Review of Stamped from the Beginning, by Ibram X. Kendi

Stamped from the Beginning

The Definitive History of Racist Ideas in America

by Ibram X. Kendi

Bold Type Books, 2016. 583 pages.
Review written April 25, 2021, from my own copy
Starred Review

I got to hear Dr. Ibram Kendi and children’s author Jason Reynolds speak about this book at ALA Annual (Virtual) Conference in June 2020. Jason Reynolds used the research from this book to write a version for young people. Soon after the conference, I listened to the audiobook where Jason Reynolds reads his version, and I was amazed. I ordered myself a copy of the original book – and it took me much longer to read it and absorb the information.

It’s not that it’s not amazingly good and thorough and eye-opening. But it’s densely written and packed with information. I only read a chapter at a time, so it took me a long time to get through it, but I’m deeply glad I did.

This book doesn’t make me comfortable. I didn’t know much about systemic racism at all. I didn’t recognize the racist ideas that I always accepted as normal, from the time I was a kid. But wow – it is a good thing to learn about.

This is a book about racist ideas, not a book about racist people. It’s fascinating to me that the author presents that a single person can have both racist ideas and antiracist ideas. And those may change over time. It’s not that a person is hopelessly racist, but they may put forward racist ideas and act on racist ideas.

He also distinguishes between two kinds of racist ideas – segregationists and assimilationists. I’ll quote a section in the Prologue that talks about the three kinds of ideas, and this will also give you an idea of the style of the book.

In 2016, the United States is celebrating its 240th birthday. But even before Thomas Jefferson and the other founders declared independence, Americans were engaging in a polarizing debate over racial disparities, over why they exist and persist, and over why White Americans as a group were prospering more than Black Americans as a group. Historically, there have been three sides to this heated argument. A group we can call segregationists has blamed Black people themselves for the racial disparities. A group we can call antiracists has pointed to racial discrimination. A group we can call assimilationists has tried to argue for both, saying that Black people and racial discrimination were to blame for racial disparities. During the ongoing debate over police killings, these three sides to the argument have been on full display. Segregationists have been blaming the recklessly criminal behavior of the Black people who were killed by police officers. Michael Brown was a monstrous, threatening thief, therefore Darren Wilson had reason to fear him and to kill him. Antiracists have been blaming the recklessly racist behavior of the police. The life of this dark-skinned eighteen-year-old did not matter to Darren Wilson. Assimilationists have tried to have it both ways. Both Wilson and Brown acted like irresponsible criminals.

Listening to this three-way argument in recent years has been like listening to the three distinct arguments you will hear throughout Stamped from the Beginning. For nearly six centuries, antiracist ideas have been pitted against two kinds of racist ideas: segregationist and assimilationist. The history of racial ideas that follows is the history of these three distinct voices – segregationists, assimilationists, and antiracists – and how they each have rationalized racial disparities, arguing why Whites have remained on the living and winning end, while Blacks remained on the losing and dying end.

The title of the book is taken from a speech by Jefferson Davis and points out his racist, segregationist thinking. But it’s tougher to recognize that assimilationist thinking is also racist. Here’s more from the Prologue:

It may not be surprising that Jefferson Davis regarded Black people as biologically distinct and inferior to White people – and Black skin as an ugly stamp on the beautiful White canvas of normal human skin – and this Black stamp as a signifier of the Negro’s everlasting inferiority. This kind of segregationist thinking is perhaps easier to identify – and easier to condemn – as obviously racist. And yet so many prominent Americans, many of whom we celebrate for their progressive ideas and activism, many of whom had very good intentions, subscribed to assimilationist thinking that also served up racist beliefs about Black inferiority. We have remembered assimilationists’ glorious struggle against racial discrimination, and tucked away their inglorious partial blaming of inferior Black behavior for racial disparities. In embracing biological racial equality, assimilationists point to environment – hot climates, discrimination, culture, and poverty – as the creators of inferior Black behaviors. For solutions, they maintain that the ugly Black stamp can be erased – that inferior Black behaviors can be developed, given the proper environment. As such, assimilationists constantly encourage Black adoption of White cultural traits and/or physical ideals.

He admits this is a complicated book:

There was nothing simple or straightforward or predictable about racist ideas, and thus their history. Frankly speaking, for generations of Americans, racist ideas have been their common sense. The simple logic of racist ideas has manipulated millions over the years, muffling the more complex antiracist reality again and again. And so, this history could not be made for readers in an easy-to-predict narrative of absurd racists clashing with reasonable antiracists. This history could not be made for readers in an easy-to-predict, two-sided Hollywood battle of obvious good versus obvious evil, with good triumphing in the end. From the beginning, it has been a three-sided battle, a battle of antiracist ideas being pitted against two kinds of racist ideas at the same time, with evil and good failing and triumphing in the end. Both segregationist and assimilationist ideas have been wrapped up in attractive arguments to seem good, and both have made sure to re-wrap antiracist ideas as evil. And in wrapping their ideas in goodness, segregationists and assimilationists have rarely confessed to their racist public policies and ideas. But why would they? Racists confessing to their crimes is not in their self-interest. It has been smarter and more exonerating to identify what they did and said as not racist. Criminals hardly ever acknowledge their crimes against humanity. And the shrewdest and most powerful anti-Black criminals have legalized their criminal activities, have managed to define their crimes of slave trading and enslaving and discriminating and killing outside of the criminal code. Likewise, the shrewdest and most powerful racist ideologues have managed to define their ideas outside of racism. Actually, assimilationists first used and defined and popularized the term “racism” during the 1940s. All the while, they refused to define their own assimilationist ideas of Black cultural and behavioral inferiority as racist. And segregationists, too, have always resisted the label of “racist.” They have claimed instead that they were merely articulating God’s word, nature’s design, science’s plan, or plain old common sense.

Racist ideas began in fifteenth-century Europe – and were developed and promoted in order to justify slavery. In this book, Dr. Kendi traces those ideas from their origin all the way through Obama’s presidency. There’s a little bit in the Preface to the Paperback Edition about the election of Trump, but not much because it had recently happened. He does sum up what comes across in the book, that the history of racist ideas is not a simple progression:

Stamped from the Beginning . . . does not present a story of racial progress, showing how far we have come, and the long way we have to go. It does not even present a story of racial progress of two steps forward – as embodied in Obama – and one step back – as embodied in Trump.

As I carefully studied America’s racial past, I did not see a singular historical force arriving at a postracial America. I did not see a singular historical force becoming more covert and implicit over time. I did not see a singular historical force taking steps forward and backward on race. I saw two distinct historical forces. I saw a dual and dueling history of racial progress and the simultaneous progression of racism. I saw the antiracist force of equality and the racist force of inequality marching forward, progressing in rhetoric, in tactics, in policies.

When the Obamas of the nation broke through racial barriers, the Trumps of the nation did not retire to their sunny estates in Florida. They created and sometimes succeeded in putting new and more sophisticated barriers in place, like the great-grandchildren of Jim Crow voting laws – the new age-voter ID laws that are disenfranchising Black Americans in the twenty-first century. And the Trumps of the nation developed a new round of racist ideas to justify those policies, to redirect the blame for racial disparities away from those new discriminatory policies and onto the supposed Black pathology.

That gives you an idea of how dense and packed with information this book is. It includes what scholarly and popular discussions occurred at various times in American history and is backed up with amazing research. I do highly recommend approaching it the same way I did and listening to or reading the young adult version by Jason Reynolds first. That will give you the big picture before you tackle this high-level academic tome. I’m planning, in fact, to listen to the Jason Reynolds book again, in order to solidify the ideas in a more graspable form, now that I’ve dived deep.

This is an amazing work of scholarship, and I highly recommend it for every American. You’ll gain a much better understanding of racist ideas and where they came from, and your eyes will be opened to some of them that you may have always taken for granted.

ibramxkendi.com
boldtypebooks.org

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Review of Amber and Clay, by Laura Amy Schlitz

Amber & Clay

by Laura Amy Schlitz
with illustrations by Julia Iredale

Candlewick Press, 2021. 532 pages.
Review written April 17, 2021, from a library book
Starred Review

How to explain a Laura Amy Schlitz book? Except to say it isn’t like anything else you’ve read.

Amber and Clay is “the tale of a girl as precious as amber, the tale of a boy as common as clay.” That’s what the god Hermes tells us right at the front of the book. He also tells us that though the boy was a slave boy, the girl started out life lucky. That is, she was lucky, “except for one thing: she died young.”

I let that comment pass, thinking it would happen tragically soon after the book ends, but, reader, that’s not what happens. It’s also not a love story between the two, so her death doesn’t feel as tragic as it might have in that case. The link between the two of them is that the mother of the boy, Rhaskos, is the slave woman who was sold to tend the girl, Melisto.

This is a tale of ancient Greece. Throughout the book eighteen “Exhibits” are shown – archaeological findings from ancient Greece. It’s not clear, but these are probably invented findings, based on actual findings, with the texts changed for our characters. (They could be actual findings, but in that case, I don’t think the illustrator would get credit.) They give the impression that our story actually happened.

Don’t be daunted by the size of the book, because much of it is done in verse, so it reads more quickly than you’d think. The author’s note at the back reveals that she used poetic forms from the poetry of Greece. Gods and goddesses provide some perspective, and we hear about the two children, Rhaskos and Melisto. Their stories start out separate, but begin to come together after Melisto’s death.

My favorite thing about the book was Rhaskos’ friendship with Sokrates. (Which I learned is pronounced So-KRA-teez.) In their conversations, Sokrates asks questions, and we learn much about his philosophy. It also takes us through the trial and death of Sokrates. We end up with a children’s book that helps you understand Sokrates’ philosophy and makes you sad about his death – which is really quite a notable feat.

The story itself captured my mind more than it did my heart. The details about ancient Greece were so fascinating! I didn’t find the characters terribly likable at first, but they grew on me. By the end, I at least hoped for a happy ending for those who were still alive!

And the craft and research that went into creating this book were amazing. I tell people that I can’t possibly predict what any Newbery committee will select – but I have a good idea what makes a contender. I believe this book will be scrutinized by the committee as an amazing accomplishment. And if there are still kids out there obsessed with Greek mythology, this book pulls the reader fully into the daily life of ancient Greece.

Let me conclude with a section from Sokrates’ trial:

So now perhaps someone will say, Aren’t you ashamed, Sokrates, to have devoted your life to asking questions that may get you killed? And here’s my answer: When someone takes a stand, he has to hold his ground and face the danger. When I fought in the battles of Potidaea and Amphipolis and Delion, I held my ground and obeyed my commanders. And when the god tells me to live a life in pursuit of wisdom, questioning myself and others, I cannot desert my post.

candlewick.com

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Review of Mermaid Moon, by Susann Cokal

Mermaid Moon

by Susann Cokal

Candlewick Press, 2020. 480 pages.
Review written December 1, 2020, from a library book
Starred Review

Mermaid Moon is the story of Sanna, a mermaid who comes to land not for the love of a man, but in order to find her mother. She’s been brought up by her father, after the witch of their flok put a powerful spell of forgetting on all of them. But Sanna has been apprenticed to the witch and is learning magic. And she learns her mother’s name and that her mother is landish. Then Sanna learns the magic to give herself legs and go to the island where she may have been born.

The book is set in medieval times, and when the folk of the island see Sanna’s accidental magic, they are sure she’s a saint doing miracles. But the baroness of the island is a witch herself, and she develops her own plans for Sanna.

The language used in all of this is lyrical and beautiful, as if we’re hearing a folk tale, or perhaps an epic heroic tale. Sanna tells her own story, but we also get chapters from the perspectives of people in the islands as well as songs the mermaids sing and a look at what the mermaids do while waiting to see how Sanna’s quest turns out.

Here’s how Sanna’s first sight of the islanders is described:

I limp under a series of archways, and then I see them: the landish folk. There are many more here than belong to my own clan and flok, and they are sitting on broken trees arranged within a big five-sided hollow of stone, with so many shining objects around them that my eyes are dazzled. I smell them fully, and hear them – all at once, overwhelming with sensation, as if smell and sound are always tangible things (to us, they are) and batter my body like waves.

“How are you going to bear them?” my age-mates asked when they heard of my plan. Especially Addra, who is flame-haired and dark-eyed and the most beautiful of all, forever admiring the reflection of her face and breasts in a rock pool – though she has the tongue of a dead clam, as Sjaeldent likes to say, and must rely on her beauty, not her singing, to win her way in the world.

The magic in this book stands out as working very differently from any other fantasy book I’ve read, especially the magic of the landish witch, sinisterly using bones from family members.

Let me close with one of the songs of the Mermaids:

You who sail upon the seaskin –
You look to the skies to guide you.
Why up at air and not down to sea?
Trust, we will show you the way.

candlewick.com

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Review of Geometry Is As Easy As Pie, by Katie Coppens

Geometry Is As Easy As Pie

by Katie Coppens

Tumblehome, 2019. 62 pages.
Review written April 17, 2021, from a library book
Starred Review

What a fun book! It covers simple geometry topics such as symmetry, tessellations, polygons, angles, parallel and perpendicular lines, and relates them all to pie.

With every single concept covered, we get the question, “How does this relate to pie?” Here’s an example:

How Does Radius Relate to Pie?

When it comes to serving only one piece of pie, the first cut is typically from the center point of the pie to the crust. This cut represents the radius of the pie. That cut, like the radius, could be made in any direction to the circumference, as long as it is from the center point of the pie to the crust.

Here’s another such question with an especially good answer:

How Do Geometric Formulas Relate to Pie?

Suppose someone asks you how to make a pie and you just read them a recipe out of this book. Will you really understand pie-making as well as if you’d actually made the pie yourself? In the same way, rather than just memorizing geometric formulas, it’s important to work with and understand the mathematical ideas behind the formulas. In this book, the thinking behind mathematical concepts is explained first, before we give you formulas. In the same way, we hope you actually try to make the pies you read about in this book!

The book is illustrated with many, many photos of luscious-looking pies, and yes, a variety of recipes are included. I’m a little ashamed to say I did not try any of them out. But I may have drooled over the photos.

katiecoppens.com
tumblehomebooks.org

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Review of Watercress, by Andrea Wang, pictures by Jason Chin

Watercress

by Andrea Wang
pictures by Jason Chin

Neal Porter Books, 2021. 36 pages.
Review written April 17, 2021, from a library book
Starred Review

I knew that any picture book illustrated by Jason Chin would be stunningly beautiful, but I didn’t know how much this story would haunt me.

We see that we’ve gone back in time to a girl sitting in the back seat of an old red Pontiac. Her parents excitedly stop the car when they see watercress by the side of the road, in a muddy ditch next to a corn field.

In her stance, in her expression, you can see the girl is not happy about this stop. The whole family gets out and gathers watercress in paper bags. She gets wet and muddy, and her brother makes it worse. When a car passes, she ducks and hopes it’s not anyone she knows.

When they get home, the watercress is prepared for dinner, with garlic and sesame seeds. The girl doesn’t want anything to do with it.

Mom and Dad press me to try some.
“It is fresh,” Dad says.
“It is free,” Mom says.
I shake my head.

Free is bad.
Free is
hand-me-down clothes and
roadside trash-heap furniture and
now,
dinner from a ditch.

It takes a memory, and a photo, from the girl’s mother to change her attitude, with new appreciation for memories and family and watercress.

This is indeed a beautiful book, with emotions clearly shown in the pictures, with more subdued tones for memories. The text, too, is beautiful. Simple and spare, but saying so much.

An exquisite story about feeling like an outsider, and about family and memory.

HolidayHouse.com

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Review of Dusk Night Dawn, by Anne Lamott

Dusk Night Dawn

On Revival and Courage

by Anne Lamott

Riverhead Books, 2021. 208 pages.
Review written March 30, 2021, from my own copy, purchased via Amazon.com
Starred Review

It’s impossible not to love Anne Lamott. This is because she tells us all her failings, instead of trying to impress us with how wonderful she is. It’s so easy to relate to those failings! Plus, she makes us laugh by looking at things in an unexpected way.

And now she’s married! So now we get her thoughts about this man she’s married and about living with a partner and about being real with each other.

If you’ve read Anne Lamott, you’ll understand it’s more of her funny, insightful, quirky goodness. Without fail, her chapters leave me smiling, though I can’t always pull out a paragraph for quotes, because it takes the whole story to fully appreciate it.

But here’s a nice paragraph I did pull out:

Trust me on this: We are loved out of all sense of proportion. Yikes and hallelujah. Love reveals the beauty of sketchy people like us to ourselves. Love holds up the sacred mirror. Love builds rickety greenhouses for our wilder seeds to grow. Love can be reckless (Jesus is good at this), or meek as my dog, or carry a briefcase. Love is the old man in the park teaching little kids to play the violin: much time spent tuning, the children hearing their way into the key he is playing. My parents heard the key as success, security, moving expeditiously, and living as expected. But love lumbers like an elephant, it naps on top of your chest like a cat. It gooses you, snickers, smooths your hair. Love is being with a person wherever they are, however they are acting. Ugh. (A lot of things seem to come more easily to God.)

penguinrandomhouse.com

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Review of Too Small Tola, by Atinuke, illustrated by Onyinye Iwu

Too Small Tola

by Atinuke
illustrated by Onyinye Iwu

Candlewick Press, 2021. First published in the United Kingdom, 2020. 89 pages.
Review written April 6, 2021, from a library book
Starred Review

Too Small Tola is a short chapter book about a small girl named Tola, who lives with her older brother and sister and their Grandmommy in an apartment in Lagos, Nigeria. This is a brilliant chapter book, with a girl not wanting to be thought of as small navigating a very interesting setting.

I like the way this book, as good beginning chapter books do, is full of everyday concerns of a child the same age as a beginning reader. But the everyday concerns of a child in Lagos, Nigeria, are super interesting for an American child.

There are three stories in the book, with plenty of illustrations along the way. Here’s how Tola is introduced at the start:

Tola lives in a run-down block of apartments in the megacity of Lagos, in the country of Nigeria. She lives with her sister Moji, who is very clever; her brother, Dapo, who is very fast; and Grandmmommy, who is very-very bossy.

Tola is the youngest in her family. And the smallest. And everybody calls her Too Small Tola, which makes her feel too-too small.

In the first story, Tola goes shopping with Grandmommy. What makes it extra interesting is that she carries what they buy in a big basket on her head. But they end up with heavy loads for both of them and need lots of rest along the way – rest that comes with treats.

In the second story, “Small but Mighty,” their apartment doesn’t have water, so they must go fill their big jerry cans with water from the pump outside the apartments. But there’s a line, and Tola doesn’t want to be late to school, but she has to stop and help Mrs. Shaky-Shaky. That story has a wonderful reversal after a bully is mean to Tola, but Mrs. Shaky-Shaky thwarts the bully.

The third story has Tola helping their injured neighbor, a fine tailor, get measurements all over the city so he can make fine clothes for Easter and Eid. Tola is as good at taking measurements as the tailor himself, and the story tells about her brother taking her on his bike to different parts of Lagos, meeting many different people.

It’s all about a relatable kid in a wonderfully interesting setting. Tola is indeed small, but mighty!

atinuke-author.weebly.com
candlewick.com

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Review of The Princess Will Save You, by Sarah Henning

The Princess Will Save You

by Sarah Henning

TOR Teen (Tom Doherty Associates), 2020. 351 pages.
Review written October 13, 2020, from a library book
Starred Review

The Princess Will Save You takes the essentials of the story from The Princess Bride but makes her stable boy true love the one who is kidnapped and needs to be rescued. He knows that the princess will save him.

The princess, Amarande, is the daughter of the Warrior King and has been trained to fight. In fact, she trains with the stable boy. But after her father suddenly dies, she is not allowed to rule unless she marries. And the neighboring countries all have candidates for her hand. One of those isn’t allowed to take the throne from the Dowager Queen Mother before he’s eighteen unless he marries. So the match should be just right. If not for the problem of Amarande’s true love. Oh, and the fact that the prince is odious and power hungry.

In a couple of things, the plot is a little more plausible than The Princess Bride, though it adds some new coincidences. And though the initial problems are cleared up in this book, we make some new discoveries at the very end that will greatly affect power on the continent.

This is unashamedly a kissing book. It’s also got swordplay and pirates. Not quite as much witty banter as The Princess Bride, but it’s still a lot of fun. It will be interesting to see how things play out in the sequel when they’re not loosely following the movie plot.

sarahhenningwrites.com
torteen.com

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Review of This Is Your Time, by Ruby Bridges

This Is Your Time

by Ruby Bridges

Delacorte Press, 2021. 58 pages.
Review written March 15, 2021, from a library book
Starred Review

I got to hear Ruby Bridges speak at ALA Virtual Midwinter Meeting in 2021, and it was so moving to hear her talk about what it was like to confront racism when she was only six years old, the first black child to attend a white school. Her parents didn’t tell her what would happen, only that she was going to go to a new school and needed to be on her best behavior. At first, when she saw all the people, she thought it was a Mardi Gras parade. She talked about how the year continued. Even though she got to go to the school, all the other children were kept away from her. But her wonderful teacher, Mrs. Henry, made her feel welcome and eventually made sure that she got to be with other children.

This book is simple, written to kids and illustrated completely with black and white photographs. Some of the most disturbing photographs to me are where photos from the 1950s are placed side by side with photos from the 2020 Black Lives Matter protests.

The words to go with those pictures are simple, suited to a child’s understanding. She begins by explaining what her first grade year was like.

I felt safe and loved, and that was because of Mrs. Henry, who, by the way, looked exactly like the women in that screaming mob outside. But she wasn’t like them. She showed me her heart, and even at six years old I knew she was different. Barbara Henry was white and I was black, and we mattered to each other. She became my best friend. I knew that if I got safely past the angry crowd outside and into my classroom, I was going to have a good day.

Then she goes on to talk about the Civil Rights movement and how she has talked with kids across the country.

I have not witnessed hatred or bigotry when I’ve looked into your young eyes. Regardless of what you looked like or where you came from, I saw some of my six-year-old self in you. You did not care about the color of each other’s skin, and I have loved seeing that because I saw hope. Hope that most people don’t get a chance to see, and I thank you for sharing that.

Ruby Bridges also reveals that her own eldest son was murdered. She has a special heart for black lives lost too soon.

She encourages children to keep protesting, keep working for change. Her message is not confrontational, but encouraging.

“You only need a heart full of grace.”

Really, it is that love and grace for one another that will heal this world.

It is that love and grace that will allow us to see one another as brothers and sisters.

It is that love and grace that will allow us to respect the many ways God has made all of us unique and will allow us to turn our stumbling blocks into stepping-stones.

Ruby Bridges didn’t have a lot of choice about her fame when she was six years old. But now as an adult, I appreciate that she’s encouraging children that they can have a part in making this world a better place.

rubybridges.com
rhcbooks.com

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Review of The Little Blue Bridge, by Brenda Maier, pictures by Sonia Sanchez

The Little Blue Bridge

by Brenda Maier
pictures by Sonia Sanchez

Scholastic Press, Spring 2021. 40 pages.
Review written March 8, 2021, from an advance reader copy sent by the publisher
Starred Review

The Little Blue Bridge takes the pattern from the Norwegian folk tale, The Billy Goats Gruff, and puts a maker twist on it.

Ruby is always full of ideas. When she sees blueberries across the creek, she suggests to her brothers that they go across to pick some and make blueberry pie. But they leave without her.

However, the only way across the creek is a plank bridge that a bully, Santiago built. He tells the brothers they can’t cross unless they give him a snack, but one by one they promise better snacks in the sibling to come.

Ruby doesn’t have any snacks, so Santiago won’t let her cross. But she’s prepared for that! Ruby competently builds a much better bridge with blue planks.

And the story ties up in a delightful way, with the small sister getting her due and showing up everyone with her ingenuity.

The pictures are full of exuberant action and it all adds up to an utterly delightful story I hope to get to use in story time some day.

brendamaier.com

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