Review of This Promise of Change, by Jo Ann Allen Boyce and Debbie Levy

Children's Nonfiction Review, History, Starred Review 0

This Promise of Change

One Girl’s Story in the Fight for School Equality

by Jo Ann Allen Boyce
and Debbie Levy

Bloomsbury Children’s Books, 2019. 310 pages.
Review written January 20, 2020, from a library book
Starred Review
2020 Robert F. Sibert Informational Book Honor

Jo Ann Allen was one of the “Clinton 12” – black children who went to the white high school in Clinton, Tennessee, in 1956 when the Supreme Court so ordered. It started out calmly enough, but things got worse and worse.

The main story is told in Jo Ann’s voice, in verse. Many are free verse, but many are also in rhyme, using poetic forms. There’s an immediacy about the poems, and we get the story of how it felt to be Jo Ann in the middle of such big events. I wouldn’t have necessarily liked an author making this up, but I like that Jo Ann herself was an author of this book, so we can trust that she got the feelings right.

Between the poems are headlines from all over the country talking about the events that Jo Ann was part of. There are photos at the back of Jo Ann and her classmates.

Because this book is in verse, it’s all the more readable, and helps the reader understand how it felt to be there.

I think my favorite poem in the book is this one toward the end:

A REAL VICTORY
(THURSDAY, DECEMBER 6)

The day before yesterday,
the same day
we went down the Hill with Reverend Turner
and all that happened
happened,
there was also an election.
Not an election for president
(that was in November; Ike won again)
but for local officials
like the mayor and the city aldermen.

The results are in and

I don’t know if people voted
after hearing what happened at school.
I don’t know if people felt
things have gone too far.

I don’t know if A led to B but –
every single
white supremacist
segregationist
candidate
lost.

Before all this,
before all that happened
happened,
I thought there was nothing I could do
about segregation.
I’m just a girl, I thought,
one girl who tries
to look at the good side of things,
because there’s nothing I can do
about the bad.
I’m still that good-side-looking girl,
but now when I see the bad, I’ll think –
I’ll know —
there’s something I can do about it.

debbielevybooks.com
Bloomsbury.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Assassination of Brangwain Spurge, by M. T. Anderson, illustrated by Eugene Yelchin

Children's Fiction Review, Fantasy, Stand-outs, Starred Review 0

The Assassination of Brangwain Spurge

by M. T. Anderson
illustrated by Eugene Yelchin

Candlewick Press, 2018. 530 pages.
Starred Review
Review written July 14, 2018, from an advance reader copy
2019 National Book Award Finalist
2018 Sonderbooks Stand-out:
#3 Children’s Fiction – Fantasy

Wow. This book is amazing!

It’s a story about a clash of cultures – elfin and goblin cultures, specifically.

Historian Brangwain Spurge has been sent to the land of the goblins – flying through the air in a barrel – to present to them an ancient artifact found that they believe was made by goblin ancestors.

Werfel the Archivist, goblin historian at the Court of the Mighty Ghohg, has been eagerly preparing for weeks to host the elfin scholar. He worries – are elves allergic to chocolate? Will the hospitality chocolates placed on his pillow be appropriate?

It was Werfel’s job to host the elfin emissary in the city, to take the scholar in as a guest in his own home. It was a huge responsibility. Elves were used to a certain luxury. Goose-down mattresses and stained glass windows. My poor guest will be joggled to bits after slamming into the ground like that, Werfel fretted.

And, goblins had a strong code of hospitality. Once a goblin invited someone across the threshold into their home, it was their duty to serve and protect their guest, no matter what. Hospitality was holy.

Werfel sat up. He had to get to work plumping pillows and stocking the fruit bowl. It was no use trying to sleep, anyway. He was too excited.

Unfortunately, it becomes all too clear that Werfel’s efforts aren’t being appreciated as intended. In fact, periodically we see a series of images. These are what Brangwain Spurge has been magically transporting back to those who sent him. His view doesn’t quite match Werfel’s eager ministrations.

And some things go sadly wrong. Spurge learns of the goblin habit of insulting their close friends and misunderstands when insults are actually intended as a mortal combat challenge. Werfel knows he will have to protect his guest with his life – but that devotion is completely unappreciated.

As one misadventure leads to another, the two come to understand one another better. I love the way the images change as Spurge’s perspective on the goblins changes. But can they survive their new level of understanding?

This book is a lovely look at cross-cultural misunderstanding – but in the goblin-elfin setting no human reading it will be offended. And the story (and the goblin and elfin cultures described) is a whole lot of fun, too.

M. T. Anderson writes clever books, and this one is no exception. It’s told with humor and compassion. I like it that the goblin host ends up being noble and self-sacrificing and kind, whereas the elves who sent Spurge on his mission are not folks you’d want to live among.

candlewick.com

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Review of The Testaments, by Margaret Atwood

Fiction Review, Science Fiction, Starred Review 0

The Testaments

by Margaret Atwood

Nan A. Talese, Doubleday, 2019. 419 pages.
Review written February 26, 2020, from a library book
Starred Review
2019 Booker Prize Winner

The Testaments is a sequel to The Handmaid’s Tale, which I’ve actually never read. (Though I remember it was a Book of the Month Club selection long ago when I was a member. At the time, I didn’t like books where religious people were the villains.) I have watched the TV series, though, on library DVDs. Normally, I wouldn’t let that substitute for reading a book, but while the series was riveting, it’s an extremely unpleasant story, and I didn’t actually want to absorb myself in it again. I did have enough information to completely understand what was going on in this sequel. This book will be more enjoyable if you’ve read the original book or watched the series, though.

This book is told from three perspectives, all three writing about what happened in the past (which is why it’s called The Testaments). One perspective is that of Aunt Lydia, an important person in the administration of Gilead, in charge of women’s matters. Along the way, we learn about Aunt Lydia’s background and how she came to power.

The other two perspectives are the daughters of Jude, the Handmaid who tells the story in the first book. (They don’t tell you that right away, but it’s not difficult to figure out.) One of them was smuggled out of Gilead as a baby. She only finds out about her background when the couple she thought were her parents were killed by a bomb. The other was the little girl taken from Jude when she was first captured while fleeing Gilead. She, too, must learn that those she thinks are her parents are not really her parents. In fact, when her “mother” dies and her “father” takes a new wife, the stepmother wants her out of the house, so plans to marry her off at thirteen.

I do have some arguments with the idea that Gilead would have gotten enough people behind it to pull off a new country and a new repressive government. But that’s simply the assumption here. In this book, the girls grow to be young adults, and the reader learns both what it’s like to grow up in Gilead and what happened to the characters after The Handmaid’s Tale.

Margaret Atwood’s prose is riveting. I began reading this book on a sick day. I did two things that day – slept and read. And I didn’t go to sleep for the night until I’d finished the book. Even with three perspectives, the plot doesn’t lag at any point. Highly recommended.

margaretatwood.ca
nanatalese.com

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Review of Nowhere Boy, by Katherine Marsh

Children's Fiction Review, Contemporary, Stand-outs, Starred Review 0

Nowhere Boy

by Katherine Marsh

Roaring Brook Press, 2018. 362 pages.
Starred Review
Review written July 18, 2018, from a book sent by the publisher.
2018 Sonderbooks Stand-out:
#2 Contemporary Children’s Fiction

Wow. This timely book shines a light on acting with compassion and asks when is it right to break rules for the sake of those in need.

The book opens in 2015 with Ahmed a refugee from Syria on an overcrowded dinghy in the Aegean Sea. His father is the only member of his family left alive, and when the boat is in danger of sinking, his father is the first one to jump into the water to pull the boat and keep it moving. This works for a long time until the wind picks up and the rope breaks and his father is lost.

The next chapter shows us Max Howard, whose family has moved to Brussels, Belgium, for his father to work at NATO Headquarters. Max has just learned that his parents are sending him to the local Belgian school to repeat sixth grade and focus on learning French. He is not happy about this decision, made without consulting him. His older sister is going to an American high school, but Max has to go to the school right around the corner.

The new school doesn’t go well. He doesn’t understand a lot of things, including writing with a fountain pen and spelling tests in French.

But the two stories collide after Ahmed, who has come to a refugee encampment in the middle of Brussels, tries to get a ride with a smuggler to Calais, but ends up needing to jump out of the van – without his phone or any money. He ends up hiding in the wine cellar in the back of the basement in Max’s family’s home. One thing leads to another… and he stays.

When Max eventually finds Ahmed, again one thing leads to another, and they develop a scheme to enroll Ahmed at the same school Max attends. I like the way that helping Ahmed means Max has to deal with the bully who’s been bothering him.

I love the way Max was inspired by Albert Jonnart, the man his street was named after – who lived there during World War II and ended up dying because he hid a Jewish boy. But the boy got away, fleeing across the rooftops. Now Max is hiding just one person himself.

The book is based on the author’s own experience living in Brussels on the same street as Max. The setting portrays the fear and mistrust of Muslim refugees and the terror attacks that happened in Paris and Brussels at that time. In that context, it’s all the harder to protect Ahmed, but Max and his new friends from school learn to see him as the kind person he is.

I love the message of this book and the gripping story. As unlikely as it sounds on the surface, the author made me believe this could have actually happened. I’m sure that the many details from her own and her children’s time in Brussels help give it the ring of truth. The fact that I have lived in Europe myself made it all sound very familiar. I also enjoy the way the book challenges your thinking and makes you ask what you would be willing to do in order to show kindness, even to just one person.

katherinemarsh.com
mackids.com

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Review of Gittel’s Journey, by Lesléa Newman, pictures by Amy June Bates

Historical, Picture Book Review, Starred Review 0

Gittel’s Journey

An Ellis Island Story

story by Lesléa Newman
pictures by Amy June Bates

Abrams Books for Young Readers, 2019. 44 pages.
Starred Review
2020 Sidney Taylor Picture Book Award Honor

Gittel’s Journey is the story of a young girl traveling by herself to America from Poland with her mother’s Sabbath candlesticks. The story is based on the true stories of the author’s grandmother and adopted aunt.

Gittel had set out with her mother, but her mother is turned away because of an eye infection. She tells Gittel to go on without her and gives her the address of her cousin. But when Gittel arrives in America after a long journey, the ink has worn off the paper because she has kept such tight hold of it.

Fortunately, Gittel finds kind helpers in America for a happy ending.

The story is simple, but catches the reader’s imagination with the idea of a young girl crossing an ocean alone. The beautiful water color illustrations and loving care taken in the book’s construction make this book a work of art with a classic feel.

amybates.com
abramsyoungreaders.com

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Review of Beneath the Tamarind Tree, by Isha Sesay

Nonfiction Review, Starred Review, True Stories 0

Beneath the Tamarind Tree

A Story of Courage, Family, and the Lost Schoolgirls of Boko Haram

by Isha Sesay

Dey St. (William Morrow), 2019. 382 pages.
Starred Review
Review written February 24, 2020, from a signed advance reader copy and a library book
2020 Sonderbooks Stand-out: #10 General Nonfiction

CNN journalist Isha Sesay tells the story of 276 Nigerian girls kidnapped from a boarding school in the night of April 14, 2014. 57 managed to escape that night. The girls were made to sleep on the ground, work for their captors, and given little to eat. They were urged to convert to Islam and then to marry their captors. The ones who refused to convert were made to work as slaves for the new wives.

I was a little ambivalent about how much Isha Sesay puts herself into the story. But it seems appropriate because part of the story is how little the Nigerian government did to recover the girls, who were from poor, rural families. There was even a strong movement asserting that it was all a hoax to make the government look bad. So the author’s work to bring international attention to the plight of the girls did help their recovery.

More than 100 of the girls have still not been recovered. But twenty-one were released on October 13, 2016, and eighty-two more in May 2017. The author worked with the released girls to find out their story, but she also gives the perspective of heartbroken parents who still have not recovered their daughters.

Even though the author is herself Muslim, the Christian faith of the schoolgirls shines through in these pages. It was their faith – especially of those who refused to convert – that helped them through the terrible times.

Boko Haram is against educating women, so it’s something of a triumph that most of the released girls are now attending university. But I do hope this book will help the world remember the plight of those who have still not been recovered.

This story is both inspiring and very sad. It’s terrible what the girls and their parents went through, and what many are still enduring. But those who came home tell an inspiring story of faith and perseverance during a frightening trial.

harpercollins.com

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Review of Infinite Hope, by Ashley Bryan

Children's Nonfiction Review, History, Starred Review 0

Infinite Hope

A Black Artist’s Journey from World War II to Peace

by Ashley Bryan

A Caitlyn Dlouhy Book (Atheneum Books for Young Readers), 2019. 108 pages.
Review written January 20, 2020, from a library book
Starred Review
A 2020 Capitol Choices selection
2020 Coretta Scott King Illustrator Honor

Infinite Hope is visually stunning. The extra large pages are filled with sketches, copies of letters, and photographs, all from the author’s service during World War II.

I was relieved when I realized that all the handwritten letters are transcribed into print. There’s not a whole lot to read on each page, but there is so much to see.

Ashley Bryan is a distinguished Black writer and illustrator of children’s books. World War II came as he was getting started in art, having won a scholarship to art college. His art career was interrupted when he was drafted to serve in World War II, but he spent the whole war sketching what he saw. This book tells his story, illustrated by the actual sketches.

It’s a story of discrimination. Ashley Bryan wasn’t used to discrimination, having grown up in the Bronx, but that was how things worked in the U. S. Army. When they got to Europe, though, they found something different.

The Scottish people were warm and welcoming to all of us Black GIs. For some of the Southern men in our company, this was their very first experience of open, friendly encounters with white people. The Scots offered us unquestioned acceptance as equals, a level of immediate friendship that we rarely received at home.

This did not please our white company officers, who were determined to enforce the US Army policy of segregation. Their general attitude that Blacks were beneath them – that “we do not treat them like that!” prevailed. So they began to circulate terribly demeaning stories about Black people, saying that we would hurt them, that we had tails that would come out at night. Their goal was to make the Scottish people fearful so that they would avoid us.

To the officers’ great annoyance, their efforts did not change the way the people of Glasgow viewed us. The Scots did not have the institution of racism – they weren’t socialized against Blacks. Despite the officers’ attempts to sway them, the Scots trusted our actions and friendliness rather than the officers’ words.

Ashley Bryan even got permission to take classes at the Glasgow School of Art.

The fellows in my company never held it against me that I was free to leave camp to go to the art school, even when they were restricted. I had always shared my artwork with them and had helped some of them write letters to loved ones at home, so they were glad for me, glad that I had a chance to get better at something I loved. For while they were playing cards or dice, I was drawing, drawing, drawing. They also took it as my way of going over the head of our company officer, and cheered me on.

He tells about taking part in D-Day and its aftermath – and throughout it all, he kept on sketching. He stored all those sketches after the war (having regularly mailed batches back to his parents), and now was finally ready to pull them out. I like when he talks about preparing the sketches for an exhibit and turning some into paintings.

Fifty years ago, those paintings would have been dark – grays and blacks. But in really looking at those sketches now, I saw a beauty there – the beauty of the shared human experience. And I was able to face these sketches, face these memories and emotions, and turn them into the special world created by the men. I think of the men who were in the unit with me – I had such respect for what they could do, things I was so inept at. I remember their generosity toward me. I can never give them more than they gave me, so I would paint them in full color, filled with the vibrancy and life I had put into my garden paintings. I was ready.

I chose to paint from sketches of the soldiers playing cards or dice. This was a world they created, sheltered from the segregation and racism they endured. Sheltered from all sorts of war. I look now at the color, open form, and rhythm of those paintings. To me, they seem to have come out of my Islesford garden paintings rather than the drab colors of Omaha Beach! They have that surprise of discovery and invention that comes from seeing a well-known theme anew. They open the door to many other unexpected possibilities – because what is life, if not a voyage of endless discovery.

And so Ashley Bryan takes his sketches and inside story of World War II and makes it a thing of beauty and hope.

ashleybryancenter.org
simonandschuster.com/kids

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Where the Crawdads Sing, by Delia Owens

Fiction Review, Historical, Starred Review 0

Where the Crawdads Sing

by Delia Owens

G. P. Putnam’s Sons, 2018. 370 pages.
Starred Review
Review written January 27, 2020, from a library book

Where the Crawdads Sing came out in 2018, when I was busy reading for the Newbery committee and didn’t have any time for adult books. But the book is still tremendously popular and always on hold, so I decided to get on the list for it and see what all the fuss was about.

I was not disappointed. This is a book with a mystery and a dramatic courtroom scene. But it is mostly a poignant story of a girl who’s been abandoned over and over again, has had to figure out life on her own, but who lives a beautiful life understanding the natural world and all its wonders.

The Prologue of the book tells us about a dead body in a swamp in 1969. Then the main body of the book opens in 1952 when Kya is six years old and her mother walks away from their shack in the marsh and never comes back. One by one, her older sisters and brothers leave as well. She gets a few years with Pa before he starts drinking again and one day never returns. So Kya has to figure out how to survive in the marsh from ten years old.

She’s a resourceful little girl. And she knows the marsh like nobody else. She knows how to hide from people like truant officers – after trying exactly one day of school in the town. She figures out how to cook and how to get food and supplies. And she knows all the creatures and birds that share her home.

Meanwhile, interwoven with scenes of Kya growing up are stories of the investigation of the dead body in the swamp. The body was a popular young man in the town, a star football player when he was in high school. He fell from an old fire tower. But there are no footprints in the mud leading up to it, not even his own. Gossip starts to mention that he once spent time with the Marsh Girl.

This is also a story of the men Kya eventually meets. One is a beautiful love story – but like so many other people in her life, he lets her down. And then there’s the story of the young man she turned to out of loneliness.

All along the way there are beautiful descriptions of life – all sorts of life – in the marsh. There’s poetry about it and we come to understand Kya’s wild heart. It’s also a wonderful story of how she builds a beautiful life. Of course, that will all be threatened if she’s convicted of murder.

Here’s the first paragraph of the Prologue, giving a small taste of the nature writing woven throughout this book:

Marsh is not swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky. Slow-moving creeks wander, carrying the orb of the sun with them to the sea, and long-legged birds lift with unexpected grace – as though not built to fly – against the roar of a thousand snow geese.

deliaowens.com
penguinrandomhouse.com

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Review of The Orphaned Adult, by Alexander Levy

Nonfiction Review, Personal Growth, Starred Review 0

The Orphaned Adult

Understanding and Coping with Grief and Change After the Death of Our Parents

by Alexander Levy

Perseus Books, 1999. 190 pages.
Starred Review
Review written February 8, 2020, from a library book
2020 Sonderbooks Stand-out: #8 General Nonfiction

My father died unexpectedly four months ago, from a blood clot two days after minor surgery that had gone well. Then my mother died expectedly two months ago, after more than a decade with Alzheimer’s.

There was a very foolish part of me that hadn’t thought my mother’s death would hit me as hard as it did, since it was expected. But it was all so wrapped up in the unexpected death of my father. And now I have no parents on earth at all. And yes, it’s hitting me very, very hard.

One of my sisters (I think Marcy?) recommended this book to the rest of us, I believe giving it to the shared Kindle account (which I don’t use). I found the book extremely helpful. For me, it was probably helpful to realize that yes, losing your parents shakes you up. Even if you didn’t see them very often, and even if one of their deaths was long expected.

The author acknowledges that this is something almost everyone goes through. And since everyone goes through it, somehow most people don’t realize what a big deal it is.

Now, he also talks about the difference between when your first parent dies and when your second parent dies – I think my siblings and I can expect feelings to be multiplied with our parents dying at what seems like almost the same time.

The book didn’t seem incredibly profound. But I can’t overemphasize what a big deal it was to be told that the death of both your parents is a big deal. That was so helpful to me.

The most personally helpful chapter to me (so far) was the one called “Just Exactly Who Do You Think You Are? The Impact of Parental Death on Personal Identity.” Yes, I had been questioning who I am and what I was doing on the East Coast when all my family is on the West Coast. But I hadn’t connected that with my parents deaths. Realizing it was connected helped me greatly with my grappling.

After parents die, for the first time in our lives – and for the rest of our lives – we no longer feel we are someone’s child because we no longer have living parents. Changing this one fact precipitates a change in identity that is disorienting and confusing. Many of us become a little lost, temporarily. How, after all, is one to navigate when the directional beacon goes out, regardless of whether we had been moving toward it or away from it? Who am I now that I am nobody’s child?

I’ve had a feeling of being less safe since my dad died. The author captures a little of that:

In adulthood, parents are like the rearview mirror of a car, making it safe to operate, as we head into the unknown, by providing a glimpse of where and who we have been so we can better understand where and who we are becoming.

When parents die, the experience is not as much like no longer finding a mirror in its accustomed location as it is like looking into the mirror and seeing nothing. How is one to navigate with the unknown ahead and nothing behind?

This book has a lot of anecdotes, exploring the different aspects of people’s experiences after their parents die. The author is a psychologist, so he does use examples from his practice as well as his own experience. Each chapter begins with a poem from different authors about the death of parents.

The introductory chapter points out that parents are the constant in our lives since birth. It should not surprise us when their absence affects us deeply. But it does.

It is a cultural fiction that parental death is an incidental experience of adult life. If one of the purposes of culture is to provide us with a map – navigational assistance as we move into each stage of life – then this particular bit of misinformation beguiles us. Imagine a map that failed to correctly show a huge turn in the road, beyond which lay a dramatically different terrain in which many road signs change meaning. Perhaps this cultural falsehood supports and promotes certain social and material values, but it does not serve us well since it so poorly equips us for the actual experience when it occurs.

The maps of antiquity were drawn with borders of dragons and serpents to differentiate the known terrain, with its explored forests and rivers, from the vast and yet unexplored territories beyond, filled with the fearsome dangers that always seem to lurk in the unknown. Our culture does not supply a map with a border of dragons to warn us that things will be different beyond a certain point. As a result, each of us is caught by surprise when we move beyond the limit of our parents’ lives.

The stories that fill this book do show us there’s not one particular way everyone is going to feel. But they do help you realize that being an orphan – even when you’re a fully grown adult – is something big to deal with.

I do recommend this book to any adult who’s lost both their parents. I found it helpful, truthful, and comforting.

perseusbooks.com

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Review of The Remarkable Journey of Coyote Sunrise, by Dan Gemeinhart

Children's Fiction Review, Contemporary, Starred Review 0

The Remarkable Journey of Coyote Sunrise

by Dan Gemeinhart

Henry Holt and Company, 2019. 344 pages.
Review written January 22, 2020, from a library book
Starred Review
Honor Selection of the City of Fairfax Regional Library 2020 Newbery Book Club
2019 Cybils Award Winner Middle Grade Fiction

I wish I’d read this book months ago when my coworker first told me how much she loved it! Instead, I read it in January 2020 because it was selected by my library’s Newbery Book Club members as one of their contenders – and I’m now a fan myself.

The Remarkable Journey of Coyote Sunrise is about a twelve-year-old girl, Coyote Sunrise, and her father, Rodeo, who live in an old converted school bus traveling around the country. The story opens as Coyote adopts a cat, whom she names Ivan after her favorite book, The One and Only Ivan. (It’s always fun when a Newbery winner references another Newbery winner! I would be happy if this were such a case.)

Coyote has to manage Rodeo – she knows he won’t approve of her getting a pet. So she sneaks Ivan onto the bus, and then convinces Rodeo about a trial period of 500 miles. Sure enough, Ivan wins Rodeo over before the time is up.

But other things are trickier. Coyote has a weekly talk with her grandmother, and soon after adopting Ivan, she learns that a park in the town where she used to live is going to be demolished and replaced with housing. But five years ago, Coyote and her mother and two sisters buried a time capsule in that park and promised to return in ten years and dig it up. But a few days after they did that, Coyote’s mother and sisters were killed in a car crash. That was when Rodeo took Coyote on the school bus road trip, saying that it was too painful to look back.

So Coyote is determined to get to that park in one week. Trouble is, they are currently on the other side of the country. If she tells Rodeo, he’ll refuse – so she has to figure out another way to get him going that direction.

And so the journey begins. Along the way, they take on passengers, and those passengers get on board with Coyote’s quest. But the obstacles she faces get bigger and bigger. Coyote’s actions get more and more outrageous, but the reader still isn’t sure she’ll be able to pull this off.

This is a book with heart. The characters are wonderful, each one well-drawn and contributing to the story. The tension builds as Coyote’s deadline gets more and more impossible to meet and at the same time obstacles mount.

The back story is horribly tragic – Coyote’s mother and sisters dying – and yet this is a book full of humor and sheer joy. It walks the balance of dealing with a serious subject in a meaningful way without ending up with an unbearably sad book.

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Source: This review is based on a library book from Fairfax County Public Library.

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