Review of All My Rage, by Sabaa Tahir

All My Rage

by Sabaa Tahir

Razorbill (Penguin Random House), 2022. 376 pages.
Review written February 13, 2023, from a library book.
Starred Review
2023 Printz Award Winner
2023 Walter Award Winner, Teens
2022 National Book Award for Young People’s Literature Winner
2022 Boston Globe/Horn Book Award Winner, Fiction and Poetry
2022 Cybils Finalist, Young Adult Fiction

What a beautiful book. I closed the book completely understanding all the awards and acclaim this book has received.

All My Rage tells the story of two Muslim seniors in high school who have been best friends for most of their lives — until recently when they had a fight after Noor told Salahudin she had feelings for him and wanted something more. He said she’d ruined their friendship.

But they come back into each other’s lives when Salahudin’s mother Misbah dies with failing kidneys — a problem she couldn’t afford to treat because they don’t have health insurance, running their own motel.

Both of them have more problems than they can cope with after Misbah’s death. Salahudin’s father numbs his mind with alcohol, so it’s up to Salahudin to figure out how to pay the bills and keep the motel, the place his mother had loved.

Misbah was like a foster mother to Noor. She came to America after all her family but her were killed in an earthquake in Pakistan when she was a second-grader. Her uncle who was studying in America found her, digging her out of the wreckage of their family home. But he couldn’t find any other living relative to take care of her, and now he runs a liquor store near the army base where he’d first found work in America. He doesn’t want Noor to go to college, but work in the liquor store so he finally can go to college. She secretly submitted seven applications, but without Salahudin to help her with the essays — she’s getting rejections. Will she never be able to leave the small desert town?

Their problems and misunderstandings get much much worse as the novel goes on. I will only say that although hard things happened, and some of the characters made bad decisions along the way, the ending was tremendously satisfying. Don’t give up on it as a depressing and discouraging book! The difficulties they face makes the story all the more of a triumph.

And the writing is lyrical and beautiful. Along with the stories of Noor and Salahudin, we get his mother’s story, beginning with when her parents told her she was getting married. Captions at the beginning of the parts come from Elizabeth Bishop’s poem “One Art,” which is about “the art of losing.” As our characters cope with one loss after another, the reader gets pulled into the story, rooting for them and suffering with them. These are characters I will never forget.

SabaaTahir.com
PenguinTeen.com

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Review of The Real Dada Mother Goose, by Jon Scieszka, illustrated by Julia Rothman

The Real Dada Mother Goose

A Treasury of Complete Nonsense

by Jon Scieszka
illustrated by Julia Rothman

Candlewick Press, 2022. 72 pages.
Review written February 2, 2023, from a library book.
Starred Review
A 2023 Capitol Choices Selection

This is truly a treasury of complete nonsense, and who better to provide nonsense than Jon Scieszka?

It’s hard to know where to file this on my page. I don’t have a category for “Imaginative Play.”

What Jon Scieszka does here is take six rhymes from the old classic, The Real Mother Goose, and reworks them in every way you can think of.

For example, he’s got “Humpty Dumpty” in Morse Code, and then in Computer Translation Telephone — showing how a computer translated the original into Spanish, then that into Arabic, that into Chinese, that into Latin, and that back into English. The end result is:

Humpty Dumpty sits on the wall.
Humpty Dumpty fell.
All horses are kings, and all men are kings;
I can’t meddle with Humpty.

Other delights include “Jack Be Nimble in Pig Latin and Esperanto, “Old Mother Hubbard” as a comic strip and with other animals, “Hey Diddle, Diddle” as a recipe, a news article, and a knock-knock joke, “Hickory Dickory Dock” with the clock striking all hours, “Twinkle, Twinkle, Little Star” with anagrams, and much, much more.

There are explanations of how to do many of the different variations in the back, along with an explanation of Dadaism.

And the book ends with an invitation:

One, two, buckle my shoe.
Now YOU make these old rhymes new.

Dada Geese writers! Dada Geese friends!
YOU put Humpty together again!

I think I could have had a lot of fun with this book when I was a kid. May it spark imaginations far and wide!

candlewick.com

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Review of Freewater, by Amina Luqman-Dawson

Freewater

by Amina Luqman-Dawson

Jimmy Patterson Books (Little, Brown and Company), 2022. 403 pages.
Review written February 2, 2023, from a library book.
Starred Review
2023 Newbery Medal Winner
2023 Coretta Scott King Author Award Winner
2022 Cybils Middle Grade Fiction Award Winner

I was lucky and picked up this book at the Chantilly Regional Library immediately after its win of the Newbery Medal was announced, while the library was still closed. To be fair, I was the one who had turned it in at the Chantilly library the week before. I’d had it checked out because it was a Cybils Finalist, but had decided I wouldn’t get around to reading it. I changed my mind! But I also decided that to be fair to all the people wanting to read it, I should read it quickly and return it.

Here’s what the author puts at the front of Freewater:

Some escaped the treacheries of enslavement by going North. But there were also those who ran away to the deep swamps and forests of the American South. There, in secret, they created free lives.

This is a tale of what might have been.

After that, we’re pulled into the action, with dogs chasing a boy named Homer and his 7-year-old sister Ada. Homer is upset with himself because he’d promised to bring his friend Anna with them, and Mama went back for her. But now neither Mama nor Anna is here, and they’re trying to fight off the dogs. But a river is nearby, and Homer and Ada jump into the river.

The river does take them away from the dogs, but it sweeps them downriver into the swamp. After some wandering, a man camouflaged in the trees rescues Homer from a snake. He takes them to some “tree people” — people dressed like trees, camouflaged like trees, who lead them further into the swamp, until they come to the community of Freewater, where an entire community of Black folks have been making their home in the swamp for years.

So this is the story of life in that community. But there’s lots of tension. The master of the plantation is clearing part of the swamp, and plans to hire some militia men to find all the runaways he suspects are living there. At the same time, Homer wants to go back for Mama and Anna. And Sanzi, who was born in Freewater, longs to go outside the community and bring back useful things that will make her a hero — but in her eagerness and impatience, sometimes things go wrong. So the reader worries for the community. Can they continue to live free, in hiding, foraging from the swamp and stealing from plantations?

Things all come together when there’s a big wedding at the plantation Homer escaped from. He thinks that would be the opportunity to help his Mama escape. But when he goes, several children of Freewater insist on going with him, including little Ada. It’s all too easy to imagine disaster happening.

Without telling what happens, it’s dramatic and tension-filled and very satisfying. I finished the book very happy about this year’s Newbery choice.

lbyr.com

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Review of Victory. Stand!: Raising My Fist for Justice, by Tommie Smith, Derrick Barnes, and Dawud Anyabwile

Victory. Stand!

Raising My Fist for Justice

by Tommie Smith, Derrick Barnes, and Dawud Anyabwile

Norton Young Readers, 2022. 204 pages.
Review written January 18, 2023, from a library book
Starred Review
2023 Coretta Scott King Author Award Winner
2023 Coretta Scott King Illustrator Honor
2022 National Book Award Finalist
2023 YALSA Excellence in Nonfiction Finalist
2022 Cybils Award Finalist, High School Nonfiction
2023 Capitol Choices Selection

This graphic novel memoir tells the story of world-record-breaking track star Tommie Smith, who raised his fist on the gold medal podium of the Mexico City Olympics in 1968 to protest racial injustice in the United States.

The book weaves in scenes from that pivotal race through the whole book, while telling the story of Tommie’s life. He started out as the seventh child of a sharecropping family in Texas, and left with a busload of other Black folks to California. There, he got to go to school regularly, and his life changed.

I love the way graphic novel memoirs show you the emotions of the characters. We see Tommie grow and develop into an athlete. He won a college scholarship in three sports — football, basketball, and track. But when he began breaking records in track, that became his focus.

At the same time, the Civil Rights Movement was gaining steam and Tommie wanted to bring attention to the cause, using the platform of being a world-class athlete.

But when he raised his fist during the anthem at the Olympic games, he was sent home immediately and his athletic career ended. He also became a target of hate and couldn’t even find a job for a while.

I like the way the book describes his emotions and thoughts while standing there on the platform. “We had to be seen because we were not being heard.”

Eighty seconds.
That’s how long we stood
there as the anthem played.

Those fists in the air were
dedicated to everyone at home,
back in the projects in Chicago,
Oakland, and Detroit,
to everyone in the boroughs
of Queens and Brooklyn,
to all of the brothers
and sisters, fathers and mothers
in Birmingham, Atlanta, Dallas,
Houston, St. Louis, New Orleans,
to everyone struggling, working
their fingers to the bone
on farms across America,
to everyone holding out hope
that things will get better . . .

. . . that was for you,
from John and me.

This is a powerful story of someone who gave up so much in order to make a statement about people who were being overlooked.

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Review of This Is a Story, words by John Schu, illustrations by Lauren Castillo

This Is a Story

words by John Schu
illustrations by Lauren Castillo

Candlewick Press, 2023. 40 pages.
Review written March 20, 2023, from a library book.
Starred Review

Yes, I was predisposed to like this book. John Schu is a librarian I met online before meeting him at library conferences and even being on an ALSC committee with him briefly. But I’m confident I’d love this book whether I knew the author or not.

The story of this picture book is a celebration of reading. It goes well with Mr. Schu’s earlier book, This Is a School.

This Is a Story begins with a word, then a word on a page, a page in a book, and a book on a shelf. But then it shows us the library where the book is waiting on a shelf.

Next we zoom out to a world full of humans. We see a little girl and her family go into the library.

Sometimes humans need help . . .

Then we see a librarian who looks an awful lot like Mr. Schu showing the girl a book that matches the sea horse kite she’s holding. The text simply says, “connecting.”

Then we get:

This is a book.
This is a reader.

And we zoom out to more readers looking at books for answers to questions, ideas to explore, and for sparking hope. All taking place in a busy, happy library setting.

I do love that among her adorable pictures, the illustrator used covers of actual books for the illustrations. My second time through, I looked for ones I could recognize. (There are lots!)

This is a joyful and simple celebration of stories, books, reading, children, and libraries. If I were still working in a branch, I’d immediately set it aside for preschool library tours. The words are short and sweet, so it will work well even for very young kids. But there’s a whole lot for kids to notice in the illustrations.

This lovely book warmed my heart.

This is a story.
And it helps us understand . . .

everything!

JohnSchu.com
laurencastillo.com
candlewick.com

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Review of Repentance and Repair, by Danya Ruttenberg

On Repentance and Repair

Making Amends in an Unapologetic World

by Danya Ruttenberg

Beacon Press, 2022. 243 pages.
Review written January 24, 2023, from my own copy, purchased via amazon.com
Starred Review

I follow Rabbi Danya Ruttenberg on Twitter, and from there I subscribed to her substack, Life Is a Sacred Text. In those posts, she goes through the Torah — now she’s in Leviticus — and talks about what it means, what it meant, and all kinds of historical thinking about the text. It’s all wonderful and fascinating, and when I heard about this book, I preordered it right away. (It still took me some time to actually read it, but I was in the middle of award committee reading, so it was extra challenging.)

This book is all about addressing harm that you’ve done and making it right. Here’s how she puts it in the introduction:

There is a model for meaningfully addressing harm — from the daily intimate sorts of harm that manifest in personal relationships to larger wrongs perpetrated at the level of a community or culture, right up to genocide.

Of course, not every atrocity can be magically fixed, as though it never happened. But in the Jewish tradition — rooted, specifically, in the work of the twelfth-century philosopher Maimonides — there is a robust and sophisticated system that can help us grapple with everything from embarrassing missteps to horrific evils and do the work in our power to repair and transform. And, I believe, it can be useful for all of us — regardless of backgrround, culture, religion or lack thereof — here, now, today.

The book goes through this system and shows how it can look when applied to wrongs to individuals up to communities, cultures, and nations. She’s right that the system is robust and widely applicable.

I’ve thought a lot about forgiveness in the past. The most helpful book for me about forgiveness was Forgive for Good, by Dr. Fred Luskin. This book looks at the flip side of that. What if you are the one who harmed someone else? And along with that, Rabbi Ruttenberg shows that forgiving too soon may keep someone from doing the necessary work of repentance.

Maimonides’ approach is victim-oriented work. It’s not just to ease the conscience of the perpetrator but to actually repair some of the harm done.

According to Maimonides, a person doesn’t just get to mess up, mumble, “Sorry,” and get on with it. They’re not entitled to forgiveness if they haven’t done the work of repair. (And they’re not necessarily entitled to forgiveness even if they have.) Another human being’s suffering is not magically erased because the person who caused it says that they didn’t mean to do it. This is true in our personal lives, and it’s also true of politicians caught saying racist things, celebrities named as sexual abusers, human resources departments that cover up employee complaints, and governments perpetrating harm against individuals or groups. Fixing damage involves taking specific steps; there’s a process. We can’t ever undo what happened, but we can transform the situation and ourselves.

But you can’t cut corners.

In brief, Maimonides steps are:

  1. Naming and Owning Harm
  2. Starting to Change
  3. Restitution and Accepting Consequences
  4. Apology
  5. Making Different Choices

Please, pick up this book to learn about all the nuances of these steps and of this work. The steps sound simple, and fundamentally they are, but actually doing them can be extremely difficult.

But doing the work is rewarding! Here’s how Rabbi Ruttenberg puts it at the end of the first chapter explaining the steps:

We can never undo what we have done. We can never go back in time. We write history with our decisions and our actions. But we also write history with our responses to those actions. We can leave the pain and the damage in our wake, unattended, or we can do the work of acknowledging and fixing, to whatever extent possible, the harm that we have caused. Repentance — tshuvah — is like the Japanese art of kintsugi, repairing broken pottery with gold. You can never unbreak what you have broken. But with the sincere and deep work of transformation, acts of repair have the potential to make something new.

Who is this book for? Here’s what Rabbi Ruttenberg says, and I heartily agree:

This book is for everybody. It is based on Jewish thought, but I am very intentionally, applying these concepts to secular life and relationships. It’s for Jews and non-Jews; for atheists, agnostics, and theists; for secular people, spiritual people, religious people, and for everybody in between. We’ve all caused harm, we’ve all been harmed, we’ve all witnessed harm. We are all always growing in our messy, imperfect attempts to do right, to clean up, to repair, to make sense of what’s happened, and to figure out where to go from here. This is, I hope, a way in to the work.

I wish this book weren’t so applicable in life. I wish I never saw harm done or did any myself. But the fact is, I can’t imagine anyone who couldn’t get important insights out of this book.

Life Is a Sacred Text
beacon.org

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Review of When the Angels Left the Old Country, by Sacha Lamb

When the Angels Left the Old Country

by Sacha Lamb

Levine Querido, 2022. 400 pages.
Review written February 24, 2023, from a library book
Starred Review
2023 Michael L. Printz Honor
2023 Sidney Taylor Award Winner, Young Adult
2023 Stonewall Book Award Winner, Young Adult

Oh, this is an amazing book. I read it because of the awards it won, and even with my expectations high, I was blown away.

The story tells of an angel and a demon who are leaving a shtetl in Poland and going to America to check on Essie, the granddaughter of a rabbi in their shtetl whose letters haven’t made it back home. But this book is nothing like what I’d expect from that description. Along the way, they encounter various people preying on Jewish immigrants and defend their people.

Along the way, they also befriend Rose, a girl who’s emigrating to America on her own, after her best friend she thought would go with her had the audacity to marry a man. But Rose takes an interest in Essie and her lovely picture.

This book reminded me of the wonderful book The Golem and the Jinni, by Helene Wecker, with some of the same naivete of the angel in dealing with people. At the same time, this book is very different, surprising, and refreshing. It’s the kind of book I couldn’t resist talking about because it so captivated me.

Here’s the first paragraph:

In the back corner of the little synagogue in the shtetl that was so small and out of the way it was only called Shtetl, there was a table where an angel and a demon had been studying Talmud together for some two hundred years. Indeed, they had been studying in that corner since before the little shul was built, and had been rather startled to look up one day and realize an entire building had sprung up around them.

And on the next page:

Little Ash knew hardly any magic and did not even have the wings with which most adult demons fly from place to place. He had made trouble in the demons’ yeshiva, where they learn their magic, and without completing his studies he had been sent to Poland, where he found he liked it better than at home, as in his father’s palace other demons were always treating him like a child and telling him what to do.

The angel had been sent to Shtetl for a purpose it had now forgotten, and had stayed in Shtetl to hinder the mischievous whims of Little Ash. Like Little Ash, it resembled a human youth; unlike Little Ash, who considered himself to be male, the angel had merely chosen the shape of a man for convenience, as angels have done since the time of Abraham, Our Father. It had never had a bar mitzvah, or a bat mitzvah, or any such ceremony at all, and had never bothered to wish for one.

Its name, of course, changed according to the activity in which it was engaged. At the moment, the angel’s name was Argument.

The argument they’re having at the beginning is that they should follow the young people of Shtetl to America. Little Ash convinces the angel by showing it that doing so would be a mitzvah, finding out what happened to Essie.

Much of the book takes place on the way to America, where they encounter the first unscrupulous person and a spirit not at rest. The angel gets a name when the demon makes him papers, and that changes some things about it.

And I don’t need to tell you all that happens. But it’s an imaginative, wonderfully-spun historical novel about an angel and a demon working together to help people who need help, with much danger to themselves along the way.

levinequerido.com

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Review of A First Time for Everything, by Dan Santat

A First Time for Everything

by Dan Santat

First Second, 2023. 320 pages.
Review written March 12, 2023, from a library book
Starred Review

Here it is! Yet another book that convinces me that the absolutely perfect material for the graphic novel format is the middle school memoir. A First Time for Everything joins books like Smile, Real Friends, El Deafo, and many others that all brilliantly express the emotions and awkwardness of middle school — showing kids that they are not alone.

Caldecott-winning artist Dan Santat got to go to Europe the summer after his eighth grade year. It was an experience that changed his life.

First, he expertly shows some of his humiliations in middle school, so we understand his lack of self-confidence. Some girls who always tease him are along on the trip, but so are some kids from other parts of the United States, including a girl who seems to think he’s cool.

And they see Europe! They start in Paris and travel to places like Switzerland, Salzburg, Vienna, and London. The adults on the trip give them a lot of freedom (the Author’s Note in the back comments on that), and we really get the feeling of a kid experiencing Europe, meeting new people, and learning about himself.

I lived in Germany for ten years and visited many of the places portrayed in this book, so I loved that aspect of reading it as well. It made me want to go back. So much. (But then, most things do.) And when I do, I’m going to drink a Fanta and think of Dan Santat. (Well, and my kids. They love Fanta, too.)

This book is completely wonderful. He managed to put on the page the awkwardness of middle school plus the wonder of Europe plus the challenge of trying new things — and the way all that makes you grow. You could see the kid Dan gaining confidence and liking himself more as the story went on.

dansantatbooks.com
firstsecondbooks.com

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Review of Horse, by Geraldine Brooks

Horse

by Geraldine Brooks
read by James Fouhey, Lisa Flanagan, Graham Halstead, Katherine Littrell, and Michael Oblora

Penguin Audio, 2022. 14 hours, 6 minutes.
Review written March 18, 2023, from a library eaudiobook
Starred Review

A big thank you to my friend Keith, who persistently recommended this book to me. When he first recommended it, I was reading for the Cybils and didn’t get to it. Then at the start of the year when he said it was the best book he’d read in 2022, I put the audiobook on hold again, and this time when it came in a couple months later, I made a point of listening, and was glad I did.

This book is a rich tapestry. It’s set in 2019 and also in the 1850s. The two viewpoint characters in 2019 are working behind the scenes at the Smithsonian. One of those is an African American grad student writing an article for Smithsonian magazine on restoring a painting he found when his neighbor put it out in the trash. And his dissertation is about the depiction of African Americans in 19th century American equestrian art. Those two things come together.

And along the way he meets Jess, who works behind the scenes at the Smithsonian with animal skeletons. A British researcher has come to examine a particular skeleton, and Jess has to do some research to find it. The label just says “Horse,” but records show it’s the skeleton of Lexington, one of the greatest thoroughbreds of all time.

This book is the story of Lexington. The main viewpoint character from the past is Jarret, an enslaved boy who was present when Lexington was foaled. He manages to stay with Lexington for the horse’s whole life, and this book tells that story, mixed in with the story of restoring the painting and the skeleton in 2019.

The story is wonderfully told. And this audio production, using different readers for all the different viewpoint characters, makes it all the more immersive.

I was very surprised at the end to learn that Lexington was a real horse with an actual stellar career as a racer and as a sire. I had assumed she’d have to make up a fictional horse. His skeleton actually did spend time in the Smithsonian labeled as “Horse.” Most of the historical characters were real people, but the author brought them to life through the eyes of Jarret, the African American groom who loved him and knew him best. Jarret’s life is the fictional part, though with enough plausibility, you can tell yourself this is what really happened.

As she says in the afterword, because African Americans were so crucial to American racing in the nineteenth century, her story of a racehorse had to become a story of race. I have to say that I completely hated some things that happened toward the end of the book, though I see why she put them in. But I sure would have liked the story to go a different way. However, even with that reservation, this was an amazing book that I won’t forget any time soon.

geraldinebrooks.com

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Review of Too Small Tola and the Three Fine Girls, by Atinuke, illustrated by Onyinye Iwu

Too Small Tola and the Three Fine Girls

by Atinuke
illustrated by Onyinye Iwu

Candlewick Press, 2022. 96 pages.
Review written March 10, 2023, from a library book
Starred Review

You can’t help but love Too Small Tola. This is the second early chapter book about her, and the author quickly brings you up to speed:

Tola lives in a run-down block of apartments in the megacity of Lagos, in the country of Nigeria. Tola’s sister, Moji, is much cleverer than Tola. Tola’s brother, Dapo, is much faster than Tola. And even short-short Grandmommy is taller than Tola. Which makes Tola feel so small-o!

There are three stories in this book. I loved the first one. On a Saturday, when Grandmommy is out selling groundnuts by the road, the kids are supposed to clean stones out of the rice, but Tola’s stuck doing it herself. I love the way she tricks her siblings into doing all the work instead. It’s essentially their own fault, too.

The second story made me sad. Grandmommy is very sick with malaria. The kids have to get into her secret stash of cash for medicine, and then they have to go sell groundnuts at Grandmommy’s station for two weeks while she’s still sick, instead of going to school. The punchline to all that is that Dapo gets a good job as an auto mechanic, but it was hard for me to be happy for him, since he’s now a kid working and providing for his family instead of going to school. It’s not presented as a sad story, and it opens American kids’ eyes to another world, but it made me sad.

The final story has Tola envying three fine girls — and by the end those same three girls are envying her. It definitely ends the story on a happy note and reminds the reader that you can have a happy life even if you’re poor.

The chapters are short, with plenty of illustrations. The stories reflect kid concerns — but this kid lives in Nigeria, which immediately makes the stories all the more interesting.

atinuke.co.uk
candlewick.com

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