Review of Long Way Down, by Jason Reynolds

Long Way Down

by Jason Reynolds

Atheneum, 2017. 306 pages.
Starred Review

Will’s brother Shawn just got shot. And Will is sure he knows who did it.

And there are three rules Shawn taught him:

No crying, no matter what.

No snitching, no matter what.

If someone you love
gets killed,

find the person
who killed

them and
kill them.

So Will takes Shawn’s gun and sets out to kill the person who killed him.

He gets in the elevator on the 8th floor. And on each remaining floor someone new gets on… someone who’s dead.

The first dead person in the elevator is Buck – a brother even older than Shawn. He knew the Rules, too, and taught them to Shawn.

In fact most of the people who show up on this elevator lived by the Rules. The thing is: They’re dead now.

This is a novel in verse (and artistic, well-crafted verse), so it’s quick reading. It does pack a punch.

jasonwritesbooks.com
simonandschuster.com/teen

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Review of The Empty Grave, by Jonathan Stroud

The Empty Grave

Lockwood & Co. Book Five

by Jonathan Stroud

Disney Hyperion, 2017. 437 pages.
Starred Review

I finished The Empty Grave today, and with it the entire Lockwood & Co. series – and Yes! The series ends well. I can now officially say that from start to finish, this is one of the best children’s book series ever. These books make good family reading, since adults will enjoy them every bit as much. Children need to be old enough to be able to not be afraid of all the murderous ghosts (and murderous people). If your child doesn’t mind some severe spookiness, I highly recommend this series.

This series deals with an alternate reality England where there’s a “Problem” with ghosts roaming the countryside and haunting buildings and places where they died. These aren’t friendly ghosts – if they touch you, you’ll die. And only children can see them. Lucy, Lockwood, George, and Holly still have their independent agency for dealing with ghosts – but powerful forces are ready to put them out of business – or perhaps simply kill them.

In this final installment, all the threads come together. Can the smallest agency in London expose what’s at the root of the Problem? Or will they be silenced? We’re told at the beginning of this book that Lucy survives. But will any of her friends survive with her?

I really mustn’t say any more about the plot. Yes, this is a series you should read from the beginning – It’s brilliantly crafted, with important pieces revealed at just the right time. In this book, it all comes together in a satisfying, and very suspenseful, way.

Jonathan Stroud’s Bartimaeus series is brilliant – but Lockwood & Co. goes far beyond it. You come to care about all the characters deeply (even George!) and to understand the complex situation and all that’s at stake. This series is magnificent! Read it!

LockwoodandCo.com
jonathanstroud.com
DisneyBooks.com

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Review of When the Moon Was Ours, by Anna-Marie McLemore

When the Moon Was Ours

by Anna-Marie McLemore

Thomas Dunne Books, 2016. 273 pages.
Starred Review
2017 Stonewall Honor Book

Samir and Miel live in a small town and they are best friends. Sam’s family is from Pakistan. He paints moon lamps and hangs them all over town. He’s a gentle person, and when Miel fell out of the old water tower and seemingly materialized out of water, Sam was the one who calmed her down. He and his mother found a home for Miel with Aracely, who lived next door.

Hinting at her mysterious origins, the hem of Miel’s skirt is always wet. Even more mysterious, though, is that she grows roses out of her wrist. After one blooms and falls away, another grows. The color of each depends on what Miel has been thinking about.

As you can probably tell, this book is full of magical realism, which isn’t really my thing. I like fantasy with rules of magic that make sense, that seem understandable. This has several wild things going on, which I wasn’t crazy about, although I did enjoy reading the beautiful prose.

Here’s a section toward the beginning:

They’d touched each other every day since they were small. She’d put her palm to his forehead when she thought he had a fever. He’d set tiny gold star stickers on her skin on summer days, and at night had peeled them off, leaving pale constellations on her sun-darkened body.

She’d seen the brown of her hand against the brown of his when they were children, and holding hands meant nothing more than that she liked how warm his palm was in the night air, or that he wanted to pull her to see something she had missed. A meteor shower or a vine of double-flower morning glories, so blue they looked dyed.

All these things reminded her of his moons, and his moons reminded her of all these things. He’d hung a string of them between her house and his, some as small as her cupped palms, others big enough to fill her arms. They brightened the earth and wild grass. They were tucked into trees, each giving off a ring of light just wide enough to meet the next, so she never walked in the dark. One held a trace of the same gold as those foil star stickers. Another echoed the blue of those morning glories Sam could find even in the dark. Another was the pure, soft white of the frost flowers he showed her on winter mornings, curls of ice that looked like tulips and peonies.

The main problem of the book arises when the four Bonner sisters decide they want Miel’s roses, that those roses belong to them. Miel had been offering them to her mother by drowning them in the river. But now Ivy Bonner tells Miel that if she doesn’t give them her roses, they will tell the whole town that Sam’s name is really Samira.

Miel knows that Sam has a girl’s body, but she also knows that he is a boy, and his body doesn’t matter. In fact, the book opens with the first time they sleep together.

One thing I loved about the book was this dealing with a transgender person as the person he really is. Along with everything else, this book is fundamentally a love story, and a beautiful one. This is the first time I’ve read a love story involving a transgender person, and that aspect of it was beautifully done.

The Author’s Note at the back explains why Anna-Marie McLemore can write this so well. She met her own husband and fell in love with him when they were teens – but before he had admitted to himself that he was transgender. Combined with the questions she had about her own life, it sounds like this book came from a deep place in her heart, her own questions and struggles growing up beautifully expressed in magical realism.

This book is about secrets and truth and power. But it’s also a love story about two teens discovering who they really are.

http://author.annamariemclemore.com
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Review of Ms Marvel, Volume 1: No Normal, by G. Willow Wilson

Ms. Marvel, Volume 1

No Normal

by G. Willow Wilson
art by Adrian Alphona

Marvel Worldwide, 2015.

I normally don’t read graphic novels, let alone superhero graphic novels. I picked up this one because it was a Cybils Finalist.

And then, looking inside, I got hooked – this is the origin story of a superhero whose secret identity is a Muslim teenage girl! Her family’s from Pakistan and she lives in Jersey City and just wants a normal life. Her parents are on the protective side. They don’t want her to go to parties, let alone fight crime.

This first volume covers how she attains and tries to deal with polymorph powers. While trying to keep her parents happy and keep up with her schoolwork. But it’s her parents’ teachings that motivate her to do good when the opportunity presents itself. Little did they know it would mean she’d be fighting crime and rescuing people in danger!

There are more volumes in this series, and I probably won’t review them all. (But, yes, I want to read on.) But superhero comics have come a long way since I was a kid! Now even a brown-skinned Muslim girl can become a superhero! Wow!

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Review of Still Life with Tornado, by A. S. King

Still Life with Tornado

by A. S. King

Dutton Books, 2016. 295 pages.
Starred Review
2016 Cybils Finalist, Young Adult Speculative Fiction
2016 Sonderbooks Stand-out: #5 Teen Fiction

Wow. This book is original.

And that’s saying something. Here’s how the book begins:

Nothing ever really happens.

Or, more accurately, nothing new ever really happens.

My art teacher, Miss Smith, once said that there is no such thing as an original idea. We all think we’re having original ideas, but we aren’t. “You’re stuck on repeat. I’m stuck on repeat. We’re all stuck on repeat.” That’s what she said. Then she flipped her hair back over her shoulder like what she said didn’t mean anything and told us to spend the rest of class sorting through all the old broken shit she gets people to donate so we can make art. She held up half of a vinyl record. “Every single thing we think is original is like this. Just pieces of something else.”

Two weeks ago Carmen said she had an original idea, and then she drew a tornado, but tornadoes aren’t original. Tornadoes are so old that the sky made them before we were even here. Carmen said that the sketch was not of a tornado, but everything it contained. All I saw was flying, churning dust. She said there was a car in there. She said a family pet was in there. A wagon wheel. Broken pieces of a house. A quart of milk. Photo albums. A box of stale corn flakes.

All I could see was the funnel and that’s all anyone else could see and Carmen said that we weren’t looking hard enough. She said art wasn’t supposed to be literal. But that doesn’t erase the fact that the drawing was of a tornado and that’s it.

Sarah is having an existential crisis. She stops going to school. Her parents don’t know what to do, and they don’t know where she goes.

Sarah goes different places and tries different things. Nothing seems original. And she suddenly can’t do art.

In chapter two, she’s planning to go to City Hall and change her name to “Umbrella.” But this happens:

A woman walks up and sits down next to me in the bus shelter. She says hello and I say hello and that’s not original at all. When I look at her, I see that she is me. I am sitting next to myself. Except she looks older than me, and she has this look on her face like she just got a puppy — part in-love and part tired-from-paper-training. More in-love, though. She says, “You were right about the blind hand drawings. Who hasn’t done that, right?”

I don’t usually have hallucinations.

I say, “Are you a hallucination?”

She says no.

I say, “Are you — me?”

“Yes. I’m you,” she says. “In seven years.”

“I’m twenty-three?” I ask.

“I’m twenty-three. You’re just sixteen.”

“Why do you look so happy?”

“I stopped caring about things being original.”

Sarah later meets 10-year-old Sarah and 40-year-old Sarah as well. They keep popping up at odd times. When 10-year-old Sarah comes to the house, Sarah’s Dad doesn’t even recognize her, but Sarah’s Mom does.

They help Sarah — and the reader — piece together what happened to her and what that means. And what sort of tornado has taken over her life.

A lot hinges on that trip to Mexico that is still fresh in the mind of 10-year-old Sarah. That was the last Sarah saw her older brother Bruce.

16-year-old Sarah is piecing together and remembering what happened in Mexico, but also piecing together something that happened at school, at the art show, and what it means.

We also get a peek into the mind of Sarah’s mother, an E. R. nurse who doesn’t love her husband. They’re staying together for the sake of Sarah. And the effect is that Sarah is growing up surrounded by lies.

I haven’t been able to convey the power of this book. It’s a straight contemporary novel — except that 16-year-old Sarah converses with her 10-year-old, 23-year-old, and 40-year-old selves — and other people interact with them, too, so they are indeed not hallucinations.

This is a powerful story about what happens when a metaphorical tornado goes through a seemingly still life — that was really swimming in lies.

(Tip: If you believe a woman should stay in an abusive marriage for the sake of the kids, this book will not support your views.)

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Review of 23 Minutes, by Vivian Vande Velde

23 Minutes

by Vivian Vande Velde

Boyds Mills Press, 2016. 176 pages.
Starred Review
2016 Sonderbooks Stand-out: #3 Teen Fiction

I loved this book. Yes, there’s an unlikely assumption at the beginning, but since it’s the set-up and they never tried to explain it, it’s very fun to think about what you would do in that scenario.

15-year-old Zoe has the ability to turn back time for 23 minutes. She doesn’t know why she has this ability or how it works, but she’s figured out what she can do. She has to put her arms around herself, without touching anyone else, and say out loud “Playback,” and she will be put back to 23 minutes earlier.

Once she has done this, she can keep redoing those 23 minutes, keep resetting to the same time – for ten tries. But if she once lets 24 minutes go by, or if she uses up her ten tries, she’s done and can’t go back.

Zoe has found that 90% of the time, trying to redo things makes them worse.

But the book starts with a situation Zoe has to try to change. She gets caught in a downpour and goes into a bank to get out of the rain. The people in the bank look at her askance because of her blue hair and the way she’s dressed. One youngish man, though, is kind to her.

But then a bank robber starts holding up the bank, and he ends up shooting the kind man in the face. Zoe has to try to fix this.

Her first try, she borrows a cell phone from someone on the street and calls the police. (Teens who live in a group home aren’t allowed to have their own cell phones.) A lot more people end up getting shot that time.

Next she tries warning the bank guard. That doesn’t go well, either. Eventually she figures out she needs to get the kind man’s help. But what can she say to win his confidence?

This book reminded me of the movie Ground Hog Day, except that Zoe knows the number of iterations is limited. I like the way she learns things in one iteration to use in the next.

The book is dedicated “to those who try to make things better for at-risk children and teens,” and Zoe is indeed one of those teens. I like the way the book shows her trying to do what’s right, despite the reactions of people around her. I also like the way the kind man’s character is revealed to be consistently kind, even though different things happen in each go-round, and he’s tested in different ways.

Of course, totally apart from the wonderful story, it’s fun to speculate what you would do if you had that power. What moments would you be able to fix? It’s easy to understand Zoe’s perspective that it’s usually not, actually, a good idea.

She found out about her ability when she was thirteen. That was when she learned the rules. Here’s why she was somewhat slow about changing things when the bank robbery started:

But she has not had good luck with this sort of thing in the past. She spent way too long on it at thirteen – she thinks she may have spent years playing back various moments when she was thirteen, trying to fix things, despite the fact that, really, nobody can fix being thirteen.

In the two and a half years she’s had this ability, playback has cost her more than it’s gained, and Zoe has come to think of her life as being like one of those choose-your-own-adventure books – one where it’s best to read through once and settle, because the choices only go from bad to worse.

Most of all, this is a thrilling, dramatic story with a life-or-death puzzle to solve and characters you come to love.

VivianVandeVelde.com
boydsmillspress.com

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Review of My Lady Jane, by Cynthia Hand, Brodi Ashton, and Jodi Meadows

my_lady_jane_largeMy Lady Jane

by Cynthia Hand, Brodi Ashton, and Jodi Meadows

HarperTeen, 2016. 491 pages.
Starred Review

This is the first book I’m reading as a 2016 Cybils first-round panelist for Young Adult Speculative Fiction — and it bodes well that this whole reading experience is going to be tremendously fun.

But let me say right up front that while these are Blogger awards so I am allowed to talk about what books I like — please be aware that I am only one member of the judging panel, and I will write reviews before I’ve talked with any of the other judges. So only my opinion is expressed. On top of that, this is the first book I’ve read for the Cybils this year, so I can’t even compare it with the competition yet. I hope the competition will be tough! So I will simply express that I loved this book — but that doesn’t necessarily mean it will be a Finalist.

That said, I did love this book! The premise is exceptionally fun. It’s alternate history, during a very turbulent time in England’s history — with shapeshifting thrown in.

Here’s how the authors begin the prologue:

You may think you know the story. It goes like this: once upon a time, there was a sixteen-year-old girl named Jane Grey, who was forced to marry a complete stranger (Lord Guildford or Gilford or Gifford-something-or-other), and shortly thereafter found herself ruler of a country. She was queen for nine days. Then she quite literally lost her head.

Yes, it’s a tragedy, if you consider the disengagement of one’s head from one’s body tragic. (We are merely narrators, and would hate to make assumptions as to what the reader would find tragic.)

We have a different tale to tell.

Pay attention. We’ve tweaked minor details. We’ve completely rearranged major details. Some names have been changed to protect the innocent (or not-so-innocent, or simply because we thought a name was terrible and we liked another name better). And we’ve added a touch of magic to keep things interesting. So really anything could happen.

This is how we think Jane’s story should have gone.

Instead of Edward dying of Consumption (or The Affliction), he’s dying because he’s being poisoned by his closest advisor. The part I like best though is that instead of conflict between Protestants and Catholics, there’s conflict between Verities and E?ians (“eth-ee-uhns”).

“The E?ians were blessed (or cursed, depending on your point of view) with the ability to switch between a human form and an animal one.” That form is fixed for any individual E?ian. King Henry VIII took a lion form and had a bad habit of eating people who brought him bad news.

But my favorite thing about this book is the character of Jane Grey. More than anything, she loves to read. Because of this, she has an encyclopedic knowledge of many different subjects. And she’s not conventional.

At the start of the book, as part of a plot to take over the throne of England, King Edward’s advisor, Lord Dudley, tells Edward he’s dying. They need to marry off Edward’s cousin Jane quickly so that she can produce an heir before he does.

So, in a few days, Jane is to be married to Lord Dudley’s son Gifford — and nobody bothers to tell Jane ahead of time that during the day, every day, Gifford is a horse.

We’ve got plots and counterplots and people changing into animals at inopportune moments. But there’s also romance and a whole lot of humor. If the sensibilities of the people involved seem a bit modern — well, the narrators make that fun.

I’ll go ahead and tell you that Jane does become Queen of England for nine days. But that’s about all that matches the history we know. What does happen is an entertaining adventure and tremendous fun.

The story is told from three perspectives — Jane, Gifford, and Edward. So I’m not sure if the three authors each took one perspective — they do sound pretty much alike. Though that’s fair because the voice is always that of the narrators. The narrators give things a modern twist throughout, with plenty of humor and perspective dashed across it all.

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Review of Bone Gap, by Laura Ruby

bone_gap_largeBone Gap

by Laura Ruby

Balzer + Bray, 2015. 345 pages.
Starred Review
2016 Printz Award Winner

I read this book because it won the Printz, and probably would have given up otherwise. This book contains magical realism, which isn’t really my thing. I like fantasy that makes logical sense. I know that sounds silly, but I like there to be logical rules to the magic and a reason for the magic to exist. This is much more free-form, with gaps.

However, the writing is beautiful. I came to care deeply about Finn and the people around him.

Here’s how the book begins:

The people of Bone Gap called Finn a lot of things, but none of them was his name. When he was little, they called him Spaceman. Sidetrack. Moonface. You. As he got older, they called him Pretty Boy. Loner. Brother. Dude.

But whatever they called him, they called him fondly. Despite his odd expressions, his strange distraction, and that annoying way he had of creeping up on a person, they knew him as well as they knew anyone. As well as they knew themselves. They knew him like they knew that Old Charlie Valentine preferred his chickens to his great-grandchildren, and sometimes let them roost in the house. (The chickens, not the children.) The way they knew that the Cordero family had a ghost that liked to rifle through the fridge at night. The way they knew that Priscilla Willis, the beekeeper’s homely daughter, had a sting worse than any bee. The way they knew that Bone Gap had gaps just wide enough for people to slip through, or slip away, leaving only their stories behind.

Weeks before the story starts, Roza slipped away. Finn is the only one who was there. He knows a man took her away, and Finn didn’t stop him.

Finn was confused. He thought she wanted to go with the man — until it was too late. Until he saw her hands slapping at fogged glass and the gleaming black SUV was swallowed up by the gathering dark.

And then he wasn’t able to describe the man. Finn told how he moved, what he was like. But that isn’t enough. Everyone is angry with him, and no one really believes Roza didn’t just decide to leave as mysteriously as she arrived.

Finn’s brother Sean, especially, thinks that he’s been left again. He doesn’t believe Sean that Roza wouldn’t do that, that Roza is in trouble. If there was a man, why can’t Finn describe him?

The chapters about Finn and Sean are interspersed with chapters about Roza in her strange surreal captivity. The man keeping her can speak flawless Polish and can effortlessly change where he’s keeping her.

Finn has a lot to learn about himself, about Bone Gap, before he can find Roza. And Roza has an important part in her own rescue. There are shades of the story of Persephone here and plenty of atmospheric paranormal elements.

I should mention that I like the way very realistic elements were woven into this mythic story. Finn has a good reason for his troubles describing the man who took Rosa, and Sean has good reasons for not trusting people. I like the way magic and reality are beautifully woven together in this lovely book.

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Review of The Raven King, by Maggie Stiefvater

raven_king_largeThe Raven King

Book IV of The Raven Cycle

by Maggie Stiefvater

Scholastic Press, New York, 2016. 439 pages.

This is a grand and ambitious cycle of books. Maggie Stiefvater’s writing is lyrical and evocative. The story is unlike anything I’ve ever read — ley lines running under Virginia, a family of psychics, a girl who magnifies the magical gifts of others, a man who’s part tree, a rich private high school student searching for a long dead Welsh king who will grant wishes, another boy who can dream things up – and make them real. And then there’s the curse that if Blue kisses her true love, he will die. And the blooming romance between Blue and Gansey, that rich kid searching for the long-dead king.

I liked the voice in which the book is written. I like the way the author focuses on different characters by turns, starting new chapters with the words, “Depending on where you began the story, it was about…” about many, many different characters.

All that said – and I certainly was going to read every word of this book after reading the earlier three volumes – this is not my favorite kind of fantasy. I like fantasy books where the magic makes logical sense to me, operates by rules. The magic in this book seems much more nebulous and hard to follow.

There’s also a whole lot of darkness here, along with gory death.

And yet the author pulled off a satisfying conclusion. Well, maybe it was a slight let-down. Since I didn’t fully understand how the magic worked, I was a little befuddled by how all the plot threads wrapped up – but mostly satisfied.

And did I mention the wonderful writing? Yes, the story’s dark. Yes, it’s confusing in spots, but you will be pulled along into this world and into the lives of these characters, flawed but lovable, muddling through, trying to make sense themselves of some powerful magic.

This series isn’t one I’ll necessarily ever read again – but I thoroughly enjoyed the time I spent with it.

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thisisteen.com
scholastic.com

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Review of Romancing the Dark in the City of Light, by Ann Jacobus

romancing_the_dark_in_the_city_of_light_largeRomancing the Dark in the City of Light

by Ann Jacobus

Thomas Dunne Books (St. Martin’s Griffin), New York, 2015. 276 pages.
Starred Review

When I saw author Ann Jacobus at the YALSA Symposium, I knew I’d met her at a small conference, where she’d been an organizer. I assumed it was one of the many KidLitCons I’ve been to, but when I had her sign her book and mentioned KidLitCon, she said No.

As soon as I turned away, I remembered, and went right back to her table. I should have known – when, after all, the reason I decided to get a copy of the book was that the Eiffel Tower is on the cover and it’s set in Paris – I met Ann Jacobus at an SCBWI (Society of Children’s Book Writers and Illustrators) conference in Paris almost exactly ten years before I saw her in Portland, and she was indeed one of the organizers.

Ann Jacobus did set the book in Paris because of having lived there. (Paris tends to capture people’s hearts.)

Now, I’m not the best reader for a dark book – I don’t tend to enjoy them. This book is dark, and it took me awhile to get it read because of that.

But the book is well-written, and the concept is intriguing. Summer is in Paris staying with her Mom, trying to repeat and finish her senior year of high school, because she keeps getting kicked out of schools in America. She has to finish high school and graduate from college before she turns twenty-two in order to inherit her grandfather’s wealth.

There’s a lot of pressure on her, and Summer doesn’t like it. She thinks a lot about death. She researches burial customs of different cultures on the internet. Her father died years ago. Summer carries his flask with her, filled with vodka to help her get through.

Summer would like to have a romance in Paris, and she meets two people who might fulfill that desire. One is a student at her school, Moony (Munir), who walks with a limp because of a bad car accident when he was younger. Moony is uncommonly kind – and he doesn’t deserve to have Summer’s mess in his life.

Kurt is a handsome man Summer meets at a Paris metro station, just after a woman throws herself onto the tracks in front of a train. Kurt keeps showing up. He seems to know Summer’s thoughts. There’s a smell of decay about him.

I said this book is dark. That darkness, in Summer’s life, is personified in Kurt. Yes, there are some paranormal elements going on. They are done with excellent touches, making me want to reread it now I know all that’s going on – but I don’t want to give it away for other readers. Let’s just say that we watch more and more things in Summer’s life fall apart.

The novel doesn’t end badly, though – and that’s because of Moony. And Ann Jacobus shows us Moony’s character, persistence, and kindness in a way that we believe the ending.

But Moony isn’t perfect. We also see hints that he’s not helping Summer because he doesn’t know anything about despair or problems. And that works into the ending as well.

There’s more I’d like to say, but it gives too much away. (Feel free to talk about the ending in the comments if you’ve read the book!) This is a well-written book about a suicidal teen, set in Paris. (The title is perfect!) There are Suicide Prevention Resources at the back of the book, and it actually ends up a hopeful tale.

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Source: This review is based on my own signed copy, which I got at the 2015 YALSA Symposium in Portland, Oregon.

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