Review of Hamilton: The Revolution, by Lin-Manuel Miranda and Jeremy McCarter

hamilton_largeHamilton

The Revolution

Being the Complete Libretto of the Broadway Musical,
With a True Account of Its Creation,
And Concise Remarks on Hip-Hop, the Power of Stories, and the New America

by Lin-Manuel Miranda and Jeremy McCarter

Grand Central Publishing (Hachette), 2016. 288 pages.
Starred Review

This book is magnificent! Now I really need to figure out a way to get to see the musical.

This is not, however, a good choice for audiobook listening. That’s how I started it, hoping maybe they’d include some clips from the show. Nope. (Only some bars as an introduction.)

The book itself has wonderful material added to the text about the musical. It includes the complete libretto, with large photographs. Most pages of the libretto, in fact, are superimposed over or printed next to large format photos of the actors singing that particular song. The libretto is peppered with notes from Lin-Manuel Miranda.

They tried to include these things in the audiobook. There are two “additional” CDs. One includes pdf files – of the libretto, perhaps with photos. (I didn’t check.) The other is Lin-Manuel Miranda reading the notes. But since the notes are simply read – out of context, not in place in the libretto (Presumably where they go on the libretto is in the pdf.) – you’re going to want to read them, anyway.

Now, I had listened to the first two CDs before I went on vacation. While in California, my sister played for me the wonderful cast album, which gave much more context to what I had listened to. When I got back, my hold came in on the print form of the book – and I learned that the words of the songs are all written out – right next to the information about writing and casting that song. So I switched to the print form and read the words to all the songs, with notes and with pictures, in the right order along with the chapter about writing that song and what it meant in context.

The story of writing and casting the musical and all that it means in America today and why it’s such a phenomenon is the subject of this book.

Here’s a section from the Introduction where Jeremy McCarter explains the plan of the book.

It tells the stories of two revolutions. There’s the American Revolution of the 18th century, which flares to life in Lin’s libretto, the complete text of which is published here, with his annotations. There’s also the revolution of the show itself: a musical that changes the way that Broadway sounds, that alters who gets to tell the story of our founding, that lets us glimpse the new, more diverse America rushing our way. The fact that Lin wrote the show largely in sequence means that this book can trace the two revolutions in tandem. The story of the show’s creation begins at the White House on May 12, 2009, when he performed the first song for the first time. It ends with opening night on Broadway, August 6, 2015, just after he completed the final scenes of the show.

The story is fascinating – both the story put into the musical and the story of the creation of the musical. I have now also placed a hold on Ron Chernow’s biography of Hamilton, which inspired Lin-Manuel Miranda.

Here’s a section from a chapter about Ron Chernow’s help in the writing of the musical:

He walked into a rehearsal studio in the Garment District and was, by his own admission, “shocked” by what he saw. The men who were going to sing the roles of Washington, Hamilton, and the other Founding Fathers were black and Latino. Not being a rap listener, Ron hadn’t given much thought to the fact that the people best able to perform the songs that Lin had been writing might look nothing like their historical counterparts.

Lin and Tommy saw no difficulty in making this imaginative leap. In fact, they raised it to a principle. As Tommy would state it again and again in the years that followed: “This is a story about America then, told by America now.”

Within five minutes, Ron was carried away by what he heard. He became what he calls a “militant” defender of the idea that actors of any race could play the Founding Fathers.

Just having all the words of the songs is by itself a reason to get the book – because the songs are packed with information. Having read the whole thing, I’m planning to buy myself a copy of the cast album and listen to it all again – I will catch so much more.

There’s all kinds of background information here about casting the show and putting it on, but one of my favorite chapters was about special performances they did for local high schools – and the energy that the teachers harnessed and brought back to the classroom. They included some exciting stories about the students engaging with the material.

Then they ended the chapter talking about what will happen when Hamilton is licensed to be performed in schools.

Its subject matter will appeal to history teachers, its array of juicy roles will appeal to young actors, and its mélange of musical styles will appeal to almost everybody. In a given school year, they imagine, that might mean 600 or 700 student productions around the United States.

What will it mean when thousands of students step into these roles at age 15 or 18 or 20 – roles that have changed the lives of the original cast members, who encountered them at a significantly later age? Leslie says that playing a Founding Father has made him feel newly invested in the country’s origins, something that always seemed remote from his life as a black man in America. “The empathy that requires, the connections you make, the lines you draw between the things you want and the things they wanted, that you love and they loved, I never found all that connective tissue before this show.”

Lin hopes those student productions will strive for the diversity of the original production, the ethnic mix that makes Hamilton look like a message beamed back from Future America. It means that whatever impact the show might have on Broadway, and however long it might run, the biggest impact won’t be in New York: It’ll be in high school and college rehearsal rooms across America, where boys learn to carry themselves with the nobility of George Washington, girls learn to think and rap fast enough to rip through “Satisfied,” and kids of either gender (Lin isn’t doctrinaire) summon the conviction of John Laurens, the freedom-fighting abolitionist, who sings, “Tomorrow there’ll be more of us.”

The book is framed by two performances for President Obama, and there are reflections at the end that communicate part of why this musical is so inspiring.

Unless Lin made the whole thing up – and nobody has said that he did – it suggests that however innovative Obama’s speeches and Lin’s show might seem, they are, in fact, traditional. They don’t reinvent the American character, they renew it. They remind us of something we forgot, something that fell as far out of sight as the posthumously neglected Alexander Hamilton, who spent his life defending one idea above all: “the necessity of Union to the respectability and happiness of this Country.” Obama’s speeches and Lin’s show resonate so powerfully with their audiences because they find eloquent ways to revive Hamilton’s revolution, the one that spurred Americans to see themselves and each other as fellow citizens in a sprawling, polyglot young republic. It’s the change in thought and feeling that makes all the other changes possible.

The Obama presidency will end in January 2017, but the show that shares so much of its spirit will keep running. At the Rodgers that night, the president all but anointed Hamilton as a keeper of the flame. His “primary message,” he said, was to remind people of the need to keep hoping and to work together, but “this performance undoubtedly described it better than I ever could.” The most important affinity that Hamilton will carry into its future isn’t a specific message, though, political or otherwise: It’s an underlying belief in stories, and their power to change the world.

Good community organizer that he is, the president knows that stories can be an engine for empathy, and a way to show people what they share. It’s why he introduced himself, in that first big speech in 2004, by telling his own story. In the years to come, some of the many, many kids who are going to see and even perform Hamilton will be newly inspired to tell their stories too. Every time they do, the newly kaleidoscopic America will understand itself a little more.

“I can do that,” they’ll say. And if they’re like Alexander Hamilton, they’ll add, “And I can do it better.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Symphony for the City of the Dead, by M. T. Anderson

symphony_for_the_city_of_the_dead_largeSymphony for the City of the Dead

Dmitri Shostakovich and the Siege of Leningrad

by M. T. Anderson

Candlewick Press, 2015. 456 pages.
Starred Review
2016 YALSA Award for Excellence in Nonfiction for Young Adults Finalist

I’m not sure why this book is marketed for young adults rather than old adults, except that it’s super interesting, contains lots of photographs, and isn’t written in tiny print. The story doesn’t pull any punches or hide any of the horrors of war, nor does it focus on the time in Shostakovich’s life when he was a young adult. But yes, it’s interesting for young adults, as any well-written narrative nonfiction would be.

The book begins with a prologue that piques the reader’s curiosity. The first scene is of a Russian agent smuggling a small box of microfilm to an American agent in 1942. The microfilm has come through Tehran, Cairo, and Brazil on its way to New York City. The contents of the microfilm? The Seventh Symphony, the Leningrad Symphony, by Dmitri Shostakovich.

Why had the Soviet government arranged so carefully for this piece to be shipped to the West across battle lines, across a Middle East that was swarming with Fascist tanks, across seas festering with enemy subs? How could it possibly be worth it?

And who was the composer of this desperately sought-after score? Dmitri Shostakovich spent the first several months of the Siege of Leningrad trapped in that city under fire, writing much of his Seventh Symphony in breaks between air raids. He had first announced that he was working on the piece over the radio in September 1941, just a few weeks after the Germans had started shelling the city. . . .

This is a tale of microfilm canisters and secret police, of Communists and capitalists, of battles lost and wars won. It is the tale of a utopian dream that turned into a dystopian nightmare. It is the tale of Dmitri Shostakovich and of his beloved city, Leningrad. But at its heart, it is a story about the power of music and its meanings – a story of secret messages and doublespeak, and of how music itself is a code; how music coaxes people to endure unthinkable tragedy; how it allows us to whisper between the prison bars when we cannot speak aloud; how it can still comfort the suffering, saying, “Whatever has befallen you – you are not alone.”

M. T. Anderson does tell the story of Shostakovich’s Leningrad Symphony and thoroughly explains why it was so important and why symphony orchestras all over the world wanted to perform it. But more than that, he tells the life story of Dmitri Shostakovich and the story of St. Petersburg, the city of his birth, later called Leningrad. This story requires telling the story of Communism coming to Russia, with the rise of Lenin and Stalin. And then it tells the story of World War II, and how at the outset Stalin believed Hitler’s promises and eliminated Russian military leaders who told him otherwise.

The majority of the book, though, is about the Siege of Leningrad, during which Shostakovich wrote his Seventh Symphony. This siege lasted 872 days – the longest siege in recorded history. Hitler had decided he didn’t need to attack the city – it could be starved.

The story is not pretty. The author doesn’t shy away from the deaths – and the cannibalism. Shostakovich was evacuated from the city before the end of the siege, but the author still fills us in on what was happening in Leningrad where Shostakovich’s sister was still living. Especially poignant is the story of the musicians who were still alive in Leningrad assembling to perform the Seventh Symphony.

Eliasberg [the conductor] remembered that night for the rest of his life. (It was to be the high point of his career.) “People just stood and cried. They knew that this was not a passing episode but the beginning of something. We heard it in the music. The concert hall, the people in their apartments, the soldiers on the front – the whole city had found its humanity. And in that moment, we triumphed over the soulless Nazi war machine.”

Naturally, while reading this book, especially the description of the symphony, I had to look up a performance on the internet and listen. Knowing the background made it far more meaningful.

Notes in the back explain the difficulties associated with piecing together this story. As M. T. Anderson asks, “How do we reconstruct the story of someone who lived in a period in which everyone had an excuse to lie, evade, accuse, or keep silent?” This book is an amazing piece of scholarship wrapped up in a gripping narrative and sprinkled with an abundance of photographs.

If you are at all interested in the life of Dmitri Shostakovich, the fate of musicians and artists under the Soviets, the rise of Communism in Russia, World War II and the Russian Army, or the City of Leningrad, you can’t find a more absorbing way to learn more than reading this book.

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Review of Humans of New York: Stories, by Brandon Stanton

humans_of_ny_stories_largeHumans of New York

Stories

by Brandon Stanton

St. Martin’s Press, New York, 2015. 428 pages.
Starred Review

I loved Brandon Stanton’s first book, Humans of New York. Now I love his second book even more. In the first book, about half of the photographs had captions. In this book, he interviewed everyone, and includes snippets or in-depth stories from those interviews.

You still have high quality photographs of random people, in all their variety, from the streets of New York. But you’ve also got their stories.

Honestly, some of these stories will break your heart. Others will make you shake your head. Some are inspirational. Some are simply cute. There were several with the caption “Today in microfashion,” showing a small child dressed in a striking outfit.

What comes home to me after reading it is the sheer number of amazingly unique people on our planet (let alone in New York!).

Many of the stories go on for paragraphs. This isn’t as quick a read as the first book. However, I’ll quote a small selection of some tantalizingly short captions to give you an idea. Imagine wonderful photos of the people doing the talking.

“I’ve got what I want. I’ve got a place to live, a girlfriend, and a child. My biggest struggle is just figuring out how to maintain.”

“I spoil every girl I’m with. I’m bringing this dog to my girlfriend now. I’ve already gotten her a snake, a rabbit, and two dogs. She loves animals. She wants to be a vet.”

“Sometimes, when I’m going home to see her, I think: ‘Nobody should be this happy on a Tuesday.’”

“I went to a psychic the day before I met him. She told me I was about to meet the woman of my dreams. I said: ‘I’m gay.’”

“Had cancer six times. Beat cancer six times.”

“Three thousand years ago I had a disagreement with Zeus about the Trojan War, and he’s been harassing me ever since.”

“I’ve completed a series of monumental-sized drawings in ballpoint pen of girls who’ve killed their mothers.”

“It’s hard to adjust. You’re reading a story to your daughters every night, then the next thing you know, you’re only doing it once or twice a week. It’s been hard letting go. It all happened without my consent. It only takes one person to want a divorce. And that person wasn’t me.”

“She helps me with my math homework. When I run out of fingers to count on, she lets me use her fingers, too.”

“I once crash-landed a plane in a desert in Tunisia. I wasn’t even the pilot. The pilot got hysterical and I had to grab the controls.”

Reading this book is a wonderful way to celebrate the amazing diversity of humans.

humansofnewyork.com
stmartins.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Soar Above, by Steven Stosny

soar_above_largeSoar Above

How to Use the Most Profound Part of Your Brain Under Any Kind of Stress

by Steven Stosny, PhD

Health Communications, Deerfield Beach, Florida, 2016. 229 pages.
Starred Review

I think of Steven Stosny as a relationship guru. His book, You Don’t Have to Take It Anymore (retitled Love Without Hurt) dramatically changed my outlook when my marriage was falling apart and helped transform my own anger into compassion. More recently, his book Living and Loving After Betrayal helped my healing process after divorce. I also attended his Compassion Power Boot Camp years ago and enjoy reading his “Anger in the Age of Entitlement” Psychology Today blog.

It was from the blog that I learned about his new book, Soar Above. At last a book for everyone and for every situation of life – not just when you’re in a tough relationship. This book I can recommend to everyone without fearing they’ll think I’m saying something negative about their relationships.

The Preface of the book lists the questions Dr. Stosny is trying to answer:

Why do so many smart and creative people make the same mistakes over and over, in life, work, and love?

At what point does the unavoidable emotional pain of life become entirely avoidable suffering?

How do we escape suffering while remaining vibrant and passionate about life?

Most of this book talks about the tension between the Toddler brain and the Adult brain. They are specific sections of our brain. The Adult brain does develop later in life – but sometimes it’s hard to get out of the habit of reacting with our Toddler brain.

He explains the problem:

The downside of late maturity in the Adult brain is that it comes online after the Toddler brain has already formed habits of coping with the alarms it raises, mostly through blame, denial, and avoidance. Many Adult brain interpretations and explanations under stress are dominated by those habits, which lowers the accuracy of its reality-testing and impairs its ability to make viable judgments. To the extent that Toddler brain habits are reinforced in adulthood, the Adult confuses the alarm with reality, which makes Toddler brain alarms self-validating:

“If I’m angry at you, you must be doing something wrong. If I’m anxious, you must be threatening, rejecting, or manipulative.”

The result is self-fulfilling prophecy. Other people are bound to react negatively to the negativity I transmit.

Fortunately, the Adult brain has the power to override Toddler brain habits and intentionally develop new ones that serve one’s long-term best interests. Developing new habits is not an easy process, but it’s utterly necessary to soaring above.

The Adult brain is good at lots of things, including calming down Toddler brain alarms. But where it really helps us is with its ability to create Value, Meaning, and Purpose.

Value is a special kind of importance that goes beyond survival and biological needs. To value is to make people, things, and ideas important enough to appreciate, nurture, and protect. We create meaning and purpose in our lives by honoring the value we bestow on people, objects, concepts, behaviors, and some notion of spirituality.

A sunset has value if and only if we give it value – that is, invest energy and effort to fully perceive it, which allows us to appreciate it. While it does nothing for the sunset if we value it, valuing it does wonders for us. The moment of value creation makes us feel more vital, engaged, interested, and appreciative – in short, more alive. Life means more at the instant we create value, just as it means less when we’re not creating value. Most positive emotion, passion, meaning, purpose, and conviction come from creating and protecting value, and much emptiness, aggression, and depression result from failure to create value.

I’m posting lots of quotations from this book on my Sonderquotes blog. I’m also going to reread it to help its message sink in.

If you ever feel bogged down in your Toddler brain, reacting with blame, denial, and avoidance; if you’d like to feel more Meaning and Purpose in your life, I can’t recommend this book highly enough.

Anger in the Age of Entitlement
Compassionpower.com
hcibooks.com

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Review of The Complete Peanuts, 1999-2000, by Charles M. Schulz

complete_peanuts_9900_largeThe Complete Peanuts

The Definitive Collection of Charles M. Schulz’s Comic Strip Masterpiece

Dailies and Sundays plus Li’l Folks

1999 to 2000

by Charles M. Schulz

introduction by President Barack Obama

Fantagraphics Books, 2016. 315 pages.
Starred Review

This series is wonderful. Every single Peanuts strip is reproduced, in order. My family has been following it since the series began in 2004 with the 1950 to 1952 volume.

I reviewed the first several volumes, but then decided there wasn’t a lot more to say. They are brilliant, and it is wonderful that Fantagraphics is assembling this collection.

My son and I wondered what they would do with the final volume, since Charles Schulz died in February 2000, so the book would only be half as long.

The solution Fantagraphics came up with delighted us — they reprinted Li’l Folks, a cartoon panel series that Charles Schulz drew from 1947 to 1950 for the St. Paul Pioneer Press. You can see some things that showed up in the early Peanuts strips directly quoted.

It has been a tremendous treat to read all of the Peanuts cartoons over these past twelve years. And now one more volume is promised, with “bonus material and rarities.” I can’t wait!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Moving Mountains, by John Eldredge

moving_mountains_largeMoving Mountains

Praying with Passion, Confidence, and Authority

by John Eldredge

Nelson Books, 2016. 248 pages.
Starred Review

My church Small Group went through this book this year, and we’ve been richly blessed.

Moving Mountains is a book about prayer, and praying effectively.

We have embarked on the most exciting story possible, filled with danger, adventure, and wonders. There is nothing more hopeful than the thought that things can be different, we can move mountains, and we have some role in bringing that change about.

As in his other books, John Eldredge reminds us that we are at war – but God has given us authority in the battle.

The Scriptures are a sort of wake-up call to the human race, a trumpet blast, to use Francis Thompson’s phrase, “from this hid battlements of eternity.” One alarm they repeatedly sound is that we are all caught up in the midst of a collision of kingdoms – the kingdom of God advancing with force against the kingdom of darkness, which for the moment holds most of the world in its clutches. Is this your understanding of the world you find yourself in? Does this shape the way you pray – and the way you interpret “unanswered” prayer?

The author also points out that God is growing us up. He’s teaching us to use the weapons He’s given us by throwing us into the battle.

Now, if you believed both assumptions, if they were woven into your deepest convictions about the world, you would want to learn to pray like a soldier wants to learn to use his weapon, like a smoke jumper wants to learn survival skills. We really have no idea what sort of breakthrough is actually possible until we learn to pray. Perhaps we, too, will be ending droughts and stopping wildfires.

With that background as to where we’re going, John Eldredge doesn’t leap right into prayer of warfare. He lays the groundwork, looking at our beliefs about God. Here’s a moving section:

A slave feels reluctant to pray; they feel they have no right to ask, and so their prayers are modest and respectful. They spend more time asking forgiveness than they do praying for abundance. They view the relationship with reverence, maybe more like fear, but not with the tenderness of love. Of being loved. There is no intimacy in the language or their feelings. Sanctified unworthiness colors their view of prayer. These are often “good servants of the Lord.”

An orphan is not reluctant to pray; they feel desperate. But their prayers feel more like begging than anything else. Orphans feel a great chasm between themselves and the One to whom they speak. Abundance is a foreign concept; a poverty mentality permeates their prayer lives. They ask for scraps; they expect scraps.

But not sons; sons know who they are.

Before he talks about praying for others, he covers our authority in Christ.

We really thought this life was simply about getting a nice little situation going for ourselves and living out the length of our days in happiness. I’m sorry to take that from you, but you and I shall soon be inheriting kingdoms, and we are almost illiterate when it comes to ruling. So God must prepare us to reign. How does he do this? In exactly the same way he grows us up – he puts us in situations that require us to pray and to learn how to use the authority that has been given to us. How else could it possibly happen?

After talking about prayers of intervention, the book goes on to talk about consecration and about daily prayer to align ourselves with God’s purposes. Then it covers prayer for guidance, listening prayer, praying Scripture, warfare prayer, and inner and outer healing. The final chapter talks about outcomes that are not what we had desired.

I love this reminder:

Life wins. Sometimes now, especially if we will pray. But life wins fully, and very soon.

Just as we must fix our eyes on Jesus when we pray, we must also fix our hearts on this one undeniable truth: life will win. When you know that unending joy is about to be yours, you live with such an unshakable confidence it will almost be a swagger. You can pray boldly, without fear, knowing that, “If this doesn’t work now, it will work totally and completely very soon.” We can have that kingdom attitude of Daniel’s friends, who said, “God is able to deliver, and he will deliver. But if not . . .” we will not lose heart. Period.

As we worked through this book, our Small Group found ourselves getting opportunities to practice what we were learning. We saw some mighty examples of God working. And we feel like we’re only at the beginning of our journey.

I highly recommend this book for personal study, but especially for group study if your group is ready for an adventure together.

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thomasnelson.com

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Review of The Natural World of Winnie-the-Pooh, by Kathryn Aalto

natural_world_of_winnie_the_pooh_largeThe Natural World of Winnie-the-Pooh

A Walk Through the Forest that Inspired the Hundred Acre Wood

by Kathryn Aalto

Timber Press, Portland, Oregon, 2015. 307 pages.

Back in 1999, my family and I got to visit Ashdown Forest and play Poohsticks at the original bridge, so I was delighted when I learned that someone had written a book about the place where A. A. Milne lived and where the real Christopher Robin played, the sites made famous in Winnie-the-Pooh.

This book is filled with photographs, which makes it especially wonderful. The author starts by telling the life stories of Alan Alexander Milne and Ernest Howard Shepard and how they came to collaborate.

Milne had a childhood rich in experiences of wandering the outdoors, and provided the same for his son. Telling about his life shines light on the stories he later chose to tell.

For Milne, warm early memories of roaming the natural world with his brother Ken inspired him to create the setting for what would arguably become the greatest children’s books of the twentieth century, touching generations, selling millions of copies, and being translated into dozens of languages. The books were richly inspired by his adventures with Ken and reflect themes of freedom, adventure, friendship, and cooperation. When Milne wrote about the Hundred Acre Wood, it was a way to revisit his own golden memories, as we shall soon find out.

Milne and Shepard had an unusually involved collaboration, and Milne shared royalties with Shepard, in an unusual relationship for that time.

The emotions in the illustrations came from the inkwell of his heart and observations of real-life, but Milne also had a hand in matters. He expressed how he envisioned the stories and characters. Drawings evolved in conversations over tea and lunch, in letters between the two men, at the Milne home on Mallord Street in London, and, of course, on a visit to Hartfield. Unlike Picasso, who said, “I draw not what I see but what I think,” Shepard drew from real life. In fact, his visual memory was so acute that he could re-create on paper events and people he remembered from years earlier. Knowing how Ashdown Forest inspired the stories and setting Milne created, Shepard visited and sketched Ashdown Forest in 1926, the two men walking to Poohsticks Bridge, Gills Lap, and elsewhere. The bee tree, Wol’s tree, Galleons Lap, and the Enchanted Place were real places Shepard interpreted with a notebook, pen, and pencil in hand. He wanted to capture a tangible sense of place to set the adventures. He sketched pine trees and heathland and watched Christopher Robin making mud pies with Graham, Shepard’s son, in the gardens at Cotchford Farm.

This was interesting and explains why the drawings of Winnie-the-Pooh don’t look a whole lot like the original bear belonging to Christopher Robin which is kept in the New York Public Library:

Shepard’s masterful illustrations were tenderly drawn from real life. He enhanced Milne’s characters – their dialogue, manner, and adventures – to capture the charm Milne put in words. All the creatures were drawn from Christopher Robin’s own stuffed animals except for one: Winnie-the-Pooh. This characterization was inspired by Growler, a teddy bear belonging to Shepard’s son. Years later, Shepard recalled telling Milne, rather sheepishly, how Growler lost a fight with a dog in a Montreal garden. Perhaps they commiserated. Perhaps Milne felt relief. He, too, had a secret. Roo, he revealed, had met a similar fate in the jaws of a dog in a nearby orchard.

After writing about the history of the two creators and their collaboration, the author talks about the places – actual and imaginary – from the books. This is the part that makes me want to go back to Ashdown Forest. She found the origins or inspiration for nearly all the places in the book. Yes, some of them I definitely remember visiting with my family, but I will bring this guidebook if I ever go again and find the places I missed. I will also plan more than one afternoon to spend there. She makes a strong case that the best way to explore A. A. Milne’s natural world is by walking, and there are an abundance of walking paths in Ashdown Forest.

We also would have done well with the tip to bring our own sticks to the Poohsticks bridge! There aren’t many to be found at the site where Christopher Robin played the traditional game – though we did see lots of sticks downriver! In the one site she mentions apart from Ashdown Forest area, the author and her family went to the 2014 World Poohsticks Championship in Oxfordshire.

The third section of the book tells, fittingly, about the natural world of Ashdown Forest, its history and the flora and fauna found there.

Though the Hundred Acre Wood is imaginary, you can still see it in the gorse, heather, and Scots pines of Ashdown Forest, which lives on and changes slowly over time. Milne’s classic stories also live on, showing no signs of abating in the hearts and minds of readers around the world. What many are not aware of, however, is how much history is present in this ancient landscape, shaped as it was (and is) by kings, commoners, and conservators. The forest has a story of its own – one that began long before Milne’s characters ambled in and became a part of it.

With this three-pronged approach – Milne’s life, the book places, and the history of the forest – the book feels a little repetitive. Poohsticks, for example, are mentioned more than once in each section. The author uses the least excuse to quote from Winnie-the-Pooh, which is certainly forgivable, though wasn’t always necessary (at least for this reader, who pretty much has it memorized myself). In the section about the flora and fauna, there were many photos, but they didn’t always match up to what was mentioned, though that may just be a layout issue.

Overall, this is a wonderful book that makes you want to go immediately to Ashdown Forest and spend a few weeks with the spirit of a boy and a bear playing in the Enchanted Place at the top of the forest. I wish we’d had this book before we visited, and now I must go again some day. Anyone in my family, be alerted: There is a place called The Hatch Inn in the neighborhood, where William Butler Yeats and Ezra Pound used to hang out. (My family name is Hatch.) If I had known this existed, I would have made sure to visit that as well.

How does the story continue between Christopher Robin and Pooh bear? That is a narrative left to our imaginations. But we can return to that place, the Hundred Acre Wood, with its honey trees and sandy pits, rabbit holes and tree houses. It is not merely a fabled literary landscape that exists only in our minds. It is Ashdown Forest, a living landscape where Milne walked for decades and which inspired him to set these stories. You and I can visit it today. And if you and I can visit those enchanting places in more than our imaginations, is that time of our lives truly gone?

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Review of The New York Times Book of Mathematics, edited by Gina Kolata

ny_times_book_of_mathematics_largeThe New York Times Book of Mathematics

More than 100 Years of Writing by the Numbers

edited by Gina Kolata
Foreword by Paul Hoffman

Sterling, New York, 2013. 480 pages.

If you’re at all interested in mathematics, this is a fascinating book covering the history of major developments in mathematics in the twentieth century and the start of the twenty-first, as told in the pages of The New York Times.

Since the articles are from The New York Times, they are written for the general public, and the articles aren’t too lengthy. I mostly read one a day for a very long time. Incredible as it may seem, the book was never on hold when I wanted to renew it.

My only complaint was that I had to learn to check the date – given at the end of each article – before reading the article rather than after, because all are reported as happening in the present – it was nice to know when the major development had actually happened in 1936 (though there are more from recent years than going that far back).

Of course, having once been in a PhD program in Mathematics (though I settled for my Master’s), I was extra interested to get tastes of what’s going on before and after my time in the math department. For me, it was interesting to place the articles as before or after my time at UCLA.

The articles are grouped in chapters of related articles. You’ll get an idea of what to expect from the chapter titles: “What Is Mathematics?”; “Statistics, Coincidences and Surprising Facts”; “Famous Problems, Solved and As Yet Unsolved”; “Chaos, Catastrophe and Randomness”; “Cryptography and the Emergence of Truly Unbreakable Codes”; “Computers Enter the World of Mathematics”; and “Mathematicians and Their World.” Try this book for a bird’s-eye view of that fascinating world.

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Review of $2.00 a Day, by Kathryn J. Edin & H. Luke Shaefer

2_dollars_a_day_large$2.00 a Day

Living on Almost Nothing in America

by Kathryn J. Edin & H. Luke Shaefer

Houghton Mifflin Harcourt, Boston, 2015. 210 pages.
Starred Review

This book was published in 2015, so it was written before the election season got going, but it has strong political repercussions.

The book puts faces on extreme poverty, but the approach is a scientific one. Nothing here is sensationalized. The authors took statistics and facts, then dug deeper to give an understanding of what’s going on so that such deep poverty has become so widespread. At the end, they offer some ideas for things we can and should do about this.

This book is based on academic studies and census data. In the 1990s, author Kathryn Edin did an in-depth study of welfare recipients. But in 2010, she found more families in much worse shape.

In the summer of 2010, Edin returned to the field to update her work on the very poor. She was struck by how markedly different things appeared from just fifteen years before. In the course of her interviews, she began to encounter many families living in conditions similar to those she would find when she met Susan and Devin Brown in 2012 — with no visible means of cash income from any source. These families weren’t just poor by American standards. They were the poorest of the poor. Some claimed food stamps, now called SNAP, for the Supplemental Nutrition Assistance Program. A few had a housing subsidy. Most had at least one household member covered by some form of government-funded health insurance. Some received an occasional bag of groceries from a food pantry. But what was so strikingly different from a decade and a half earlier was that there was virtually no cash coming into these homes. Not only were there no earnings, there was no welfare check either. These families didn’t just have too little cash to survive on, as was true for the welfare recipients Edin and Lein had met in the early 1990s. They often had no cash at all. And the absence of cash permeated every aspect of their lives. It seemed as though not only cash was missing, but hope as well.

Edin dug deeper and met Luke Shaefer, a leading expert on the Survey of Income and Program Participation (SIPP).

That fall, during an early morning meeting in her office in Cambridge, Edin shared with Shaefer what she had been seeing on the ground. Shaefer immediately went to work to see if he could detect a trend in the SIPP data that matched Edin’s observations. First, though, he needed to determine what income threshold would capture people who were experiencing a level of destitution so deep as to be unthought-of in America. Accordingly, he borrowed inspiration from one of the World Bank’s metrics of global poverty in the developing world — $2 per person, per day. At the time, the official poverty line for a family of three in the United States worked out to about $16.50 per person, per day over the course of a year. The government’s designation of “deep poverty” — set at half the poverty line — equated to about $8.30 per person, per day. As far as Shaefer and Edin could tell, no one had ever looked to see whether any slice of the American poor fell below the even lower threshold of $2 a day for even part of a year. With the SIPP, it was fairly easy to estimate how many American families with children were reporting cash incomes below this very low threshold in any given month….

The results of Shaefer’s analysis were staggering. In early 2011, 1.5 million households with roughly 3 million children were surviving on cash incomes of no more than $2 per person, per day in any given month. That’s about one out of every twenty-five families with children in America. What’s more, not only were these figures astoundingly high, but the phenomenon of $2-a-day poverty among households with children had been on the rise since the nation’s landmark welfare reform legislation was passed in 1996 — and at a distressingly fast pace. As of 2011, the number of families in $2-a-day poverty had more than doubled in just a decade and a half.

It further appeared that the experience of living below the $2-a-day threshold didn’t discriminate by family type or race. While single-mother families were most at risk of falling into a spell of extreme destitution, more than a third of the households in $2-a-day poverty were headed by a married couple. And although the rate of growth was highest among African Americans and Hispanics, nearly half of the $2-a-day poor were white.

One piece of good news in these findings was that the government safety net was helping at least some households. When Shaefer added in SNAP as if it were cash — a problematic assumption because SNAP cannot legally be converted to cash, so it can’t be used to pay the light bill, the rent, or buy a bus pass — the number of families living in $2-a-day poverty fell by about half. This vital in-kind government program was clearly reaching many, though not all, of the poorest of the poor. Even counting SNAP as cash, though, Shaefer found that the increase in the number of families with children living in $2-a-day poverty remained large — up 70 percent in fifteen years. And even after throwing in any tax credits the household could have claimed in the prior year, plus the cash value of housing subsidies, the data still showed a 50 percent increase. Clearly, the nation was headed in the wrong direction.

Reflecting on these numbers, we, Shaefer and Edin, sought out even more confirmation that what we had found represented a real shift in the circumstances of families at the very bottom. With this in mind, we began to look for other evidence, beyond the SIPP, of the rise of $2-a-day poverty. Reports from the nation’s food banks showed a sizable rise in the number of households seeking emergency food assistance since the late 1990s. A look at government data on those receiving SNAP revealed a large increase in the number of families with no other source of income. And reports from the nation’s public schools showed that more and more children were facing homelessness. Taken together, these findings seemed to confirm the rise of a new form of poverty that defies every assumption about economic, political, and social progress made over the past three decades.

The questions the authors bring to these numbers reflect what they’re trying to explain in this book:

Statistics can help identify troubling trends like these, but they can’t tell us much about what’s going on beneath the numbers. In fact, these statistics led to more questions than answers. What had caused the rise in $2-a-day poverty among households with children? Was the landmark welfare reform of 1996 partly to blame? Were these families completely detached from the world of work? Or were they enmeshed in a low-wage labor market that was itself somehow prompting spells of extreme destitution? How was it even possible to live without cash in modern America? What were families in $2-a-day poverty doing to survive? And were these strategies different from those poor families had been using prior to welfare reform, when AFDC still offered such families a cash cushion against extreme destitution? What was so indispensable about cash — as opposed to in-kind resources such as SNAP — for families trying to survive in twenty-first-century America?

In 2012, they launched an in-depth study in four different areas in America.

In each of these places, we looked for families with children who had spent at least three months living on a cash income of less than $2 per person, per day. In most cases, these spells of such dire poverty proved to be much longer. We visited with these families over the course of many months — and, in some cases, years — talking with them frequently, sharing meals, and observing their daily lives. As common themes emerged from their stories — such as their surprisingly high level of attachment to the formal labor market and the frequency with which doubling up with family or friends precipitated a spell of $2-a-day poverty — we looked back to the SIPP and to other sources of data to see if we could see them there as well.

In the end, we followed eighteen families, eight of them featured here. As had been true of those Edin first encountered in the summer of 2010, some of these households received SNAP or lived in subsidized housing. But others weren’t getting even those benefits. During the course of our fieldwork, some of these families escaped $2-a-day poverty; others did not. Most escaped only to fall back into extreme destitution again.

The book does show the reader these families, helps the reader understand what’s going on, puts faces on this level of poverty. Rather than demonizing the poor as just looking for government hand-outs, we can see and begin to understand how people can get trapped in this.

Here’s the concluding section of the Introduction:

America’s cash welfare program — the main government program that caught people when they fell — was not merely replaced with the 1996 welfare reform; it was very nearly destroyed. In its place arose a different kind of safety net, one that provides a powerful hand up to some — the working poor — but offers much less to others, those who can’t manage to find or keep a job. This book is about what happens when a government safety net that is built on the assumption of full-time, stable employment at a living wage combines with a low-wage labor market that fails to deliver on any of the above. It is this toxic alchemy, we argue, that is spurring the increasing numbers of $2-a-day poor in America. A hidden but growing landscape of survival strategies among those who experience this level of destitution has been the result. At the community level, these strategies can pull families into a web of exploitation and illegality that turns conventional morality upside down.

None of the people whose stories appear in this book see a hand-out from the government — the kind that the old system provided prior to welfare reform — as a solution to their plight. Instead, what they want more than anything else is the chance to work. They would like nothing better than to have a full-time job paying $12 or $13 an hour, a modest dwelling in a safe neighborhood, and some stability above all else. In the 1990s, we, as a country, began a transformation of the social safety net that serves poor families with children. More aid has been rendered to a group that was previously without much in the way of government assistance — the working poor. Extending the nation’s safety net in this way has improved the lives of millions of Americans. But there are simply not enough jobs, much less good jobs, to go around. And for those without work, there is no longer a guarantee of cash assistance.

$2.00 a Day shows that the transformation of the social safety net is incomplete, with dire consequences. We believe the time has come to finish the job. Doing something more to help these families won’t be easy; it will require a commitment by all of us. The government’s emphasis on personal responsibility must be matched by bold action to expand access to, and improve the quality of, jobs. But there will always be circumstances in which work as a primary approach to alleviating poverty won’t work. In those cases, we need a system that truly acts as a safety net for families in crisis, catching them when they fall.

The bulk of the book looks at the lives of these eight families in detail. It helps you understand and feel the pain of the plight they face. You have to admire some of the creative ways they’re finding to survive.

The authors particularly look at things like “perilous work” — jobs that even endanger health, that don’t offer reliable hours and terminate employment at the slightest “offense.” They look at housing problems and cobbled-together solutions, and what the poor will do to try to keep their children safe.

This is an academic study, but the authors are good at telling the stories of the people they encountered.

In their chapter on solutions, the authors don’t advocate going back to welfare, since it robbed people of their dignity and self-worth. They point out that the Earned Income Tax Credit has the opposite effect.

In-dept interviews with 209 EITC claimants in the Northeast and Midwest in 2007 showed that while TANF receipt confers stigma and shame, claiming the EITC gives people dignity and restores their pride. First, the EITC is tied to employment. Second, tax credits are included as part of your federal tax refund — along with wages that were overwithheld. This lends the impression that the government benefit is “earned,” a just reward for hard work. Third, you don’t have to go to a welfare office to apply — an address that in and of itself connotes stigma. Instead, roughly 70 percent of EITC beneficiaries find their way to a professional tax preparation firm such as H&R Block, Liberty Tax Service, or Taxman. There you are not a supplicant. Instead you are a customer, there to claim your tax refund like any other American.

I could relate to this because, when my husband joined the Air Force, before I found a job at our new assignment, we qualified for WIC. But to get the benefits, we had to sit through a “class” teaching about nutrition, and all the staff pretty much treated the applicants as idiots. I never went back. Fortunately, I found a part-time job, but I remembered that getting this government assistance meant giving up my dignity. (The Earned Income Credit, though, was another story.) That’s one thing I love about libraries. We offer help to all, and there is no shame tied to it.

The authors go on:

We are not arguing here that the EITC is a solution to $2-a-day poverty. But it does offer a critical lesson in how antipoverty policy ought to be crafted. Too often, America has gone down the road of trying to shame those in need. We’ve put up barriers. We’ve made people jump through hoop after hoop — all based on the not-so-subtle presumption that they are lazy and immoral, intent on trying to put something over on the system. TANF is a perfect example. Yet research shows that the intrusive treatment people typically receive at the welfare office can undermine their confidence in government and erode political participation. It stands to reason that this kind of treatment could also erode the very confidence that is so necessary for pulling yourself out of $2-a-day poverty. Shame may act as a barrier to claiming that little bit of cash that might stop a downward spiral. As a nation, the question we have to ask ourselves is, Whose side are we on? Can our desire for, and sense of, community induce those of us with resources to come alongside the extremely poor among us in a more supportive, and ultimately more effective, way?

There are many more ideas of things we can do in that final chapter.

Our approach to ending $2-a-day poverty is guided by three principles: (1) all deserve the opportunity to work; (2) parents should be able to raise their children in a place of their own; and (3) not every parent will be able to work, or work all of the time, but parents’ well-being, and the well-being of their children, should nonetheless be ensured.

There’s so much more in this book I’d like to copy out. Don’t rely on my review, because you’ll miss so much. This book is worth reading! It’s impeccably researched and clearly presented, and it will stir your heart.

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Review of Exploring Calvin and Hobbes, by Bill Watterson

exploring_calvin_and_hobbes_largeExploring Calvin and Hobbes

An Exhibition Catalogue

by Bill Watterson

Andrews McMeel Publishing, Kansas City, 2014. 151 pages.

Can we all agree that Calvin and Hobbes is one of the best comic strips of all time? (I say “one of” because: Peanuts. I don’t even want to decide between them, but the fact that it’s very close says worlds about Calvin and Hobbes.)

This book is a retrospective. It accompanies an exhibition at the Billy Ireland Cartoon Library & Museum. Besides a representative (and wonderful) sample of the strips, it’s got an extended interview with Bill Watterson at the front of the book, and includes some strips that influenced him as well as some examples of his early work before Calvin and Hobbes.

In some ways, reading this book is less satisfying than sitting down with one of the old collections. It did make me want to sit down with one of the old collections. It gives you tastes and reminders of this wonderful strip. It brought me back to the 80s when I was a newlywed and the early 90s when I was a young mother. Both my kids read these collections over and over when growing up.

My sister used to tell me when I had kids, they’d end up just like Calvin. And I have to say, if they gained some of Calvin’s curiosity and creativity and divergent thinking, who am I to say that Bill Watterson didn’t have something to do with that?

It’s a magical world, Hobbes, ol’ buddy . . .

Let’s go exploring!

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