Review of Empowered Love, by Steven Stosny, Ph.D.

Empowered Love

Use Your Brain to Be Your Best Self & Create Your Ideal Relationship

by Steven Stosny, Ph.D.

Ixia Press, 2018. 226 pages.
Starred Review

Steven Stosny is my favorite author on relationships. If you have a relationship with a lot of anger between partners, I highly recommend Love Without Hurt (also known as You Don’t Have to Take It Anymore). I know from experience, this book really can help you transform your anger into compassion, and reinforce your own core value.

If you’re dealing with betrayal, I also recommend from personal experience the book Living and Loving After Betrayal. It will help you heal and help you move on.

This book, Empowered Love, I think will help relationships that are good get better and relationships that are sinking come up for air. This time, I can’t speak from personal experience, but I hope someday to try the ideas out!

As in his other books, he reminds the reader that we feel lovable when we are more loving, and we feel valuable when we treat others as valuable.

This book is an expansion of his work in the book Soar Above, bringing the ideas presented there into the realm of love relationships. Both books help you rise above your conditioned responses – the ways you learned to respond as a toddler, which he calls your Toddler Brain.

I realized fairly early in writing Soar Above that I had to write a separate book to accommodate the special challenges of committed love relationships. These occur on an altogether different playing field from those of work and social life. As we’ll see, many of the problems of love relationships stem from partners who behave at home in ways that might serve them well in work and social gatherings but fail miserably in love relationships. No important human endeavor makes it harder to stay consistently in the profoundest part of the brain than interactions with loved ones. The simple explanation of why this is so is that living with someone invokes a wide array of routine behaviors, running on autopilot, without forethought or conscious intention. Routine ways of behaving are likely to stimulate old emotional habits when stressors are added to the mix, such as quarreling children, urgent text messages from work, or overdue bills. The Toddler brain by habit looks for someone to blame, denies responsibility, or avoids the issue altogether.

The more subtle reason that we’re apt to invoke Toddler-brain habits in committed relationships lies at the very heart of love. The same quality that makes love wonderful – giving fully of the deepest parts of ourselves – also makes it a little scary. Most lovers have not felt so emotionally dependent and powerless over their deepest vulnerable feelings since they learned to walk. Similarities in vulnerability can fool the brain under stress and increase the likelihood of invoking Toddler-brain ways of coping in love relationships. Most of the hundreds of couples I’ve treated were fine at work and with friends, smart, resourceful, and creative. But at home they were like playground kids pointing out each other’s faults: “It takes one to know one!” Most were compassionate and kind to other people, but to each other they were opposing attorneys in a bitter lawsuit.

Like his other books, this book is rooted in value. Here’s where he talks about value in the beginning of the section on Adults in Love:

To grasp the psychological function of values, it’s useful to think in terms of the verb to value rather than the noun values. To value someone or something goes beyond regarding that person or object as important; you also appreciate certain qualities, while investing the time, energy, effort, and sacrifice necessary for successful maintenance. If you value a da Vinci painting, you focus on its beauty and design more than the cracks in the paint, and, above all, you treat it well, making sure that it is maintained in ideal conditions of temperature and humidity, with no harsh or direct lighting. Valuing loved ones requires appreciation of their better qualities and showing care for their physical and psychological health, growth, and development.

The experience of value gives a heightened sense of vitality – you feel more alive looking at a beautiful sunset, connecting to a loved one, knowing genuine compassion for another person, having a spiritual experience, appreciating something creative, committing to a cause, or identifying with a community. Valuing gives a greater sense of authenticity and often a greater sense of connection. High value investment gives meaning and purpose to life, with a stronger motivation to improve, create, build, appreciate, connect, or protect.

This isn’t a book about improving communication.

Couples whose interactions are dominated by the Toddler brain often fool themselves into thinking their high emotional reactivity – if not all their problems – is rooted in poor communication. Sadly, they find lots of reinforcement for this pervasive myth in pop psychology, where catchy notions that lack empirical support or theoretical validity reign supreme. The great cliché about intimate relationships is that they are all about communication and that communication is all about talking….

In intimate relationships, verbal communication is a function of connection, rather than the other way around. When people feel connected, they’re able to talk and listen with ease. When they feel disconnected, they tend to attack and counterattack, however cleverly hidden in verbal skills, as they blame each other for the pain of disconnection. Both partners seem to imply:

“I cannot love you until you agree with me or see things my way or express them the way I think you should.”

If partners are motivated to attack or avoid, employing even the most sophisticated communication skills will make them appear phony and manipulative. In my quarter-century of clinical practice, I have never seen skillful communication form a connection without a sincere desire to connect, nor have I seen poor communications skills or choice of words interfere with a sincere desire to connect.

Adults in love don’t try to communicate in order to connect. They connect in order to communicate.

There’s a small chapter on Metaphors, which toddlers don’t understand. If you think of your marriage with a positive metaphor, it will help you love like an adult. Several strong metaphors were given as examples, and I especially liked this one:

Love is like a musical duet. In a duet, both musicians are able to make beautiful music on their own. But together they make something greater than either can do alone: harmony.

Harmony is an appealing combination of elements in a whole. In music, it’s an arrangement of sounds pleasing to the ear. Harmony in intimate relationships is more about emotional tone and atmosphere than expressions of love or specific behaviors. It’s about both partners thriving and growing into the best musicians they can be. You stop making harmony when the Toddler brain dominates the relationship, simply because it cannot balance the drives for autonomy and connection. In the Toddler brain, all you can do is try to criticize or stonewall the violin into becoming the cello, and vice versa.

Harmony rises from partners attuned to their deepest values, which will necessarily include compassion and kindness for each other. The foundation of relationship harmony is frequent notes of compassion and kindness, focused on the long-term best interests of both partners. Focusing on compassion and kindness, rather than on being right or wrong, creates the sort of relationship harmony that keeps the drives for autonomy and connection in balance, and creates Power love.

There’s lots more here, but that gives you the idea. This is about building a relationship on compassion and valuing each other. It has many ideas for getting back on track if your relationship is going astray from that, but trying these things is going to make you feel better about yourself even if your spouse never does get on board.

If they do join you in this kind of a relationship? I do think you will soar. I hope I get to try it sometime!

compassionpower.com
Psychology Today blog: Anger in the Age of Entitlement

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Source: This review is based on my own copy, ordered via Amazon.com.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Thank You Dish, by Trace Balla

The Thank You Dish

by Trace Balla

Kane Miller (EDC Publishing), 2017. 28 pages.

This is a sweet little story of a dinnertime conversation between a girl and her mother.

It starts when Mama says thanks to the rain, the soil, and the sunshine. Grace follows up:

“And thank you, kangaroos,” said Grace.

(Yes, this book was originally published in Australia.)

When Mama asks why Grace would thank kangaroos, she answers, “Well, I’m thanking the kangaroos for not eating all the carrots.”

So begins a progression of people and animals to thank for the various parts of their meal.

For example, an alpaca is thanked for providing the wool that Auntie Amber used to knit a scarf that kept Uncle Fred from freezing when he caught the fish they’re eating.

Road workers are thanked for fixing the path so they could ride their bikes along the creek all the way to Suki’s stand to buy some corn and kale.

And so it goes.

The result is a warm and cozy reminder of how many people and animals helped bring them their delicious meal.

And the book just might provoke a new dinnertime game of long involved thank yous. And what could be better than that?

Thank you, Trace Balla, for writing such a warm and joyful book!

kanemiller.com
edcpub.com
usbornebooksandmore.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Thick as Thieves audiobook, by Megan Whalen Turner, performed by Steve West

Thick as Thieves

by Megan Whalen Turner
performed by Steve West

HarperAudio, 2017. 8.75 hours on 7 discs.
Starred Review

This is now the third time I’ve read Thick as Thieves, and I don’t get tired of it. As with all of Megan Whalen Turner’s books, I discovered a few more nuances each time.

But the audiobook version has the advantage of being read by my new narrator-crush, Steve West, discovered when he read Strange the Dreamer. I could (and do) listen to his voice for hours. He delineates the characters well with different voices. Although the audio version doesn’t have a map, I didn’t feel like it was dragging as I listened to his narration – it made each episode that much more interesting.

And there’s probably not much more I need to say. This is the fifth book in one of my very favorite series. It’s got adventure and danger and characters you root for. And has an outstanding narrator as well. I do recommend reading the books in order, beginning with The Thief, but let me say that they also make outstanding family listening.

harperaudio.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Elephant Keeper, by Margriet Ruurs, illustrated by Pedro Covo

The Elephant Keeper

Caring for Orphaned Elephants in Zambia

by Margriet Ruurs
illustrated by Pedro Covo

Kids Can Press, 2017. 48 pages.

This fascinating true story is presented in picture book format, even though there’s a lot more text than what is usual in a picture book, so this is for upper elementary school children.

The author features an African boy named Aaron who found a baby elephant swimming in a hotel swimming pool. No other elephants were around, so his mother was probably a victim of poachers. The elephant needed to go to an elephant orphanage. Aaron was good with animals – and ended up working at the elephant orphanage himself and helping with the baby’s recovery.

The way the story is presented isn’t strictly true, as we learn from the notes in the back – Aaron wasn’t actually the one who found the elephant (named Zambezi) in the pool, but he was involved in Zambezi’s care and ended up working in an elephant orphanage.

But the story does a lovely job highlighting the plight of elephants whose families are killed by poachers. Every several pages, there’s a spread apart from the story with photos of elephants and background facts. These are inserted at a point where the reader finds them very interesting.

So this is a lovely book for teaching kids about elephants and how humans are trying to save them from extinction. As well as the story of how a life was changed and a boy’s love for animals turned into a career saving them. Notes at the back tell kids how they can adopt an elephant or help in other ways.

gamerangersinternational.org
kidscanpress.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Echo, by Pam Muñoz Ryan

Echo

by Pam Muñoz Ryan

read by Mark Bramhall, David de Vries, Macleod Andrews, and Rebecca Soler
music performed by Corky Siegel

Scholastic Audiobooks, 2016. 10 hours, 22 minutes, on 9 compact discs.
Starred Review
2016 Newbery Honor Book
2016 Odyssey Honor Audiobook

This is an amazing audiobook production.

The story is about an enchanted harmonica. The prologue tells of a boy lost in the woods in Germany who learns about the sisters whose spirit enchants the harmonica, and who entrust it into his care.

Then the main part of the book gives us three stories – first a boy in Germany with a musical gift but with a birthmark on his face that makes him seen as less than perfect and in danger in Hitler’s Germany. The second story is about two brothers in Pennsylvania at an orphanage after their grandmother became too frail to care for them. Mike is a talented piano player, and it seems they have a chance of a home, but something is wrong. Perhaps he can join the harmonica band that’s auditioning for new members. Then Ivy, in California, has to move to a new home, where children of Mexican heritage aren’t allowed to go to school with the other children. But she can join the orchestra.

The three stories are told completely separately, with a different narrator for each part. What they have in common is that all involve a harmonica with an especially beautiful tone that has a red M painted on it. The three stories come together in an episode at the end, and then we get an epilogue to tell a little more about the story of the boy and the three sisters who sent the harmonica out into the world.

The book is good, and won Newbery Honor. Each story has some punch to it, and each child has reason to need the encouragement that comes through the harmonica.

The audio production is exceptional! There is harmonica music throughout, as well as piano music when that’s part of the story. It adds so much to hear the songs being played.

Some producers might not have dared to add harmonica music when the text is raving about the harmonica’s glorious tone. But for the most part, the music played went perfectly with what was described. For several of the songs, they added a singer, which I wasn’t completely happy with – but that was a way to let the listener know the words, which was a nice addition for the child listener. Even though I know the words to songs such as “Brahm’s Lullaby” and “The Battle Hymn of the Republic” and “When Johnny Comes Marching Home,” an unobtrusive way to include them for kids was to have a voice along with the harmonica playing.

This is definitely a book that has much value added in audio form! A delightful listening experience.

scholastic.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Sinners in the Hands of a Loving God, by Brian Zahnd

Sinners in the Hands of a Loving God

The Scandalous Truth of the Very Good News

by Brian Zahnd

Waterbrook, 2017. 209 pages.
Starred Review

Before I’d even finished this book, I was recommending it to people as a lovely and wonderful explanation of theology of the cross that I can get behind. It’s a compassionate outlook about a loving God, not a God who’s going to blast people.

Then I read the author’s interpretation of Revelation, and I’m not sure I’m still as enthusiastic. Basically, he says that everything in Revelation is symbolic – and believes a lot of it was for that time and has already happened. I’m not sure if I agree with this take – but I’m going to have to do some reading and thinking about Revelation.

Now, I’d thought the book was about universalism when I ordered it from Amazon. It’s not, though these teachings are very compatible with universalism. The author mentions universalism but says he just doesn’t know.

However, all that said – this explanation of the theology of the cross is indeed Very Good News.

Here’s an example from the first chapter:

What I want you to know is that God’s attitude, God’s spirit, toward you is one of unwavering fatherly-motherly love. You have nothing to fear from God. God is not mad at you. God has never been mad at you. God is never going to be mad at you. And what about the fear of God? The fear of God is the wisdom of not acting against love. We fear God in the same way that as a child I feared my father. I had the good fortune to have a wise and loving father, and I had deep respect, reverence, admiration, and, perhaps, a kind of fear for my father, but I never for one moment thought that my dad hated me or would harm me. God does not hate you, and God will never harm you. But your own sin, if you do not turn away from it, will bring you great harm. The wisdom that acknowledges this fact is what we call the fear of God. Sin is deadly, but God is love.

I know some will be quick to remind me that the writer of Hebrews tells us, “It is a fearful thing to fall into the hands of the living God.” And no doubt it is. In the hands of God, there is no place to hide. We have to be honest with ourselves about ourselves. In the hands of God, we can no longer live in the disguise of our lies. In the hands of God, we have to face ourselves. And that can be terrifying. When the prodigal son returned home and fell into the arms of his father, I’m sure the boy felt afraid. We can tell by how he immediately speaks of his unworthiness: “I am no longer worthy to be called your son.” This wayward son has fallen into the hands of his father; his fate is in his father’s hands . . . and he is afraid. But there is no better place to be! This gracious father in Jesus’s parable is given to us as a picture of our heavenly Father! When the prodigal son fell fearfully into the hands of his father, forgiveness, healing, and restoration began. Just because the prodigal son felt fear as he fell into his father’s hands doesn’t mean he had anything to fear from his father. In his father’s hands was the only safe place to be. It was in the far country that the prodigal son was in danger, not in his father’s hands. When we fall into the hands of the living God, we are sinners in the hands of a loving God.

He does get his theology from the Bible, but has this word of caution:

We need to understand that the Bible is not an end in itself. The Bible is a means to an end but not the end itself. Jesus said it this way: “You search the Scriptures because you think they give you eternal life. But the Scriptures point to me!” If we see the Bible as an end in itself instead of an inspired witness pointing us to Jesus, it will become an idol. Idols are gods we can manage according to our own interests. If we want to make the Bible our final authority, which is an act of idolatry, we are conveniently ignoring the problem that we can make the Bible say just about whatever we want. In doing this we bestow a supposed divine endorsement upon our already established opinion. The historical examples of this are nearly endless; crusaders, slaveholders, and Nazis have all proved themselves adept at bolstering their ideologies with images drawn from the Bible.

About the cross itself, here is an example of his teaching:

The cross is not a picture of payment; the cross is a picture of forgiveness. Good Friday is not about divine wrath; Good Friday is about divine love. Calvary is not where we see how violent God is; Calvary is where we see how violent our civilization is. The justice of God is not retributive; the justice of God is restorative. Justice that is purely retributive changes nothing. The cross is not where God finds a whipping boy to vent his rage upon; the cross is where God saves the world through self-sacrificing love. The only thing God will call justice is setting the world right, not punishing an innocent substitute for the petty sake of appeasement.

So was the death of Jesus a sacrifice? Yes, the death of Jesus was indeed a sacrifice. But it was a sacrifice to end sacrificing, not a sacrifice to appease an angry and retributive god. Jesus sacrificed himself to the love of God manifest in forgiveness, not to the wrath of God for the satisfaction of vengeance.

There’s more here. As I said, I’m not sure yet what I think about his interpretation of the book of Revelation. But so much of this book is thoroughly encouraging and uplifting, I do heartily recommend taking a look.

waterbrookmultnomah.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Read the Book, Lemmings! by Ame Dyckman, illustrated by Zachariah OHora

Read the Book, Lemmings!

by Ame Dyckman
illustrated by Zachariah OHora

Little, Brown and Company, 2017. 36 pages.
Starred Review

This book simply makes me laugh. Ame Dyckman and Zachariah OHora know exactly how to hit my funny bone.

The end papers at the front of this book set us up. We’re in the Arctic, with several icebergs in view. A small one in front has a big sign, which says:

lemmings: small, fuzzy, illiterate rodents who share the icy North with arctic foxes and polar bears. People used to think lemmings jumped off cliffs. Now we know they don’t.

High on top of a nearby icy cliff, we see three little furry creatures. One is jumping off and saying, “Wonder what that says.”

The next is saying, “Me too!”

And the third is saying, “Ditto!”

The first page gets us right into the action. We see a ship made out of a big black whale. On its deck are a polar bear and an arctic fox, dressed as captain and crew of the ship. The three lemmings are now on deck, too, close to the edge.

Foxy found a quiet spot to read his book about lemmings. “Huh!” Foxy said. “Says here, lemmings don’t jump off cliffs.

“Jump? I’ll jump!” said a lemming.

“Me too!” said a second.

“Ditto!” said a third.

The next page shows them jumping: GERONIMO-O-O-O-O!

And that’s what the book is about. Foxy saves them after they jump into the water. He tries to get them to read the book about lemmings. But any time someone says, “Jump” – they do.

Finally, Foxy and Captain PB figure out that the lemmings don’t know how to read, although Ditto can burp the alphabet. So Foxy teaches the lemmings to read, and they learn that lemmings don’t jump off cliffs!

Of course, they do find a new way to get into trouble.

The fun of this book is the slapstick humor of the lemmings flinging themselves off cliffs and Foxy continuing to save them. The illustrations give us lots of humor and lots of variety – turning sideways at times to show us how far they’re falling. Of course, the endpapers at the back feature that same sign – modified.

I do love the Author’s Note at the back:

When I was little, I saw a movie that showed lemmings jumping off cliffs. Years later, I learned that, except in very rare cases, lemmings DON’T jump off cliffs. My first thought was, “OH NO! DID ANYONE TELL THE LEMMINGS?!” So, we made this book. You’re welcome, lemmings.

Good, silly fun.

zohora.com
lb-kids.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Silver in the Blood, by Jessica Day George

Silver in the Blood

by Jessica Day George

Bloomsbury, New York, 2015. 358 pages.
Review written in 2016.

Set in 1897, this is a historical fantasy romance about two cousins who are being sent from New York to Bucharest, Romania, to meet and learn the truth about their mother’s family.

Now, the copy on the back of the book gives away what they will find. LouLou also encounters a young man on the ship who asks her, “Are you the wing?” LouLou tells about it in her letter to her cousin Dacia:

“Are you the wing?” He said it again, and looked me up and down yet again! “You are not the claw, and there is never a smoke anymore.”

Complete gibberish, Dacia! What was I to do? I simply goggled at him for a moment. When I gathered myself, I started to turn away again, when he said, “You are the wing; I see it now.”

By the time the girls do find out what the Wing, the Claw, and the Smoke are, we are not at all surprised. I can’t help but wonder if it would have given the book more momentum if it had started when they arrived in Bucharest, rather than during their separate journeys there. There’s some build-up to the revelation of the family’s magic that falls a bit flat by the time we discover what it is.

We do end up with an interesting situation. Two young ladies ready for New York society suddenly discover magical powers and that their powerful family is part of a prophecy – and a political plot. They must decide which side they are on.

The timing of the story fits with the publication of the book Dracula and the girls meet Prince Mihai, a descendant of the famous count. Their family has always served the Dracul family. Prince Mihai intends that they continue to do so.

This book is a historical novel for teens who like regency fiction with dances and gowns and society – combined with a twist of magic and political intrigue. The exotic setting of the Romania of 1897 adds to the fun.

JessicaDayGeorge.com

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2018 Morris Awards and YALSA Excellence in Nonfiction Awards

I’m blogging about my experience at ALA Midwinter Meeting in February 2018. Last time, I blogged about my first meeting with the 2019 Newbery committee meeting. On Sunday, I went to a couple of publisher events (which I’m not going to talk about) and some interesting talks.

One was about Equity and Diversity in Libraries. It was an inspiring session and encouraged us to reach out to our communities and make new connections. They also encouraged us to find people of color and encourage them to become librarians. Only 10% of our profession is people of color, which is a crying shame. Where to find them? They are already working in our libraries in positions that don’t require a library science degree. Encourage someone you know to get that degree and join our profession!

Another session I went to was on Blockchain, Open Civic Data, and TV Whitespace – all ways for libraries to bring access to their communities. They are just beginning to research using these. But some websites to watch and find out more are:

https://ischoolblogs.sjsu.edu/blockchains/
https://civic-switchboard.github.io/

I also went to a session sponsored by Demco where they talked about transforming event and collection discoverability with linked data. They have a product that takes your event data and makes it discoverable by Google – so, for example, someone searching for a yoga class in the area will have a library event come up, and it will be on top because of being free. Tagging with the location, the price (free), and the time the event happens all will help library events show up on top of search results. (Our library just got a new event system, so I’m not sure we can use this, but it is an exciting development.)

After the exciting Youth Media Awards announcements on Monday morning and breakfast with friends, I finished up my conference with the Morris Awards (for a debut novelist) and the YALSA Excellence in Nonfiction Awards. All the Finalists give speeches, and they let you choose five of the winners to take home with you (Yay!), so I love going to this event. Here are my notes on the speeches, with the Morris finalists beginning:

Nic Stone, Dear Martin
Such an honor to be part of everything happening right now! This book had a wild journey to publication, and it’s amazing to be here.

S. F. Henson, Devils Within
She’s dreamed of being a published author since she was 4 years old.
This book began when she saw a news article about a 10-year-old boy who killed his white supremacist father.
She grew up in the South – accustomed to be silent when people made racist comments.
When hate is all you know, how do you learn to love?
Nothing will change if people remain silent.
Books are a gateway to empathy.
Silence hurts people.
Seeds don’t grow on their own.

S. K. Ali, Saints and Misfits
Peace – the one thing our world needs.
What if we need inner peace first?
Her agent asked her: What if we looked for stories featuring young Muslim heroes?
Readers have told her, MeToo!
The main character has to grapple with the power of words. Words save us and break chains of shame.

Akemi Dawn Bowman, Starfish
Thank you for knowing how important stories are for teens.
Her book has trauma, racism, abuse, and feeling alone. So she’s sad when kids say they see themselves in the book – but glad they feel seen.

2018 Morris Award Winner:
Angie Thomas, The Hate U Give

Her favorite rapper is Tupac. He’s never won an award, but he has changed lives – by acknowledging young people like she was.
The greatest achievement is sparking other brains.
It’s an honor to write for these young people.
Our world would be a better place if current political leaders read books about people who are not like them.
Be the light in the darkness.
The child you hand a book to today may some day be a president with a Twitter account.

Next came the Excellence in Nonfiction Finalists, though not all were present:

Marc Aronson and Marina Budhos, Eyes of the World
This is the second book they’ve written together and the second that’s been a finalist for this award.
Collectively the finalists give fresh approaches to nonfiction, books that take risks and experiment with voice.
For teens, many voices come at us at once.
“Good for reports” is over – these are “real books” with innovation and invention.
The story of the people in this book is also our story.
They were refugees from an anti-Semitic Fascist state.
The book was a year-long dive into photos she treasures.
A love story – and their book is, too.
Two refugees with a camera tried to stop Hitler before it was too late. (They did not succeed, but they still shed light.)
When hatred is the path to power, we must all fight with our own voices.

Dashka Slater, The 57 Bus
The story happened in her neighborhood. How could such a thing happen? But she asked follow-up questions.
We believe in the power of stories.
But the Truth isn’t always black and white.
That’s the beauty and power of nonfiction storytelling.
Young people are capable of understanding complexity and nuance. They require it.
The stories we give them must be as complicated as they are.
We live at a time when we place value on certainty.
Uncertainty is a humbler place – but it leads to investigation and understanding.
Give kids tools to do better next time – and give them a next time.
Give them true, complicated, and messy stories.

Deborah Heiligman, Vincent and Theo
(These remarks were delivered by her editor, Laura Godwin.)
She’s bolstered by a community of young adult nonfiction writers.
Writers are using new techniques.
The books “leave the world a souvenir.”
Without Theo, we wouldn’t have Vincent’s art.
Theo told Vincent to use more color, to lighten and brighten his pallette.
Vincent would envy us our community.

Review of Lulu and the Cat in the Bag, by Hilary McKay

Lulu and the Cat in the Bag

by Hilary McKay
illustrated by Priscilla Lamont

Albert Whitman & Company, Chicago, Illinois, 2013. First published in the United Kingdom in 2011. 84 pages.

I don’t know how I missed this third book about pet-loving Lulu!

Lulu and her cousin Mellie’s parents have gone on a trip, so their grandmother Nan has come to stay with them. Nan is not a fan of pets, but she does love gardens. She’s not happy with their two dogs, Sam and Rocko.

The book begins with a bag on the doorstep, and the bag ends up holding an enormous marigold cat.

Nan is not happy about an enormous marigold cat turning up, and is relieved when it soon disappears. But the cat comes back. This cat likes flowers and knows how to keep the dogs out of the garden. Maybe Nan is warming up to it.

This is another gentle chapter book that any animal-lover will appreciate.

albertwhitman.com

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Source: This review is based on a library book from Fairfax County Public Library.

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