Review of The Earth in Her Hands, by Jennifer Jewell

Nonfiction Review, Stand-outs, Starred Review, True Stories 0

The Earth in Her Hands

75 Extraordinary Women Working in the World of Plants

by Jennifer Jewell

Timber Press, Portland, Oregon, 2020. 324 pages.
Review written September 22, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-out:
#5 General Nonfiction

This amazing and beautiful book features seventy-five plantswomen who work in a multiplicity of jobs, mostly jobs I didn’t even know existed before reading this book, and serve plants and the earth in some way.

The format is consistent for all the featured women. On their opening spread in this generously-sized book, one page is filled with a picture of them among their plants. There’s a quote from the subject next to the picture. The text of the feature begins with “Her Work,” telling what she does. Then either “Her Plant” or “Her Landscape” featuring a plant or landscape that’s special to her. The bulk of the feature is the next part, “Her Plant Journey,” which goes into the next spread, giving an outline of her life story and how she came to her current work and the things that excite her about what she does. The second spread has another, smaller picture. The features finish off with “Other Inspiring Women,” a list of women whose work has inspired the featured woman. And yes, some of those are featured, too.

The women are listed alphabetically rather than by type of work, but there’s such a wide variety of work, that approach probably wouldn’t have worked anyway. Some jobs are a little more traditional – nursery owners and farmers, photographers, artists, and writers. There are many horticulturists, gardeners, botanists, and landscape architects. But then we’ve got the owner of a houseplant shop in New York City, seed savers, and collectors, floral designers, garden directors, educators, advocates, herbalists, a soil scientist, a plant pathologist, and a horticultural therapist. And that doesn’t express the many aspects of these jobs that I learned about in these pages, each woman bringing love and passion to what she does.

Also amazing are how these women are located all over the world. Yes, the majority live in the U.S. or the U.K., but there are also women featured from India, Japan, Canada, and Australia.

This is a beautiful book. The photos of the women on the large, glossy pages usually highlight flowers, or maybe some lovely landscape or setting. I read the book usually one feature per day (I confess I had this book out from the library while we were closed for the pandemic so I had extra time.), and it made me want to get out there and do something with plants – at the very least got me noticing plants more on my daily walks by my lake and taking more close-ups of flowers.

This is in the adult section of the library, but I think putting this book into the right teen’s hands might set someone on the path of working with the earth, because it opens your eyes to all the possibilities.

For me, I found that sitting and spending a couple minutes reading one of these features was guaranteed to put me in a peaceful mental state, like taking a deep breath.

timberpress.com

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Source: This review is based on a book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Know My Name, by Chanel Miller

Nonfiction Review, Starred Review, True Stories 0

Know My Name

by Chanel Miller

Viking, 2019. 357 pages.
Review written October 3, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-out: #1 General Nonfiction

Know My Name is a memoir by the victim in the famous case where she was raped while she was unconscious on Stanford campus by a member of the swim team. He was found guilty and then given a light slap-on-the-wrist sentence. Chanel wrote a letter as Emily Doe to her rapist that was published on BuzzFeed and went viral and touched hearts and lives across the world. (I love the little detail that Joe Biden wrote to her after reading it and said, “I see the limitless potential of an incredibly talented young woman – full of possibility. I see the shoulders on which our dreams for the future rest.”)

Chanel Miller is an incredibly skilled writer. She takes the story of her own rape and explains its terrible impact on her life. She doesn’t excuse it. She doesn’t take it lightly ever. She explains that it impacted her life every single day since the event and will continue to impact it. She points out the many, many failures in the system that made things worse for her. She explains how wonderful it was that her life was saved by two Swedes who happened to bicycle past and took the time to save her. But she gets all her readers wondering what would have happened if they hadn’t come along. You’d think with such witnesses, it would be an easy conviction, but it wasn’t. Not easy in any sense at all.

And yet she leaves us with hope. Her letter, which is included at the end of the book, touched lives across the world. Her book cover design represents the Japanese art of kintsugi, “in which pieces of broken pottery are mended with powdered gold and lacquer, rather than treating the breaks as blemishes to conceal. The technique shows us that although an object cannot be returned to its original state, fragments can be made whole again.”

I checked out this book after I’d already learned I was going to be a panelist for Young Adult Fiction and Speculative Fiction for the Cybils Awards, but I thought I’d read it slowly, a chapter at a time and just draw it out. Instead, I ended up binge-reading it to finish it the night before Cybils nominations opened. Even though I knew what happened, the book ended up being impossible to put down. She makes you understand how it felt to be violated in this way and how difficult it was to put her life back together and go on.

I’m going to finish this review by quoting her final paragraphs. I’m not giving anything away. Most of you will have heard of her story. But I’m quoting her to show how powerfully she brings hope to victims everywhere, and to people everywhere who ever wonder what their own lives are worth.

I began this story alone as a half-naked body. I remembered nothing. There was so much I did not know. I was forced to fight, in a legal system I did not understand, the bald judge in the black robe, the defense attorney with narrow glasses. Brock with his lowered chin, his unsmiling father, the appellate attorney. The obstacles became harder, I was up against men more educated, more powerful than me, the game rougher, more graphic, serious. I read comments that laughed at my pain. I remember feeling helpless, terrified, humiliated, I cried like I’ve never cried before. But I remember the attorney’s still shoulders as guilty was read. I know Brock slept ninety days in a stiff cot in a jail cell. The judge will never step foot in a courtroom again. The appellate attorney’s claims were shut down. One by one, they became powerless, fell away, and when the dust settled, I looked around to see who was left.

Only Emily Doe. I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone else’s. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.

I recommend many books. Let me urge you to read this one. It will leave you with more compassion than you had before, and with more power, and more hope.

chanel-miller.com
penguinrandomhouse.com

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Review of The Women of the 116th Congress: Portraits of Power

Current Issues, History, Nonfiction Review, Photography, Starred Review, True Stories 0

The Women of the 116th Congress

Portraits of Power

Foreword by Roxane Gay

Portraits by Elizabeth D. Herman and Celeste Sloman

Abrams Image, 2019. 208 pages.
Review written September 5, 2020, from a library book
Starred Review

Here’s a lovely book that fills my heart with pride in our nation. It consists of 130 portraits of the 131 women (one was not available) serving in the House of Representatives and the Senate of the United States of America after the 2018 elections.

The portraits are presented alphabetically by the state each woman represents. A list of firsts that woman has achieved are presented, many of them being the first woman from their state or their district in the House or the Senate, or the first woman of their ethnicity or religion or sexual orientation. And there’s a paragraph quote from each woman talking about what it means to them to serve in the United States Congress.

Throughout the book, there are short interruptions with spreads about historic women who paved the way for these ones, such as Jeannette Pickering Rankin: “I may be the first woman member of Congress, but I won’t be the last.” Or Shirley Anita Chisholm: “In the end anti-black, anti-female, and all forms of discrimination are equivalent to the same thing: anti-humanism.”

I never thought of it as an important cause to elect more women to Congress – until I looked through this book and it made me so happy and proud. I love to think that the day will come when we can look back on the 116th Congress and think how relatively few women they included back then.

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Review of My Wife Said You May Want to Marry Me, by Jason B. Rosenthal

Audiobooks, Nonfiction Review, Starred Review, True Stories 0

My Wife Said You May Want to Marry Me

by Jason B. Rosenthal
read by the author

HarperAudio, 2020. 7 hours on 6 CDs.
Review written August 11, 2020, from a library audiobook
Starred Review
2020 Sonderbooks Stand-out: #2 General Nonfiction

On March 3, 2017, beloved children’s author Amy Krouse Rosenthal (okay, she wrote things for adults, too, and even made films, but being a children’s author is what I loved her for) had a column published in the New York Times, “You May Want to Marry My Husband.” It told about her impending death from ovarian cancer, which indeed happened ten days later, but also about what a wonderful man her husband was, how beautiful their life together, and hoping that he would start a new love story after her death, because she wanted him to have a happy life.

This book is Jason’s follow-up. It tells about his life with Amy and their joyful partnership, about the two years he cared for her after her cancer diagnosis, and about dealing with grief. Amy gave him the gift of a platform to talk about end of life, the grieving process, and meeting life after loss with resilience.

As a divorced woman, I’ve dealt with loss. I’m glad that Jason acknowledges that he was lucky to have the loving relationship he had. And Amy blessed it with her last loving act of writing that column. Divorced people (especially those blind-sided by a spouse who leaves before they realize anything’s wrong) don’t get that benediction, but we still have to deal with the absence of someone we love. I appreciated that Jason doesn’t shy away from telling about the good times as if to avoid pain. And his insights are helpful for anyone dealing with loss, even if on the surface, your loss seems quite different from the too-early death of a beloved spouse.

Another thing I have in common with Jason is a succession of losses. Both my parents died, two months apart, last Fall. In the two years since Amy’s death, both Jason’s father and Amy’s father died, as well as the dog that was their family’s companion for many years. Loss piled on top of loss has its own difficult impact. Jason expresses so well the process of dealing with loss upon loss while remembering the love and joy. He doesn’t pretend to have it all together. He talks about times of weeping. And he is again and again thankful to Amy for urging him to fill those empty pages with a new love story.

Listening to Jason’s own voice makes it all the more personal. Listening to this audiobook feels like a brother or a close friend sharing their life and offering encouragement. I understand why hundreds of people have written to him. Amy’s column alone makes me wish it just so happened that I was right for him. (For starters, I don’t live in Chicago.) I have no doubt he’s going to again be a wonderful husband to some lucky woman. (And he has started dating someone. I’m a little envious that he was able to find someone “organically” without using online dating, but hey, everyone’s life is different.)

The part about his life together with Amy was full of joy. I drooled at the description of the home they built – with a wall covered with bookshelves from the basement to the third floor. And I love that they set goals for their relationship while on their honeymoon. They traveled the world together. They made room for quality time with their children and with each other. And they were each other’s biggest fans.

But he’s also got encouraging and uplifting things to say about his life now and about dealing with loss and having resiliency. This is not a sad book, even though it’s centered around a very sad event. It’s the story of a joyful and loving partnership and about someone learning to continue to live a joyful and meaningful life after that partnership ended far too soon.

Like I said, it feels like the author is talking to you personally. I will resist the urge to add to the pile of letters he’s received. Let me just say it now: Jason, thank you for this book. Thank you for telling Amy’s story and your story. Thank you for giving others a window into navigating the journey of loss and new beginnings.

jasonbrosenthal.com

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Source: This review is based on an audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of A Game of Birds and Wolves, by Simon Parkin

History, Nonfiction Review, Starred Review, True Stories 0

A Game of Birds and Wolves

The Ingenious Young Women Whose Secret Board Game Helped Win World War II

by Simon Parkin

Little, Brown and Company, 2020. 310 pages.
Review written April 23, 2020, from a library book
Starred Review

A Game of Birds and Wolves is the story of how Great Britain used an elaborate war game to strategize and win the war against the U-boats during World War II.

I hadn’t realized how important the Battle of the Atlantic was. Britain came perilously close to starving. During World War II, 2,603 merchant ships and 175 naval vessels escorting merchant convoys were sunk. More than 30,000 merchant seamen and more than 6,000 Royal Navy sailors died in the Atlantic, mostly because of attacks from U-boats.

The subtitle is a little bit misleading. This book is mostly about the man, Gilbert Roberts, who developed the giant board game and taught it to British naval officers. But his staff, the people running the game, were indeed women, officers in the Wrens, the branch of the British navy for women.

I’ve been reading a lot of children’s nonfiction, so I did get impatient with the extreme level of detail in this book. We hear about the establishment of the Wrens, about specific ships getting sunk in the Atlantic, about the glamorous lives on shore of U-boat commanders, and how Gilbert Roberts had been rejected by the navy. It seemed like the first half of the book was establishing the many, many different characters and the situations for both the Germans and the British.

But the tension does heighten as the WATU – the Western Approaches Tactical Unit – begins deducing the strategies that U-boats were using and developing ways to combat it. At the same time, we read about an admiral asking for more U-boats and finally getting them. It all builds to a dramatic battle where one of the Wrens charting the position of the ships in a giant sea battle is aware that her fiancé is in the thick of things.

As a gamer, it made sense to me that playing strategy games helps admirals devise effective strategies in real-life scenarios. They developed a 6-day course and captains coming in from time at sea would go through the course. They simulated visibility at sea by putting the captains behind a canvas screen and plotting the positions of small models of ships on the linoleum floor. They used green chalk for the U-boats, which couldn’t be seen from an angle. They made a dramatic simulation before computers could be used to do it.

The Wrens on staff were responsible for moving the models and marking the courses of the ships and U-boats involved. I enjoyed the scene where they had a young Wren play a scenario against a high ranking naval officer. She was experienced with the game and soundly defeated him.

It all gives an interesting side of World War II that I’d never heard about before.

simonparkin.com
littlebrown.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Kindness and Wonder, by Gavin Edwards

Biography, Nonfiction Review, True Stories 0

Kindness and Wonder

Why Mister Rogers Matters Now More Than Ever

by Gavin Edwards

Dey St. (William Morrow), 2019. 248 pages.
Review written December 29, 2019, from a library book.

Kindness and Wonder is a biography of Mr. Rogers, followed by ten lessons from his life, with anecdotes. I like the biography. I had tried to get through the much more detailed biography, The Good Neighbor in audio form, and hadn’t ever finished it. This one gives you the basic facts and the basic story of his life without getting bogged down.

The ten lessons are:

Be deep and simple.
Be kind to strangers.
Make a joyful noise.
Tell the truth.
Connect with other people every way you can.
Love your neighbors.
Find the light in the darkness.
Always see the very best in other people.
Accept the changing seasons.
Share what you’ve learned. (All your life.)

Some of the stories presented alongside these lessons weren’t what I expected. For example, the “Love your neighbors.” chapter told how the lives of Andy Warhol and George Romero paralleled the life of Mr. Rogers. I’m not sure I cared about them!

But mostly, this book tells about a man’s life who saw his ministry as using television to reach children, and who took children’s developmental needs very seriously.

As a children’s librarian, of all people, I need to learn everything I can from Mr. Rogers. I like the way this book points out the lessons from his example.

rulefortytwo.com
harpercollins.com

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Review of Helen Oxenbury: A Life in Illustration, by Leonard S. Marcus

Biography, Nonfiction Review, Starred Review, True Stories 0

Helen Oxenbury

A Life in Illustration

by Leonard S. Marcus

Candlewick Press, 2018. 288 pages.
Starred Review
Review written 02/20/2020, from a library book

This big, beautiful, heavy book tells the story of the career of the amazing picture book artist, Helen Oxenbury. I was delighted to read it, because Helen Oxenbury’s Tom and Pippo books were a huge favorite of my firstborn child, who is now almost 32 years old.

The pages are as large as a picture book, the paper is thick, and there are almost 300 pages. There’s a decorative ribbon, so this is suitable for a coffee table book, which is where I kept my library copy while I was reading it – but I’m afraid that meant I didn’t get around to it very often. By far the majority of the pages are filled with paintings, and when there is text it isn’t long. So this book doesn’t take a long time to read if you sit down and look. Every time I thought I should give up because I wasn’t getting around to it, I’d read another chapter and be so delighted that I didn’t have the heart to part with it until I was done.

It’s a beautiful book and filled me with nostalgia especially about the books I’d read to my kids. But I also enjoyed the wonderful art from books I hadn’t been familiar with. It’s arranged in a way that you can see Helen Oxenbury’s strengths and her growth as a writer. The story of her career is fascinating, too. She met her husband, the noted illustrator John Burningham, when they were both in art school. She began her own career in the 1960s and continues to this day.

This wonderful book looks in great detail at her many illustrated books and celebrates her life. There’s a Bibliography at the back as well as testimonials from authors she’s worked with. So much fun if you or your child have ever loved a Helen Oxenbury book. And if you haven’t, you’ll discover ones you must find and enjoy.

At the back of the book, we discover that Helen Oxenbury is the one who created the Walker Bear, also used by Candlewick Press. The book finishes with a quote from Deirdre McDermott, the Publisher of Walker Books:

So it is that the story of Helen Oxenbury’s astonishing contribution to children’s books is intrinsically woven into the fabric and legacy of Walker Books and Candlewick Press. She is as steeped in our history as we are in hers. Helen’s beautiful, iconic bear has illuminated the creative path for the thousands of stories that we’ve published, and shines a way forward for the many, many more to come.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Waking Up in Heaven, by Crystal McVea and Alex Tresniowski

Christian, Nonfiction Review, True Stories 0

Waking Up in Heaven

A True Story of Brokenness, Heaven, and Life Again

by Crystal McVea
and Alex Tresniowski

Howard Books (Simon & Schuster), 2013. 245 pages.
Review written February 1, 2020, from a library book

In December 2009, Crystal McVea died in a hospital room and spent time in the presence of God. While there, he showed her his unconditional, overwhelming love for her.

To show us how significant and earth-shaking that revelation was, Crystal tells her life story. She was abused in her childhood beginning at three years old. As a teen, she had an abortion. She didn’t feel remotely lovable or forgivable.

But in heaven, Crystal saw a beautiful little girl and her heart filled with love for her. Then God showed her that girl was herself.

And then another understanding passed between God and me, and I knew this is what He’d been trying to show me all my life. He’d been trying to show me how very much He loved me.

I knew God was allowing me to see myself as He saw me. And in His eyes I was an absolutely perfect creation, and I always would be. All the things that happened to me on Earth, all the bad decisions that caused me to hate myself – none of it mattered. I had believed God couldn’t possibly love me, not after what had been done to me, not after what I had done. But this belief was a lie, and God blasted the lie by showing me the intensity of His love for me.

I believe intellectually that God loves each of us like that. But this story put it into emotions, helped visualize that kind of love.

Since then, Crystal has been telling her story and letting other people know how much God loves them.

I read this book slowly, a little bit at a time, as I do with most nonfiction. I think I might have enjoyed it more and kept the thread of the story better if I had read it more quickly. But the overall message is powerful – that God has His hand on our lives, and God loves us.

SimonandSchuster.com

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Review of Listening for Madeleine, by Leonard S. Marcus

Nonfiction Review, Starred Review, True Stories 0

Listening for Madeleine

A Portrait of Madeleine L’Engle in Many Voices

by Leonard S. Marcus

Farrar, Straus and Giroux, 2012. 367 pages.
Starred Review
Review written July 5, 2019, from my own copy, purchased via Amazon.com

I’ve long been a fan of Madeleine L’Engle’s work, both fiction and nonfiction, both for children and adults. This book is an exploration of her life, composed of interviews with 51 people who knew her. Some only met her once or twice, but others knew her from childhood.

Here’s an overview from the Introduction, which also presented an outline of Madeleine L’Engle’s life story:

In pursuit of a fully rounded portrait of Madeleine L’Engle from living memory, it seemed essential to hear not only from as many as possible of the people who knew her most intimately but also from some whose more fleeting encounters were representative of those of the thousands of students, teachers, librarians, aspiring writers, neighbors, and others who crossed her path in the course of a richly complex life enacted largely in public view.

The portrait that emerges is – and was bound to be – impressionistic in nature. The principal reason for this is that L’Engle casually departmentalized her vast and densely populated universe. People important to her in one sphere of her life typically did not meet those important to her in the others. The inveterate fan and sometime practitioner of the mystery genre knew very well how to scatter the clues to her own story, an overwhelmingly admirable tale that at times, however, bore scant resemblance to the placid domestic idyll of A Circle of Quiet and its sequels, as a controversial profile of L’Engle published in The New Yorker, in April 2004, made clear. Some of the most deep-seated family conflicts also proved to be among the longest lived. Regrettably, L’Engle’s adopted daughter, Maria, was among the few people approached about an interview for this book who declined.

Most of the interviews are only a few pages. They’re divided into sections by the way the interviewee encountered Madeleine: Madeleine in the Making, Writer, Matriarch, Mentor, Friend, and Icon.

The result is indeed impressionistic, but you’re left with what feels like an exquisitely detailed portrait of a remarkable woman.

I highly recommend this book to all Madeleine L’Engle fans.

leonardmarcus.com
fsgbooks.com

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Review of Resurrecting Easter, by John Dominic Crossan & Sarah Sexton Crossan

Christian, History, Nonfiction Review, True Stories 0

Resurrecting Easter

How the West Lost and the East Kept the Original Easter Vision

by John Dominic Crossan & Sarah Sexton Crossan

HarperOne, 2018. 213 pages.
Review written March 3, 2020, from a library book

I’d originally checked this book out and tried to read it in 2018, but eventually gave up. (I was busy with Newbery reading, anyway.) But after Richard Rohr referred to it in The Universal Christ, I checked it out again and this time made a concentrated effort to read the whole thing.

It’s a very academic work, so that’s why it’s hard to get through, but becomes fascinating the more you pay attention to what the authors are saying. It’s a book about early Christian art portraying the Resurrection of Christ – and how it developed in two different directions.

But instead of just talking about it, the authors show you exactly what they’re talking about. They have traveled the world to collect photos of the art, and they’re on display in color on the large pages of this beautiful book. The authors also tell about their travels to old churches with mosaics and to monasteries with old manuscripts. We come to understand the timeline as they carefully date each picture and show how the iconography progressed.

As they lay out the two categories of images of Christ’s Resurrection – Individual and Universal, they also show us the different types within each category, and show how the types developed.

Here’s how the authors explain the Universal Resurrection Tradition in their Prologue:

Instead of arising alone, Christ raises all of humanity with him. He reaches out toward Adam and Eve, the biblical parents and symbols for humanity itself, raises them up, and leads them out of Hades, the prison of death.

This is presented in contrast to the Individual Resurrection Tradition, where Christ is pictured rising alone in splendor and triumph. The authors give two reasons for spending more time on the Universal Resurrection Tradition:

One is that the individual version becomes, by the second millennium, the official Easter icon of Western Christianity. As such, it is the one we know best as Westerners, and we may even presume, mistaking part for whole, that it is the only one present throughout Christian history. In this book, therefore, the emphasis is on universal over individual iconography for Christ’s Resurrection as remedial education for Western Christians. During the last fifteen years, it has been precisely that for us.

Another – and much more important – reason for emphasizing the universal resurrection tradition is based on these two final questions as the fourth and fifth themes of Resurrecting Easter. We emphasize them here and now, and we ask you to keep them in mind throughout the book, but we will only answer them at the very end of the book.

First, is the individual or universal vision in closer continuity with the New Testament’s understanding of “Resurrection” and in better conformity with the Gospels’ conception of Easter? For example, when Paul speaks of Christ’s Resurrection, is he imagining it as individual or universal? Or again, when 1 Corinthians 15:20 and Matthew 27:52 refer, using the same Greek term, to the resurrection of “those who have fallen asleep,” who exactly are those sleepers?

Second, whether you understand Christ’s Resurrection as a historical event or a theological interpretation; whether you accept it as myth or parable, symbol or metaphor; and whether you accept it religiously or reject it absolutely, what does it claim and what does that mean? How can someone or something that happens once at a certain time and in a specific place influence or change the whole human race – not just forward to the end of time, but backward to its start?…

What does it mean, whether or not it is credible, to depict Christ’s Resurrection as humanity’s liberation from death – all humanity, past, present and future?

So that gives you a feel for what’s explored in this book. Besides being a beautifully photographed book, it’s a major work of scholarship, gathering images made of Christ’s Resurrection from as early as the 700s, and placing them in chronological order and historical context.

As a universalist myself, I wouldn’t have minded if the authors had drawn more conclusions. But I personally took comfort in this confirmation that my belief that Christ redeemed all of humanity and “as in Adam all die, so in Christ shall all be made alive” — that this belief is bolstered by Christian art created centuries ago. Beautiful and inspiring.

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