble for letting the wolf eat Red Riding Hood and her grandmother. Although they were saved by a woodsman, they’re traumatized and won’t speak.

Jack’s boss is after him to get a psychiatric evaluation and some time resting. What Jack’s critics don’t realize is that the wolf also ate Jack. He puts his life on the line, but doesn’t think he needs therapy. He’s used to such bizarre circumstances—They’re all in a day’s work. Besides, how can he rest when that homicidal maniac, the Gingerbreadman, has escaped from the asylum?

There’s great fun in this book, though you do have to tolerate a few groaners, like a waiter who seems familiar in the Déjà vu Hotel. In the Thursday Next books, we saw what it’s like to be in books from the characters’ perspectives, so that prepared me for passages like this one:

Jack and his partner Mary Mary had just been discussing at great length and alliteration the fact that “Pippa Piper picked Peck over Pickle or Pepper.” The text reads:

There was a pause.

“It seems a very laborious setup for a pretty lame joke, doesn’t it?” mused Jack.

“Yes,” agreed Mary, shaking her head sadly. “I really don’t know how he gets away with it.”

Well, Jasper Fforde, the man who successfully used eleven hads in a row in The Well of Lost Plots, has gotten away with it again!

Review of Raising Demons, by Shirley Jackson

Raising Demons

by Shirley Jackson


Reviewed July 16, 2007.
Academy Chicago Publishers, Chicago, 1985. Originally written in 1956. 310 pages.
Starred Review.

Few true stories are as hilarious as those told by Shirley Jackson about bringing up her four children. This book continues the fun begun in Life Among the Savages. I guarantee that any parent or anyone who knows some kids will get some good laughs and hearty chuckles out of this book.

Part of her brilliance is how she reproduces the voices of her children, each one distinct. Sally is probably the most entertaining, with her habit of repeating words and the outrageous stories she tells, like telling the milkman, “Mommy has gone away to Fornicalia. Where my grandma lives, grandma. Would you please like some breakfast?”

I love the following scene, which beautifully conveys a mother’s feelings of irritation and desperation when a neighbor girl, Amy, comes over:

If Sally’s refrain conversation is difficult to bear, Amy’s repetitive conversation is worse; where Sally repeats the vital word, Amy repeats the whole sentence; Sally is the only one in our family who can talk to Amy at all. “May I please play with Sally?” Amy was saying through the back door screen, “is Sally here so she can play with me?” 

Sally slid off her chair and made for the cookie jar. “Amy,” she shouted, “Daddy is going to take us swimming, swimming, and ask your mommy if you can come, your mommy.”

“My mommy,” said Amy solemnly, opening the screen door and joining Sally at the cookie jar, “doesn’t let me go swimming right now, because I have a cold. I have a cold, so my mommy doesn’t want me to go swimming, because I have a cold. I have a cold,” she told me, “so my mommy won’t let me go swimming.”

“Because she has a cold,” Laurie said helpfully. “See, she has a cold and so—”

“Laurie,” I said feverishly. “Sally and Amy, please take those cookies outdoors.

Their little “Beekman” is another great character. Here’s how he got his name:

Nothing is stable in this world. As soon as Barry was old enough to be regarded as a recognizable human being, with ideas and opinions, it became necessary for the other children to change him around. Since he was now too big to fit into a doll carriage, Jannie amused herself by dressing him in costume jewelry and ribbons. Sally sat on the floor next to the playpen and sang to him because, she said, it made him dance. Barry was clearly too formal a name, and we took to calling him B. B was too short, however, and he became Mr. B, then Mr. Beetle, and finally Mr. Beekman. he stayed Mr. Beekman until he was almost ready for nursery school, and then came around full circle, moving back to Mr. B, then B, and, at last, to Barry again. At one point he developed a disconcerting habit of answering no matter who was being called. Thus, dancing, and decked in ribbons, Beekman walked instead of creeping, and learned to drink from a cup.

Shirley Jackson has a beautiful ability to find the ludicrous in everyday family life. When they got a new car,

I went out and bought a new car-chair for Beekman, one that had a small steering wheel and gear-shift lever attached; when I put Beekman into his new car-chair he turned the steering wheel and said “Beep beep?” experimentally, and we all laughedd and told him he was a brave smart boy. by the end of a week I was no longer fumbling wildly for the brake pedal on the new car, and Beekman was manipulating his steering wheel and gearshift with such wild abandon and skillful maneuvering as to earn himself the title of Mad-Dog Beekman; I could not, at any time of the day or night, attempt to sneak the car out of the driveway without attracting Beekman’s attention, and he would hurl himself wildly at the doors and windows, calling out to wait a minute, he would be right there, and subsiding at last into hysterical terrors at my trying to drive without him.  

For my part, I found it extremely difficult to drive with dual controls, trying to ease around a tight corner with Beekman beside me shifting rapidly from high to reverse to second, swinging his wheel around sharply and yelling “Beep beep.” I used to try letting the car roll backward out of the driveway without starting the motor, but Beekman’s room was in the front and as soon as I got as far as the gateposts he would apparently catch some reflection of light and I would see his small infuriated face pressed against the window and hear the crash as Dikidiki hit the wall, and after a minute my husband or Laurie or Jannie or Sally would open the front door and call that I was to wait, they were just putting on Beekman’s jacket.

Usually, whenever Beekman drove, Sally wanted to come too. And whenever Sally came, Jannie thought she had better come along. And when Beekman and Sally and Jannie came, Laurie figured that we might just stop in at a movie or some such, and if we did he wanted to be along. As a result, whenever I went shopping in the new car, everyone came except my husband, who could not, for a long time, look at the new car without telling me how we were going bankrupt in style. One Saturday morning I almost got off without Beekman, who was learning from Sally how to cut out paper dolls, but before I was out of the driveway they were calling to me to wait a minute, and by the time I finally turned the car and headed off toward the big supermarkets I had all four of them with me, Sally accompanied by her dolls Susan and David and Patpuss, all dressed entirely in cleansing tissue, and carrying—although I did not know it when she got into the car—a pocketbook containing four pennies and a shilling stolen from her father’s coin collection.

I suppose I should have known that all was not going to go well when I found a parking space on main Street on Saturday at noon, with seventeen minutes paid for on the parking meter. Finding a parking space at all was so exceptional an occurrence that I wisely determined to disregard the fact that the car on my left—an out-of-state car, by the way, from some state where land is not so jealously parceled out as here in Vermont—was straddling the line. I eased my car in with only the faintest grazing sound, although it was immediately plain that if we were going to get out of the car at all, we were going to have to do it by sliding out the doors on the right-hand side.

“Jeepers,” Laurie remarked, gazing from his window at the car next to us, “cut it a little close, didn’t you?”

“It was Beekman,” I said nervously. “He kept pulling to the left.”

“Jeepers,” Laurie said to Beekman, “you want to watch where you’re going, kid.”

“Dewey, dewey,” said Beekman, this being a combination word he used for a series of connected ideas, roughly translatable as: Observe my latest achievement, far surpassing all my previous works in this line, a great and personal triumph representing perhaps the most intelligent progress ever accomplished by a child of my years. “Dewey,” said Beekman pleasurably.

Later, when Barry was a bit older and Sally had learned to read,

With three reading children in the house, competition over Barry, who could be read to, was very heavy. I still retained my post as bedtime reader—I began again with The Wizard of Oz—but Laurie and Jannie and Sally found themselves sometimes all reading aloud from different enticing works, each hoping to lure Barry who moved, basking, from one to another. For a little while, Jannie forged ahead through a brilliant imaginative stroke; she refused to read aloud, and offered, instead, to tell stories made up out of her own head. This began the Jefry stories, which were about a little boy named Jefry who had an elephant who was called Peanuts becaue he ate so many . . . “What?” said Barry. “Cabbages,” said Jannie firmly. Jefry had a bear named Dikidiki, just like Barry, and Jefry irked Sally so considerably that she brought out her boy doll Patpuss, renamed him Jefry, announced that he was her little brother, and commenced telling him stories about a little imaginary boy named Barry, who had a bear named Dikidiki just like Jefry. This became the competing Barry series. One evening Laurie came staggering in from the Story Hour in the kitchen, and announced to his father that he had just made up a story about a little boy named Dikidiki who had two imaginary bears, Barry and Jefry, and we had to make a rule that stories must be told one at a time, and last no more than two minutes by the kitchen clock.

I like to read this book when I need to lighten up and laugh. Even though it was written when you could put a penny in a parking meter, life with kids is still pretty much the same. But Shirley Jackson makes you laugh about it, which is a lot more fun than screaming in frustration.

Review of Don’t Let the Pigeon Stay Up Late! by Mo Willems

Don’t Let the Pigeon Stay Up Late!

by Mo Willems
pigeon_stay_up_late.jpg


Reviewed July 14, 2007.
Hyperion Books for Children, New York, 2006. 36 pages.
Starred Review.

My husband used to say that a good book for a toddler is one that ends with someone asleep. In fact if we read such a book to our older son, we could watch him develop dark circles under his eyes and become much sleepier and easier to tuck into bed.

Don’t Let the Pigeon Stay Up Late! is another delightful and fun book along the lines of Don’t Let the Pigeon Drive the Bus! This one deals with an activity that toddlers would really like to do—stay up late.

I never have met a toddler who seriously wanted permission to drive a bus, but once my son threw a temper tantrum for an hour in the middle of the night because he wanted to “stay up all night and all day”!

This book gives kids a chance to tell the Pigeon that he can’t stay up late, instead of being on the other end of it. They can easily see that the Pigeon is getting sleepy, and this time he’s the one who screams, “I’M NOT TIRED!”

It’s almost formulaic, with some pages having exactly the same look as those in Don’t Let the Pigeon Drive the Bus! However, with toddlers, being formulaic makes a book all the more delightful as they know what to expect.

I was staying with a friend for a couple of months after I moved, and she has a 4-year-old son and a 2-year-old daughter. I loved trying out the Pigeon books on them. I was surprised when the 4-year-old was the one who most enjoyed telling the Pigeon, “No!” but the books were a big hit with both kids. Their favorite pages in both books were definitely the full-out temper tantrum pages. Michelle would often open the book to that page and ask me to say it. (Of course, if I kicked and screamed that made it a lot more fun!)

Every child should get a chance to tell this Pigeon what to do. I don’t think they will necessarily understand that the Pigeon is doing the same things they do, but they will enjoy the chance to be the one with the authority.

Review of Rosa, by Nikki Giovanni

rosa.jpg 
Rosa

by Nikki Giovanni
illustrated by Bryan Collier


Reviewed July 9, 2007.
Henry Holt and Company, New York, 2005. 32 pages.

I read this book as an assignment for my graduate library science class, Resources for Children. We were looking at Caldecott and Coretta Scott King winners. Rosa was the winner of the 2006 Coretta Scott King Award for Illustration. The book was also a Caldecott Honor book.

Reading this book and looking at the pictures, it was easy to see why it won the award. We see Rosa Parks, an ordinary person going about her day. At home, she was caring for her mother, getting over the flu. At work, she was the most skilled seamstress in the shop.

We see the whole process as Rosa looks for a seat on the bus and only finds one in the neutral section, where both blacks and whites can sit. When the bus driver asks her to give up her seat, we see a tired woman who’s had a long enough day and simply decides she’s not going to do it.

The pictures portray Rosa’s quiet strength, as well as the glares of people on the bus. The story explains how she decided to keep sitting, even though it meant arrest—and how the news of that arrest spread and began a bus boycott that changed an evil law.

The book includes a striking fold-out section as the protesters finally, without violence, achieved their goal. The pictures give you a sense of having been there, among ordinary people, trying to put an end to injustice.

Find this review on the main site at:

www.sonderbooks.com/Childrens_Nonfiction/rosa.html

Review of Fairest, by Gail Carson Levine

Fairest

by Gail Carson Levine


Reviewed July 9, 2007.
HarperCollinsPublishers, New York, 2006. 326 pages.
Starred Review.

Fans of Ella Enchanted, of which I am one, will love Gail Carson Levine’s latest book, loosely based on the fairy tale of Snow White. In fact, the story involves the king who married Ella’s stepsister, Ivi. It turns out he was king of neighboring Ayortha, the home country of Ella’s roommate, where everyone loves to sing and those with beautiful voices are honored.

Aza has one of the most beautiful voices of all, and she finds she can do amazing things with her voice. Unfortunately, she’s terribly ugly.

When Aza gets a chance to go to the king’s castle, the new queen takes special notice of her. Then the king gets injured, and the queen is in charge. She seems only concerned that people think her beautiful. The queen has a mirror. When Aza sees her own reflection in the mirror, she is changed, astonishingly beautiful.

This book doesn’t follow the fairy tale it’s based on as closely as Ella Enchanted does. But the elements of Snow White are there, woven into a story of beauty and power and love and deception. Gail Carson Levine has done it again!