Review of The Sheen on the Silk, by Anne Perry

The Sheen on the Silk

by Anne Perry

Ballantine Books, New York, 2010. 518 pages.
Starred Review

I have enjoyed Anne Perry’s Christmas mysteries, and have been meaning to read more of her work. However, I wasn’t sure if I should tackle her different series at the beginning, or just dive in with her latest. So when I saw she’d written a stand-alone novel set in ancient Byzantium, I decided this would be a good time to start. I knew she is good with historical fiction, and I was not disappointed.

The book is set in thirteenth-century Constantinople. Anna Zarides has come to the city disguised as a eunuch with the goal of clearing her twin brother’s name. He has been charged with the murder of a political figure and exiled to Jerusalem.

Anna stays in Constantinople for years and gets embroiled in the politics and intrigue. The whole city expects Rome and Venice to attack Constantinople as part of the next Crusade — unless the city can compromise their religious convictions and convince Rome they are all one church.

Anna gets a patron early on in the powerful Zoe Chrysaphes, whose heart is set on vengeance. She was there when Constantinople was first overthrown and is determined to get revenge on the families of the people responsible. But Zoe also seems to be embroiled in the attack which Anna’s brother was exiled for.

Anne Perry shows us Anna solving the mystery, but also gets us involved in the currents and cross-currents of the plans to attack Constantinople — or divert the attack. We also get caught up in the story of Venetian Guiliano Dandolo, whose ancestor led the earlier attack on Venice, but whose mother was Byzantine. Anna makes friends with him, yet all the while she’s holding on to the secret that she is a woman. If her masquerade is discovered, especially after she’s served as physician to the Emperor, she could be executed.

The beautifully woven saga in this book will draw you in to a world far removed from our own. Anne Perry makes you feel you understand it, in all its complexity. You’ll root for Anna to clear her brother’s name, and even more, for Constantinople to be saved.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Is Your Buffalo Ready for Kindergarten? by Audrey Vernick

Is Your Buffalo Ready for Kindergarten?

by Audrey Vernick
illustrated by Daniel Jennewein

Balzer & Bray (HarperCollins), 2010. 32 pages.
Starred Review

And I thought every possible twist on starting Kindergarten had been covered! How wrong I was!

Here’s a delightful way for a kid-in-the-know to tell their Buffalo what’s needed to get ready for Kindergarten.

There are some great lines:

“Some people say kindergarten is no place for a buffalo.
How crazy is that?
Does your buffalo have a backpack?
Well, then. He’s definitely ready for kindergarten.”

“But your buffalo may sometimes get frustrated.
Like when someone takes his building blocks.
Or calls him Fluppalo.
Another buffalo might be tempted to nudge those kids.
But not your buffalo!
He’ll stop, take a deep breath,
and remember the Rules for Sharing and Caring.
That’s why kindergarten’s so great.
You learn to get along without using your horns.”

“Snack time!
Your buffalo is probably looking forward to sharing treats with a classmate. But he may be the only one who eats grass, then throws it up in his mouth and eats it again.
Remember: Everyone’s special in his or her own way.”

There you have it: A truly new perspective on getting ready for kindergarten and going over everything a kid (or a buffalo) will need to know. The pictures, of course, add to the fun. The buffalo is kind and lovable and looks perfect for hugging or cuddling up to during storytime.

Absolutely charming!

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Behemoth, by Scott Westerfeld

Behemoth

by Scott Westerfeld

Simon Pulse, New York, 2010. 481 pages.
Starred Review

Behemoth is the second book in “the Leviathan Trilogy,” and as such, you really should read Leviathan first. Once you do, you’ll be pleased with Behemoth. The plot threads that began in Leviathan get even further entangled in Behemoth.

The trilogy is an alternate history, steampunk version of World War I. The world is divided into two sets of countries: The Clankers, who use steam power to make large and complicated war engines; and the Darwinists, who manipulate DNA to create living beings that serve as powerful vessels of war. In the first book, we followed Alek, the son of the duke and his wife whose murders touched off the war. Alek is the rightful heir to the throne of Austria-Hungary, and there are powerful forces that want him dead.

Meanwhile, Deryn has joined the Air Service of Britain, posing as a boy. In the first book, Alek and Deryn became unlikely allies. And could Deryn be falling for Alek? It’s an impossible romance: In the first place, Alek doesn’t know she’s a girl, and in the second place, she’s a commoner.

In Behemoth, the great living airbeast Leviathan reaches Constantinople. There Alek escapes and Deryn gets sent on a secret mission — but both of them end up working together with the rebels against the sultan in Istanbul.

There’s all kinds of intrigue and adventure in this book, and plot threads intricately weaving together. So far, this trilogy gives a rollicking good read. It presents war in all its complexity from the perspectives of two very likable characters caught up in momentous events. The fantastical machines and incredible creatures add to the fun. This would make an amazing movie, though it would present a huge challenge to moviemakers. You’ve got something to appeal to almost anyone — plenty of action combined with characters facing difficult choices and frightening challenges. Good stuff!

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Source: This review is based on a library book from the Fairfax County Public Library.

www.scottwesterfeld.com
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Review of The Postmistress, by Sarah Blake

The Postmistress

by Sarah Blake

Amy Einhorn Books (Penguin), New York, 2010. 326 pages.
Starred Review

I had the library book of The Postmistress actually sitting on my bedside table with my bookmark right in the middle when I saw a line at ALA Annual Conference where the publisher was giving away copies of the book for you to have the author sign. I was enjoying the book very much, so I eagerly got in line and got her signature.

This is a story of World War II and lives that intertwined in England and in America.

Frankie Bard, an American radio reporter in London during the war introduces the story:

“There were years after it happened, after I’d returned from the town and come back here to the busy blank of the city, when some comment would be tossed off about the Second World War and how it had gone — some idiotic remark about clarity and purpose — and I’d resist the urge to stub out my cigarette and bring the dinner party to a satisfying halt. But these days so many wars are being carried on in full view of all of us, and there is so much talk of pattern and intent (as if a war can be conducted like music), well, last night I couldn’t help myself.

” ‘What would you think of a postmistress who chose not to deliver the mail?’ I asked.

” ‘Don’t tell me any more,’ a woman from the far end of the table cried in delight, shining and laughing between the candles. ‘I’m hooked already.’

“I watched the question take hold. Mail, actual letters written by hand, being pocketed undelivered. What a lark! Anything might happen….

“Never mind, I thought. I am old. And tired of the terrible clarity of the young. And all of you are young these days.

“Long ago, I believed that, given a choice, people would turn to good as they would to the light. I believed that reporting — honest, unflinching pictures of the truth — could be a beacon to lead us to demand that wrongs be righted, injustices punished, and the weak and the innocent cared for. I must have believed, when I started out, that the shoulder of public opinion could be put up against the door of public indifference and would, when given the proper direction, shove it wide with the power of wanting to stand on the side of the angels.

“But I have covered far too many wars — reporting how they were seeded, nourished, and let sprout — to believe in angels anymore, or, for that matter, in a single beam of truth to shine into the dark. Every story — love or war — is a story about looking left when we should have been looking right.

“Or so it seems to me.”

The Postmistress is a story of a postmistress who is new to a small New England town in 1940. It tells what happens that results in a fine upstanding conscientious woman not delivering a letter.

It’s also the story of the other people of the town: a young doctor and his wife, a man who watches for German submarines landing off the coast, and what people in the town think of the war “over there.” It’s the story of a war correspondent writing stories for the radio that catch people’s imaginations back home. And it’s the story of why Frankie Bard came to visit that little town.

This story is richly textured and intriguing. It gives you a taste of what it must have been like in London during the Blitz. But mostly, it tells you the story of fallible humans trying to do what’s right in extraordinary times, humans who each have their own stories, but whose stories become intertwined.

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Source: This review is based on a signed copy I got at ALA Annual Conference.

Review of The Man in the Queue, by Josephine Tey

The Man in the Queue

by Josephine Tey
Read by Stephen Thorne

Chivers Audio Books, 2000. First published in 1929. Complete and Unabridged. 6 cassettes.
Starred Review

After listening to Josephine Tey’s The Daughter of Time, I’m on a Josephine Tey binge. It turns out that this one, The Man in the Queue, was the first one she wrote, while The Daughter of Time was the last.

The Man in the Queue, naturally enough, is not about a historical mystery like Daughter of Time. However, it’s a good classic whodunit. The detective, Alan Grant of Scotland Yard, is the same one who solves the mystery in the later book. Already we see his “flare,” his sense of people, knowing who’s telling the truth.

The mystery is intriguing. There’s a large queue to get into one of the last nights of a play in London. When the queue starts moving, and gets up to the front of the line, a man falls over on his face, and it turns out that he is dead, stabbed in the back.

The man has no identification on him, but he has a revolver in his pocket. No one comes forward to identify him. So Grant must not only figure out who killed him; he must also figure out who the man is and why he was in the queue with a revolver in his pocket. No one in the queue with him noticed anything, not even if someone had left the queue. They all claim to have never seen the dead man before in their lives.

The only trouble with my Josephine Tey binge is that these audiobooks always make me feel like I’ve gotten to my destination much too quickly, and I want to sit for awhile in the car and hear more.

The book is not politically correct — the main suspect is called “The Dago” for most of the book. But it’s fun to have discovered a classic mystery author of the same style as Agatha Christie, but whose books are all new to me.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Talented Clementine, by Sara Pennypacker

The Talented Clementine

by Sara Pennypacker
Pictures by Marla Frazee

Hyperion Paperbacks for Children, New York, 2007. 137 pages.
Starred Review

I’m hooked on Clementine, and am so happy I finally discovered her. In this second book about her, her third grade class is going to put on a talent show. But Clementine does not think she has any talents that could be displayed in a show. Not like Margaret, whose fourth grade class will also be taking part. Margaret has talents to spare.

This book is full of Clementine’s hilarious attempts to find an act, with an unexpected and satisfying solution.

Once again, Marla Frazee’s brilliant illustrations add to the characterization of Clementine and her friend Margaret. Even before the book begins, we see Clementine walking to the bus with a loaded backpack — until she is overcome by the weight of it and must crawl.

I love the first paragraph, which gives you a taste of Clementine’s way of thinking:

“I have noticed that teachers get exciting confused with boring a lot. But when my teacher said, ‘Class, we have an exciting project to talk about,’ I listened anyway.”

This book is exciting and fun. And I’m not a teacher.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Zombies vs. Unicorns, edited by Holly Black and Justine Larbalestier

Zombies vs. Unicorns

edited by Holly Black and Justine Larbalestier

Margaret K. McElderry Books, New York, 2010. 415 pages.
Starred Review

When I met Diana Peterfreund, author of Rampant and Ascendant, at the 2009 Kidlit Bloggers’ Conference, she told me about this upcoming anthology, and I was waiting for it eagerly ever since. The premise is too fun! I will use the beginning of the Introduction to present it:

“Since the dawn of time one question has dominated all others:

“Zombies or Unicorns?

“Well, okay, maybe not since the dawn of time, but definitely since February 2007. That was the day Holly Black and Justine Larbalestier began the heated exchange about the creatures’ relative merits on Justine’s blog. Since then the question has become an unstoppable Internet meme, crowding comment threads and even making it to YouTube.

“Here in the real world Holly and Justine are often called upon to defend, respectively, unicorns and zombies. The whole thing has gotten so out of hand that the only remedy is . . .

Zombies vs. Unicorns. The anthology.”

Yes, Holly Black and Justine Larbalestier, defenders of the reputations of unicorns and zombies, respectively, have compiled an anthology of stories by stellar authors about unicorns and about zombies. Team Unicorn is represented by Garth Nix, Naomi Novik, Margo Lanagan, Diana Peterfreund, Meg Cabot, and Kathleen Duey. Team Zombie presents stories by Alaya Dawn Johnson, Carrie Ryan, Maureen Johnson, Scott Westerfeld, Cassandra Clare, and Libba Bray.

Now, to be right upfront with you, I am firmly and decidedly on Team Unicorn. My first unpublished and probably never-to-be published children’s novel is about a winged unicorn. I like them. And I don’t like zombies. If this anthology had only included the zombie stories, I would not have been even slightly tempted to pick it up.

However, as it was, I’m am forced to admit that some of the zombie stories were quite good. The one by Maureen Johnson I loved. It reminded me of my favorite vampire story ever with an oppressed wife caring for the adopted vampire children of her abusive husband. In Maureen Johnson’s story an unwitting teenager comes to an isolated house to babysit some toddlers who turn out to be zombies. It probably shouldn’t be read by a teen about to go on her first babysitting job, but I enjoyed it.

The unicorn stories, of course, were brilliant! My favorite was “The Care and Feeding of Your Baby Killer Unicorn,” by Diana Peterfreund, which tied in beautifully with her books. You would not have to have read her books to enjoy the story, and I hope it will win her some new readers. My second favorite was “Princess Prettypants,” by Meg Cabot. A girl’s crazy aunt gets her a unicorn for her birthday, and at first she’s horrified at such a baby present, but in the end she finds it quite useful.

I do highly recommend this anthology. Whichever fantastical creature you prefer, you’ll find brilliant stories that look at them in a new and interesting way. The banter between the editors before each story is amusing as well.

Go Team Unicorn!

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Baking Cakes in Kigali, by Gaile Parkin

Baking Cakes in Kigali

by Gaile Parkin

Atlantic Books, London, 2009. 361 pages.
Starred Review

This enjoyable yet surprisingly deep book reminded me of the No. 1 Ladies’ Detective Agency, by Alexander McCall Smith. Both books are set in Africa, though this one in war-torn Rwanda instead of peaceful Botswana. But in both books, the main character’s profession lets her get to know people from a wide variety of backgrounds and help solve their problems and bring people together. Precious Ramotswe is a detective, but the protagonist of this book, Angel Tungaraza, bakes cakes.

We learn quickly that baking cakes in Kigali is a much more artistic endeavor than baking cakes in America:

“In the same way that a bucket of water reduces a cooking fire to ashes — a few splutters of shocked disbelief, a hiss of anger, and then a chill all the more penetrating for having so abruptly supplanted intense heat — in just that way, the photograph that she now surveyed extinguished all her excitement.

“‘Exactly like this?’ she asked her guest, trying to keep any hint of regret or condemnation out of her voice.

“‘Exactly like that,’ came the reply, and the damp chill of disappointment seeped into her heart….

“‘As you know, Angel,’ the ambassador’s wife was saying, ‘it’s traditional to celebrate a silver wedding anniversary with a cake just like the original wedding cake. Amos and I feel it’s so important to follow our traditions, especially when we’re away from home.’

“‘That is true, Mrs Ambassador,’ agreed Angel, who was herself away from home. But as she examined the photograph, she was doubtful of the couple’s claim to the traditions that they had embraced when choosing this cake twenty-five years ago. It was not like any traditional wedding cake she had seen in her home town of Bukoba in the west of Tanzania or in Dar es Salaam in the east. No, this cake was traditional to Wazungu, white people. It was completely white: white with white patterns decorating the white. Small white flowers with white leaves encircled the outer edges of the upper surface, and three white pillars on top of the cake held aloft another white cake that was a smaller replica of the one below. It was, quite simply, the most unattractive cake that she had ever seen. Of course, Mr and Mrs Wanyika had married at a time when the style of Wazungu was still thought to be fashionable — prestigious, even. But by now, in the year 2000, surely everybody had come to recognize that Wazungu were not the authorities on style and taste that they were once thought to be? Perhaps if she showed Mrs Wanyika the pictures of the wedding cakes that she had made for other people, she would be able to convince her of the beauty that colours could bring to a cake.”

Angel and her husband are from Tanzania. They lost both their adult children to AIDS, and now must take care of their five grandchildren.

“It’s only that we won’t be able to provide for these children as well as we did for our first children. But we must try by all means to give them a good life. That’s why we decided to leave Tanzania and come here to Rwanda. There’s aid money for the university and they’re paying Pius so much more as a Special Consultant than he was getting at the university in Dar. Okay, Rwanda has suffered a terrible thing. Terrible, Mrs Ambassador; bad, bad, bad. Many of hearts here are filled with pain. Many of the eyes here have seen terrible things. Terrible! But many of those same hearts are now brave enough to hope, and many of those same eyes have begun to look towards the future instead of the past. Life is going on, everyday. And for us the pluses of coming here are many more than the minuses. And my cake business is doing well because there are almost no shops here that sell cakes. A cake business doesn’t do well in a place where people have nothing to celebrate.”

Although Angel herself is dealing with some heavy losses, and so are the people around her, she is able to touch people’s lives — from convincing a mother to give her daughter a better name than Goodenough to providing family for a couple getting married who have lost all of their own families. This is an uplifting book and provides enjoyable and interesting reading.

One fun note: I was watching the DVD series of The No. 1 Ladies’ Detective Agency, which is filmed in Africa, and the first episode happened to have someone selling cakes. I noticed happily that those cakes were indeed far fancier and more colorful than cakes I’d see in America. So apparently I’ve learned something true about baking cakes in Kigali.

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of When the Heart Waits, by Sue Monk Kidd

When the Heart Waits

Spiritual Direction for Life’s Sacred Questions

by Sue Monk Kidd

HarperSanFrancisco, 1990. 217 pages.
Starred Review

Here’s another book by a woman exploring the deep questions and issues of facing midlife. Those always resonate with me. This one, with the theme of waiting, of slow growth, seemed particularly apt.

She uses the image of spinning a cocoon and having radical transformation from a caterpillar to a butterfly. It takes time. And when the transformation has been made, even unfurling your new wings is difficult.

Here are some passages I especially liked, to give you a taste of the wisdom in this book:

“When it comes to religion today, we tend to be long on butterflies and short on cocoons. Somehow we’re going to have to relearn that the deep things of God don’t come suddenly. It’s as if we imagine that all of our spiritual growth potential is dehydrated contents to which we need only add some holy water to make it instantly and easily appear.

“I received a letter recently from someone who was feeling impatient about taking the long way round. She wrote, ‘Pole vaulting is so much more alluring than crawling.'”

“Most of us Christians don’t know how to wait in pain — at least not in the contemplative, creative way that opens us to newness and growth. We’re told to “turn it over to Jesus” and — presto! — things should be okay.

“But inside things usually aren’t okay. So on top of everything else, we feel guilty because obviously we didn’t really turn our pain over or else it wouldn’t still be with us. Or we decide that God wasn’t listening and can’t be trusted to deliver on divine promises.

“How did we ever get the idea that God would supply us on demand with quick fixes, that God is merely a rescuer and not a midwife?”

“If you want to be impressed, note how often God’s people seem to be waiting….

“I came to the parable Jesus told about the ten maidens waiting for the bridegroom…. I’d always thought that the point of the story was that we should be prepared. But in my reading after the retreat, it seemed to be just as much about waiting. Waiting through the dark night. The idea is that waiting precedes celebration. If you don’t show up prepared to wait, you may miss the transcendent when it happens.

“Most stunning to me was the picture I began to get of God waiting. The parable of the prodigal son would be more aptly named the parable of the waiting father. It tells us much more about God than anything else — a God who watches and waits with a full heart for us to make our homecoming.”

“Shifting from a self-centered focus to a more God-centered focus is terribly hard. I think we’ve gone wrong by assuming that such a radical movement can be achieved simply by setting our jaw and saying one or two prayers of relinquishment.

“Letting go isn’t one step but many. It’s a winding, spiraling process that happens on deep levels. And we must begin at the beginning: by confronting our ambivalence.”

“Looking back, I’m aware of several experiences that sifted together to bring me quietly to the place of letting go. They had the effect of slowly and gently uncurling my grip, finger by finger.”

She takes us through her midlife journey, including many painful moments. But then comes the time of unfurling the new wings:

“When the time is right, the cocooned soul begins to emerge. Waiting turns golden. Newness unfurls. It’s a time of pure, unmitigated wonder. Yet as we enter the passage of emergence, we need to remember that new life comes slowly, awkwardly, on wobbly wings.

“I waited many long months before I felt newness begin to form, and many more before it began to unfold in my life. Gradually — oh, so gradually — my waiting season came to an end. The pain began to diminish bit by bit, as if it had peaked and now was giving way to something new. Many of the questions I’d lived with began to sprout little seeds of insight. Light trickled in. A new vision and way of life began to take shape not only in my head but in my heart and soul as well. It was as if I’d discovered a new room inside myself — a wider, more expansive place than I’d known before, but a room that had been there all along.”

This book will uplift and encourage anyone going through a similar journey. She offers us Hope:

“Hope for you and me and the journeys we undertake. Hope that we would trust our waiting hearts enough to risk entering them, that we would listen for the Voice that bids us come to the edge, and that we would welcome the gentle push of God, who is both our wings and the wind that bears them up.”

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Source: This review is based on a library book from the Fairfax County Public Library.

Review of Art and Max, by David Wiesner

Art & Max

by David Wiesner

Clarion Books (Houghton Mifflin), Boston, 2010. 40 pages.
Starred Review

Three-time Caldecott Medal winner David Wiesner has another stunner here. Art & Max reminds me of The Three Pigs, because it’s also a meta-book, a book about how books are made. Or at least meta-art, art about art.

The story takes place in the desert with various desert reptiles. (I won’t attempt to specify which species.) Arthur is a big horny critter who is also an artist, and obviously very pleased with himself. When little Max comes along and wants to paint, he asks Art (Arthur) what he should paint.

When Art says, “You can paint me,” Max takes him literally. That’s when the fun begins.

Art ends up covered with paint. When the other critters try to fix him, he goes through several different manifestations — created in different art styles. Most catastrophic is when he’s a watercolor and drinks a glass of water — and then becomes a line drawing. Then when he walks away with Max holding his tail — he unravels completely.

Don’t worry, Max does recreate Art, in a whole new style.

I would like to share this with children. Probably old enough that they wouldn’t worry about being unravelled! Though I think kids will understand the playful spirit and that these things could only happen in a world where all the characters are made of paint in the first place.

This book has lots to talk about or just enjoy, and is captivating on many levels.

It wouldn’t have surprised me if this book had earned David Wiesner a fourth Caldecott Medal, since the art is so innovative and stunning. For me personally, the story didn’t have as much heart as his winners, but it’s still a playful and creative look at what you can do with art.

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Source: This review is based on a library book from the Fairfax County Public Library.