Review of Pete the Cat and His Four Groovy Buttons, by Eric Litwin and James Dean

Pete the Cat and His Four Groovy Buttons

story by Eric Litwin
created and illustrated by James Dean

Harper, 2012. 36 pages.
Starred Review

I’m afraid I resisted Pete the Cat a little bit. Even after our brilliant Early Literacy Coordinator demonstrated reading the book at a Youth Services meeting. It clearly will make a good read aloud, but I found out about it right before I was laid off from the library, and I haven’t done a storytime since. The second Pete the Cat book was Pete the Cat: Rocking in My School Shoes, and it was good, too, but I still wasn’t won over.

I was convinced enough that I had to check out Pete the Cat and His Four Groovy Buttons, and this time, yes, I’m completely a fan.

It’s got the same ingredients as the others: Teaching simple concepts and a song that repeats to which kids are absolutely sure to sing along. This time, the concept is math! Huzzah!

Here’s how the beginning goes:

Pete the Cat put on his favorite shirt with four big, colorful, round, groovy buttons.
He loved his buttons so much, he sang this song:

“My buttons, my buttons,
my four groovy buttons.
My buttons, my buttons,
my four groovy buttons.”

POP!

OH NO!

One of the buttons popped off and rolled away.
How many buttons are left?

THREE
3
4 – 1 = 3

Did Pete cry?
Goodness, no!
Buttons come and buttons go.

He kept on singing his song:
“My buttons, my buttons,
my three groovy buttons….”

You get the idea! It’s catchy, it’s got math, and it even teaches a lovely lesson in being content.

Best of all, silly me, I was surprised at what Pete found after every single button had popped off! A simply perfect touch, and I should have seen it coming. It’s definitely all good!

And the lesson at the end is one we will all do well to take to heart:

I guess it simply goes to show that stuff will come and stuff will go.
But do we cry?
Goodness, NO!
We keep on singing.

What better reminder than this catchy picture book?

Keep on singing!

petethecat.com
ericlitwin.com
harpercollinschildrens.com/petethecat

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Summer of the Gypsy Moths, by Sara Pennypacker

Summer of the Gypsy Moths

by Sara Pennypacker

Balzer + Bray, 2012. 275 pages.
Starred Review

I wasn’t really attracted to this book by the cover. It looks like a feel-good story about girlfriends spending a summer at the beach. However, since I already think Sara Pennypacker’s a genius because of her brilliant writing in the Clementine books, I knew I did want to read it. And since it was nominated for Capitol Choices, I read it sooner rather than later.

In the first 50 pages, I learned that this is actually a book about two 12-year-old girls planning to hide a dead body!

Stella came to her Great-Aunt Louise after her mother had been charged with neglect and was off on an adventure following what she said were job leads. Great-Aunt Louise had also taken in a foster child, Angel, to be company for Stella. That didn’t work out very well, since the two were like oil and water.

“From the living room, I heard Angel snort. She snorted every time I mentioned Heloise, which just went to show what kind of a person she was, since Heloise does nothing but good for people with her household hints column, helping them get their lives in order.”

But then, it’s almost the end of the school year, and Stella and Angel come home from school to find Louise sitting in her chair with the TV on, but it’s the wrong show. Louise is dead.

Angel is not ready to go to another foster home. Stella doesn’t have anywhere else to go. At first they’re just going to put off having to leave, but one thing leads to another, and they decide to stay. They tell crazy fibs about what’s wrong with Louise, and Stella, who’s used to taking care of things for her mother, has no trouble with Louise’s task of keeping the four summer cottages tidied up between customers.

This book is funny and sad and outrageous and poignant.

Once again, Sara Pennypacker’s characters seem like completely real children. The way they react to the dead body that was Louise struck me as completely real. Here’s where they try to prepare her for burial by bringing out all the jewelry she bought from the Home Shopping Network:

“When it came to doing it, though, we couldn’t. Neither one of us could touch Louise’s neck or ears or wrists. In the end, we just tossed everything over her robe and then jumped back to the doorway. Her lap looked like a pirate’s treasure chest, with necklaces and bracelets spilling all over her, and I thought, who wouldn’t like that?”

I’m glad I’m not on the Newbery committee this year, because I’d have an awful time deciding between this book and Wonder and The One and Only Ivan. On the other hand, I’d have to read these brilliant books several times, which would be a treat.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Disreputable History of Frankie Landau-Banks, by E. Lockhart

The Disreputable History of Frankie Landau-Banks

by E. Lockhart

Hyperion, New York, 2008. 345 pages.
2009 Printz Honor Book
Starred Review

I took an online course about the Printz Award, and the course finally got me to read this wonderful book.

Frankie’s father is sending her to the exclusive prep school where he attended. Her Dad still meets with his buddies and talks about their secret society, the Loyal Order of the Basset Hounds. Unfortunately, it was only for men, so he can’t reveal to Frankie where they hid their record of their escapades, The Disreputable History.

When Frankie’s new boyfriend invites her to a party after curfew and the invitation has a seal with a picture of a basset hound, it’s pretty easy for her to figure out what he’s up to. She doesn’t like it when he won’t tell her anything about his involvement. He thinks of her as a pretty little thing, and that what he does with his friends shouldn’t concern her.

Here’s the letter that opens The Disreputable History of Frankie Landau-Banks:

“To: Headmaster Richmond and the Board of Directors, Alabaster Preparatory Academy

“I, Frankie Landau-Banks, hereby confess that I was the sole mastermind behind the mal-doings of the Loyal Order of the Basset Hounds. I take full responsibility for the disruptions caused by the Order — including the Library Lady, the Doggies in the Window, the Night of a Thousand Dogs, the Canned Beet Rebellion, and the abduction of the Guppy.

“That is, I wrote the directives telling everyone what to do.

“I, and I alone.

“No matter what Porter Welsch told you in his statement.

“Of course, the dogs of the Order are human beings with free will,. They contributed their labor under no explicit compunction. I did not threaten them or coerce them in any way, and if they chose to follow my instructions, it was not because they feared retribution.

“You have requested that I provide you with their names. I respectfully decline to do so. It’s not for me to pugn or impugn their characters.

“I would like to point out that many of the Order’s escapades were intended as social criticism. And that many of the Order’s members were probably diverted from more self-destructive behaviors by the activities prescribed them by me. So maybe my actions contributed to a larger good, despite the inconveniences you, no doubt, suffered.

“I do understand the administration’s disgruntlement over the incidents. I see that my behavior disrupted the smooth running of your patriarchal establishment. And yet I would like to suggest that you view each of the Loyal Order’s projects with the gruntlement that should attend the creative civil disobedience of students who are politically aware and artistically expressive.

“I am not asking that you indulge my behavior; merely that you do not dulge it without considering its context.

“Yours sincerely,

“Frances Rose Landau-Banks”

How does Frankie manage to out-prank the pranksters? What are these intriguingly named escapades? In what sense were they social activism? And what happens when she pulls them off?

All is revealed in this delightful book. It’s amazing how gripping the plot is, even when you’re told what happens right at the outset. You can’t help but love Frankie and will keep reading to see what clever stunt she accomplishes next, and if her boyfriend and his buddies will learn to take her seriously. Along the way, she has lots to say about our patriarchal society.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Lots of Candles, Plenty of Cake, by Anna Quindlen

Lots of Candles, Plenty of Cake

by Anna Quindlen

Random House, New York, 2012. 182 pages.
Starred Review

Anna Quindlen is just a few years older than me. So I love reading her musings on turning 50, on aging, on being the mother of young adults. Because she tells me what’s to come. I feel for her, but I can tell myself that is still far in the future, but as I read, I begin to look forward to it.

Anna Quindlen wrote a “Life in the 30’s” column when she was in her 30’s. She wrote about everyday things, and people wrote back to her. In her foreword, “Life in the 50’s” she talks about those letters:

“I feel like I’m not alone,” some of those who wrote to me said, and that sentiment changed my life. That’s what’s so wonderful about reading, that books and poetry and essays make us feel as though we’re connected, as though the thoughts and feelings we believe are singular and sometimes nutty are shared by others, that we are all more alike than different. It’s the wonderful thing about writing, too. Sometimes I would think I was the only person alive concerned about some crazy cul-de-sac of human behavior. Then I would get the letters from readers and realize that that was not the case, that we were not alone, any of us.

I love Anna Quindlen’s outlook on aging. She makes it sound so much fun! And she makes me so ready for it.

Many of us have come to a surprising conclusion about this moment in our lives. No, it’s not that there are weird freckly spots on the back of our hands, although there are, or that construction guys don’t make smutty comments as we pass, although they don’t. It’s that we’ve done a pretty good job of becoming ourselves, and that this is, in so many ways, the time of our lives. As Carly Simon once sang, “These are the good old days.” Lots of candles, plenty of cake. I wouldn’t be twenty-five again on a bet, or even forty. And when I say this to a group of women at lunch, everyone around the table nods. many of us find ourselves exhilarated, galvanized, at the very least older and wiser.

So take a ride along with Anna Quindlen, a superb essayist, as she explores thoughts about life, aging, growing, learning, being a friend, and living well.

AtRandom.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Darth Paper Strikes Back, by Tom Angleberger

Darth Paper Strikes Back

by Tom Angleberger

Amulet Books, New York, 2011. 159 pages.
Starred Review

Darth Paper Strikes Back is, naturally, the sequel to The Strange Case of Origami Yoda. Both books are fabulous middle school reading. I so wish I could ever find them on the shelves of the library, because there are many customers I would recommend them to — but so far, they are always checked out.

The first book covers Tommy’s sixth grade year, where he gets surprisingly wise advice from Origami Yoda, a finger puppet manipulated by a really weird kid called Dwight. The advice solves all kinds of problems and is far too wise for Dwight to have made up on his own. But all along, there was a skeptic, a kid named Harvey who scoffed at everyone else’s belief in Origami Yoda.

On the first day of seventh grade, Harvey shows up with an origami finger puppet of Darth Vader. And Harvey does Vader’s voice much better than Dwight has ever done Yoda’s voice. And then things get bad for Dwight.

Tommy explains the scenario at the beginning of his latest “case file”:

“The bad news is that this year Origami Yoda’s up against the destructive force of Darth Paper, and can’t seem to handle it.

“It has all gone wrong since that first day. Now it’s October and Darth Paper has pretty much destroyed all the good Origami Yoda did last year. Now the girls don’t like us. The teachers don’t like us. Some of us don’t even like each other….

“But it’s been worse for Dwight. He’s been suspended from school, and the school board is going to decide if he should get sent to CREF — the Correctional and Remedial Education Facility — the school where they send the really, really bad kids, which Dwight isn’t. Amy’s older brother said the toughest, meanest, nastiest guy in his class was sent there . . . and got beat up! It’s kind of like Jabba’s palace, except without the alien rock band.

“This would be the ultimate defeat for Origami Yoda! And we think that Darth Paper is behind it. I just find it hard to believe that even Darth Paper/Harvey could be so evil!”

Tommy’s case file consists of telling about the good influences Origami Yoda has already had this year, the good advice he’s given, the situations he’s saved. I love the way these are real middle school concerns — like a game to play when they take video games off the library computers, helping Lance to decide which class to take, a way to clean up on the school popcorn sale, and even telling Murky the secret origins of Yoda that are not revealed in the movies. And, yes, there’s a return of Mr. Good Clean Fun and Soapy the Monkey, but this time he’s encouraging participation in the popcorn sale, rather than teaching them to wash their hands. (You see, the background situation of the middle school has some wonderful humor, too.)

Now, I was halfway through the book, wistfully thinking of how in the first book, the kids learned through the adventures that Dwight was a pretty great person after all. But in this book, Harvey just seemed bad clear through. I also thought it pretty unrealistic that a school board would listen to a bunch of students about a disciplinary matter, so Tommy’s whole case file seemed awfully misguided and unrealistic.

Then I read the ending, and I will just say that Tom Angleberger nailed it! Best of all, we’ve got a picture of Yoda at the back, promising “The End… This is Not!”

Did I mention that, like the Wimpy Kid books, this book has cartoons throughout? Personally, I like these books better. They feel more good-hearted to me. Sure, Harvey’s mean, but there’s not much bullying going on, and these seem like genuine middle school kids with middle school concerns. So I really hope our library will get more copies before long, so I can direct those who like the Wimpy Kid books to turn to Origami Yoda next. Now, admittedly, people familiar with Star Wars will enjoy it a lot more. I could be wrong, but isn’t that pretty much all middle school kids?

origamiyoda.com
amuletbooks.com

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Gold, by Chris Cleave

Gold

by Chris Cleave

Simon & Schuster, New York, July 2012. 326 pages.
Starred Review

Gold is perfect reading for before, during, and after the Olympic games. It’s a story of a long-time rivalry between Zoe and Kate, the two best women’s cyclists in the world, good friends both on the United Kingdom team. They were first scheduled to compete against each other in the 2004 games, then in 2008, but something happened each time so only one got the Gold. Now the 2012 games are approaching, and both are at the top of their form.

We learn their story as we follow the build-up to the Olympics. Their rivalry isn’t only on the track, and each have their own motivations, their own insecurities, their own inner demons. There’s also a little girl in their lives who has leukemia. They thought it was in remission, and little Sophie doesn’t want anyone to know when she’s feeling bad. But that’s not always a good idea.

I laughed that Sophie is absorbed with Star Wars and uses Star Wars to fight her leukemia, because in Little Bee Chris Cleave had a child who lived in his Batman costume. Super heroes and story do have a way of helping those who are powerless feel much more powerful.

Here’s Sophie thinking about her family:

She leaned her back against the wall and closed her eyes. That half a minute of talking with Ruby had wiped her out. It was good, though. Mum had seen it. Dad had seen it. That counted for an hour when they wouldn’t worry. After that she knew she would start to see the lines creeping back into their faces, and hear the sharp edge coming back into their voices, and notice the little sideways glances they shot at her while they pretended they weren’t looking. They would start to have arguments with each other, about stupid things like training hours and long-grain rice, and they wouldn’t even know why they were doing it. She would know, though. It meant that they were scared for her all over again, and she would have to do one of the things that made them forget it for another hour.

If you were in the car, you could kick the back of the seat. That made them annoyed, which was the opposite of scared. If you were in the house, you had more choices. You could answer back or be lippy, which made you seem less ill. You could do a drawing. You could hurry up the stairs and make a lot of noise so they noticed you doing it, even if you had to lie down on your bed afterwards for ten minutes. You could make it look like you’d eaten all your toast, even if you had to post it down your T-shirt and flush it in the toilet later. You could play boys’ games like Star Wars that had fighting and spaceships and made you look tough, even if you weren’t tough enough to ride a bike.

This book didn’t feel as momentous and weighty as Little Bee, but that’s a good thing. I’m not sure I could have handled that big an emotional punch. It was still a powerful book, and I definitely found myself thinking about it long after reading it. Gold explores motivation, competition, friendship, the search for excellence, and what makes a family. It definitely put me in the mood for the Olympic Games this year.

chriscleave.com
simonandschuster.com

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Source: This review is based on an Advance Reading Copy I got at ALA Midwinter Meeting.

Review of Code Name Verity, by Elizabeth Wein

Code Name Verity

by Elizabeth Wein

Hyperion, New York, 2012. 343 pages.
Starred Review

Wow. Wow. Wow. Wow. For me, this is the Year of Escalating Greatness. For the Newbery: First I read Wonder, by R. J. Palacio, and hoped it would win. Then I read The One and Only Ivan, by Katherine Applegate, and hoped it would win. Then I read Summer of the Gypsy Moths, by Sara Pennypacker, and hoped it would win. Recently, I read Palace of Stone, by Shannon Hale, and now I’m hoping it will win.

For the Printz Award, it hasn’t been so drawn out. I read The Fault in Our Stars, by John Green, and was sure I’d found the book I want to win next year’s award. But now I’ve read Code Name Verity. I simply can’t imagine another book surpassing this one this year.

(Mind you, I want all my past favorites to win Honor, and won’t even be too upset if they end up taking the prize. But wow, this book is good!)

I already was a big fan of Elizabeth Wein. I’ve read all of her Aksum books, set in old Africa, and knew that her writing is something special. But I wondered about a book set during World War II. That seemed something altogether different.

And this book is different. There’s still the flavor of her wonderful storytelling ability, but the story, set in France and England during World War II, is nothing like ancient Africa. But every single bit as compelling.

Here’s how the book begins:

I AM A COWARD.

I wanted to be heroic and I pretended I was. I have always been good at pretending. I spent the first twelve years of my life playing at the Battle of Stirling Bridge with my five big brothers — and even though I am a girl, they let me be William Wallace, who is supposed to be one of our ancestors, because I did the most rousing battle speeches. God, I tried hard last week. My God, I tried. But now I know I am a coward. After the ridiculous deal I made with SS-Hauptsturmführer von Linden, I know I am a coward. And I’m going to give you anything you ask, everything I can remember. Absolutely Every Last Detail.

Here is the deal we made. I’m putting it down to keep it straight in my own mind. “Let’s try this,” the Hauptsturmführer said to me. “How could you be bribed?” And I said I wanted my clothes back.

It seems petty, now. I am sure he was expecting my answer to be something defiant — “Give me Freedom” or “Victory” — or something generous, like “Stop toying with that wretched French Resistance laddie and give him a dignified and merciful death.” Or at leaszt something more directly connected to my present circumstance, like “Please let me go to sleep” or “Feed me” or “Get rid of this sodding iron rail you have kept tied against my spine for the past three days.” But I was prepared to go sleepless and starving and upright for a good while yet if only I didn’t have to do it in my underwear — rather foul and damp at times, and SO EMBARRASSING. The warmth and dignity of my flannel skirt and woolly sweater are worth far more to me now than patriotism or integrity.

Queenie, which is what she calls herself in the narrative, draws things out. She tells the story of how she entered the war effort, but she tells it from the perspective of her best friend, Maddie Brodatt. Maddie is the pilot who crash landed the plane that brought Queenie into France after Queenie parachuted out of it. They have shown Queenie pictures of the burned plane and ruined cockpit.

Now, the reader has to wonder how much truth Queenie is giving the Nazis in this narrative, being read immediately by them. But the reader never doubts her firm and unquenching affection for Maddie, the girl who loved to fly. Maddie gets more and more opportunities in a men’s world, culminating in the chance to fly Queenie into France. Too bad it ended in a crash and a capture.

I don’t want to say one bit more about the book’s plot except that I am reminded of something Megan Whalen Turner said when she was speaking at the Horn Book-Simmons Colloquium. She said that she feels she has failed if her readers read her books only once.

With Code Name Verity I honestly caught something in the section I just quoted to you that had gone right by me the first time around. I am absolutely going to be rereading this book very soon to see the many, many things that I will look at differently the second time around.

Wow! All right, already! Just read it!

elizabethwein.com
un-requiredreading.com

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Source: This review is based on my own book, ordered from Amazon.com

Review of The One and Only Ivan, by Katherine Applegate

The One and Only Ivan

by Katherine Applegate

Harper, 2012. 305 pages.
Starred Review

This book is already my early Newbery pick. This might change during the year, but the book itself is exquisitely crafted and told simply. You believe a real gorilla is telling the story, and you see his growth.

Ivan is a gorilla. “It’s not as easy as it looks.”

Ivan lives “in a human habitat called the Exit 8 Big Top Mall and Video Arcade. We are conveniently located off I-95, with shows at two, four, and seven, 365 days a year.” That’s what the owner says when he answers the phone.

Also in the mall circus are an aging elephant, some sun bears, chickens, rabbits, dogs, and some parrots. The other animals do tricks for the people who come in to watch them.

Ivan is resigned to his lot. The janitor’s daughter, Julia, has brought him crayons. He draws pictures of things in his domain. The people don’t recognize them, but they are willing to buy pictures made by a gorilla. He is an artist at heart.

But things change to make Ivan no longer so resigned. A baby elephant comes to their little circus. She is very young, very curious, very talkative, and misses her family. We see Ivan change now that he has someone to protect.

But how can a gorilla in a cage protect anyone?

This book will appeal to a very wide age range. I’m often prejudiced against prose poems, but in this one, it seems natural, since you don’t expect complicated sentences from a gorilla. I am also prejudiced against present tense, but again, it seems like a natural way for a gorilla to tell us about his lot. After all, his life has hardly ever changed, and he’s telling us about it as it happens. As a prose poem, there is plenty of blank space on the pages and the story reads quickly, so the language won’t be an obstacle for less advanced readers. But the story covers issues that people of any age will care about.

The craft in this book is exquisite. We see Ivan grow, slowly and realistically, as he is confronted with situations that make him care, in spite of himself.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Map of My Dead Pilots, by Colleen Mondor

The Map of My Dead Pilots

The Dangerous Game of Flying in Alaska

by Colleen Mondor

Lyons Press, Guilford, Connecticut, 2012. 242 pages.
Starred Review

Full disclosure: Colleen Mondor is an acquaintance whom I like very much. It seems a little presumptuous to call her a friend, but I’m confident that eventually, after enough KidLitCons, we’ll be that. She hosted the last one I attended in Seattle, and I’ve definitely read her blog, Chasing Ray, many times. Today I was on her blog for an Unconventional Blog Tour, where she gave an insightful post about Bloggers and Authors. She mentioned that it’s been six months since her book came out, and it dawned on me that I really need to get her book reviewed! So watch me go! I got home from work, and I’m writing the review!

Now, I should point out that there are two main reasons I took so long to review this book, and neither one has anything to do with how much I like it (very much).

1. It is nonfiction.
2. I own it.

The reason Nonfiction slows me down is this: I learned many years ago that if I read nonfiction at bedtime, I will think about it, and I won’t be able to go to sleep. Sometimes fiction does this, but not as often as nonfiction. So I read nonfiction sitting at the table, either eating or knitting while I read. What’s more, I rotate books. I’ve got a hugely complicated rotation system. Generally, every day I read a chapter of inspirational nonfiction, one of narrative nonfiction, and one of informational nonfiction. With the other two categories, I even rotate books within categories, but I’m finding that with narrative nonfiction (like this book), I tend to stick with one book until I finish, though I usually do just read one chapter a day.

This book worked well with that method, since almost every chapter is essentially a story in itself. The chapters do work together and do have an overarching theme, but they definitely work as separate stories. And I have to say, there were many times, and more and more as the book went on, when I definitely couldn’t bring myself to stop with one chapter.

I also had an interruption in reading the book when I flew to ALA Midwinter Meeting in Dallas. This is decidedly NOT a book you want to read on an airplane or within about a week of flying on an airplane! It will not be a spoiler to say that many pilots die in this book.

The reason owning the book slowed me down is that continuing problem of it, unlike library books, not having a due date. I am getting better at putting my own books higher in the stack to be reviewed, or, well, at least I thought I was. But apparently I still have a ways to go. Because I did finish it quite some time ago.

In The Map of My Dead Pilots, Colleen Mondor tells stories from her days of working for “The Company” that had a flight business in Alaska. Her stories are eye-opening and amazing. She helps you understand how people could fudge on cargo weights in order to get the job done — with possibly life-threatening results. She talks about the many factors that sometimes lead to narrow escapes but sometimes lead to disaster. She talks about the kinds of people who end up living a life of adventure in Alaska.

The whole thing is completely fascinating. Sometimes in the way that a train wreck is fascinating — in this case, I should say the way a plane wreck is fascinating, because there are several of those. Though they don’t always find the wreckage.

Another part of the fascination is the whole look at bureaucracy and how bureaucracy so often does not lead to good decisions and how people try to get around it with bad results. I know about bureaucracy because I was an Air Force wife. I think many things said about The Company can be applied pretty easily to the military. (But these views are entirely my own and do not in any way reflect the official views of the US Air Force.)

The book reads like friends sitting around and telling yarns. Colleen admits that they don’t sound believable, so it’s a treat when she’s with someone who was there and knows it’s all true.

I’ll quote a few sections to give you the feel of the book:

Sam Beach . . . didn’t see himself as Ben Eielson, heading to Fairbanks in 1922 on his way to fame and glory as the first pilot to fly across the Arctic. By 1995 commercial flying in Alaska wasn’t really about the bush anymore; it was about commuter schedules and hauling mail and building flight time to get a jet job. But he still had that same vision of Eielson’s in his head. This time it would be different; this time the job wouldn’t go away; this time he would make it. Sam had been in aviation long enough to know what Alaska meant; it was the place where pilots were needed, where they mattered. This is my chance, he told his parents, and he said it just like Eielson did so long ago, with promises to be smart and careful and come home again soon.

He said it like he believed it, and maybe then he did. Sam believed a lot of things in the beginning, and he learned to repeat those things every time his parents called, even after he realized they were lies. And he never told them Ben Eielson crashed in 1929. And of course they never thought to ask.

Some things never do change after all.

There’s a section right at the start about things the pilots learned. Here are some bits from that:

If they were based in the Bush, flying out of a place like St. Mary’s or Aniak or Bethel or Kotzebue, then they flew with a specific set of habits. Out there it was about the snow and the ice and the wind. It was also about illusions, about pretending you could see when you couldn’t and accepting that no one else could see either. They learned to trust one another in those places, or at least to trust every sane guy and avoid the ones who were nuts. Mostly though, they just learned to hate it. . . .

Along with the words, they also had to play the game — fly when it was legal but maybe not safe, and lie when it was illegal but definitely much safer. There was physical survival, job survival, and career survival to consider. Rarely did the three converge on any flight. They had to pick and choose which was most important and fake it when they made a mistake. Some guys figured this all out in the first day with the Company, but others never got it at all.

If they were the kind to worry, there were a lot of things to be concerned about. The planes they flew were old and tired. The exteriors were patched, the interiors stained, and in a hundred different ways each of them was suffering from some sort of neglect. They were used for hauling sled dogs and snow machines as well as any other freight that fit, and they looked it. There were a lot of things that went wrong, and flying a broken airplance quickly became part of the job, just another test of loyalty in a place too cheap to do things right.

She tells sad stories, poignant stories, amazing stories, and a lot of fun stories like this one:

I can still remember Tony coming back from every single Mount McKinley sight-seeing flight and his passengers going on and on about how spectacular the mountain was to see. I ask him how come the mountain is never clouded in when he’s flying, and he laughs and says the trick isn’t finding Denali on a good day but any mountain on a bad one.

This book is hard to describe because I haven’t read too many others like it. It’s true-life adventure, but not one big saga like a trip to the South Pole. No, this is the story of people for whom life-and-death adventure becomes a matter of course, and all wrapped up in working for a Company that’s trying to make money and cutting corners to do it. Meanwhile, she talks as well about what drives the pilots today and the pilots of the past whose names are now legendary. And she makes it all fascinating.

chasingray.com
LyonsPress.com

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Source: This review is based on my own copy, ordered from Amazon.com.

Review of The Fault in Our Stars, by John Green

The Fault in Our Stars

by John Green

Dutton Books, 2012. 318 pages.
Starred Review

I was already a fan of John Green and his books, but he has surpassed himself with this one. I think it’s funny that two books that I hope figure high in next year’s awards feature heroes August (in Wonder, a Newbery contender) and Augustus (in this book, which I would love to see win the Printz).

This is a book about teens who are dealing with cancer, but it’s not a “cancer book.” This is how Hazel, the narrator of this book, defines a “cancer book”, as she describes her favorite book, which is about a girl dealing with cancer:

“Like, in cancer books, the cancer person starts a charity that raises money to fight cancer, right? And this commitment to charity reminds the cancer person of the essential goodness of humanity and makes him/her feel loved and encouraged because s/he will leave a cancer-curing legacy. But in AIA, Anna decides that being a person with cancer who starts a charity is a bit narcissistic, so she starts a charity called The Anna Foundation for People with Cancer Who Want to Cure Cholera.”

Hazel meets Augustus at a cancer support group meeting that her mom makes her go to. But they hit it off well enough that she loans him the book and they start a relationship. John Green is good at portraying the clever banter of two nerds falling in love.

Now, Hazel’s favorite book does not end well. She wants nothing more than to find out from the author what happens after the book ends. And Augustus wants to make that happen. Meanwhile, their friend Isaac, who has eye cancer, is about to lose his vision, and his girlfriend breaks up with him right before that happens.

But there’s a whole lot more that happens, and I don’t want to say any more than that. I’ve heard objections that these teens use words that are too big even for adult readers — but those objectors clearly were not nerdy teens themselves. I know some nerdy teens, and dare I say I was one myself, and I remember the delight when you actually found someone who gets you, who lets you spout off your existential angst and crazy philosophizing. This book captures all that.

Now, these are teens dealing with life-threatening illness. Normal adolescence has a good share of drama. You’re figuring out life and love and your emotions and what’s important. Adolescence with a life-threatening illness thrown in has even more at stake. So these are some teens for whom philosophizing is completely appropriate.

I’ll say no more, except that I love the way John Green headed off anyone tracking him down and asking what happens after the book ends. He included an Author’s Note right at the front:

“This is not so much an author’s note as an author’s reminder of what was printed in small type a few pages ago: This book is a work of fiction. I made it up.

“Neither novels nor their readers benefit from attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.

“I appreciate your cooperation in this matter.”

This book is brilliant. I only hope there are enough nerds on the Printz committee for it to get the recognition it deserves. Meanwhile, read it!

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/fault_in_our_stars.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book I purchased at ALA Midwinter Meeting and had signed by the author to my son Tim.