Review of Everyone Brave Is Forgiven, by Chris Cleave

everyone_brave_is_forgiven_largeEveryone Brave Is Forgiven

by Chris Cleave
read by Luke Thompson

Simon & Schuster Audio, 2016. 12.75 hours on 10 discs.

First, let me say that Chris Cleave’s writing is magnificent. His use of language is rich and evocative. Narrator Luke Thompson’s voice and dreamy accent is wonderful — the voices of the different characters were distinct and clearly distinguishable throughout.

This is another World War II novel — but showed me aspects and details of World War II that I knew nothing about — the siege of Malta, the fate of children who were not evacuated from London, the treatment of Negroes in England, and what it was like to be in London during the bombing.

But — it’s another World War II novel. Yes, I was enthralled. Yes, I was never tempted at all to stop listening. (Did I mention the author’s magnificent and evocative use of the language?) But I’m afraid, sadly, I’m getting tired of World War II stories. I’ve read so many good ones in the last year: All the Light We Cannot See, Anna and the Swallow Man, Salt to the Sea, and The War That Saved My Life.

This one, I’m afraid I never was very fond of the characters. They were interesting. I liked Alistair best — but mostly it was sympathy for all he had to go through. (And his voice was the dreamiest.) The rest were all right, but not necessarily people I’d ever be friends with if they were real.

And the main love story didn’t quite work for me. As far as I could tell, it was some sort of spell cast on them when they laid eyes on each other. Despite obstacles. I just couldn’t quite get behind that, even though they kept telling me how strong that attraction was. I didn’t feel like they actually knew each other well, despite some flirtatious letters (which were fun to listen in on).

And Chris Cleave can think up horrors like no one else! He still hasn’t topped the scene in Little Bee for the most horrific scene I’ve ever read. But this was a book about war, and there were several truly awful moments. They were warranted — this is a war story. But that may be partly why I’m getting tired of World War II stories.

So — I can’t stress enough that this is a well-written book that shows you the daily lives of a group of people caught up in World War II. It lets you peek into their hearts. But those are a few reasons why I personally liked and admired it but didn’t love it. If you take it up, be sure you’re ready for a story about war.

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Review of Wolf Hollow, by Lauren Wolk

wolf_hollow_largeWolf Hollow

by Lauren Wolk

Dutton Children’s Books (Penguin Random House), 2016. 291 pages.
Starred Review

Here’s the Prologue of this book:

The year I turned twelve, I learned how to lie.

I don’t mean the small fibs that children tell. I mean real lies fed by real fears — things I said and did that took me out of the life I’d always known and put me down hard into a new one.

It was the autumn of 1943 when my steady life began to spin, not only because of the war that had drawn the whole world into a screaming brawl, but also because of the dark-hearted girl who came to our hills and changed everything.

At times, I was so confused that I felt like the stem of a pinwheel surrounded by whir and clatter, but through that whole unsettling time I knew that it simply would not do to hide in the barn with a book and an apple and let events plunge forward without me. It would not do to turn twelve without earning my keep, and by that I meant my place, my small authority, the possibility that I would amount to something.

But there was more to it than that.

The year I turned twelve, I learned that what I said and what I did mattered.

So much, sometimes, that I wasn’t sure I wanted such a burden.

But I took it anyway, and I carried it as best I could.

At the end of the book, Annabelle says:

But Wolf Ho

So this is a story about Lies and about Truth, about basic questions of Right and Wrong.

It’s not a World War II story, even though that’s the backdrop. Annabelle lives on a farm in Wolf Hollow. She attends a one-room school and looks out for her little brothers.

The story involves a dark-hearted girl who comes to Wolf Hollow, and who looks sweet and pretty to the adults, but is a cruel and relentless bully.

It also involves a homeless man named Toby, a veteran of World War I, who roams the hills with three guns on his back and camps out in an abandoned building. Again, to adults Toby looks scary, but he’s open-hearted and kind.

Annabelle has a window on both those people that isn’t shared with most of the folks in Wolf Hollow.

This book isn’t light-hearted and doesn’t really have a happy ending. But it’s a book about doing what’s right and seeing who people really are.

But it’s also a lovely book about love and friendship that leaves you uplifted in spite of the tough issues it uncovers.

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Review of Love, Lies and Spies, by Cindy Anstey

love_lies_and_spies_largeLove, Lies and Spies

by Cindy Anstey

Swoon Reads (Feiwel and Friends), New York, 2016. 344 pages.
Starred Review

This book had me from the first paragraph, which is:

“Oh my, this is embarrassing,” Miss Juliana Telford said aloud. There was no reason to keep her thoughts to herself, as she was alone, completely alone. In fact, that was half of the problem. The other half was, of course, that she was hanging off the side of a cliff with the inability to climb either up or down and in dire need of rescue.

A page later, Juliana does hear someone approaching.

Please, she prayed, let it be a farmer or a tradesman, someone not of the gentry. No one who would feel obligated to report back to Grays Hill Park. No gentlemen, please.

“Hello?” she called out. Juliana craned her neck upward, trying to see beyond the roots and accumulated thatch at the cliff’s edge.

A head appeared. A rather handsome head. He had dark, almost black, hair and clear blue eyes and, if one were to notice such things at a time like this, a friendly, lopsided smile.

“Need some assistance?” the head asked with a hint of sarcasm and the tone of a . . .

“Are you a gentleman?” Juliana inquired politely.

The head looked startled, frowned slightly, and then raised an eyebrow before answering. “Yes, indeed I am –”

“Please, I do not wish to be rescued by a gentleman. Could you find a farmer or a shopkeep – anyone not of the gentry – and then do me the great favor of forgetting you saw me?”

“I beg your pardon?”

“I do not want to be rude, but this is a most embarrassing predicament –”

“I would probably use the word dangerous instead.”

“Yes, well, you would, being a man. But I, on the other hand, being a young woman doing her best not to call attention to herself and bring shame upon her family, would call it otherwise.”

Well, it soon becomes apparent (as the roots give way) that Juliana must settle for the help of this gentleman and his friend. However, it so happens that the gentlemen also don’t want their presence on the cliff generally known, so all parties agree to pretend to be unacquainted, should they encounter one another again.

You will not be surprised that they do encounter one another again.

Juliana is an 18-year-old young lady getting ready for her first Season in London with her cousin. But Juliana is determined that she is not looking for a husband. No, her time in London is a cover for an opportunity to find a publisher for the research she and her father have done on lady beetles. Juliana has no intention of getting married and forsaking her father to do his research without her.

Meanwhile, someone is passing messages to Napoleon, and the handsome gentleman of the cliffside is on their trail. That trail increasingly brings him in proximity with Juliana, since the noble family she’s staying with has some not very noble members.

This book is tremendous fun from start to finish. Juliana is capable, independent, and intelligent – yet somehow manages to get into multiple situations where she needs to be rescued. Those situations ended up being so delightful, I couldn’t hold them against her.

This is a Regency romance with a little spying thrown in. The clause on the cover puts it well: “In which plans for a season without romance are unapologetically foiled.”

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Review of Glamour in Glass, by Mary Robinette Kowal

glamour_in_glass_largeGlamour in Glass

by Mary Robinette Kowal

TOR, Tom Doherty Associates, 2012. 334 pages.
Starred Review

A big thank-you to my sister Melanie for giving me this book, which I finally got around to reading.

I have trouble getting around to reading books I own – they don’t have a due date. I read the first book, Shades of Milk and Honey, on a plane trip, and enjoyed it, but wasn’t terribly impressed. I didn’t like the jealousy between the sisters and the tribute to Pride and Prejudice made it quite predictable.

So when I finally read this second book on a plane trip, I thought only to pass the time – and then I loved it!

Jane and her husband Vincent are newly married. They are now working together as Glamourists – people who use magic to create illusions. As the book opens, they have just finished working months on a commission for the Prince Regent.

From there, they decide to go to Belgium as a sort of honeymoon, celebrating the end of the war. Vincent is going to consult with a glamourist there who is developing a new technique that allows one to walk around a glamour and see different things from different sides. There Jane gets an idea of a way to record a glamour in glass so that you can carry it along with you. As they experiment together, they manage to record an invisibility glamour.

However, before long Jane’s activities as a glamourist are put to a halt when she becomes pregnant. The work of creating glamours is too taxing for pregnant women, and she has to sit on the sidelines for a time.

But then word comes that Napoleon has escaped his island exile and is coming back to France, via Belgium. Vincent is more embroiled in events than Jane had realized. Between spies on both sides and the military advantages of the invisibility glamour, Vincent gets into trouble, and it’s up to Jane – who can’t perform glamours – to find a way to get him out.

I thought this book was delightful. Jane’s younger sister wasn’t in it, so there was none of the jealousy or sibling rivalry I didn’t like in the first book. I liked the easy affection between the couple, with natural worries and stumbles as they figure out how to work together and merge their lives together.

This time, I didn’t expect the magic to be earth-shaking – it’s only about glamour, after all – but I think I enjoyed all the more the way it turned out to have military applications. Even before that bit, I liked the way creating glamours was presented as a skill that requires practice and study and invention – and the way Jane and Vincent both brought their talents to this work together. It was a lovely picture of a marriage – yet in a world quite different from our own. The plot wasn’t at all predictable, and I enjoyed the suspenseful elements and political intrigue – all with our heroine mixed up in the middle of it.

I’m going to have to catch up on this series!

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Review of Salt to the Sea, by Ruta Sepetys

salt_to_the_sea_largeSalt to the Sea

by Ruta Sepetys

Philomel Books, 2016. 391 pages.
Starred Review

This is not a cheery book. I knew that, going in. I got the Advance Reader Copy signed by the author and learned that it is about the greatest naval disaster in history, happening in 1945, when nine thousand people lost their lives. The picture on the cover is of empty life preservers floating in a dark sea.

To make things a little worse, the characters in the book don’t even board the ship until the last section of the book. It’s also a book about war.

Knowing all those things, I had a hard time picking up this book! But when I did (on an airplane trip), I was so glad I had. You do come away with a feeling of hope and transcendence, despite huge difficulties the characters face along the way.

I think it’s fair to tell my readers that some people you care about die – but not everyone. It is possible to read this book and feel uplifted at the end, rather than depressed!

And Ruta Sepetys’ writing is outstanding. She does get you caring about these people, seeing from their eyes. The book is all based on fact. The greatest naval disaster in history, yet who in America today has heard of the sinking of the Wilhelm Gustloff?

The author did voluminous research (reflected in the back matter), talking with many survivors as well as people who lost family in the disaster. And then she used all this information to bring the stories to life.

We get the perspectives of four different young adults. Every chapter is very short, and the backgrounds unfold in bits and pieces. We begin with Joana, a nurse of Lithuanian and German descent traveling with a group of refugees, fleeing toward the port city. Then we have Florian, who is Prussian and wounded but also fleeing and hiding an enormous secret. Florian stumbles across Emilia, and rescues her from being raped by a wandering Russian soldier. Emilia has her own secrets, and she’s Polish, who are despised by the Germans. Florian and Emilia join the group of refugees whom Joana is tending.

We also see the perspective of Alfred, who writes letters in his mind to Hannelore, a girl he left behind, about his exploits serving the Reich. We can see by the things that he’s called upon to do that his actual job is not so lofty as he describes it. He is going to be part of the reason our refugees are even able to board the Wilhelm Gustloff.

The background is that Germans are fleeing East Prussia ahead of the Russian army. An enormous evacuation happened in 1945, and this book helps the reader understand those desperate times.

Gradually, we learn the stories of each of the characters. I’m not going to say much more because the unfolding of the stories is part of the brilliance of the book. But we learn how each one was shaped by past choices leading to the road they’re taking now.

This is a wonderful book. I was kind of amazed by the time I finished how much I loved it, despite some of the horrendous things these people went through.

rutasepetys.com
penguinteen.com

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Review of The Girl from Everywhere, by Heidi Heilig

girl_from_everywhere_largeThe Girl From Everywhere

by Heidi Heilig

Greenwillow Books (HarperCollins), 2016. 454 pages.

I love the premise of this book. 16-year-old Nix has grown up on a time-traveling ship, the Temptation. Her father, Captain Slate, can Navigate anywhere – as long as he has a hand-drawn map. The map doesn’t have to even be of an actual place. With enough detail, Slate can even bring their ship to fantasy worlds.

They make their living gathering things from one time or place and selling them in another.

But Slate has an obsession. He wants to go back to 1868 Hawaii and stop Nix’s mother’s death.

Now, I didn’t quite believe Nix’s worries about that. She was afraid that if Slate stopped her mother’s death – she died in childbirth – Nix would cease to exist. Whereas her father believed Nix would be able to get to know her mother. I didn’t quite understand why Nix didn’t take that approach.

I also wasn’t crazy about Nix’s potential love interest, probably because I don’t go for the noble thief trope. Kashmir is a crew member who came on board from Vaadi Al-Maas, a location from the story of Sinbad the Sailor. He is a thief, and steals things for Nix from various places.

As the story opens, they are working to get a mythical bird that will heal illness, along with enough valuables to win an auction taking place in 2016 for an 1868 map of Hawaii.

But things go wrong, they end up in Hawaii in 1884, and there get embroiled in a plot against the king of the Hawaiian Islands.

This brings up an interesting ethical question: Is it okay to work with people planning to annex Hawaii to the United States when they know that’s going to eventually happen anyway?

Meanwhile, the novel takes on something of a heist plot, with their part involving a trip to a mythical place to pick up some terra cotta warriors. There’s another potential love interest introduced, a handsome youth who lives in Hawaii. And Nix learns about the place where she would have grown up if her mother had lived.

So you may be able to tell, I didn’t fall too hard for the characters in this book, but I still found it an intriguing premise. It was fun to see Nix comfortable with New York City in the present day as well as other places hundreds of years in the past. The rules of Navigating which were unveiled during the book were quite plausible, and I find myself hoping this is only the beginning of adventures for Nix and the Temptation.

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Review of The Wolf Wilder, by Katherine Rundell

wolf_wilder_largeThe Wolf Wilder

by Katherine Rundell

Simon & Schuster Books for Young Readers, 2015. 231 pages.

A note at the beginning of this book explains who wolf wilders are. They lived in Russia during the time of the tsars. It was fashionable to own wolves. Hunters would capture wolf cubs and sell them to the aristocracy. “Peter the Great had seven wolves, all as white as the moon.”

The captured wolves wear golden chains and are taught to sit still while people around them laugh and drink and blow cigar smoke into their eyes. They are fed caviar, which, quite reasonably, they find disgusting. Some grow so fat that the fur on their stomach sweeps the ground as they waddle up and down stairs and collects fluff and ash.

But a wolf cannot be tamed in the way a dog can be tamed, and it cannot be kept indoors. Wolves, like children, are not born to lead calm lives. Always the wolf goes mad at the imprisonment, and eventually it bites off and eats a little piece of someone who was not expecting to be eaten. The question then arises: What to do with the wolf?

Aristocrats in Russia believe that the killing of a wolf brings a unique kind of bad luck. It is not the glamorous kind of bad luck, not runaway trains and lost fortunes, but something dark and insidious. If you kill a wolf, they say, your life begins to disappear. Your child will come of age on the morning that war is declared. Your toenails will grow inward, and your teeth outward, and your gums will bleed in the night and stain your pillow red. So the wolf must not be shot, nor starved; instead, it is packed up like a parcel by nervous butlers and sent away to the wolf wilder.

The wilder will teach the wolves how to be bold again, how to hunt and fight, and how to distrust humans. They teach them how to howl, because a wolf who cannot howl is like a human who cannot laugh. And the wolves are released back onto the land they were born on, which is as tough and alive as the animals themselves.

Feo and her mother are wolf wilders living a hundred years ago just south of St. Petersburg. The story begins when an old general named Rakov bursts into their home with a dead elk, claiming that their wolves killed it. (It was not one of the wolves still with them, since the jaw marks were of a smaller wolf.) They are told that if aristocrats bring them any more wolves, they must kill them, which of course Feo and her mother have no intention of doing. They are told that if Feo is seen with a wolf, Rakov’s soldiers will shoot the wolf and take the child.

Feo and her mother make plans to escape if the soldiers come again. When the next wolf is brought to their door, a soldier does see Feo with it. But this soldier is only a boy. When the wolf gives birth to a tiny cub, the boy, Ilya, can be convinced not to tell.

Eventually, Ilya does warn them – the soldiers are coming. However, their escape doesn’t go as planned. Though Feo and the wolves escape to the wilderness, Feo’s mother is taken away, and their home is burned.

The main story is of surviving in the snowy woods as Feo and Ilya travel with the wolves to St. Petersburg to rescue her mother. Along the way they meet a teen who is trying to stir up revolution. Their village was destroyed by Rakov.

The writing style in this book evokes mythology and fairy tales; it’s beautifully crafted. The story is tense and gripping – just when you think they’ve escaped Rakov, he keeps turning up again.

Though this book would be good for children who love animals, because the wolves are portrayed definitely as wolves, I wouldn’t recommend it to just anyone. The violence included (mostly off-stage) is awfully intense. Rakov is horribly evil. And the children are ready to kill him. (Though – I don’t think this is really a spoiler – in the end it’s the wolves who do him in.)

Realistically? All along it was hard for me to believe that Feo would have any chance of rescuing her mother from the prison in St. Petersburg. When it came to it, the plan was plausible, but I still had some trouble with believability. Also, the first people they convinced to join in their “revolution” were children. I knew it’s a children’s book, so it would probably work out – but that could have gone just so horribly wrong. A character does say that soldiers don’t like to shoot children when people are watching, but based on some of the other things the soldiers do in this book, that didn’t make me feel safe for them.

The book also pretty much portrays the Russian Revolution as a good thing, a thing to get children involved in. And okay, it does show that there was injustice in the tsar’s Russia. But I had mixed emotions about that, too.

Summing up, this is, in fact, an excellent book for animal lovers, but they should be animal lovers with a high enough maturity level to read about violence and war. Those children who do tackle this book will find adventure and a sense of justice and children who triumph against long odds and characters, human and animal, who will stick with them long after they put the book down.

KIDS.SimonandSchuster.com

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Review of Sunny Side Up, by Jennifer L. Holm and Matthew Holm

sunny_side_up_largeSunny Side Up

by Jennifer L. Holm and Matthew Holm

with color by Lark Pien

Scholastic, 2015. 218 pages.
Starred Review

Here’s a graphic novel from the authors of the ever-popular Babymouse. This one’s a little more serious.

Set in August 1976, Sunny was looking forward to a family beach trip to finish off the summer – but instead she’s been sent to stay with her grandpa in Florida. Florida shouldn’t be so bad – It’s the home of Disneyworld! But Gramps lives in a retirement community. All his friends are as old as he is.

Fortunately, there’s one other kid at the retirement community, the son of the groundskeeper. He and Sunny start hanging out, doing things like finding lost cats and missing golf balls. But even better, he introduces Sunny to comic books.

But meanwhile, Sunny’s remembering back to things that happened before she left home. Her older brother used to be a whole lot of fun, but he had been changing recently. Sunny tried to help – and it didn’t end well. Is it her own fault she got sent away to Florida?

This is a fun and gentle story that lightly touches the issue of a family member with substance abuse. Mostly it’s about a kid learning to have a lovely summer even in a retirement community. Sunny is a protagonist you can’t help but love.

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Review of The Marvels, by Brian Selznick

marvels_largeThe Marvels

by Brain Selznick

Scholastic Press, New York, 2015. 670 pages.

Here is another book by Brian Selznick which mingles his detailed, fascinating pencil art with a written story.

In this book, the art – at the front and the back – tells a separate story from the written story in the middle of the book. There is a twist as to how the two are related.

The pictures in the art go back to a shipwreck that happened in 1776 to a boy named Billy Marvel, then continue to a theater in London, where the Marvel family became actors for generations. But one boy didn’t belong in the theater like the rest of his family.

The written part of the story also takes us to London, in 1990, to a boy running away from boarding school and looking for his uncle. His uncle lives in a house elaborately furnished as if a Victorian family still lives there. And there are hints of the Marvel family all over the house.

I am not necessarily the best audience for Brian Selznick’s work. I found that, as with his other books, I wasn’t quite drawn in to the story. Maybe because I’m not used to getting my stories through art? Maybe children more accustomed to graphic novels will enjoy it more?

Whatever the reason, I can and do still appreciate Brian Selznick’s craftsmanship. His art is detailed and exquisite. As for the story, it seemed a little melodramatic at first – but then he revealed a reason for that. I did appreciate the way he tied the two stories together in a way I hadn’t seen coming. He also tied the book to an actual house in London in the Author’s Note in a way that added poignancy to the story.

Brian Selznick’s books tend to have an alienated boy character who uncovers a mystery and works to solve it with the help of a friend and maybe in spite of curmudgeonly grown-ups. I’m not quite sure why I don’t seem to naturally respond to these characters, but I can easily imagine kids who would.

This is also a beautiful book. Besides the detailed artwork, the page edges are trimmed with gold and there are golden decorations on the front cover. It’s a big fat book which is also a quick read, because the majority of the story is told through pictures.

Definitely give this to kids who have enjoyed The Invention of Hugo Cabret and Wonderstruck. Each of the books is a completely separate story, though, so perhaps The Marvels will win Brian Selznick some new fans.

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Review of The Passion of Dolssa, by Julie Berry

passion_of_dolssa_largeThe Passion of Dolssa

by Julie Berry

Viking, 2016. 478 pages.
Starred Review

Julie Berry writes striking and memorable novels that pull you right into a time and culture quite different from our own. The Passion of Dolssa is about a young mystic in medieval Provensa who has visions of Jhesus, her beloved. But unfortunately for her, she has them during the Inquisition.

The book is presented as a series of documents from the time of the Inquisition discovered in later years. Dolssa’s testimony says things like this:

I was a young girl when my beloved first appeared to me. Just a girl of no consequence, the child of pious parents who were much older than most. . . .

My beloved was my great romance, and — impossible miracle! — I was his. He caught me up on wings of light, and showed me the realms of his creation, the glittering gemstones paving his heaven. He left my body weak and spent, my spirit gorged with honey.

There are no words for this. Like the flesh, like a prison cell, so, too, are words confining, narrow, chafing, stupid things, incapable of expressing one particle of what I felt, what I feel, when I see my beloved’s face, when he takes me in his arms.

There is only music. Only light.

Dolssa begins preaching to some friends of her Mama, and more and more people come.

In our Father’s house, I told the believers, there is never alarm, but only gladness, love, and peace.

Not long after that, the interrogations began.

Dolssa is sentenced to burn at the stake, along with her mother. But after her mother’s death, Dolssa’s beloved rescues her from the flames. She is able to flee.

While she’s hiding by the roadside, in fear and hunger and sickness, she is discovered by Botille, a tavernkeeper and matchmaker with two sisters who all have particular gifts. They take Dolssa in and hide her.

But the Inquisitors are relentless. When Dolssa starts healing the people of the village, how can they keep her presence secret?

Part of what’s interesting about this book is all the research the author did about the time and place. There are 32 pages of back matter after the story finishes. (You might want to check the Glossaries and Dramatis Personae before you finish. I didn’t realize they were there in back, because I try hard not to give myself spoilers. The back matter does not include spoilers and could be helpful. I did fine without it, but it might have made it a little easier to get the people with medieval names and the Occitan words straight.)

This is a wonderful book, with well-drawn characters. Botille and her sisters are not traditionally good folk, but they shine so much brighter than the official church represented by the Inquisitors. (The local priest is colorful, with many children in the village.) I learned about this time period in a way I will never forget.

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