Review of Orangutan Tongs, by Jon Agee

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Orangutan Tongs

Poems to Tangle Your Tongue

by Jon Agee

Disney/Hyperion Books, 2009.  48 pages.

Starred review.
Sonderbooks Stand-out 2010: #2 Picture Books

This book is entirely too much fun.  I brought it home and read it to my teenage son, and, as I suspected, he couldn’t resist trying it himself.  For Dr. Seuss’s birthday, we recently had a tweetle beetle binge from Fox in Socks, so it was fun to read to each other and laugh from a new book where I didn’t have the advantage of about forty years of practice.

Orangutan Tongs (Can you resist saying that title aloud?) is a book of tongue twister poems, with illustrations.  They are all quite silly and good for fun and laughter.

My son claimed that he had not been practicing, but I found it highly suspicious that when I came home from work the next day, he was suddenly able to recite the Peggy Babcock poem:

Peggy Babcock at work.  Peggy Babcock at play.

Peggy Babcock tomorrow.  Peggy Babcock today.

Peggy Babcock, repeated, is tricky to say:

Peggy Babcock, Peggy Babcock, Peggy Babcock, ole!

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Review of The Graveyard Book audiobook, by Neil Gaiman

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The Graveyard Book

by Neil Gaiman

Narrated by the author.

Recorded Books, New York, 2008.  7 compact discs.  7.75 hours.

Starred review.

2009 Newbery Award winner.

Sonderbooks Stand-out 2010: #2 Children’s Fantasy and Science Fiction

When The Graveyard Book came out, I checked it out for my 14-year-old son to read, knowing he’d want to read anything by Neil Gaiman.  He told me I should read it, but after listening to Coraline, which was very good but exceedingly creepy, I decided that a book by Neil Gaiman with “graveyard” in the title was bound to be too creepy for me.

However, when The Graveyard Book won the Newbery Award, I decided that as a responsible children’s librarian, I really should read it, and I was completely delighted with it.  There’s a little bit of creepiness, but not nearly so much as Coraline.  In fact, I think The Graveyard Book would make fantastic listening for an entire family on a car trip, because it appeals to a wide range of ages.  (If your kids are old enough to handle the fact that the family is murdered at the beginning, they will be able to handle anything else in the book.)

The premise, and the reason for the name, is the same idea as The Jungle Book, except instead of a baby being adopted by the dwellers of the jungle, a baby is adopted by the dwellers of a graveyard.

The book does begin as a family has just been murdered.  The killer is looking to finish the job, but the baby has toddled off.  In the graveyard, a loving woman who always wanted to be a mother convinces her husband to take pity on the baby and take him in.  As Mowgli’s parents needed the approval of the pack, so this baby needs the approval of the inhabitants of the graveyard.  He’s named Nobody Owens, Bod for short.

There are some fun parallels between Bod’s story and The Jungle Book.  For example, instead of getting kidnapped by apes, Bod gets kidnapped by ghouls.  At first the book seems very episodic (with extremely interesting episodes), but by the end, all the adventures tie together into Bod’s need to avenge his family, escape their fate, and live a life outside the graveyard.

Neil Gaiman’s narration is simply awesome.  He now lives in America, but he has a wonderful voice and just enough British accent to sound incredibly cultured.  He gives the different characters different voices, with accents as appropriate.  I found his reading of the chapter with the ghouls especially delightful.

Although I’m sure this book makes great reading on your own, hearing Neil Gaiman read it makes for an incredible listening experience.  I found myself lingering in the car more than once because I got to work too quickly.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/graveyard_book.html

Review of Wings, by E. D. Baker

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Wings

A Fairy Tale

by E. D. Baker

Bloomsbury Children’s Books, 2008.  307 pages.

“Tamisin Warner first saw real goblins the Halloween she was eleven.”

Worse, the goblins noticed that she saw them and came after her.  Good thing some sudden lightning bolts scared them away.

Seeing goblins isn’t the only strange thing about Tamisin.  She has pointy ears, and she has a growing compulsion to dance when the moon is full.  Her freckles sparkle.

She can cover her ears with her hair and the freckles with makeup.  She can join the dance group at school.  She doesn’t want to feel abnormal.

But then something happens that she can’t ignore.  Two beautiful pearlescent wings grow out of her shoulders.

And the goblins keep showing up.  A new kid at school named Jak seems to see them, too.  Not only is Tamisin forced to find out she’s not the person she thought she was, she also finds herself a pawn at the center of conflict between fairies and goblins.

This fantasy brings readers into an alternate reality where fairies and goblins have their own realm, but the border between them and humans is fragile.  The author’s website reports that Wings is the first book of a trilogy, and I’m looking forward to learning more about that world.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/wings.html

Review of Heart and Soul, by Maeve Binchy

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Heart and Soul

by Maeve Binchy

Alfred A. Knopf, New York, 2009.  418 pages.

Starred review.

Sonderbooks Stand-out 2010: #4 Fiction

Maeve Binchy’s books are warm, friendly, and cozy.  She specializes in telling stories about a community of people.  In Heart and Soul, the community is a new heart clinic in Dublin.  We look through windows into the lives of the people who come to work at the clinic, the patients, and others touched by them.

To add to the fun, the author brings back old friends who played a part in her earlier books.  You definitely don’t need to have read the earlier books to appreciate Heart and Soul, but it does make you feel that you are catching up with old friends.  I found myself wishing that I had not missed her last book, Whitethorn Woods.  I will definitely have to rectify that.

In Maeve Binchy’s earlier books, there seemed to be a pattern that the more ideal the marriage seemed, the more sure you could be that it was doomed.  These more recent books are gentler.  People still have problems, but personally I’m glad that there are less dirty rotten cheating husbands than in some of her earlier books.  Her characters cope with their problems with courage, compassion and resilience, and it’s delightful to spend time in the company of these people.

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Review of Tales from Outer Suburbia, by Shaun Tan

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Tales of Outer Suburbia

by Shaun Tan

Arthur A. Levine Books (Scholastic), 2008.  96 pages.

Starred review.

Truly Shaun Tan is the supreme master of the short-short story genre!

This book contains fifteen illustrated stories that are strange, strange, strange.  They are bizarre, they are haunting, and they are completely delightful.

There’s water buffalo who lives on the corner and points people in the right direction.  There’s an exchange student who leaves a surprising gift.  There’s a boyish expedition to the edge of the world.  All the stories are told as if someone’s matter-of-factly telling something that happened to them, once.

This is the sort of book you have to share.  I found myself exclaiming over each story, so of course I got my teenage son to read it.  Even that wasn’t enough, as I decided I had to share it with my other son, too, so this is his present for his twenty-first birthday. 

As The Arrival did, in many ways this book creates an entirely new category.  Let’s see, I suppose you might call it illustrated science fiction short-short stories.  I think I’ll just call it irresistible.  Try it yourself — read one story and see if you aren’t too intrigued to stop.

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Review of The Composer Is Dead, by Lemony Snicket

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The Composer Is Dead

written by Lemony Snicket

music by Nathaniel Stookey

illustrations by Carson Ellis

HarperCollins Publishers, 2009.  36 pages.  1 CD

I love these new Peter and the Wolf wannabes!  Like The Shoebird, The Composer Is Dead is a picture book story with orchestration.  The accompanying CD is narrated by Lemony Snicket himself.

The story is fun, though not particularly captivating.  However, it does serve to introduce the instruments of the orchestra, and I did find the accompanying music beautiful.

The composer is dead.  All the instrumental sections of the orchestra are suspects, but they have a wide variety of alibis.  A lot of generalities are given about the instruments, which are sometimes fun and sometimes simply stereotypical.

The Violins answered first, of course.  The violin section is divided into First Violins, who have the trickier parts to play, and the Second Violins, who are more fun at parties.

The tuba said, “I’m a confirmed bachelor.  I was home all night playing cards with my landlady, the Harp, taking sips of warm milk from a little blue cup.”  The accompanying tuba and harp duet was particularly beautiful.

I thought the closing was a bit lame — that orchestras have murdered composers for years, so this is no different.  So the mystery in the book falls rather flat.

As with The Shoebird, this adds some nice variety to ways you can teach kids about the orchestra.  This one had nicer music and a story that helps listeners notice the differences between the types of instruments.  I don’t think it’s time to throw away Peter and the Wolf yet, but this is a nice addition to the Introduction-to-the-Orchestra repertoire.

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Review of A Curse as Dark as Gold, by Elizabeth C. Bunce

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A Curse as Dark as Gold

by Elizabeth C. Bunce

Arthur A. Levine Books (Scholastic), 2008.  395 pages.

Winner of the William C. Morris YA Debut Award 2008.

Starred review.
Sonderbooks Stand-out 2010: #4 Fantasy Teen Fiction

http://www.elizabethcbunce.com/

http://www.arthuralevinebooks.com/

http://www.scholastic.com/

I do love fairy tale retellings.  A Curse as Dark as Gold takes the basic story of Rumpelstiltskin and sets it in a woolen mill shortly before the Industrial Revolution.  The author retains the feeling of magic and romance, and gives us a determined and strong heroine.

When Charlotte Miller’s father dies, leaving an enormous mortgage on the mill, Charlotte knows she must do something to keep Stirwaters running.  The entire village depends on the mill for their livelihoods.

But everyone says there’s a curse on the mill, and as soon as Charlotte and her sister Rosie overcome one seemingly insurmountable obstacle, another one rises up to take its place.  So when a strange man who calls himself Jack Spinner offers to help, Charlotte seems to have no choice.

This story is dark, as it does involve curses and difficulties.  But Charlotte is such a determined, capable character, you quickly find yourself rooting for her to succeed, even though you can’t imagine how she’ll pull it off.

The author fills the story with details about the woolen industry before the industrial revolution, so it almost feels more like a historical novel than a fantasy.  However, there is a strong undercurrent of magic, which practical Charlotte does not want to acknowledge.

This is a magnificently written book, and I’m excited to learn it’s Elizabeth Bunce’s first.  If this is how she begins her writing career, I will eagerly wait to see what she writes next!

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/curse_dark_as_gold.html

Review of A Is For Art: An Abstract Alphabet, by Stephen T. Johnson

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A Is For Art

An Abstract Alphabet

by Stephen T. Johnson

A Paula Wiseman Book (Simon & Schuster Books for Young Readers), New York, 2008.  42 pages.

Starred Review.

Here’s an alphabet book for adults!  Or teens.  Or children.  A Is For Art is amazing and thought-provoking and clever and playful all at once.

The illustrations are photographs of actual abstract art works.  The artist says,

“For the past six years I have been exploring the English dictionary, selectively choosing and organizing particular words from each letter of the alphabet and, based solely on the meanings of the words, developing a visual work of art.  I took ordinary objects and made them unfamiliar, removing functionality in order to reveal their potential metaphorical associations, which can lead in turn to overlapping and sometimes paradoxical meanings.  I call these individual works ‘literal abstractions’ and the ongoing series An Abstract Alphabet….

“And just for fun, I have included the letter shapes of each letter of the alphabet in all the works.  Well, most anyway — you’ll see.

“For me, art, like language, is about discovery.  At its very best it can be moving, transcendent.  Or on a visceral level it can simply make one laugh out loud.  Art provokes, confounds, challenges, surprises, informs, rejuvenates, and stretches our way of seeing the world.  We cannot get enough of it.  So I hope that my work in this book will ignite and inspire dialogues about art, words, and ideas, which might quicken children and adults to generate creative associations and explore new ways of pulling abstractions out of the real.”

This book, left around, will pull people into delighted browsing.

My personal favorite was the sculpture for the letter M.  Here’s the explanation:

Meditation on the Memory of a Princess

“Motionless, a man-made, monochromatic magenta mass mimics multiple mattresses and makes a massive mound near a mini mauve marble.”

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Review of Miss Spitfire, by Sarah Miller

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Miss Spitfire

Reaching Helen Keller

by Sarah Miller

Atheneum Books for Young Readers, New York, 2007.  208 pages.

Starred review.

Here’s the novelized story of Annie Sullivan, Helen Keller’s teacher.  Sarah Miller does a magnificent job making us feel what it must have been like for a poor orphan to come miles to teach a spoiled, passionate blind and deaf child, who showed an ability for clever imitation, but didn’t show glimmers of understanding.

Annie taught Helen discipline, and then gave her the power of words.  But she might never have persevered if she hadn’t been a spitfire herself.

This book carries the reader into a compelling piece of history, and gives us a window into the mind of someone whose sheer stubbornness was responsible for a miracle.  But how amazing that she didn’t give up before that wonderful day came!

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Review of Sandy’s Circus, by Tanya Lee Stone

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Sandy’s Circus

A Story About Alexander Calder

by Tanya Lee Stone

illustrated by Boris Kulikov

Viking, 2008.  36 pages.

Here’s another delightful picture book biography.  It gives you a feel for what the artist has done and makes you want to know more.  The story is told on a level that will intrigue both children and adults.  I especially enjoy the playful illustrations.

“There once was an artist named Alexander Calder.  Only he didn’t call himself Alexander.  And he didn’t call the things he made art.”

Tanya Lee Stone and Boris Kulikov beautifully capture the inventive, experimental quality of Sandy Calder’s art.  They show how he playfully created a moving, working circus out of wire.  His art was more than a static display to look at.  It was a show where things happened.

The author tells us that “even the mobiles that hang over baby cribs would not exist without Calder.”  This is the story of a man who brought a sense of play into his life’s work.

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