Review of The Fifth Season, by N. K. Jemisin

The Fifth Season

The Broken Earth, Book One

by N. K. Jemisin

Orbit Books, 2015. 471 pages.
Starred Review
Winner of the 2016 Hugo Award

After the Newbery, I was ready to read something completely different. Both my adult children highly recommended the Broken Earth trilogy. They told me N. K. Jemisin was the first black woman to win the Hugo – and then the first person to win the Hugo three years in a row – with the books of this trilogy.

Tonight I finished The Fifth Season, and I had to go back to the beginning to see if I understood now what was going on at the start of the book. I think maybe, sort of? I am hoping things will be a bit less murky after book two. Which I am going to read.

This book, like much science fiction, is more cerebral than emotional. The world-building is amazing. We’ve got three plot threads going on, one of them addressing the reader as “you.” You do learn how the three threads are connected before the book ends – but it does end up having you do some rethinking.

The world here is a world that may be ending. They’ve long had “Fifth Seasons” – where ash from a volcano or some other disruption means there is a prolonged winter and little to harvest. They’ve got stonelore to tell them what to do, how to prepare. A new one is beginning, and this may be the worst ever.

This world has orogenes – people who can sense and manipulate the earth. They can raise volcanoes and still earthquakes. Earthquakes that are constantly happening in this world. Orogenes can also kill you by icing you – sucking all the energy out of an area around them and instantly freezing you to death. So they are deeply feared – and kept away from society, trained at the Fulcrum.

There are also Stone Eaters. They seem to be made of stone and can eat stone and move through stone And then there are Guardians, who can neutralize the power of orogenes. Their job is to watch over them. But if you don’t follow the rules, you’re in trouble.

The book follows a woman who was hiding her orogeny and has lost her son, a young girl being taken to the Fulcrum to be trained, and an orogene well along in her training, given a job under a new mentor – where something happens that she can’t explain and changes everything.

I’m still not sure I completely understand all that happened in this book. I need to read on…. How lovely that for once I’m reading a trilogy that’s already completely written!

Go to this book for intricate world-building and mind-blowing ideas. I have a feeling I’ll like it more as I begin to understand more of what’s going on! But I’ve definitely gotten hooked.

nkjemisin.com
orbitbooks.net

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Review of The Truth as Told by Mason Buttle, by Leslie Connor

The Truth as Told by Mason Buttle

by Leslie Connor

Katherine Tegen Books (HarperCollins), 2018. 326 pages.
Starred Review
Review written February 4, 2018, from a book sent by the publisher.
2018 National Book Award Finalist
2019 Schneider Family Award Winner
2018 Sonderbooks Stand-out:
#1 Contemporary Children’s Fiction

Okay, I love this book, and I love Mason Buttle! I’m writing this at the beginning of my Newbery reading year. I may read many more books I love this year, and I may be the only person on the committee who loves this book – but I am so encouraged that such a wonderful book exists.

Mason Buttle is the biggest and tallest kid in seventh grade. And he has a disorder, so he sweats. A lot. And he has dyslexia, so he’s not very good at reading or writing.

As you may guess, a kid like that with a last name like “Buttle,” will get teased a lot, and bullied. But Mason takes it matter-of-factly.

His family’s gone through a lot lately. Mason’s grandpa died. Then his mother was killed in an accident, so only his grandma, Uncle Drum, and Mason are left. And then Mason’s best friend Benny died.

Benny died after he fell from their tree fort when the top rung of the ladder broke. The sheriff keeps wanting to talk with Mason about it. But he interrupts Mason, and it’s hard for Mason to get his words out. Mason has told the sheriff everything he knows.

But there’s a wonderful teacher at school named Mrs. Blinny. (Mrs. Blinny, too, is quirky and wonderfully described.) She’s got a new machine that Mason can talk into – and it will write down his words for him. Now at last, Mason can write his story.

Meanwhile, Mason makes a new friend, Calvin Chumsky. Calvin gets bullied, too. But the two together start a project together and become friends.

That’s only the bare bones of how the book begins. There’s a lot more going on – things with Mason’s family, things at school, the bully’s nice mother and the bully’s nice dog that Mason dog-sits, the family orchard that Uncle Drum has been selling off, and of course the mystery of what really happened when Benny died and why do so many people in town give Mason a sad-to-see-you look?

But Mason isn’t the type to feel sorry for himself. I challenge anyone to read this book and not just love this kid. Here he is in the very first chapter after he misspelled stopped as STOOPID in a spelling bee and someone put a t-shirt with the word STOOPID in his locker.

Matt Drinker loves when something like that happens. That’s why I’m guessing he put this STOOPID shirt inside my locker. He must have picked my lock to do it. Funny thing is I knew what the shirt said because of the two Os in the middle. I knew in two blinks.

Matt doesn’t know it but he did me a big favor. I always take two shirts to school. Unless I forget. I change just before lunch. This is because of how I sweat. It is a lot. Can’t stop it. Can’t hide it. I need to be dry at the lunch table. Otherwise I’m a total gross-out of a kid.

Well, today was a day that I forgot my extra shirt. So I’m wearing this one that says STOOPID on it. It’s big and it fits me. It’s clean and dry. I’m going to keep moving. Maybe nobody will see what it says.

And if they do, well, tell you what. Plenty worse has happened.

leslieconnor.com
harpercollinschildrens.com

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Review of Blood Water Paint, by Joy McCullough

Blood Water Paint

by Joy McCullough

Dutton Books, 2018. 304 pages.
Starred Review
Review written April 16, 2018, from a book sent by the publisher.
2019 Morris Award Finalist
2018 Sonderbooks Stand-out:
#1 General Teen Fiction

Wow. This book is amazing.

Now, the central event of the book is a rape – so I, personally, don’t think that’s “presentation for a child audience” [though that is only my personal opinion and I haven’t discussed it with anyone else on the Newbery committee]. But by the time I figured that out, there was absolutely no way I was going to stop reading.

This is a verse novel, which usually I don’t have a lot of patience with. But this verse spoke with a compelling voice that pulled me in immediately.

We have the perspective of Artemisia Gentileschi, who was seventeen years old in 1611 in Rome. Her mother died when she was twelve. She worked for her father, an artist, grinding pigments, preparing paint – and creating paintings for him, even though they bore his name.

In that world, women were used by men. Her mother had told her stories of the ancient heroines Susanna and Judith – they stood up to men and were vindicated, though it was not easy for them. Those stories, woven through the book, are the only parts that are not written in poetry. Yet they quickly make you feel what it must have been like for those ancient women – in a way that men who have never felt powerless cannot understand.

And then a young man hired to teach Artemisia perspective rapes her. And she tells the world what he did – but the resulting trial comes at great cost to Artemisia.

The powerless woman, used by men, stands up to the powerful, like Susanna and Judith before her. Though none of them spoke up without cost.

And the amazing part is that Artemisia is an actual woman, an artist, and her trial in 1611 actually happened.

Being verse, this book is not long. But its effect is long-lasting indeed.

They tell me I know
about perspective now.
Too well.
They say I’m standing
at the start of a long road,
looking out into the distance.
What do I see?

joymccullough.com
PenguinTeen.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Girl Who Drew Butterflies, by Joyce Sidman

The Girl Who Drew Butterflies

How Maria Merian’s Art Changed Science

by Joyce Sidman

Houghton Mifflin Harcourt, 2018. 144 pages.
Starred Review
Review written March 7, 2018, from a book sent by the publisher.
2019 Sibert Medal Winner for best children’s nonfiction book of the year
2018 Sonderbooks Stand-out:
#1 Longer Children’s Nonfiction

This book has a prologue, with the heading, “The Girl in the Garden.” Quoting from it will tell you the background of Maria Merian’s life.

A girl kneels in her garden. It is 1660, and she has just turned thirteen: too old for a proper German girl to be crouching in the dirt, according to her mother. She is searching for something she discovered days ago in the chilly spring air. As she combs the emerald bushes, she looks for other telltale signs – eggs no bigger than pinpricks, or leaf edges scalloped by the jaws of an inching worm. . . .

But for years she has gathered flowers for her stepfather’s studio, carried them in, and arranged them for his still-life paintings. She has studied the creatures that ride on their petals: the soft green bodies of caterpillars, the shiny armor of beetles, the delicate wings of moths. She has looked at them closely, sketched and painted them. In learning the skills of an artist, she has learned to look and watch and wonder.

Imagine this girl, forbidden from training as either a scholar or a master artist because she is female. Aware that in nearby villages women have been hanged as witches for something as simple as showing too much interest in “evil vermin.”

Yet she is drawn to these small, mysterious lives. She does not believe the local lore: that “summer birds,” or butterflies, creep out from under the earth. She thinks there is a connection between butterflies, moths, caterpillars, and the rumpled brown cocoon before her, and she is determined to find it.

This is her story.

The biography that follows tells of a woman far ahead of her times. She was both an artist and a scientist. She was an artist because she assisted her father and her husband and learned from them – she wouldn’t have been able to study on her own merits. She was a scientist by virtue of her own patient observations. She learned which caterpillars transformed into which moths or butterflies and which cocoon or chrysalis went with each.

She made her observations known by painting them. She would paint creatures on the same plant where she found them, and she would paint a butterfly with its egg, caterpillar, pupa, and chrysalis in the same picture.

This book is lavishly illustrated with Maria Merian’s own paintings as well as photographs of caterpillars, moths, and butterflies. Quotations from Maria’s writings are included, set off in a box and printed in script. Every spread has something colorful to catch the eye.

The structure of Maria’s biography follows the life cycle of a butterfly, with chapter titles: “Egg,” “Hatching,” “First Instar,” “Second Instar,” “Third Instar,” “Fourth Instar,” “Molting,” “Pupa,” “Eclosing,” “Expanding,” “Flight,” and “Egg” again. Joyce Sidman has written a poem for each chapter, placed next to a photo of a caterpillar or butterfly at that stage.

Maria’s unique combination of observation plus art left a mark that affected scientists after her. After her death, Carl Linnaeus used her book to classify and name more than one hundred insects – names we still use today.

The exquisite paintings and detailed photographs make this a beautiful book worth browsing – even if it weren’t packed with facts about an important scientist, a woman far ahead of her time.

joycesidman.com
hmhco.com

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Review of The Book of Boy, by Catherine Gilbert Murdock

The Book of Boy

by Catherine Gilbert Murdock
illustrations by Ian Schoenherr

Greenwillow Books, 2018. 278 pages.
Starred Review
2019 Newbery Honor Book
Review written March 7, 2018, from a book sent by the publisher.

[Disclaimer: This review was written before I ever discussed the book with the Newbery committee and after only my first reading. The opinions expressed are only mine, and only my first impression.]

After reading the first few chapters of this book, I thought I’d stumbled on a book that had the same basic story as The Journey of Little Charlie, by Christopher Paul Curtis – except in Little Charlie the young innocent was forced to journey with and help a slave catcher, and in The Book of Boy the young innocent was forced to journey with and help a relic thief.

But I was quite wrong. Although The Book of Boy started out this way, the story that followed was completely different from anything I’d read before.

Yes, Boy is young and innocent. He’s a hunchback and doesn’t like the way people are afraid of him and call him a monster. The book is set in medieval Europe, just after a Pestilence has gone through the land. A pilgrim demands his aid in carrying a pack. Boy thinks they are going to protect a relic of Saint Peter, but it turns out the pilgrim will use Boy to steal more relics.

We learn some interesting things about Boy and about the pilgrim along the way. The pilgrim can’t touch any relics of St. Peter, but for Boy, the relic already in the pack warms him and makes it so people don’t notice his hump. Every morning when Boy wakes up, no matter where they have camped, animals curl up and sleep with him. What’s more, after a while we realize all the talking Boy does to animals isn’t just rhetorical. Animals understand Boy and talk to him as well.

Secundus the pilgrim wants to gather seven relics of St. Peter, and he has a compelling reason. And although he is indeed a thief, he grows under our skin as their journey continues.

But Secundus the pilgrim doesn’t win us over as fully as Boy does. He is indeed a young innocent forced to help with thievery – but he learns things along the way about his own true nature which are most surprising.

This is ultimately an uplifting book, full of details about life in medieval times. You’ll enjoy the company of the good-hearted Boy, who can talk with animals and is very surprising.

Here’s what the Newbery committee had to say about this book: “From Murdock’s first line, readers are swept into an epic quest across Europe in 1350 with Boy and a mysterious pilgrim, adventuring to recover seven relics of St. Peter. Layered characters from goats to nuns, lyrical language, and multiple reveals combine to create this powerful story of redemption.”

catherinemurdock.com
epicreads.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of The Night Diary, by Veera Hiranandani

The Night Diary

by Veera Hiranandani

Dial Books for Young Readers, March 2018. 267 pages.
Starred Review
Review written December 3, 2017 from an Advance Reader Copy.
2019 Newbery Honor Book

[Disclaimer: This review was written before I ever discussed the book with the Newbery committee and after only my first reading. The opinions expressed are only mine, and only my first impression.]

The Night Diary is set in a time I knew nothing about: 1947 India, the part that became Pakistan.

Nisha and her twin brother Amil live with her Papa and his mother Dadi and their beloved Kazi, the cook. Their mother died when giving birth to the twins. They are twelve now, and Nisha is writing letters to her Mama in a diary that Kazi gave her.

Nisha’s Mama was a Muslim, but her Papa is Hindu and they live as Hindu, but Kazi is Muslim. Many didn’t want her parents to get married, but they moved to a place where all religions lived together peaceably. That is about to change.

When the British left India, it was decided that they should partition India into two countries – Pakistan for Muslims and India for the remaining religions, particularly Hindus. So Nisha and her family need to move.

Nisha’s father is a doctor and he listens to the ideas promoted by Gandhi. He lingers in their town probably longer than they should. Eventually, their journey to cross the border into India is fraught with danger. They have many brushes with death.

On top of this, Nisha has trouble speaking to anyone who is not family. This will add to her challenges on the road.

This book is based on the author’s father’s family’s experiences at the same time. It adds power that this story of refugees is based in truth.

Sadly, refugee stories are always timely. As are stories about conflict between religions. I like the way Gandhi’s ideas of religions living peacefully together are included – though still showing the nonsensical side of hatred based only on religion.

This is a powerful story, including brushes with death, but it’s all told from a child’s eyes and in a way a child can understand.

Here’s what the Newbery committee said about the book: “Following introspective Nisha and her family as they flee their homeland for an uncertain future, Hiranandani illuminates the 1947 partition of India with unprecedented balance and sensitivity. Through spare evocative diary entries addressed to her late mother, Nisha discovers the complex beauty of her Hindu-Muslim identity.”

veerahiranandani.com
penguin.com/middle-grade

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Merci Suárez Changes Gears, by Meg Medina

Merci Suárez Changes Gears

by Meg Medina

Candlewick Press, 2018. 355 pages.
Starred Review
Review written June 27, 2018, based on an advance reader copy I got at ALA Annual Conference.
2019 Newbery Medal Winner!

Note: This review was written after my first reading of the book, before I had discussed it with any committee members. The views are mine alone – and I gained yet more appreciation for this book when rereading and discussing it. And today I’m completely thrilled that this is “our” Newbery winner!

(That’s fun! I just remembered when looking up my review of her earlier book, Mango, Abuela, and Me that I was on a Cybils Picture Books committee that chose her book as one of our Finalists. Now I’m on another committee that chose her book!)

This is another book about navigating middle school, this time from the perspective of sixth-grader Merci, who attends Seaward Pines Academy on a scholarship since her father does maintenance there. Merci lives with her extended family close by:

How we live confuses some people, so Mami starts her usual explanation. Our three flat-top houses are exact pink triplets, and they sit side by side here on Sixth Street. The one on the left, with the Sol Painting van parked out front, is ours. The one in the middle, with the flower beds, is where Abuela and Lolo live. The one on the right, with the explosion of toys in the dirt, belongs to Tía Inéz and the twins. Roli calls it the Suárez Compound, but Mami hates that name. She says it sounds like we’re the kind of people who collect canned food and wait for the end of the world any minute. She’s named it Las Casitas instead. The little houses. I just call it home.

Merci’s got some of the normal middle school pressures. She’s been assigned to be Sunshine Buddy to a new student who’s a boy, and the most popular girl in the school is jealous. But on top of that, she wants to be on the soccer team, but she’s expected to babysit the twins after school. And her grandfather Lolo, who has always been her confidant, is beginning to act very strangely. And through it all, she’s hoping to earn enough money to buy a better bike than the old rickety one she rides now with Lolo.

Merci’s a very likable heroine and her conflicts and friendships feel organic and not stereotyped. Author Meg Medina reminds us that middle school comes with lots of changes, and some of those changes – like a grandparent getting dementia – aren’t good changes. But with the help of family and friends, we believe Merci’s conclusion that she’ll be able to switch to a more difficult gear and ride on.

megmedina.com
candlewick.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of The Book Itch, by Vaunda Micheaux Nelson, illustrated by R. Gregory Christie

The Book Itch

Freedom, Truth & Harlem’s Greatest Bookstore

by Vaunda Micheaux Nelson
illustrated by R. Gregory Christie

Carolrhoda Books, Minneapolis, 2015. 36 pages.
Starred Review
2016 Coretta Scott King Illustrator Honor Book

This picture book biography tells the same story the same creators told in the novel No Crystal Stair, but I found myself warming more to the picture book.

Mind you, it was nice to have all the background from the novel (which was very close to being nonfiction) about the life of the author’s great-uncle, Lewis Michaux, who owned the National Memorial African Bookstore in Harlem.

The picture book is told from the perspective of Lewis’s son with the same name. It communicates the spirit of the man, his pithy wisdom, and the supreme importance he placed on books and on black people knowing their history.

I love his sayings on the endpapers (as well as in the text). Things like, “This house is packed with all the facts about all the blacks all over the world,” and “Books will help him clear the weeds and plant the seeds so he’ll succeed,” and “Words. That’s why people need our bookstore.”

This picture book starts later than No Crystal Stair did, not telling about Lewis Michaux’s entire life, but looking at a time when the bookstore was at its height and his son met people like Muhammed Ali and Malcolm X there.

Here’s what it says about starting the bookstore:

Dad opened his store in Harlem Square way before I was born. Mom says he started out with five books. Five books and a mission. She says he had something in his heart he believed in so much that he’d do just about anything to make it happen.

Dad says he got the book itch and needed to scratch it.

lernerbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of Drowned City, by Don Brown

Drowned City

Hurricane Katrina & New Orleans

by Don Brown

Houghton Mifflin Harcourt, 2015. 96 pages.
2016 Sibert Honor

Nonfiction in comic book form is an idea whose time has come. What could be more memorable? Do you want to teach history in a way kids will pay attention, absorb, and understand? In fact, speaking for myself, this is a way adults can read it and absorb much more information than reading regular text.

Now, the story of Hurricane Katrina is not a pleasant story at all. This feels more hard-hitting than The Great American Dust Bowl, since the people involved, including those who bungled the response, are still alive. Though both stories are horrific. And the reader can understand that better with the graphic illustrations.

Don Brown uses a variety of panel arrangements and colors to keep interest high. Leafing through the pages, you get a sense of action.

The book does end on a hopeful note. The last spread is a picture of new construction. The text on the last page says:

One ruined neighborhood, the lower ninth ward, is overgrown with plants and weeds and has just 15 percent of the population it had before Katrina. But new houses are going up, built atop deeply driven piles, giving them firm roots to stop them from floating away during the next Katrina. The man setting the piles is a “born and raised” New Orleanian.

“We’re coming back. This is home. This is life.”

hmhco.com

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Source: This review is based on a library book from Fairfax County Public Library.

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ALA Annual Conference 2018 – Caldecott/Newbery/Legacy Banquet

This year, I only attended the speeches at the Banquet. The day before, the Wilder Award got renamed the Children’s Literature Legacy Award (effective immediately). The description of the award (and previous winners, including Laura Ingalls Wilder) stayed the same. (More on that later.) Here are my notes on the speeches.

Caldecott Medal Winner, Matthew Cordell, for Wolf in the Snow

Matthew Cordell began by saying that New Orleans is a personally significant city for him and represents our people and our country at its very best.

He grew up and went to school wanting to do graphic design. It was meeting and marrying a children’s librarian that got him started on children’s books. He started noticing picture books, including William Steig and Quentin Blake.

Adults are judgey and annoying, pretentious, jaded….
Kids are scary but accepting, odd and funny.

After illustrating his wife’s book, he started writing and illustrating his own work. “I subtly rip off the unbridled brilliance of my children daily.”

When you’re feeling blue, it’s effective to make pathetic passive-aggressive art. That’s how the first image of a wolf came about.

Then he read about wolves – they’re not creepy, dark, or vicious. And they want nothing to do with people.

He saw the story between wolves and people played out between people and other people.

If we can bridge fear with kindness, we can change the world.

Children need heroes – they need look no farther than schools and libraries.

To his wife – “Thank you for leading our wolf pack to greatness.”

Newbery Medal Winner, Erin Entrada Kelly, for Hello, Universe

First she told a story about her mother, who came to America to marry an American sailor. Erin didn’t look like the other kids at school. “What are you?” they asked her. She didn’t know how to answer.

She learned to escape through books.

The other thing that set her apart was her big dream: To get published. She wrapped it around her shoulders and it kept her warm.

She writes books for her characters – and other kids like them.

Her greatest wish is that her readers will feel less alone.

Books are incredible – and Librarians help them find their way.

We make dreams come true by putting books in the hands of kids.

“Once upon a time there was a little girl, and all her dreams came true.”

Children’s Literature Legacy Award winner, Jacqueline Woodson

[Note: The name of this award was changed the day before from the Laura Ingalls Wilder Award. The description is still the same – for a substantial and lasting contribution to literature for children.

Here’s the ALSC page about the award.

This sentence is significant: “While we are committed to preserving access to Wilder’s work for readers, we must also consider if her legacy today does justice to this particular award for lifetime achievement, given by an organization committed to all children.”]

On to the speech! Jacqueline Woodson did say that in view of the name change and the events of this week (news reports of children in cages), the speech we heard was significantly different than the one she wrote in advance, which got posted.

She began with a poem from Rainer Maria Rillke. He was a writer of his time.

What does it mean to be a writer of your time?

We’re showing who we truly are in this time. Writing shows our essence.

“It’s been a tough year. If we think not, we’re in deep denial or on a hell of good medication.”

Art is what helps her get through. To escape, to laugh, to think.

Every one of us has a right to safely move through this world. That’s why she was asking, “Isn’t there a less controversial award they can give a sister?”

She wants to do the work that shines a light on the beauty of all people.

“None of us are writers. We’re all re-writers.”

Writing has a complicated journey.

May it remind us all of the work ahead.