Review of Love Sugar Magic: A Dash of Trouble, by Anna Meriano

Children's Fiction Review, Fantasy 0

Love Sugar Magic

A Dash of Trouble

by Anna Meriano

Walden Pond Press (HarperCollins), 2018. 310 pages.
Review written January 30, 2018.
2018 Cybils Finalist, Elementary/Middle Grade Speculative Fiction

A Dash of Trouble begins a new series about Leonora Logroños, a sixth-grader who learns that she’s from a family of brujas. The women in her family can do magic, and they can put magic into the things they bake.

But Leo only finds this out by being sneaky. She’s the youngest, and the whole family seems to be keeping secrets from her, working at their Mamá’s bakery during the big festival on the Day of the Dead. She’s tired of everyone leaving her out. She’s not a baby, after all!

And when Leo’s best friend gets her feelings hurt by a boy who lives next door, Leo thinks this is a perfect time to use magic to help the situation.

And that’s where she gets into a dash of trouble.

There were some things that annoyed me about this book – mostly, all of Leo’s sneaking. But when I think about it more, I remember how I subverted the early bedtime my mother tried to impose when I was in sixth grade. (It was No Fair in comparison with how late my two older siblings got to stay up.) So I have to give her some sympathy. Even if I was wanting to shake her at times during the story.

There’s a lot of Spanish language used in the book – the old family recipe book is written in Spanish – but Leo doesn’t speak Spanish, either, so what’s mystifying to me is also mystifying to her. So I think it enhances the book. (Readers who do understand Spanish will enjoy having that edge.)

This is a fun and light-hearted story about Leo finding out she’s got a heritage of magic – but finding out a little earlier than her family intended. The book is labelled “Book One,” so I think Leo’s going to learn more about magic.

harpercollinschildrens.com

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Review of The Lost Girl, by Anne Ursu

Children's Fiction Review, Fantasy, Starred Review 0

The Lost Girl

by Anne Ursu

Walden Pond Press (HarperCollins), 2019. 356 pages.
Starred Review
Review written November 22, 2019, from a library book
2019 Sonderbooks Stand-out: #10 Children’s Fiction

The Lost Girl is about identical twins, Lark and Iris, and the story is told from Iris’s perspective. She’s always taken care of her sister, and they can tap messages to each other in a secret code. But now as they’re starting fifth grade, their parents are letting them be assigned to different classes.

The girls are identical but not the same.

Lark always knew when their parents had been arguing. Lark could tell you what the consequences for stealing were in different fairy tales, and that the best bad guys had interesting backstories. Lark always knew which books she wanted to check out from the library next.

No, they were not the same. But Iris always knew when Lark was feeling too anxious to speak in class, and Lark always knew when Iris’s anger was getting the better of her. Iris always knew when Lark was too busy daydreaming to pay attention, and Lark always knew when Iris was too reliant on finding order when things were in chaos. Iris talked for Lark. Lark talked down Iris.

This is the way it was.

No, they were not the same. But yes, they were twin sisters, and for Iris and Lark that meant something, something far deeper than what lay at the surface. They each knew the monsters that haunted the shadowy parts of the other’s mind, and they knew how to fight those monsters.

The school year does not get off to a good start with the girls having to be in different classes. Lark gets laughed at, and she’s in the class with the bully. Iris doesn’t even know who she is without Lark to defend. After school, Lark goes to art class, and Iris gets tricked into going to an all-girl group at the library called Camp Awesome.

After Camp Awesome is done, Lark is supposed to bike home, but sometimes she talks to the strange man at the new antiques store with an unusual sign in front. He puts simple science experiments out on the shop counter, and he says that they are magic. He’s looking for someone named Alice. He lets Iris look at books in his shop, and she finds one with Alice’s writing in it, saying things like “Magic has a cost.”

As the book goes on, Iris feels like she’s losing herself. Who is she without Lark? She starts keeping secrets from Lark. She doesn’t mean to. But maybe Lark is better off without her. What is going on?

This is a story of a sign and a store. Of a key. Of crows and shiny things. Of magic. Of bad decisions made from good intentions. Of bad guys with bad intentions. Of collective nouns, fairy tales, and backstories.

But most of all this is a story of the two sisters, and what they did when the monsters really came.

This is a story about the power of having a flock.

anneursu.com
harpercollinschildrens.com

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Review of Homerooms & Hall Passes, by Tom O’Donnell

Children's Fiction Review, Fantasy, Starred Review 0

Homerooms & Hall Passes

by Tom O’Donnell

Balzer & Bray (HarperCollins), 2019. 337 pages.
Starred Review
2019 Sonderbooks Stand-out: #9 Children’s Fiction
2019 Cybils Elementary/Middle Grade Speculative Fiction Finalist

This book is a whole lot of fun, standing the idea of Dungeons & Dragons and other role-playing games on its head.

As the book opens, we meet a band of young adventurers – Thromdurr, a barbarian; Sorrowshade, a gloom elf; Vela the Valiant, a paladin; and Devis, a thief. They are scouring a dark and dismal dungeon for treasure and uncover an ancient evil, which they must defeat. Then the scene flashes back to Albiorix, an apprentice wizard, who is eagerly looking forward to his friends’ return, when they will play their weekly role-playing game, Homerooms & Hall Passes.

Welcome to Homerooms & Hall Passes, the role-playing game of nonadventure! With this book (and a set of dice), you and your friends will unlock a strange new world of routine and boredom set in the fictional realm of Suburbia. Imagine, if you will, a place without monsters, magic, treasure, elves, quests, or even, to be perfectly honest, much excitement at all. This place is called middle school.

Albiorix is an avid Hall Master, with a pile of manuals explaining all aspects of the game.

The module he was currently running was called The Semester of Stultification. In tonight’s game, the players would face a daunting series of challenges: a grueling five-paragraph essay dumped on their characters right at the beginning of JADMS Spirit Week. Not to mention an upcoming earth sciences quiz, a concert band recital, a class election, and a big algebra test. To rise to these challenges would take skill, cunning, impeccable time management, and of course a few lucky rolls of the dice. Albiorix chuckled maniacally to himself.

Well, after defeating an evil sorcerer in the dungeon, Devis came back with some cursed treasure. When Albiorix translates the inscription aloud, a curse takes hold – and they are all transported into the game. Can our adventurers actually handle middle school?

They appear in Suburbia with their characters’ names and families – but unfortunately they didn’t magically get the skills of their characters. If they fail or get expelled, they’re out of the game. And that’s a challenge more daunting than any dungeon.

It’s all full of humor as our characters reflect on how different middle school is from “the real world.” I like the way they need help in all their classes – but dazzle everyone in gym class. And I laughed out loud when the gloom elf falls under the sway of the popular girls’ clique.

Our heroes do have some resources ordinary middle school students don’t. But things become much more complicated when an evil part of the “real world” shows up at school.

tomisokay.com
harpercollinschildrens.com

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Review of The Potter’s Boy, by Tony Mitton

Children's Fiction Review, Fantasy, Historical, Starred Review 0

The Potter’s Boy

by Tony Mitton

David Fickling Books, 2019. First published in the United Kingdom in 2017. 246 pages.
Starred Review
Review written October 16, 2019, from a library book
2019 Sonderbooks Stand-out: #8 Children’s Fiction

The Potter’s Boy surprised me by its loveliness and its wisdom. I read it quickly, trying to decide before the deadline which book to nominate for a Cybils Award, and ended up wishing I’d had time to slowly absorb its contents and pull out wise quotations from it.

There’s a dragon on the cover, but I’m not quite sure it’s a fantasy book. There is an episode with a dragon, but that part may well be a dream or vision. Most of the book is a roughly historical tale set in a country similar to ancient Japan.

Ryo, our hero, is the son of a potter who loves his work, and Ryo is apprenticed to him. But one day, brigands attack their village, and a traveler defeats and confounds the brigands. Ryo asks the traveler to teach him to fight like that. The traveler tells him to wait a year, until he is thirteen, and then to seek the Hermit on Cold Mountain.

The book tells the story of Ryo’s journey when he does, in fact, go to the Hermit on Cold Mountain to be trained. So it’s an educating-a-young-person story, but this one takes some surprising turns.

All along the way, Ryo is trained in mindfulness and even nonviolence (which seems surprising for a fighter). It isn’t identified as Buddhism until the author’s note in the back, though some Japanese terms are used in the teaching.

But it’s all so lovely. A compelling story of a young person’s journey and coming of age – but also full of wisdom.

Just a warning — there is a terrible tragedy in the second half of the book. How Ryo deals with that tragedy is where this becomes not a typical fantasy tale. But please don’t expect all sweetness and light.

There were plenty of wise quotations in this book, and here’s an example:

The important thing is to live and to love, and, if possible, where possible, to make something good from time to time. It may be something you can see and touch and hold on to, like a pot or a fine garment or a painting. Or it may be something more ephemeral, such as good food, which is made and gone in a short space of time. Or it may simply be the art the skill, the knack, of making people happy, or cheerful or at their ease.

It does not matter so much what it turns out to be, but I urge you, if you are reading this, whoever you are, to ask yourself, “What do I make or do that is good, that brings beauty, pleasure, or happiness into the world?” And if you can find no answer to that, seek inside yourself to find the seed, the grain, of something that might fulfill that purpose. We cannot all be great artists or musicians, scientists or storytellers. We cannot reckon to be the best at what we do. But we can, each one of us, look inside ourselves to find a leaning, a direction, that suggests to us how we might make something of worth, while we are here. Is this not true?

An uplifting story of finding one’s calling.

scholastic.com

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Review of The Dark Lord Clementine, by Sarah Jean Horwitz

Children's Fiction Review, Fantasy, Stand-outs, Starred Review 0

The Dark Lord Clementine

by Sarah Jean Horwitz

Algonquin Young Readers, 2019. 332 pages.
Starred Review
Review written November 7, 2019, from a library book
2019 Cybils Finalist Elementary/Middle Grade Speculative Fiction
2019 Sonderbooks Stand-out: #7 in Children’s Fiction

Clementine’s father is under a curse. Slowly, he is turning into a wooden puppet, and parts of him are being whittled away as he gets smaller and smaller. But he won’t tell Clementine what happened. Instead, he shuts himself in his study with books about witches, and Clementine is left to run the castle, and even to come up with a Dastardly Deed for the Council of Evil Overlords.

Clementine’s father is the Dark Lord Morcerous, and their family has been the evil lords of these mountains for generations. But as her father’s wards begin weakening, Clementine has to start dealing with the local hedgewitches and people of the village.

Clementine doesn’t know how to fix a fence to keep the fire-breathing chickens from harming the ordinary chickens. She needs help feeding the nightmares and harvesting the poison apples, but the animated scarecrows are slowing down as her father gets whittled away. So Clementine needs some help.

She finds a huntress to help with farm work, and then some village boys who want to learn to be knights. It’s all working toward an encounter with the Whittle Witch, but Clementine learns many things about herself along the way.

Here’s a scene when Clementine notices something is wrong:

Clementine stared at the scarecrow. Not once, in all the years she’d spent watching the animated scarecrows at work, had one ever stopped in the middle of a task. In fact, sometimes they were a little too enthusiastic in their work. They had to be given specific instructions, like exactly when to start and stop, or they were liable to turn the same pile of hay over and over again for days on end, or trim the grass in the castle courtyard until there was nothing left but dirt.

Like many things on the farm, the scarecrows were animated by her father’s magic – a complex combination of spells and wards and willpower that kept their estate secure, productive, and most importantly, operating according to the Dark Lord’s express rules and wishes. Nonhuman farmhands would never show up late, or demand vacation time or dental insurance, or even tire. The Dark Lord’s estate hadn’t employed any actual people – with the exception of their castle cook and Clementine’s ever-rotating cast of ill-fated governesses – for decades, at least since her father had inherited the title. Why bother with human workers when the alternative was so much simpler and efficient?

But Clementine had never seen Ethel the cook or any of her governesses simply stop like this, every limb frozen in place. this scarecrow wouldn’t have looked out of place in an actual cornfield – and what use would the Morcerouses have for it then?

Despite being about a Dark Lord, I loved the good-heartedness of this book. There’s a problem – Clementine has to keep things going as her father succumbs to a curse, and there are plot twists and revelations along the way. We thoroughly enjoy getting to know Clementine as we go through these things with her.

sarahjeanhorwitz.com
AlgonquinYoungReaders.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of White Bird, by R. J. Palacio

Children's Fiction Review, Graphic Novel, Historical, Starred Review 0

White Bird

by R. J. Palacio
inked by Kevin Czap

Alfred A. Knopf, 2019. 220 pages.
Starred Review
Review written December 29, 2019, from a library book
2019 Sonderbooks Stand-out: #6 in Children’s Fiction
2020 Sidney Taylor Book Award Winner

This beautiful graphic novel written and illustrated by the author of Wonder is framed as a story told by the grandmother of a boy who’s a bully in Wonder. But his grandmother tells him the story of how she was hidden in a barn during the Holocaust – and that story will touch anyone’s life.

The boy who helped her escape and whose family saved her life had been crippled by polio. So the other children mocked him, and Sara did not stand up for him against that bullying, even though she’d sat next to him for years because their last names both started with B.

The story of Sara’s escape, and then the constant fear of discovery, and the way Julien and his mother helped her keep her courage up – but at great risk – all makes gripping reading. The story is not true, but there is information at the back telling about how it is all based in fact.

In the present, Julien’s grandmother tells him this was the boy he and his father were named after – someone who showed great kindness when any kindness felt like a miracle. The image of a white bird found throughout the book and the lessons drawn about standing up to evil and showing kindness make this a story that will resonate.

rhcbooks.com

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Review of Sal and Gabi Break the Universe, by Carlos Hernandez

Children's Fiction Review, Science Fiction, Stand-outs, Starred Review 0

Sal & Gabi Break the Universe

by Carlos Hernandez

Disney Hyperion, 2019. 390 pages.
Starred Review
Review written November 4, 2019, from a library book
2019 Sonderbooks Stand-out: #5 in Children’s Fiction
2019 Cybils Finalist, Elementary/Middle Grade Speculative Fiction

This is the first one of the “Rick Riordan Presents” imprint that I’ve read that doesn’t feel like Rick Riordan could have written it if he belonged to that culture. Yes, it’s an “Own Voices” book from Cuban-American culture. But it doesn’t follow the formula of kid-finds-out-mythological-characters-are-real-and-they-are-part-of-it. Instead, this is science fiction involving parallel universes, a kid who is able to open windows between universes, and his father who studies “calamity physics.”

Now, I have to say that I think the “science” in this book is silly and bogus. There’s hand-waving that goes on about how Sal is able to open windows between universes and pseudoscience about “calamitrons” that result. Also, the thing that happened at the end didn’t make sense to me.

I’ve said before that if a novel makes too much of alternate universes, we start asking, why then are we hearing the story of this particular universe, when a story exists where the characters make different choices? To me, it cheapens the importance of those choices.

However, that said, I loved this book! The characters, especially Sal and Gabi, are completely delightful. I love that Sal, who can open windows between universes and bring things through, is a showman and a magician. What a great trick – to bring a dead chicken from an alternate universe and then make it disappear without a trace!

Right at the start, Sal stands up to a bully by putting a dead chicken in his locker. He does it with flare, and later the evidence disappears. Gabi’s a friend of the bully, and we soon learn that she’s not the sort of person who’s going to let a mystery like that stand.

Sal and Gabi attend an Arts Magnet School – and it makes me wish such a school existed. The teachers and principal are reasonable and try to be fair. Sal’s also got diabetes, and dealing with that is a nice underlying realistic piece of the plot.

There’s a spot where Sal scares Gabi much more thoroughly than he meant to – and he apologizes beautifully. That’s where I thought, What a wonderful kid! But then later in the book, we see an alternate reality Sal whose mother never died of diabetes, and that Sal isn’t nearly so thoughtful. I like that nod to the way difficult experiences make us grow. I could believe that Sal was so aware of others’ feelings because of what he’d been through.

And let’s face it, the interaction between universes was so much fun, I was willing to suspend my disbelief. A chicken in a bully’s locker. Sal’s dead mother coming from another universe and thinking she’s still married to his Papi. A Calamitron-scanner with artificial intelligence and a personality. A lie detector using brain science that Sal turns into a performance.

So maybe the “science” is very hand-wavy. But as a novel about people – people interacting with grace, performing, and dealing with the hard parts of life – this novel shines. I agree with the blurb on the back by William Alexander, “filled to the brim with a fiercely unstoppable joy.”

@WriteTeachPlay
@camphalfblood
DisneyBooks.com

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Review of Cog, by Greg van Eekhout

Children's Fiction Review, Science Fiction, Stand-outs, Starred Review 0

Cog

by Greg van Eekhout

Harper, 2019. 196 pages.
Starred Review
Review written October 20, 2019, from a library book
2019 Sonderbooks Stand-out: #2 in Children’s Fiction
2019 Cybils Award Finalist

This book is utterly delightful. It’s true that I’ve got a strong prejudice against books that claim robots have emotion or that assign basically magical abilities to robots, so I did have a tiny bit of trouble with suspension of disbelief. But I loved the characters so much, and they were so quirky and creative, I didn’t really care.

Here’s how Cog introduces himself:

My name is Cog. Cog is short for “cognitive development.” Cognitive development is the process of learning how to think and understand.

In appearance, I am a twelve-year-old boy of average height and weight. This means I’m fifty-eight inches tall and weigh about ninety pounds and seven ounces. In actuality, I am seven months old.

Now I will tell you some facts I have learned about platypuses.

Cog tells us about his home and his bedroom and about Gina, who lives with him and makes repairs and adjustments when he needs them.

Gina is a scientist for uniMIND. She has brown eyes like my visual sensors and brown skin like my synthetic dermal layer. Her hair is black and shiny, like the feathers of birds in the corvid family, which includes crows and ravens. When she smiles, which is often, a small gap is evident between her two front teeth. My teeth, which are oral mastication plates, have no gap, but I enjoy practicing smiling with Gina.

Cog is programmed to learn, to increase his cognitive development. As the book begins, Gina takes him to Giganto Food Super Mart to learn about shopping. She gives him a list and asks him to get the items unsupervised.

Cheese is the first item. Cog discovers many kinds of cheese that he hadn’t known existed before. He fills the cart with them. When he gets back to Gina, she tells him that for a first attempt he did a very good job.

“But we actually don’t need all this cheese,” she continues. “Nor do we need seven dozen apples or eight different kinds of orange juice or twelve different varieties of dish soap. So let’s start putting most of this back.”

I learn that unshopping takes longer than shopping.

As we return items to shelves, Gina explains to me where my judgment was faulty and led me astray.

“Is my judgment the result of a bug?” I ask her. “Can you fix it?”

“No,” she says, hanging seven bags of shredded cheese back on their hooks. “It’s just something you have to learn. It’s like my old professor used to tell me: ‘Good judgment comes from experience, but experience comes from bad judgment.’ That means we learn by making mistakes.”

I process this for a while.

“How long did it take you to learn good judgment?”

“Oh, I’m still learning it, buddy. I’m learning it all the time.”

Since Cog’s mission is to learn, he makes a resolution. The next morning, he sneaks out of the house.

Leaving the house without Gina’s permission is a mistake. this pleases me, because a mistake is an act of bad judgment, and I expect my act of bad judgment to increase my cognitive development.

Unfortunately, out in the yard, Cog sees a Chihuahua about to be hit by a truck. He saves the Chihuahua – and gets hit by the truck.

When Cog wakes up, he is in bed and hooked up to data ports beneath his flipped-up fingernails, but something is not right. He is not in his bedroom at home, and Gina is not there.

It turns out that since she allowed Cog to be hit by a truck, she’s been taken off the project. Cog is at UniMIND headquarters and told it’s his new home.

When he finds out they want to open up his brain and take out the X-Module (whatever that is), Cog resolves to run away and find Gina.

And so we end up with a delightful road trip story. Cog travels with four other robots – ADA, an Advanced Destructive Apparatus who looks like a twelve-year-old girl, a Trashbot that asks everyone if they have waste, a robotic dog, and a talking Car. The Car asks if he will accept liability before it agrees to set out with them.

The adventure is wild – okay, perhaps quite a bit unlikely – but oh, so much fun. Each one of the robots has a distinct and consistent personality, and I love Cog’s voice narrating the whole thing. In fact, I will end this review with some words of wisdom from Cog:

Since leaving the UniMIND campus, I have had several bad experiences, and one thing I have learned is that friends and sandwiches make even the worst of situations more tolerable.

writingandsnacks.com
harpercollinschildrens.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Look Both Ways, by Jason Reynolds

Children's Fiction Review, Contemporary, Starred Review 0

Look Both Ways

A Tale Told in Ten Blocks

by Jason Reynolds

Simon & Schuster Audio, 2019. 4 CDs.
Starred Review
2019 National Book Award Finalist
Review written November 22, 2019, from a library audiobook

This book is a set of overlapping stories about lots of kids, all of them walking home from school. The audiobook version is read by too many people to list at the top of this review, so I’ll list them here: Heather Alicia Simms, Chris Chalk, Bahni Turpin, Adenrele Ojo, Kevin R. Free, JD Jackson, Guy Lockard, January LaVoy, David Sadzin, and Jason Reynolds. Something odd that all the stories have in common is the mention of a school bus falling from the sky.

School’s important in this book, because the kids are leaving school, but our heroes and heroines are walkers. They do get passed by buses and talk about buses and think about school buses falling from the sky, but most of the action happens once school gets out, in the ten blocks near the school.

I think it was a little more difficult to notice details that overlapped between stories when listening. If I’d had the print book in front of me, I would have leafed back to make sure I remembered when a name popped up again. But I did enjoy the variety of narrators, so I think it was worth listening. I may not be sure if there was a big picture in this book, but I do know I enjoyed each individual story.

The stories include things like buying penny candy from a lady in the neighborhood after scrounging change; planning to outwit a new fierce dog that’s popped up on the route home from school; preparing to talk with someone you like; navigating hallways; and figuring out how to protect your mother who’s there to protect others – and who got hurt doing that.

These are slice-of-life stories about a lot of different kids, and there’s something here for everyone to like. Some of the stories do have hard things, but through all the stories, there’s an infusion of joy and a splash of friendship. Everybody’s got someone looking out for them.

As usual, Jason Reynolds is writing about a black neighborhood, and that makes me happy – but there’s nothing here that kids of any ethnicity won’t enjoy. I’m also glad that this isn’t an issue book. It’s a book about kids being kids together during that daily activity – walking home from school.

jasonwritesbooks.com

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Review of A Is for Elizabeth, by Rachel Vail, illustrated by Paige Keiser

Beginning Chapter Books, Children's Fiction Review, Starred Review 0

A Is for Elizabeth

by Rachel Vail
illustrated by Paige Keiser

Feiwel and Friends (Macmillan), 2019. 121 pages.
Starred Review
Review written May 21, 2019, from a library book

I picked up this new book because I didn’t have very many beginning chapter books to talk about when booktalking in the local elementary schools this year for the Summer Reading Program. This one is exactly what I was looking for.

Elizabeth is starting second grade at the start of this book, so it’s perfect for the rising second graders. She has her first homework assignment – to make a poster about her name. She doesn’t think this is fair, since ELIZABETH has so many letters.

To be even more unfair, the posters will be presented in alphabetical order. That means Anna is going to go first. But that doesn’t seem right. After she makes the poster, she talks with her brother Justin:

“Sometimes the name Elizabeth starts with the letter A,” I explained to Justin.

“No it doesn’t,” he said.

Justin is in fifth grade, so he thinks he knows everything.

“Sometimes it does,” I said.

“Never,” he said.

“Haven’t you ever heard of sound it out?” I asked.

Justin looked confused. Ha! Even fifth graders don’t know everything.

“Annoying. Amazing,” I said. “Sound it out. What letter makes the uh sound at the beginning?”

“An A,” Justin said.

“AHA!” I said. “And my name starts with the same sound! A-lizabeth!”

As a mother, I especially enjoyed the part where Elizabeth tells her parents that she needs poster board for a project due tomorrow.

There is a rule in our family that I forgot all about.

It is:

No saying the words Poster Board after 6:00 p.m.

“You said it, too,” I told Mom.

“Said what?” she asked me.

“The words that rhyme with toaster sword . . .”

“Toaster sword?” she asked.

“Yes,” I said.

I whispered the words poster board.

“You said those words at least five seconds later in the night than I did, Mom.”

Mom shook her head.

Dad shook his head.

They both did loud breathing.

That is what they do when I make a good point and win the argument.

A Is For Elizabeth is a fun look at the challenges and triumphs of second-grade life. It has fifty very short chapters and illustrations on every spread. Reading this book will not be daunting, but will give a sense of accomplishment.

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