Review of Belzhar, by Meg Wolitzer

belzhar_largeBelzhar

by Meg Wolitzer
read by Jorjeana Marie

Listening Library, 2014. 8 hours on 7 compact discs.
Starred Review

Jam Gallahue has been sent to The Wooden Barn, a boarding school in Vermont for “highly intelligent but emotionally fragile” teens. After she lost her boyfriend, Reeve, she’s withdrawn from everything and everyone.

On her first day of classes, her roommate is jealous when they discover that Jam’s been put into Special Topics in English. No one knows why everyone claims the class is life-changing. There are only four other students, and a teacher who will retire at the end of the term. They will be studying Sylvia Plath. The teacher, Mrs. Quinnell, gives them each a red leather journal and tells them to write in it twice a week. She’ll be collecting them at the end of the term.

When Jam writes in the journal, she’s transported to another place, a place outside time, and she is together with Reeve again. She can’t do anything new with him in that place, but she can actually feel him and see him and talk with him. When she comes back, five more pages of her journal are filled in with her own handwriting.

The other members of Special Topics in English have their own traumas to deal with. Before long, the class members all figure out that each one is being transported to another place, where things are right again, every time they write in their journals.

But the journals will be completely full by the end of the term.

This story could have been trite and problem novel-ish. But the author has crafted the story well, revealing information a little bit at a time. Each student in the class has a compelling story, and we also learn more and more about what Jam went through, and how she interacts with her fellow-students.

There’s a fine overarching message about dealing with trauma and being able to get on with life. But the book is good because the story is told in a compelling way.

It’s also a tribute to the healing power of words – both written yourself and written by others.

This book has some healing power of its own.

listeninglibrary.com

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Source: This review is based on a library audiobook from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Madame Martine, by Sarah S. Brannen

madame_martine_largeMadame Martine

by Sarah S. Brannen

Albert Whitman & Company, Chicago, 2014. 36 pages.
Starred Review

I love picture books. But now that my sons are adults, I don’t often purchase a picture book for my own use. The ones I check out from the library are generally enough.

So it tells you something about how much I love this picture book that I just ordered myself a personal copy.

I’m going to give a Spoiler Alert for my review — except I don’t believe you can Spoil a picture book. It’s not about what happens, but about how exquisitely it’s carried out. I will tell you what happens — please, check out this book yourself to appreciate the beauty of how it’s done.

For starters, it’s set in Paris. The book opens to a typical gray cloudy day looking at the park below the Eiffel Tour, with many people and dogs strolling. Madame Martine is then pictured in her dark gray coat, carrying an umbrella and her shopping.

Madame Martine lived alone in a little apartment in Paris. She took the same walk every day. She shopped at the same stores. She wore the same coat. That was how she liked it.

Madame Martine lived near the Eiffel Tower, but she had never climbed it.

“Eh. It’s a tourist thing,” said Madame Martine.

We hear about Madame Martine’s routine, with specific foods for each day of the week. We see tourists ask about the Eiffel Tower and hear Madame Martine’s disdain expressed.

But one rainy Saturday, Madame Martine finds a “very small, very wet, very dirty dog,” a dog who needs her.

She starts doing her routine with her little dog Max along. But one ordinary Saturday, Max suddenly chases a squirrel — and ends up climbing the Eiffel Tower! In fact, Madame Martine doesn’t catch him until just before the doors close on the elevator up to the top.

There’s a wonderful spread with no words, from the top of the Eiffel Tower as the lights of Paris are coming on and the horizon is tinged with pink. (I have some photos like that myself!)

“Oh!” said Madame Martine. “I never knew how beautiful it was.”

“How did you bring that dog up here?” asked a guard. “Dogs are strictly forbidden.”

“I didn’t bring him up here,” said Madame Martine. “He brought me.”

The remaining few pages of the book are bright and sunny. Madame Martine is now wearing a bright red coat, with a yellow patterned scarf.

Madame Martine and Max still have a routine. They still buy certain foods on each day of the week.

Every Saturday they tried something new.

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albertwhitman.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Flora and the Penguin, by Molly Idle

flora_and_the_penguin_largeFlora and the Penguin

by Molly Idle

Chronicle Books, 2014. 40 pages.
Starred Review

Who would have thought that Molly Idle could match the brilliance that is Flora and the Flamingo? Yet she has done it here. This book has an Arctic, I mean an Antarctic theme. Our friend Flora is back. She comes onto an ice floe with ice skates, and out of a hole in the ice comes a penguin.

This time, instead of a dance, Flora skates alongside the penguin. I shouldn’t say “instead” of a dance, because the skating amounts to dancing. And as with the flamingo, Flora’s body shape and moves echo that of her partner.

Once again, we have some drama. This time it involves the hole in the ice and some fish. Once again, strategic flaps convey movement and bring the dance to life.

Some parents may be surprised at how effective wordless books are in building reading skills. No, they won’t teach decoding. But they do help build vocabulary. And following a storyline.

Try reading this book with your child and ask questions about what they notice. You will probably be surprised by their powers of observation and ability to express that. What’s more, young ones will be proud to be able to read this book every bit as well as their older siblings. But all groups will enjoy it.

This is a book that will make you want to dance.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Princess Sparkle-Heart Gets a Makeover, by Josh Schneider

princess_sparkle_heart_largePrincess Sparkle-Heart Gets a Makeover

by Josh Schneider

Clarion Books, Houghton Mifflin Harcourt, Boston, 2014. 32 pages.
Starred Review

I’m not sure if girls looking for a princess book will be delighted or appalled with this one, but I’m hoping delighted. When Amelia is given a doll named Princess Sparkle-Heart, they instantly become best friends. So much so, that her dog is jealous. And when he gets the chance, he rips Princess Sparkle-Heart to pieces.

However, Amelia’s mother promises that she can put Princess Sparkle-heart back together, good as new. During the process, we get hints of what is going to happen. Amelia asks for extra stuffing, as muscles, for protection. She has a hard time picking just two buttons for eyes. She wants Princess Sparkle-Heart to have some good teeth.

But the biggest giveaway, I didn’t even notice on my first time through the book.

All that was left was to find Princess Sparkle-Heart some new clothes. Amelia gathered up all the magazines in the house and looked for just the right outfit.

We see Amelia looking at a spread-out array of magazines titled Fancy, with someone posing in a fancy outfit on the cover. What I didn’t notice the first time is that right in the middle of the magazines, Amelia is looking at an issue called Kapow featuring a superhero.

The final result? Let’s just say this is not what comes to my mind when I hear the name “Princess Sparkle-Heart.” And that dog will not be messing with her again. Though the end page shows a happy scene with Amelia playing with the dog, with the new improved Princess Sparkle-Heart by her side.

There’s a message of empowerment here. Now, it does beg the question: Does empowerment have to be ugly? But anyway, the story is a lot of fun. And believe me, my describing Princess Sparkle-Heart’s makeover will not diminish the thrill of discovery when she first appears in her full madeover glory.

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Review of Ah-hA to Zig-Zag, by Maira Kalman

ah_ha_to_zig_zag_largeAh-hA to Zig-Zag

31 Objects from Cooper Hewitt, Smithsonian Design Museum

by Maira Kalman

Cooper Hewitt, Skira Rizzoli, 2014. 54 pages.
Starred Review

Maira Kalman is pretty much the definition of quirky. On the title page, under the subtitle it says, “Maira Kalman went to the museum. She chose objects from the collection and made this book for you. Completely for you.”

First, it’s very loosely an alphabet book. Each letter has a picture of something from the museum and some writing about it. Something like this (with the picture from the front):

E.

(Except for your dog)

This is the cutest dog on Earth. with the cutest Eyebrows on Earth.

“I really am Extremely cute.”

Or:

F.

The hat on this woman From France is Fluffy and Frothy and Fantastic and Funny.

Or:

V.

It is Very Very Very Very (Very) nice to snuggle.

Or:

Y.

Dance. Run. Smell flowers. Jump for joY. Laugh. CrY. Be mean. Be kind. Eat toast. Be cozy. And be forever Young.

After Z for Zig-Zag, we have:

Oops!

We left out

O.

Oh well. We all make mistakes. Yesterday I wore two different socks. No big deal.

Then there is a double-page spread at the back with photos of all the objects portrayed and notes about what they are. The dog for E is “Figure of a poodle, England, 1820-40; Glazed earthenware.” The lady for F is from “Postcard, A Travers la Normandie; Coiffes et Costumes anciens, about 1909; Printed card with hand coloring.” V refers to “Salt and pepper shakers, Town and Country, 1946; Glazed earthenware, cork.” Y deals with “Square, Boy and Girl, 1947; Printed silk.” And O features “Pair of stockings, France, 1850-1900; Knitted silk.”

Then at the end, Maira Kalman tells the story of Nellie and Sally Hewitt.

They loved to sing and dance.
They were just a little bit wild.
A little bit.
They had sharp eyes. The kind of eyes that really LOOK at things.
One day they decided to collect the things they loved, and create a museum.
And they really did it.
Which is a lesson to be learned.
If you have a good idea — DO IT.

This book gives me a good idea: I should go to the Cooper Hewitt Smithsonian Design Museum.

I have another good idea: I should tell you to check out this book!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Completely Clementine, by Sara Pennypacker

completely_clementine_largeCompletely Clementine

by Sara Pennypacker
pictures by Marla Frazee

Disney Hyperion Books, New York, March 2015. 178 pages.
Starred Review

The only thing awful about a new Clementine book coming out is that it looks suspiciously like the final book in the series. I do not want to say good-by to Clementine any more than she wants to say good-by to her teacher, Mr. D’Matz.

Yes, Clementine is finishing up her third grade year. I like the way Marla Frazee has even drawn her on the cover looking older. Though I read the book in an advance reader’s copy, and will definitely have to check out the final version in order to appreciate Marla Frazee’s always brilliant finished art.

The big drama of this book is that Clementine is not speaking to her father. He ate meat loaf, and Clementine has become a passionate vegetarian. She won’t speak to her father, but she will draw him pictures of sad animals in terror of being eaten.

Some big things happen in this book that were anticipated in earlier books. Margaret’s mother is getting married. Clementine’s friend Joe has grown. School is letting out for the summer. And Clementine’s mother is about to have her baby.

When I first heard about a new baby coming, I wanted it to have a food name. My name is a fruit, which I used to hate but now I like. I call my brother vegetable names to make it fair, which he used to hate but now he likes too. So I thought our new brother or sister should have a food name too, so he or she wouldn’t feel left out.

My dad said yes, because he’d always wanted a kid named Noodle. “It’s so good,” he pleaded, “for either a boy or a girl!” But my mother said Absolutely not!

Then I tried a compromise, which means nobody wins, but nobody loses, either. “How about a thing-name then? Let’s give the baby a name that’s also a thing, at least.”

My father loved this idea too. My mother rolled her eyes at all his suggestions: Lug Nut, Pencil, Q-tip, and Noodle again. But she didn’t hate the thing-name idea. “Dawn,” she said, “that’s a lovely name. Or maybe Colt, if it’s a boy.”

“So do you want to hear them?” I asked.

“Maybe later. We still have two weeks. I have a feeling the perfect name will show up by then.”

And it’s not really a spoiler to say that indeed it does.

This is a grand completion to a wonderful series especially right for second and third graders. (But which adults also can’t help but love. So if you’re looking for a wonderful read-aloud, look no further.)

sarapennypacker.com
marlafrazee.com
DisneyBooks.com

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Source: This review is based on an Advance Reader Copy I got at ALA Midwinter Meeting.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of A Lion in Paris, by Beatrice Alemagna

lion_in_paris_largeA Lion in Paris

by Beatrice Alemagna

Tate Publishing, 2014. 36 pages.

This oversized picture book is a treat for anyone who loves Paris. When I say oversized? I mean enormous. Looking at this book is an event.

The cover opens upward (with the spine on top, horizontal), and you see the lion’s paws unfolding a map of Paris, which will trace his route.

A few sentences show on the plain page on top, while the page in your lap has a large picture with photos of faces and other details inserted in the drawings.

The book begins:

He was a big lion. A young, curious and lonely lion. He was bored at home on the grasslands, and so one day he set off to find a job, love and a future.

The lion begins his journey around Paris at the train station, the Gare de Lyon, and from there we get a wonderful tour of Paris, from a lion’s eye view.

I think my favorite page is looking up the steps to Sacré Coeur:

The lion’s heart was beating very fast as he continued his long walk. At the top of an endless flight of steps he saw a white castle. “It looks like a cream cake, doesn’t it?” said an old lady, smiling at him. “Grrr,” replied the lion. They went back down all the steps together.

At the end of the book, the lion finds a permanent place where he is happy.

The author explains the story in a note at the end:

The lion in this story was inspired by the statue of a lion in the Place Denfert-Rochereau in Paris. It was erected by the architect Frédéric Auguste Bartholdi between 1876 and 1880. I wondered why the Parisians are so fond of this lion. I think it is because he looks very happy where he is.

And who can blame the lion? I know I have been happy when in Paris. This book brings some of that joy back.

tate.org.uk/publishing

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of Naptime with Theo & Beau, by Jessica Shyba

naptime_with_theo_and_beau_largeNaptime with Theo & Beau

by Jessica Shyba

Feiwel and Friends, New York, 2015. 36 pages.
Starred Review

Okay, this is the cutest bedtime book ever. I showed it to a usually cynical friend, and even he told me I had just made his day better.

The text is simple:

Beau is sleepy.

Theo is sleepy.

It must be naptime!

The photos accompanying this simple text could not possibly be more adorable. A toddler boy (Beau) and a dog (Theo) got in the habit of napping together. Mom (Jessica Shyba) took their pictures.

The two young creatures are roughly the same size. They sleep cuddled up together. You know how nice it is to watch a child sleep? It turns out it can be even sweeter to see a child sleep cuddling up with a sleeping dog.

Of course the big mystery is: How did Jessica Shyba get such stunning photographs of them without waking them up? (But my kids were little before the age of digital photography — so I suppose that’s the answer. Though the photos do seem awfully well-lit.)

You can see more photos, now with Beau’s little sister, on the author’s Momma’s Gone City blog.

In a book? Well, besides being adorable, looking at these pictures will also make you sleepy, which, it seems to me, is the perfect criteria for a bedtime book.

Sleep tight!

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of The Farmer and the Clown, by Marla Frazee

farmer_and_the_clown_largeThe Farmer and the Clown

by Marla Frazee

Beach Lane Books, New York, 2014. 32 pages.
Starred Review

More than any other, this was the book I was sad to see not represented when the Caldecott Award and Honors were mentioned. I didn’t read it until after 2015 had begun, or I’m sure it would have been a 2014 Sonderbooks Stand-out. (Now it has to wait for the 2015 Stand-outs.)

I’m already a huge fan of Marla Frazee’s art. I became so by reading the Clementine books. You can see her distinctive style in these pages, especially the adorably round kid faces.

This is a wordless picture book. It tells a simple story, but one bursting with life.

An old-fashioned farmer is working in his flat, brown fields, when he sees a circus train go by. Then a small clown child falls off the train. The farmer goes to him and takes him home. The two spend a night and day together before the train comes back. In the process, they become friends. And the way the artist shows that friendship developing is where this book is a work of genius.

Parents who are all about their children practicing reading may not realize how much a wordless picture book can do. They even work wonderfully for storytime. You can ask children what is happening, and you will be amazed at the things they notice and the vocabulary they use to describe it.

What’s more, children who haven’t yet learned to decode letters will be delighted to be able to read this book. And they will learn the sequencing of a book, going from left to right and from front to back. Even for older children, who have mastered reading, this book has so much to offer.

But aside from all that, I challenge anyone to read this book and not be delighted by the story of this unlikely pair and their budding friendship. (I especially like where the little clown tries to teach the farmer to juggle eggs. And the farmer waking the little one up with silly antics.)

marlafrazee.com
simonandschuster.com

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Source: This review is based on a library book from Fairfax County Public Library.

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Review of Dear Committee Members, by Julie Schumacher

dear_committee_members_largeDear Committee Members

by Julie Schumacher

Doubleday, New York, 180 pages.
Starred Review

Dear Committee Members is a novel told entirely in the form of Letters of Recommendation written by Jason Fitger, an English professor at a small liberal arts college. That may not sound like a way to write a hilarious novel, but trust me, it is.

When my hold on this book came in, I dipped into it – and then had to put it on the top of my to-be-read pile. I finished it the next day, reading it while waiting at a doctor’s office, trying to restrain my laughter.

I don’t think I can describe all the delights and sophisticated humor of this book. I will settle for copying out a few example letters.

Here’s one addressed to the manager of Wexler Foods:

Dear Ms. Ingersol,

This letter is intended to bolster the application to Wexler Foods of my former student John Leszczynski, who completed the Junior/Senior Creative Writing Workshop three months ago. Mr. Leszczynski received a final grade of B, primarily on the basis of an eleven-page short story about an inebriated man who tumbles into a cave and surfaces from an alcoholic stupor to find that a tentacled monster – a sort of fanged and copiously salivating octopus, if memory serves – is gnawing through the flesh of his lower legs, the monster’s spittle burbling ever closer to the victim’s groin. Though chaotic and improbable even within the fantasy/horror genre, the story was solidly constructed: dialogue consisted primarily of agonized groans and screaming; the chronology was relentlessly clear.

Mr. Leszczynski attended class faithfully, arriving on time, and rarely succumbed to the undergraduate impulse to check his cell phone for messages or relentlessly zip and unzip his backpack in the final minutes of class.

Whether punctuality and enthusiasm for flesh-eating cephalopods are the main attributes of the ideal Wexler employee I have no idea, but Mr. Leszczynski is an affable young man, reliable in his habits, and reasonably bright.

His letter to the new Chair of the Department of English introduces some themes that continue throughout the book:

Dear Ted,

Your memo of August 30 requests that we on the English faculty recommend some luckless colleague for the position of director of graduate studies. (You may have been surprised to find this position vacant upon your assumption of the chairship last month – if so, trust me, you will encounter many such surprises here.)

A quick aside, Ted: god knows what enticements were employed during the heat of summer to persuade you – a sociologist! – to accept the position of chair in a department not your own, an academic unit whose reputation for eccentricity and discord has inspired the upper echelon to punish us by withholding favors as if from a six-year-old at a birthday party: No raises or research funds for you, you ungovernable rascals! And no fudge before dinner! Perhaps, as the subject of a sociological study, you will find the problem of our dwindling status intriguing.

To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren’t pretty….

Ted, in your memo you referred briefly, also, to the need for faculty forbearance during what we were initially told would be the “remodeling” of the second floor for the benefit of our colleagues in the Economics Department.* I’m not sure that you noticed, but the Econ faculty were, in early August, evacuated from the building – as if they’d been notified, sotto voce, of an oncoming plague. Not so the faculty in English. With the exception of a few individuals both fleet of foot and quick-witted enough to claim status as asthmatics, we have been Left Behind, almost biblically, expected to begin our classes and meet with students while bulldozers snarl at the door. Yesterday afternoon during my Multicultural American Literature class, I watched a wrecking ball swinging like a hypnotist’s watch just past the window. While I am relieved to know that the economists – delicate creatures! – have been safely installed in a wing of the new geology building where their physical comfort and aesthetic needs can be addressed, those of us who remain as castaways here in Willard Hall risk not only deafness but mutation: as of next week we have been instructed to keep our windows tightly closed due to “particulate matter” – but my office window (here’s the amusing part, Ted) no longer shuts. One theory here: the deanery is annoyed with our requests for parity and, weary of waiting for us to retire, has decided to kill us. Let the academic year begin!

Cordially and with a hearty welcome to the madhouse,

Jay

*Under whose aegis was it decided that Economics and English should share a building? Were criteria other than the alphabet considered?

I have to also include this one:

Dear Admissions Committee Members – and Janet:

This letter recommends Melanie deRueda for admission to the law school on the well-heeled side of this campus. I’ve known Ms. deRueda for eleven minutes, ten of which were spent in a fruitless attempt to explain to her that I write letters of recommendation only for students who have signed up for and completed one of my classes. This young woman is certainly tenacious, if that’s what you’re looking for. A transfer student, she appears to be suffering under the delusion that a recommendation from any random faculty member within our august institution will be the key to her application’s success.

Janet: I know your committees aren’t reading these blasted LORs – under the influence of our final martini in August you told me as much. (I wish I had an ex-wife like you in every department; over in the Fellowship Office, the formerly benevolent Carole continues to maintain an icy distance. I should think her decision to quit our relationship would have filled her with a cheerful burst of self-esteem, but she apparently views the end of our three years together in a different light.)

Ms. deRueda claims to be sending her transcripts and LSAT scores at the end of the week. God help you – this is your shot across the bow – should you admit her.

Still affectionately your one-time husband,

Jay

P.S.: I’ve heard a rumor that Eleanor – yes, that Eleanor, from the Seminar – is a finalist for the directorship at Bentham. You got back in touch with her despite her denouncements of me; do you have any intel?

P.P.S.: A correction: you got back in touch with Eleanor because she denounced me. I remember you quoting what she said when I published Transfer of Affection: that I was an egotist prone to repeating his most fatal mistakes. I’ll admit to the egotism – which is undeniable – but I’d like to think that, after fourteen years of marriage, you knew me better than Eleanor did. We were happy for some of those fourteen years, especially before Transfer; why shouldn’t I believe that you were right about me, too?

The themes brought up in these letters toward the beginning of the book continue. Yes, we find out more about Janet, Eleanor, and Carole. We hear more about the fiasco of the building remodeling and inequities of funding between departments. We learn about Jay’s history in “the Seminar,” his publishing history, and his attempts to further the fortunes of some particular students.

Mostly, this is an inside look at academia, and the result is surprisingly funny and enjoyable. Oh, and it’s also fun that the person writing the letters is articulate and insightful. An example of a highly intelligent person who sees the foibles around him and can poke fun with razor-sharp precision.

julieschumacher.com
doubleday.com

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