Review of The Lost Words, by Robert MacFarlane and Jackie Morris

The Lost Words

A Spell Book

by Robert MacFarlane and Jackie Morris

Anansi Press, 2018. First published in the United Kingdom in 2017. 132 pages.
Starred Review
Review written July 6, 2019, from a library book

This gorgeous book focuses on twenty words from nature that had been removed from the latest edition of the Oxford Junior Dictionaryacorn, adder, bluebell, bramble, conker, dandelion, fern, heather, heron, ivy, kingfisher, lark, magpie, newt, otter, raven, starling, weasel, willow, and wren.

The book is large, oversized, and heavy, making it awe-inspiring. The only trouble I see with that is I can’t imagine children carrying it around to read it over and over. This is a coffee table book that’s physically heavy to pick up. Perhaps they could make a small version for everyday use? Though this one is stunning.

Each word first has a simple spread where the lost word is hidden among other letters, but highlighted in a different color. Then we have an acrostic poem featuring the word with a painting of the object on the facing page. Next there is a full-color glorious painting on the following spread.

I had gotten through almost the entire book before I realized that these poems absolutely must be read aloud. I went back and made up for my mistake of trying to read them silently. The poems are magnificent. I will highlight a few stanzas with wordplay I especially like.

From the Willow poem:

Willow, when the wind blows so your branches billow,
O will you whisper while we listen so we learn what
words your long leaves loosen?

From the Otter poem:

This swift swimmer’s a silver-miner – with
trout its ore it bores each black pool deep
and deeper, delves up-current steep and
steeper, turns the water inside-out, then
inside-outer.

From the Fern poem:

Reach, roll and unfold follows.
Fern flares.

Now fern is fully fanned.

From the heron poem, coming just after the marvelous line that the heron “magically . . . unstatues:

Out of the water creaks long-legs heron,
old-priest heron, from hereon in all sticks
and planks and rubber-bands, all clanks and
clicks and rusty squeaks.

Now heron hauls himself into flight – early
aviator, heavy freighter – and with steady
wingbeats boosts his way through evening
light to roost.

From the Ivy poem:

You call me ground-cover; I say sky-wire.

May this magnificent book open our eyes again to nature.

johnmuirtrust.org/initiatives/the-lost-words
houseofanansi.com

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Review of Nevermoor: The Trials of Morrigan Crow, by Jessica Townsend, read by Gemma Whelan

Nevermoor

The Trials of Morrigan Crow

by Jessica Townsend
read by Gemma Whelan

Hachette Audio, 2017. 11 hours on 9 discs.
Starred Review
Review written July 1, 2019, from a library audiobook

Big thanks to my co-worker, Amanda Snow, for recommending this audiobook! I didn’t have time to read it while I was on the Newbery committee because the author is Australian (and therefore not eligible), but I’m so happy to make up for lost time.

Morrigan Crow was born on Eventide, which means she’s under a curse and bad luck for everyone she encounters. Her father has to pay constant claims for damages because Morrigan was around when something bad happened, so clearly it was her fault.

It also means that she will die the next time Eventide happens. So when it happens on her eleventh birthday, her family spends the day preparing for her death. Then a surprising stranger with a contract appears. His name is Jupiter North and he takes her into the “free state” of Nevermoor, outrunning the Hunt of Smoke and Shadow who want to track her down and kill her.

The trouble is, Morrigan’s presence in Nevermoor is illegal, and those in charge of border security plan to deport her. However, Jupiter has entered her into the trials to become a member of the Wundrous Society, along with hundreds of other children from whom only nine will be chosen. As long as Morrigan is in the trials, she’s under the protection of the Wundrous Society and can’t be deported.

And Nevermoor is full of wonders. There’s a Magnificat (a giant talking cat) who helps run the Hotel Deucalion where Morrigan now lives. Strange and magical things happen all the time.

But Morrigan must undergo four trials to get into the Wundrous Society, the fourth one being to display her talent. Jupiter refuses to tell her what her talent is. If she is not selected for the society, she will have to leave Nevermoor, and she’ll be killed by the Hunt of Smoke and Shadow, so the stakes couldn’t be higher.

The comparisons to the Harry Potter books are obvious, and normally I roll my eyes when people make that claim. But in this case, the comparison is actually not bad! Morrigan has discovered a magical world; she gains friends and companions as she explores the new world; and she must learn how it all works. There’s a sinister shadowy figure in the background and Morrigan has some sort of special calling, despite a wretched home life where she was not appreciated. Author Jessica Townsend even has an amazing imagination like J. K. Rowling and comes up with delightful magical details.

This book would make wonderful family listening. Great accents, lots of humor, and magical adventures! How could you go wrong?

lbyr.com
HachetteAudio.com

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Review of Maybe Tomorrow? by Charlotte Agell, illustrated by Ana Ramírez González

Maybe Tomorrow?

by Charlotte Agell
illustrated by Ana Ramírez González

Scholastic Press, 2019. 40 pages.
Starred Review
Review written July 5, 2019, from a library book

Oh, this is a wonderful, joyous, and tender book about grief and about sharing burdens in friendship. I wish I could show the bright and joyful pictures. The editor here did the perfect match of illustrator to words.

Elba is a pink hippo-like creature (reminds me of a Moomin) with downcast eyes and Norris is a crocodile who walks upright. They live in a bright, springlike landscape. Here’s how the book begins:

Elba had a big block.
She’d been dragging it around for a long time.

It made her walk slowly.
It made her think darkly.
It was heavy.

Norris danced everywhere he went, even uphill.

One day, Elba was sitting on her block in the park, like she usually did.

Along came Norris in a cloud of butterflies.
At first Elba couldn’t see him in all that shininess.

Norris tries to get Elba to go on a picnic with him, but she wants to sit on her block, like she usually does. (The block is the one dark thing in the pictures.)

Norris stays and talks with Elba. He feels something sad in the block that wants to come out, but they don’t know how. By the end of the day, they say, “Maybe tomorrow.”

The next day, it’s raining, and Norris brings tea to Elba. “They had good, quiet tea with rain in it.”

The next day, Norris shows up again.

Tomorrow didn’t come, but another today did.
“It’s really time,” said Norris, “because I want you to come to the ocean with me.”
“Okay, I’ll just take my block,” said Elba, surprising herself.
“But it’s too heavy,” she added. “Right?”
“My butterflies and I will help you,” said Norris.

Indeed, the butterflies carry the block for Elba, slowly, all the way to the ocean. We learn what’s causing Elba’s sorrow as she tells about her friend Little Bird, whom she misses so much.

And after that, Elba’s block is smaller and lighter.

I hope I’m not giving too much away, and you really do need to read this book yourself, but I especially love this page at almost the end:

Together they stood and faced the roaring sea.
“I’ll always have this block, you know,” said Elba.
“Yes, maybe you will,” said Norris.
“But I will help you carry it sometimes.”

One lovely thing about this book is that you don’t have to be an Elba to appreciate it. If you’re a Norris, you can learn from his sweet, listening spirit, and his generosity with his butterflies.

It’s a friendship story and works as a friendship story. If there’s a big dark block of grief in your life, it will resonate all the more, but you don’t need that to love this book.

charlotteagell.com
scholastic.com

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Review of Chronicles of Avonlea, by L. M. Montgomery

Chronicles of Avonlea

by L. M. Montgomery

Grosset & Dunlap, 1970. Originally published in 1912. 306 pages.
Starred Review
Review written July 6, 2019, from my own copy

In preparation for a trip to Prince Edward Island in September, I’m rereading all my L. M. Montgomery books in the order they were published. Chronicles of Avonlea is number five in this endeavor.

Maud Montgomery honed her craft by writing stories and getting them published in magazines. She did this for years before her first novel was published. This collection of stories gives wonderful examples of her brilliance. The only I quibble I have with them is that she was being pressured to write more about Anne of Green Gables – and mention of Anne Shirley is shoehorned into almost every single one of these stories. The only one where it’s organic and Anne is an important part of the plot is the first one, “The Hurrying of Ludovic.”

The most brilliant story of all in this collection is probably my favorite short story ever. I’ve done readings of this story when I was in college to entertain my friends and, yes, when I came to this story this time through, I was compelled to read the whole thing out loud.

That Most Delightful Story Ever is “The Quarantine at Alexander Abraham’s,” the story of a woman who hates men and her cat trapped in the home of a man who hates women and his dog. The woman, who is the narrator, does come off best – and both change their attitudes by the end. The process is all the fun and reading it in the narrator’s voice saying, “I am noted for that” makes it utterly delightful.

Honestly, in this read-through, I’m constantly being shocked when I realize these older characters are now younger than me! Angelina Peter MacPherson is forty-eight years old in this story. In fact, many of the main characters in these stories are deep into adulthood. I’m going to file this book in with Teen Fiction, but really these are family stories. It’s all innocent and G-rated, about life and love, but there’s a lot of focus on older folks coming to understand whom they truly love, whether in romance or the love of a child.

This is a delightful collection, written by a master storyteller at the height of her powers.

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Review of They Called Us Enemy, by George Takei, Justin Eisinger, and Steven Scott, art by Harmony Becker

They Called Us Enemy

by George Takei, Justin Eisinger, and Steven Scott
art by Harmony Becker

Top Shelf Productions, 2019. 208 pages.
Starred Review
Review written July 17, 2019, from my own copy purchased via amazon.com

I got to hear George Takei speak at ALA Annual Conference and received an excerpt from this book which I got signed by all of the creators. All of that got me so excited about it, I went ahead and preordered my own copy and read it the day it came in.

I didn’t know much at all about the incarceration of Americans of Japanese descent during World War II, even though one of my best friends has parents who were imprisoned as children at that time. And I guess I thought I knew more than it turns out I did. George Takei presents his memories as a five-year-old sent to the camps, but he inserts the facts of what was going on to make it possible for American citizens to be imprisoned simply because of their ethnicity.

The whole timeline and explanation is laid out. After Pearl Harbor, Americans of Japanese descent were regarded with suspicion, and young men were turned away from army recruitment centers. Next came curfews, and then the families were rounded up and sent to camps. George talks about the irony of going to school and reciting the Pledge of Allegiance surrounded by barbed wire and guards. The story is told from the perspective of a five-year-old who doesn’t know that anything he’s experiencing isn’t normal.

George’s father emerges as the hero of this story. He did what he could to help his family at the time. As George grew up, his father talked with him about democracy.

Our democracy is a participatory democracy. Existentially, it’s dependent on people who cherish the shining, highest ideals of our democracy and actively engage in the political process.

His father said about FDR:

Roosevelt pulled us out of the depression, and he did great things, but he was also a fallible human being, and he made a disastrous mistake that affected us calamitously. But despite all that we’ve experienced, our democracy is still the best in the world.

The art in this book is wonderful. Young George is adorable and mischievous. His parents’ love for each other and firm resolution to take care of their children is communicated in the pictures. At times, a manga style is used to show George’s excitement, with stars coming out of his eyes. It’s used with a light touch, but effectively.

The book is framed with a modern-day George reflecting on his experiences and the book touches on where his life went from there. Taken all together, this book is powerful and moving. And it’s also shocking – what the government was able to do to United States citizens. Unfortunately, it’s also horribly timely.

This is a book everyone should read. Since it’s in comic format, it doesn’t take long. Invest an hour of your time reading this. You won’t forget it.

topshelfcomix.com

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Review of Nine Months: Before a Baby Is Born, by Miranda Paul, illustrated by Jason Chin

Nine Months

Before a Baby Is Born

by Miranda Paul
illustrated by Jason Chin

Neal Porter Books (Holiday House), 2019. 32 pages.
Starred Review
Review written May 10, 2019, from a library book

This book tells us, with a simple rhyming text, the progress of a little girl becoming a big sister – but the stunning part of the book comes from the actual-size pictures of the growing fetus inside the mother.

For most of the book, the growing fetus is on the left side of the spread and the expectant family on the other side, with the soon-to-be big sister obviously anticipating her new status. By the end, the newborn infant takes up the entire spread.

I didn’t check until I’d finished reading who the illustrator is – and immediately thought, “Oh! No wonder those pictures are so amazing!” I find myself wanting to reach out and touch the newborn baby.

The text is very simple, with gentle rhymes. Here are a couple of examples. (On the left side, it tells which month we’re in. There’s a spread for each month.)

[Month Five]
Lips.
Flips.
Curve, dip, and groove.
She has a face.
She likes to move!

[Month Six]
Grasp.
Clasp.
Ears that can hear.
Sing as she listens.
Tell her you’re near.

The text is simple – based on the pictures, this is designed for a preschooler becoming a big sister – but there are five pages in the back with more information for the curious.

It does begin with the fertilized egg and doesn’t say one little bit about how the egg got that way. You’re on your own if your child has questions! But that does keep the book about the new baby.

This is my new go-to book for kids about to become older siblings. And it’s an immediate gift choice for my three-year-old niece and her big sister who are welcoming a new baby brother in a few months.

HolidayHouse.com

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Review of Marilla of Green Gables, by Sarah McCoy

Marilla of Green Gables

by Sarah McCoy

William Morrow (HarperCollins), 2018. 300 pages.
Starred Review
Review written July 4, 2019, from my own copy, a birthday present from my sister Becky

This book came out toward the end of 2018, when I was in the thick of reading for the Newbery, and couldn’t possibly get to it. After the winner was chosen, I’d forgotten about it, so I was completely delighted when my sister sent it to me for my birthday. The gift was all the more perfect because I’m planning to go with two girlfriends to visit Prince Edward Island in the Fall, and I’ve been rereading all my L. M. Montgomery books in preparation. One of those girlfriends was at my house on my birthday when I opened the gift. So the timing was perfect to read this prequel to Anne of Green Gables.

Sarah McCoy takes us into the heart of Marilla. We see her as a young teen living with her parents and her older brother Matthew. The author gave Marilla’s parents the same names as L. M. Montgomery’s parents, Clara and Hugh, in a nice act of tribute.

Clara is expecting a baby, and her twin, Marilla’s Aunt Izzy comes to stay and to help. When both mother and baby are lost, Marilla must carry on, taking care of Matthew and Hugh.

But it’s delightful getting a glimpse into Avonlea in the years before Anne. Marilla’s friendship with Rachel started when they were young, and we hear many more names that will be in the village in later years. Yes, we knew that John Blythe had been Marilla’s beau, and we get the story of their quarrel.

A part of the story that surprised me was when Green Gables becomes a safe haven for runaway slaves, under the protection of Izzy. I hadn’t realized that slave catchers could even come into Canada looking for them. There is also some political unrest in Canada at that time, which I’d known nothing about.

I enjoyed this book thoroughly. It’s a gentle story, a story of a reserved young woman growing up in a small village in Canada in the 1800s. She’s living a quiet life, and love seems to pass her by. At the end of the book, they think that Matthew could use some help on the farm….

This was perfect preparation for a visit to Prince Edward Island, and I heartily recommend it for all other Anne fans out there. The style isn’t the same as L. M. Montgomery’s, but it made me feel I understood Marilla better than when I had only seen her through the eyes of a precocious orphan.

sarahmccoy.com
harpercollins.com

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Review of The Story Girl, by L. M. Montgomery

The Story Girl

by L. M. Montgomery

Bantam Books, 1987. First published in 1910. 258 pages.
Starred Review
Review written July 5, 2019, from my own copy

It’s really happening! My two childhood friends and I are going to Prince Edward Island this coming September, during the week when all three of us are 55 years old. We first conceived this trip when we were 50, but decided to put it off – and now our rooms are booked!

And this time I’m getting serious about rereading my L. M. Montgomery books. This time, I decided to reread them in the order they were published. I have already reread Anne of Green Gables, Anne of Avonlea, and Kilmeny of the Orchard. Now it was time for The Story Girl.

The Story Girl is about the children of the village of Carlisle on Prince Edward Island. It’s told from the perspective of Beverley King, looking back as an old man on the joys they had as children.

[Incidentally, I have learned from L. M. Montgomery’s books that if a man’s name ends in Y, women will eventually steal it. All of these names appear in her books as names for boys: Beverley, Shirley, Lindsay, and Hillary.]

When I was a young adult reading L. M. Montgomery’s books, I preferred the ones that had romance. But now as I myself am “old” (by her standards – I’ve been shocked that “old” characters in her books are only in their forties!) – I’m reading these books with my own nostalgia.

The Story Girl was one of L. M. Montgomery’s own favorites. I think she liked to think of herself as a sort of Sara Stanley, who was called by everyone “the Story Girl.”

Maud Montgomery did her apprenticeship writing short stories and selling them to magazines. I think as a consequence, short stories are her natural form. And she does a nice job of weaving them through this book, with the Story Girl telling them family stories about objects in their home or stories about people from their village or fairy tales about something that happened.

There’s a lot that’s old-fashioned in this book. Sara and her cousin Felicity are fourteen and twelve years old, but they seem younger by today’s standards. And they have different abilities from children today, with Felicity completely able to run the house while the grown-ups are away for a week, including having baked all afternoon so their pantry is “well stocked with biscuits, cookies, cakes, and pies,” so that she is able to entertain an influx of visitors, as is proper.

Cecily set the table, and the Story Girl waited on it and washed all the dishes afterwards. But all the blushing honours fell to Felicity, who received so many compliments that her airs were quite unbearable for the rest of the week. She presided at the head of the table with as much grace and dignity as if she had been five times twelve years old and seemed to know by instinct just who took sugar and who did not. She was flushed with excitement and pleasure, and was so pretty that I could hardly eat for looking at her – which is the highest compliment in a boy’s power to pay.

I was amused how often the episodes between the children had to do with church and the Bible. When the paper reports that someone in the States has said the day and time for Judgment Day, they all get into a tizzy. Another time, they have a preaching contest (boys only, of course) with very amusing results. And there’s an incident with a picture of God and the question of praying for their cat to get well. Did prayer end up healing him – or was it their request to the local woman they all think is a witch?

All in all, it was delightful to be transported back into L. M. Montgomery’s world. This one doesn’t have romance, but it does have two other things L. M. Montgomery did exceptionally well: short stories plus the escapades of children.

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Review of Educated, by Tara Westover

Educated

by Tara Westover
read by Julia Whelan

Penguin Random House, 2018. 12 hours on 10 compact discs.
Starred Review
Review written June 11, 2019, from a library audiobook

This audiobook is not for the squeamish. Tara Westover tells the story of her childhood in the mountains of Idaho. Her family were radical Mormons, her bipolar father not trusting the world on the outside and convinced that the government would come after them, and they were going to be prepared. They stockpiled food and weapons and made their own medicines. They didn’t trust the medical establishment or schools, all those being of the devil.

The reason the book is not for the squeamish is that the family did plenty of physical work, running a junkyard and doing building projects – and had some terrible accidents. Accidents for which they did not see doctors. I’m going to tell you ahead of time that everyone survives the accidents described in this book, and maybe that will make it easier to hear about them. I don’t fault the family for calling the various healings miraculous. There are a lot of accidents described, and some of them are horrific.

But that’s only part of the story. There’s also some violent abuse going on at the hands of her older brother, but the family is invested in denying it ever happened. With the help of another brother, Tara makes a partial escape by studying to pass the ACT and going to Brigham Young University.

Once at the university, she tries to hide that she has never been to school before in her life. She has major gaps in her knowledge, such as not knowing about the Holocaust or the Civil Rights Movement. Her whole way of thinking has to adjust.

One thing leads to another, and Tara travels to Cambridge and to Harvard, continuing her education but also trying to deal with her past and present. When she refuses to deny the abuse, she has to choose between her family and her own perception of reality.

This is an amazing and mesmerizing story. It’s a story of growing up and having your whole perspective on the world undergo a dramatic shift – and doesn’t minimize the cost of that.

This book came out when I was on the Newbery committee, so several of my friends read it before I did. They universally declared that it wasn’t one to miss. Now that I’ve finally joined the crowd of readers, I completely agree with them.

penguinrandomhouseaudio.com

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Review of When Aidan Became a Brother, by Kyle Lukoff, illustrated by Kaylani Juanita

When Aidan Became a Brother

by Kyle Lukoff
illustrated by Kaylani Juanita

Lee & Low Books, 2019. 32 pages.
Starred Review
Review written July 2, 2019, from a library book

I’ve read several picture books that explain children being transgender, but I like this one the best. Maybe it helps that the focus is not completely on the child Aidan’s transition, but more on Aidan’s new baby sibling.

Still, I love the way Aidan’s story is introduced. I’m going to quote the text of the first several pages, because I think it’s explained so perfectly. It’s even better with the accompanying pictures:

When Aidan was born, everyone thought he was a girl. His parents gave him a pretty name. His room looked like a girl’s room. And he wore clothes that other girls liked wearing.

But as Aidan got bigger, he hated the sound of his name. He felt like his room belonged to someone else. And he always ripped or stained his clothes accidentally-on-purpose.

Everyone thought he was just a different kind of girl.

Some girls had rooms full of science experiments and bug collections.

Lots of girls didn’t wear dresses.

But Aidan didn’t feel like any kind of girl. He was really another kind of boy.

It was hard to tell his parents what he knew about himself, but it was harder not to.
It took everyone some time to adjust, and they learned a lot from other families with transgender kids like him.

Aidan explored different ways of being a boy. He tried out lots of names until one stuck. They changed his bedroom into a place where he belonged. He also took much better care of his new clothes.

All this is only the introduction – but I thought it was wonderfully done.

The main part of the book is about Aidan’s family expecting a new baby, so Aidan’s going to be a big brother. He does all sorts of things to prepare for being a big brother (but decides he can wait on learning to change diapers).

Aidan worries, though, when everyone asks his mother about whether the baby will be a boy or a girl. What if they get it wrong, like people had with him? He doesn’t want the baby to feel bad about that. They choose a gender-neutral name and paint the baby’s room with a sky and clouds. When Aidan’s mother is asked if the baby is a boy or a girl, she answers, “It’s a baby!”

Now, I’m not so sure I agree with the idea of giving a baby a gender neutral name – after all, most babies really do turn out to be the gender you think they are at birth.

However, since the story is told from Aidan’s perspective, it would make sense that his loving parents would be sensitive to his concerns. They are being good parents to Aidan when they acknowledge that babies aren’t always the gender you think they are at first.

They do remind Aidan that even though they made mistakes with him, they were able to make them right.

Maybe everything wouldn’t be perfect for this baby. Maybe he would have to fix mistakes he didn’t even know he was making. And maybe that was okay.

Aidan knew how to love someone, and that was the most important part of being a brother.

We never are told what gender Aidan’s new sibling appears to be. But we do know the baby is deeply loved and that Aidan will be a great big brother.

This story is beautifully told and a wonderful way of explaining gender to children. I also enjoyed the Author’s Note at the back, where he explains that his experience was similar to Aidan’s, though not exactly the same. I especially like this paragraph:

You might also feel like Aidan in other ways. He knows what it’s like to not quite belong, and you might feel that way sometimes too. People don’t always see Aidan how he wants to be seen, and you might know what that feels like. Maybe you worry about making mistakes. Aidan is a transgender kid, but he’s also just a kid. Like you.

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Source: This review is based on a library book from Fairfax County Public Library.

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