Review of Lovely War, by Julie Berry

Lovely War

by Julie Berry

read by Jayne Entwistle, Allan Corduner, Dion Graham, Fiona Hardingham, John Lee, Nathaniel Parker, and Steve West, with a historical note read by the author
original music by Benjamin Salisbury

Reviewed August 1, 2019, from a library audiobook
Listening Library, 2019. 12 hours, 57 minutes, on 11 compact discs.
Starred Review

This audiobook is an epic novel and an astonishingly wonderful production. As you can tell by all the distinguished readers (including a couple of my favorite narrators), they use different readers for different people telling the story.

This book is told by the gods. You see, in 1942 Paris, the god Hephaestus has caught his wife Aphrodite, the goddess of beauty, cheating with his brother Aries, the god of war. As her defense, Aphrodite tells the gods that mortals know more about love than gods do – and she gives an example, telling the story of two mortal couples who fell in love during the Great War, Hazel and James (both British), and Colette (Belgian) and Aubrey (African American).

The couples came together because of War and because of Music – so Aries and Apollo help tell the story. But Death also comes into the story, so Hades has parts to tell as well.

The story is epic. Hazel meets James a week before he ships out to fight. She volunteers with the YMCA and goes to France, where she meets Colette. Colette has already suffered the loss of her entire family and the boy she loved at the hands of the Germans. But Hazel plays piano and Colette sings, and while playing in the YMCA relief hut, they meet Aubrey, the king of ragtime.

There’s an extended author’s note at the end, because she did a lot of research. When she spoke about how moved she was viewing the World War I memorials in Europe, I was instantly reminded of my own visit to the museum at Verdun and how it utterly shook me. But she went even more places than I did.

The officers in the story were people who actually lived and battles are portrayed that they actually fought. Aubrey encounters horrible racism overseas from Americans but not much at all from the French – matching the actual experiences of American soldiers in World War I.

The story itself is lovely and will wind itself into your heart. I also enjoyed the playful and unusual frame of a story being told by gods. I’m already going to say that I hope this audiobook wins this year’s Odyssey Award for the best children’s or young adult audiobook production. It gives an amazing listening experience.

julieberrybooks.com
booksontape.com

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Review of Chronicles of Avonlea, by L. M. Montgomery

Chronicles of Avonlea

by L. M. Montgomery

Grosset & Dunlap, 1970. Originally published in 1912. 306 pages.
Starred Review
Review written July 6, 2019, from my own copy

In preparation for a trip to Prince Edward Island in September, I’m rereading all my L. M. Montgomery books in the order they were published. Chronicles of Avonlea is number five in this endeavor.

Maud Montgomery honed her craft by writing stories and getting them published in magazines. She did this for years before her first novel was published. This collection of stories gives wonderful examples of her brilliance. The only I quibble I have with them is that she was being pressured to write more about Anne of Green Gables – and mention of Anne Shirley is shoehorned into almost every single one of these stories. The only one where it’s organic and Anne is an important part of the plot is the first one, “The Hurrying of Ludovic.”

The most brilliant story of all in this collection is probably my favorite short story ever. I’ve done readings of this story when I was in college to entertain my friends and, yes, when I came to this story this time through, I was compelled to read the whole thing out loud.

That Most Delightful Story Ever is “The Quarantine at Alexander Abraham’s,” the story of a woman who hates men and her cat trapped in the home of a man who hates women and his dog. The woman, who is the narrator, does come off best – and both change their attitudes by the end. The process is all the fun and reading it in the narrator’s voice saying, “I am noted for that” makes it utterly delightful.

Honestly, in this read-through, I’m constantly being shocked when I realize these older characters are now younger than me! Angelina Peter MacPherson is forty-eight years old in this story. In fact, many of the main characters in these stories are deep into adulthood. I’m going to file this book in with Teen Fiction, but really these are family stories. It’s all innocent and G-rated, about life and love, but there’s a lot of focus on older folks coming to understand whom they truly love, whether in romance or the love of a child.

This is a delightful collection, written by a master storyteller at the height of her powers.

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Review of Yaqui Delgado Wants to Kick Your Ass, by Meg Medina

Yaqui Delgado Wants to Kick Your Ass

by Meg Medina

Candlewick Press, 2013. 260 pages.
Starred Review
2014 Pura Belpré Award Winner
Review written July 5, 2019, from my own copy obtained at 2019 ALA Annual Conference

A wonderful thing happened at ALA Annual Conference – as the exhibits were closing, I was able to grab free copies of two of our Newbery winner’s backlist titles. Then, with it in my bag, I did some reading later while waiting in line, so this was the first book I read after the conference.

The story is told in the voice of Piddy (short for Piedad) Sanchez. It begins with a bang:

“Yaqui Delgado wants to kick your ass.”

A kid named Vanesa tells me this in the morning before school. She springs out with no warning and blocks my way, her textbook held at her chest like a shield. She’s tall like me and caramel. I’ve seen her in the lunchroom, I think. Or maybe just in the halls. It’s hard to remember.

Then, just like that, Vanesa disappears into the swell of bodies all around.

Wait, I want to tell her as she’s swallowed up. Who is Yaqui Delgado? But instead, I stand there blinking as kids jostle for the doors. The bell has rung, and I’m not sure if it’s only the warning or if I’m late for first period. Not that it matters. I’ve been at this school for five weeks, and Mr. Fink hasn’t remembered to take attendance once. A girl near his desk just sort of scans the room and marks who’s out.

It turns out that Yaqui Delgado is a bully, and Piddy is in real trouble. It starts with small things that Piddy can’t pin on her, such as a chocolate milk thrown in her direction that explodes all over Piddy’s clothes. But Yaqui becomes hyperaware and starts living her life to avoid Yaqui Delgado. Her grades suffer. But she can’t tell her mother what’s really going on.

If only they could move back to their old neighborhood. But Aunt Lily teaching her to salsa dance may have been what got her into this mess. She’d been walking with a swing in her hips. That will certainly stop, as now she’s living in fear.

You might think this couldn’t fill a whole book, but it does, and does it well. If nothing else, I learned from this that bullying isn’t simple and doesn’t have simple solutions. And yet it can be overcome.

You’re with Piddy in her fears, frustrations, and gut-wrenching decisions. And ultimately, you’re with her as she figures out how to rise above the fear.

This is a lovely book that immersed me in a world I didn’t know. I was touched by the author’s note at the back:

Years ago, when I was in school, a girl in a rabbit-fur jacket cornered me in the school yard and announced that one of our school bullies was going to beat me up. What I remember most from that time was loneliness and all the risky choices I made as I embarked on the search for a tough-girl shell that could withstand any attack. But as I struggled against the dread of being in school, I became someone else entirely. I hid every talent and interest I had in the hope of appearing fierce and untouchable to the bully and the rest of the world. It was a struggle to find my identity and inner strength – as a student, as a young woman, as a Latina. I was in a fight for my dignity.

Meg Medina brings us into this fight for dignity in this beautiful book.

megmedina.com
candlewick.com

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Review of Darius the Great Is Not Okay, by Adib Khorram

Darius the Great Is Not Okay

by Adib Khorram

Dial Books, 2018. 316 pages
Starred Review
Review written September 18, 2018, from a library book
2018 Sonderbooks Stand-out:
#3 General Teen Fiction
2019 Morris Award Winner
2019 Asian/Pacific American Award for Young Adult Literature

Darius the Great Is Not Okay is the story of Darius Kellner, who is a Fractional Persian – half Persian in his case, from his mother. Darius works in a tea store in Portland, and when we meet him, the kids who bully him walk in and give him a new degrading nickname and vandalize his bike.

His father, a German Übermensch, thinks he should just stand up to the bullies. Darius is sure he can never please him. Though at least they still have one thing they share – nightly time together watching Star Trek, Next Generation.

There’s a Skype visit with Darius’s grandparents in Iran, and his little sister, Laleh, speaks fluently with them in Farsi, but Darius never knows what to say. When they learn that his grandfather has a brain tumor and is not doing well, the family makes plans for an extended trip to Iran.

Most of the book is about that trip to Iran. But it’s also a book about friendship. Yes, I said friendship, not romance. I was delighted to read a book about genuine friendship between high school boys. Darius meets and makes friends with Sohrab in Iran, and right away they can be honest and open with each other. There are some bumps in their friendship – which makes it all the more authentic.

This is also a book about depression. Both Darius and his father take medication for depression, and Darius cries easily. He calls it “stress hormone secretion.” Darius does a lot of obsessing over what people think of him, and I like the way that’s honestly portrayed.

It’s also a book about family. Darius is meeting his Iranian family in person for the first time, and learning about his heritage – generations of his family have lived in the town of Yazd for centuries. They celebrate holidays together with extended family during the visit, and Darius realizes he loves these people.

But none of it is simple. His friend Sohrab is bullied for being Baha’i, and Sohrab’s father is in prison. Darius’s grandfather is dying, and his personality is changing – or so Darius is told, but he mourns that he never really knew his grandfather before, except on the computer screen. Laleh fits in so much better in Iran, since she speaks Farsi. And his father even lets Laleh replace Darius watching Star Trek, Next Generation.

I love Darius’s expressions throughout the book. There are multiple references to Lord of the Rings and Star Trek. I enjoyed that I got pretty much all the references. Will teens get those? Maybe some will. He calls the bullies “Soulless Minions of Orthodoxy” and his own mood swings “Mood Slingshot Maneuvers.”

Overall, it’s a beautiful story of a young man fighting his demons, finding his place in the world, and making and being a true friend.

adibkhorram.com

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Review of On the Come Up, by Angie Thomas

On the Come Up

by Angie Thomas
performed by Bahni Turpin

HarperCollins, 2019. 11.75 hours on 10 discs.
Starred Review
Review written May 18, 2019, from a library audiobook

Here’s a second book by Angie Thomas, set in the same city of Garden Heights as her award-winning debut novel, The Hate U Give. Sixteen-year-old Bri has noticed a greater police presence in Garden Heights since the shooting from the earlier book and the protests that followed. They’ve also found that the security guards at her private school target the black and brown kids.

But right now, all Bri is concerned about is getting her big break. She’s loved to rap since she was a little girl. Her father was a rapper before her, but he was shot in gang violence when she was small. Now Bri is going to compete in the Ring, and what happens there gets her some attention.

Meanwhile, Bri gets harassed and thrown to the ground by school security, who called her a hoodlum. That’s simmering in her brain when she gets a chance to record a song, “On the Come Up.”

The song is popular – but plenty of people take it the wrong way. And that gets Bri’s temper flaring. Which doesn’t make her mother happy. But what her mother doesn’t know won’t hurt her. She recently lost her job, and if Bri can make it big as a rapper, maybe she can keep the electricity on and change all their lives.

One thing I love about this book and listening to the audio is that you get to hear the rapping. It bothers me when authors write about characters doing well in a competition but don’t let you see or hear what they use to compete. (A recent book that did that was Poet X, by Elizabeth Acevedo. It’s a wonderful book – but what poems did Xiomara use in the poetry slam?) In this audiobook, you get to hear “On the Come Up,” and I promise it will start going through your head.

One word of warning is that there’s plenty of profanity in this audiobook, so you probably won’t want to make this family listening – young kids might pick up more than the songs.

But if you’re looking for a profound book about dreams of making it as an artist combined with social issues and dealing with poverty and family dynamics and friendship dynamics and the question of what constitutes selling out – this wonderfully entertaining audiobook does all of that.

angiethomas.com
harperaudio.com

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Review of Voices, by David Elliott

Voices

The Final Hours of Joan of Arc

by David Elliott

Houghton Mifflin Harcourt, 2019. 195 pages.
Review written April 17, 2019, from a library book
Starred Review

Voices is a novel in poetry – and I mean real poetry here, not simply prose broken up into artful lines. For the most part, it’s even rhymed poetry. David Elliott gives us Joan of Arc thinking about her life as she waits to be burned at the stake.

Between poems in Joan’s voice, we’ve got poems expressing the voices of objects and people in her life – things like a tunic, armor, cattle, a red dress, swords, and the saints who spoke to her. For those poems, the author used poetic forms that were used even back in Joan’s day – things like a ballade, sestina, villanelle, and triolet.

The note at the front casts light on short quotations presented throughout the book:

Much of what we know about Joan of Arc comes from the transcripts of her two trials. The first, the Trial of Condemnation, convened in 1431, found Joan guilty of “relapsed heresy” and famously burned her at the stake. The second, the Trial of Nullification, held some twenty-four years after her death, effectively revoked the findings of the first. In both cases, the politics of the Middle Ages guaranteed their outcomes before they started. It is in the Trial of Condemnation that we hear Joan in her own voice answering the many questions her accusers put to her. In the Trial of Nullification, her relatives, childhood friends, and comrades-in-arms bear witness to the girl they knew. Throughout Voices, you will find direct quotes from these trials.

The craft in this book is stunning – the various poetic forms are used skillfully. Many are typed in the shape of the object whose voice is heard. I’m not used to a novel in verse using so much rhymed poetry, and using it well. I was a little disappointed, though, that the words didn’t move me as much as I felt like they should have – and that may just be me. I do find myself wanting to read it again – there’s a lot of depth here concentrated in the few words of poetry. (Or better yet, I would like to listen to this in audiobook form.)

A couple of things stood out to me. One was the poems in the voice of the Fire, waiting to burn Joan. Those poems were eerie and disturbing. Another was that in her trial the way they knew she was of the devil was that she dressed like a man. Things have not changed so much in 500 years.

Whatever else this book is, it’s a stunning accomplishment.

davidelliottbooks.com
hmhbooks.com

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Review of Stepsister, by Jennifer Donnelly

Stepsister

by Jennifer Donnelly

Scholastic Press, May 14, 2019. 342 pages.
Starred Review
Review written February 13, 2019, from an advance reader copy I got at ALA Midwinter Meeting.

Stepsister was my airplane reading on my way back from ALA Midwinter Meeting and made the long flight a delight. It tells about Isabelle, one of Cinderella’s ugly stepsisters.

The story begins when Isabelle is ready to cut off her toes so they will fit into the glass slipper the prince has brought, after her sister Octavia was discovered to have cut off her heel.

“We should’ve heated the blade for Tavi,” Maman fretted now. “Why didn’t I think of it? Heat sears the vessels. It stops the bleeding. Ah, well. It will go better for you, Isabelle.”

It’s not easy, but Isabelle cuts off this part of herself, as she has cut off metaphorical parts of herself all during her life at Maman’s bidding.

And yet, when Maman demanded that she get up, Isabelle did. She opened her eyes, took a deep breath to steady herself, and stood.

Isabelle could do this impossible thing because she had a gift – a gift far more valuable than a pretty face or dainty feet.

Isabelle had a strong will.

She did not know that this was a good thing for a girl to have, because everyone had always told her it was a terrible thing. Everyone said a girl with a strong will would come to a bad end. Everyone said a girl’s will must be bent to the wishes of those who know what’s best for her.

Isabelle was young, only sixteen; she had not yet learned that Everyone is a fool.

Anyone who knows the fairy tale “Cinderella” knows that this didn’t go well for Isabelle. However, that’s only the beginning of this book.

There’s a Prologue that came before this, and we learn that the three Fates have a wager going wiith Chance, who appears as a bold and handsome young man.

He was dressed in a sky-blue frockcoat, leather britches, and tall boots. A gold ring dangled from one ear; a cutlass hung from his hip. His face was as beautiful as daybreak, his smile as bewitching as midnight. His eyes promised the world, and everything in it.

Isabelle is the very mortal whose life map (showing her fate) Chance has stolen. The Fates are not happy about it.

“All this trouble for a mere girl?” asked the crone, regarding Chance closely. “She’s nothing, a nobody. She possesses neither beauty nor wit. She’s selfish. Mean. Why her?”

“Because I can’t resist a challenge,” Chance replied. He rerolled the map with one hand, steadying it against his chest, then tucked it back inside his coat. “And what girl wouldn’t choose what I offer?” He gestured at himself, as if even he couldn’t believe how irresistible he was. “I’ll give her the chance to change the path she is on. The chance to make her own path.”

“Fool,” said the crone. “You understand nothing of mortals. We Fates map out their lives because they wish it. Mortals do not like uncertainty. They do not like change. Change is frightening. Change is painful.”

“Change is a kiss in the dark. A rose in the snow. A wild road on a windy night,” Chance countered.

“Monsters live in the dark. Roses die in the snow. Girls get lost on wild roads,” the crone shot back.

So there’s something at stake as Isabelle’s life plays out. The stepsisters’ story becomes known to the people around them, giving them contempt from the other villagers. Then war comes close to the region. Isabelle hears from a fairy queen a way to change her fate, but will she dare seize that? And meanwhile, neither Chance nor the crone of the Fates is shy about inserting themselves into Isabelle’s story to make sure they win the wager.

Yes, some may say you need to cut off pieces of yourself to make your way in the world. But this book suggests that it’s possible to recover those pieces again and take your fate in your own hands. A wonderful story about what happens after the fairy tale.

jenniferdonnelly.com
scholastic.com

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Review of Muse of Nightmares, by Laini Taylor

Muse of Nightmares

by Laini Taylor
read by Steve West

Hachette Audio, 2018. 16 hours on 13 CDs.
Starred Review
Review written December 10, 2018, from a library audiobook
2018 Sonderbooks Stand-out:
#3 Teen Speculative Fiction

Wow. This book is wonderful. I confess, I listened to this book even though it’s technically eligible for the Newbery Medal. Our committee had agreed not to listen to audiobooks of eligible books so as not to be swayed in either direction. But the book this follows, Strange the Dreamer, was the book that gave me a crush on narrator Steve West (what a gorgeous voice!), and it’s very long – way too long to indulge in reading the book – and that first book struck me as much more appropriate for young adults than for children.

That continues to be my opinion. Yes, there are some teens in this book – but they are dealing with life as adults, deciding careers and where to live and yes, having sex. There are no parents telling them what to do.

This second book is even sexier than the first. I would hesitate to give it to a 14-year-old. In fact, it would almost be a shame to give this to anyone who hasn’t already had sex themselves – might give them the wrong idea. Our two protagonists have some special powers. Sarai is a ghost with a body – but she can do things like make her body light up when Lazlo kisses her. And they can go to fantasy locations in dreams – and it’s all very amazing. And I wouldn’t want to give anyone a misleading impression about what normal sex is like!

Even setting aside that part, this book is amazing. We’re set up at the end of the first book with what seems to be an impossible situation. Minya is keeping Sarai “alive” as a ghost. But Minya also wants to destroy the people of the city of Weep. Lazlo is caught in the middle. If he doesn’t let Minya get her vengeance, then she’s going to let Sorai completely die.

Can Laini Taylor pull off a satisfying and believable ending from that set-up? It turns out that yes, she can.

To pull off that satisfying ending involves telling another story and giving us a bigger picture of worlds parallel to the one where our story is set. It’s all intricate and well-worked-out and I am again marveling at Laini Taylor’s imagination.

It’s also long. Yes, there’s some repetition. Yes, there are some places where we get more descriptions of people’s emotions than we necessarily need. But again, listening to Steve West’s narration on my commute, I didn’t mind the experience being prolonged.

In the first book we found out about generations of abuse that happened to the people of the city of Weep. In the second book, we find out what was behind that abuse – and see realistic beginnings of healing from it.

And the whole story is intricate and imaginative and beautifully told.

lainitaylor.com
strangethedreamer.com
hachetteaudio.com

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Review of What the Night Sings, by Vesper Stamper

What the Night Sings

by Vesper Stamper

Alfred A. Knopf, 2018. 266 pages.
Starred Review
Review written May 27, 2018.
2018 Sonderbooks Stand-out:
#2 General Teen Fiction

Wow. This is a Holocaust novel. They tend to be powerful. But not all of them have me closing the book saying, “Wow” – stunned by hope.

To be fair, the book begins as World War II is finishing. Gerta Rausch is in Bergen-Belsen as the British are liberating the camp, holding her bunkmate, sick with typhus, in her arms:

The soldiers begin removing the dead. There are so many. How could I not have noticed them lying right next to me?

And suddenly – Rivkah, too, is gone.

I feel her final breath wisp across my lips. They pull her from me, but I can’t let her go. She is my last connection to the living world. I clutch her arm, her hand, her fingers. I sing the lullaby after her, my foster mother. I know no one else in all of Bergen-Belsen, either from Auschwitz or Theresienstadt. Everyone has come and gone, piles of shells pulled in and out of waves, and I’m still here, a skeleton of a sea creature, dropped in this tide pool, living, watching, still living.

This book is about living – and trying to figure out how to make a life – after the war. Gerta is sixteen years old and in a displaced persons camp on the site of the old concentration camp. Her only family – her Papa – died during the war in the furnaces.

Gerta had trained to be an opera singer like her stepmother, her stepmother who watched while she and her papa were taken to the cattle cars. Gerta did manage to bring her papa’s viola with her – and got assignments to play in the camp orchestras. They played while people were sorted, for life or for death.

Part of the power of this book is that it includes illustrations. The book size is larger format than most novels, and many of the illustrations take up entire double-page spreads, though some are next to the text. The picture that hit me the hardest was a picture of a smokestack on the side with smoke going all the way across the top of the two pages. Those pages conclude with these words:

“Come with me,” the woman says softly, pragmatically. “You’ve been sent to the orchestra, yes? Well. Join your very lucky sisters. Music has saved your life today.”

“Where’s my papa?” I plead with her. “I want my papa!”

She signs and points ahead. “See that chimney?” she says, still softly, but so that I will clearly understand. “See that smoke? There’s your papa.”

But I said that it’s a book that left me with hope. Though the book does explain the dark setting, Gerta must make the hard choice to keep living. And to love. And it’s not easy.

I especially appreciated the Author’s Note at the back, because it put a bow on why the book felt so applicable to my life – I, who had never experienced anything remotely like the Holocaust. She explained that in high school she developed a deep identity as a musician.

There’s a problem with that, however. When you decide early on who you “truly are,” it can trick you into thinking that you were destined to live by a certain script. And when you’re out on your own and you realize that there is no script, you might panic.

Several years ago, I was rear-ended by a texting driver, which resulted in my arm being partially paralyzed. I completely lost the ability to play guitar – I had been a touring musician – and it took me a full year of rehab before I could reliably draw again. I had to relearn everything, even how to lift a fork to my mouth. This wasn’t in the script. A huge element of my deeply ingrained identity had been smashed. Like Gerta, I had hinged my future on a set of expectations, which depended on life’s machine running with no glitches. Being disabled cast a pall over every area of my life: my ability to drive, hold a baby, cook, hug or shake hands, let alone create art and music. How could I live my life? Without my script, who was I?

Perhaps that puts all the more power into Gerta’s story – and the art Vesper Stamper created to go with that story.

A stunning book about starting over when everything and everyone is gone. About finding joy again, about choosing life and choosing love.

vesperillustration.com

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Review of Thunderhead, by Neal Shusterman

Thunderhead

Arc of a Scythe Book 2

by Neal Shusterman

Simon & Schuster Books for Young Readers, 2018. 504 pages.
Review written January 25, 2018.
Starred Review
2018 Sonderbooks Stand-out:
#2 Teen Speculative Fiction

This book was a bad choice to bring to Silent Book Club — I wanted to shout when I got to the last page. I did NOT see that coming! (And it’s perfect!) And I doubt that any reader will see it coming, even if I warn you.

But let me back up. This book is a sequel to Scythe. One thing I liked about Scythe was that I wouldn’t have even known it was a Book One if the flap cover hadn’t said so. It wrap ups nicely, and you think good is winning.

Ummm, let’s just say that Good has many setbacks in Book Two.

This series is set in a future earth where mankind has conquered death. They have also eliminated government, and the world is run by the Cloud – which is now known as the Thunderhead. And the Thunderhead is a perfect ruler.

But because it’s not sustainable to have the population keep growing forever, some people need to die. They didn’t want to leave that choice into the hands of a machine, so that’s why the Scythedom was developed. Scythes must hold themselves to high standards and ten commandments. Their responsibility is to glean people and end their lives.

There is strong separation between Scythe and State. So even though the Thunderhead knows something is going terribly wrong with the scythes, it cannot intervene directly.

This book shows that something is indeed going terribly wrong.

I used to tell people that besides apparently having a grim reaper on the cover and being about two teens becoming apprentice scythes, the first book was more thought-provoking than grim. The second book, I’m not going to say that! Some truly horrific things happen in this book, as well as some enormous surprises.

But they are all brilliantly done and I really really really want to read the next book!

Since I won’t be able to post this review until a year after I write it, maybe the next book will be out and I can finally find out how this all turns out. (If this ends up being longer than a trilogy, I may scream.)

Added in March 2019: Nope, not yet! No next book yet. I want to add that this was probably the best-plotted book I read in 2018. In my opinion, though, it is not a children’s book. Teens will enjoy it, yes, but the book appeals to the part of them that is becoming an adult. The characters have chosen careers (grim ones) and are living on their own or with a mentor. And again, they are dealing with some truly horrific events and choices.

But wow! For young adults and old adults – this series will make you grapple with lots of big and profound life-or-death right-or-wrong questions you might never have even thought to propose before.

storyman.com
simonandschuster.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/thunderhead.html

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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