Review of Ship Breaker, by Paolo Bacigalupi

Ship Breaker

by Paolo Bacigalupi

Little, Brown, and Company, New York, 2010. 326 pages.
Starred Review
2011 Printz Award Winner
2010 National Book Award Finalist
2011 Sonderbooks Stand-out: #2 Other Teen Fiction

Ship Breaker tells the story of a boy caught on the wrong side of progress in a future world after the Age of Acceleration has ended. The story is gripping, with Nailer in life-or-death danger on every page. Yet Paolo Bacigalupi builds a world that shows the consequences of society’s actions now, without ever letting the story slow down to tell us what’s going on. We learn through the eyes of the characters.

The book begins with Nailer crawling through the ducts of an old oil tanker, lit only by LED glowpaint on his forehead. He’s after the light stuff – copper wiring, steel clips, things that can be dragged out to his crew waiting outside.

The author doesn’t have to tell us they’re poor. He describes the wire being pulled out of the duct, “She sucked the wire out like a rice noodle from a bowl of Chen’s soup ration.” We begin to understand that he’s scavenging parts when we read about the new clipper ships: “Replacements for the massive coal- and oil-burning wrecks that he and his crew worked to destroy all day long: gull-white sails, carbon-fiber hulls, and faster than anything except a maglev train.”

Nailer was too slow in there, and he needs to go back in to get more scavenge before a big storm hits. He forgets to renew his LED paint, and gets caught in the dark. That’s okay, he’s finding plenty of copper wire that leads him out – until a duct collapses under him and he falls into a tank of oil.

“How could he die in such a stupid way? This wasn’t even a storage tank. Just some room full of pooled waste oil. It was a joke, really. Lucky Strike had found an oil pocket on a ship and bought his way free. Nailer had found one and it was going to kill him.

I’m going to drown in goddamn money.

“Nailer almost laughed at the thought. No one knew exactly how much oil Lucky Strike had found and smuggled out. The man had done it slow, over time. Sneaking it out bucket by bucket until he had enough to buy out his indenture and burn off his work tattoos. But he’d had enough left over to set himself up as a labor broker selling slots into the very heavy crews that he’d escaped. Just a little oil had done so much for Lucky Strike, and Nailer was up to his neck in the damn stuff.”

Then one of his crewmates, Sloth, finds him. He begs her to bring help, to get him out, but she can’t resist the thought of pulling her own Lucky Strike. But when Nailer does find a way out, even though the oil goes out with him, Sloth is exposed as a traitor, and Nailer’s new nickname is Lucky Boy, because everyone knows he should have died.

That dramatic incident is important, because after the storm Nailer and his crewmate Pima find a wrecked clipper ship with one lone survivor. The rings on the girl’s fingers alone would be enough to set them up for life. But Nailer doesn’t have the heart to kill the girl, because he now knows what it was like to be left for dead. That incident gets him thinking throughout the book about what it means to be family, what it means to be Crew.

The tension in this book doesn’t let up for a second, and it’s life-or-death danger on almost every page. Nailer and Pima aren’t the only ones to find the girl, and the group with Nailer’s father is not at all interested in keeping her alive, only in getting money from her.

They go from one danger to another, with Nailer trying to figure out not only what’s the right thing to do, but also how to stay alive.

This book is a thriller all the way along, with a never-flagging plot. And it presents hard-hitting commentary and questions about our way of life now.

I finally read this book when taking a class on the Printz Award. It definitely seems worthy of the award it won: Besides telling a rip-roaring story, it warns us that in our policies even now, we should look out for the little guys. We should think about the consequences of the things we do.

Here are my notes on his brilliant acceptance speech at the Printz Awards.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/ship_breaker.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Stuck, by Oliver Jeffers

Stuck

by Oliver Jeffers

Philomel Books, New York, 2011. 36 pages.
Starred Review
2011 Sonderbooks Stand-out: #2 Picture Books

Reading this picture book made me laugh out loud, and then, of course, try to get everyone around me to read it.

“It all began when Floyd’s kite became stuck in a tree. He tried pulling and swinging, but it wouldn’t come unstuck.

“The trouble

    REALLY

began when he threw his FAVORITE SHOE to knock the kite loose. . .

“. . . and THAT got stuck too!”

Floyd throws more and more things up in the tree. The pictures help make the predicament hilarious. And there are some surprising reflections: “Cats get stuck in trees all the time, but this was getting ridiculous.”

There are a couple of times we think he’s doing something constructive, like fetching a ladder.

“. . . and up he threw it.

“I’m sure you can guess what happened.”

Floyd throws more and more things into the tree, getting bigger and more ridiculous things all along the way. My favorite one is “A curious whale in THE WRONG PLACE at THE WRONG TIME to knock down the lighthouse…”

The pictures remind me very much of the video game where you collect things by rolling over them as progressively bigger things get stuck.

Well, this is another book I don’t want to say too much and ruin it for you. Me telling you the story isn’t nearly as funny as the words and pictures of this book discovered together. Anybody who’s old enough to ever have gotten something stuck in a tree will enjoy this book.

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/stuck.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of Drawing From Memory, by Allen Say

Drawing From Memory

by Allen Say

Scholastic Press, 2011. 64 pages.
Starred Review
2011 Sonderbooks Standout: #4 Children’s Nonfiction

Drawing From Memory is not quite a graphic novel (make that graphic biography). There are some speech bubbles, but the majority of pictures don’t have them. This is a remembrance with lots and lots of pictures. The pictures vary from drawings to photos to comics to realistic paintings.

Allen Say moved into his own apartment (from his grandmother’s house) when he was not-quite thirteen years old. Shortly after moving to the apartment, he read a story about a boy three years older, who was apprenticed to Noro Shinpei, one of the most famous cartoonists in Japan. Allen decided to find him and ask to be an apprentice as well.

The book tells the story of Allen’s years with his Sensei, learning and growing, and eventually getting the chance to go to America. He talks about the process of learning to draw, those who learned with him, and especially the close relationship with his teacher. Best of all is the wide variety of illustrations that accompany the story and make it alive.

This is one of those wonderful books in large format that may get hidden in the Biography section of the library. This isn’t the sort of story you’d want for a report, but it’s very much an inspiring story of someone’s life and about finding and following your calling. This is a delightful book.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Nonfiction/drawing_from_memory.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy I got at 2011 ALA Annual Conference.

Review of The Trouble With Kings, by Sherwood Smith

The Trouble With Kings

by Sherwood Smith

Samhain Publishing, 2008. 325 pages.
Starred Review
2011 Sonderbooks Stand-out: #5 Fantasy Fiction for Teens

Here’s another book that I bought quite some time ago, as soon as I heard about it, and then didn’t get read because it wasn’t a library book with a due date. I recently made myself a rule to read a book I own after I finish any library book. Then I realized I could now read the books I’d been so wanting to read! I knew I would love a Sherwood Smith book, and I was absolutely right.

Okay, I will admit that this particular Sherwood Smith book has not one but two abductions of the heroine! I will also admit that I find her books, including the abductions, wonderfully romantic. I don’t want to think too hard about what that might say about me.

This book opens with Flian waking up from a head injury. A red-haired prince comes to her room. He tells her:

“I am Garian Herlester of Drath. You are Flian Elandersi, my cousin. You were on your way to visit me before your marriage. You rode in an open carriage, and you encouraged your driver to go too fast. The carriage overturned and your driver was killed.”

He continues:

“You have a father and a brother. They know. They wish you to stay here. You have never gotten on well with your father. He is old and autocratic, and favors your brother, who incidentally opposes your marriage because you are betrothed to a king. This will place you in a position of power. So you came here. We have always been friends.”

Garian is eager to help Flian’s marriage happen. She thinks it would be nice if she remembered her betrothed, King Jason Szinzar. But before the ceremony can happen, a dashing prince, Jason’s brother, breaks into the castle and abducts Flian. But then she begins remembering and thinks maybe she should be grateful.

This is a fun and romantic tale with political intrigue and danger and lessons in trust. There’s a touch of magic, as in all of Sherwood Smith’s books. Her books always make me smile. Read this book and enjoy another tale of a perfectly ordinary princess caught up in extraordinary events and trying to figure out what’s right and who she really loves. Definitely fun reading.

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/trouble_with_kings.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book I purchased via Amazon.com.

Review of The Chronicles of Harris Burdick, illustrated by Chris Van Allsburg

The Chronicles of Harris Burdick

14 Amazing Authors Tell the Tales

illustrated by Chris Van Allsburg

Houghton Mifflin Books for Children, 2011. 221 pages.
Starred Review
2011 Sonderbooks Standout: Children’s Fiction #5

One of the highlights of my year this year was when, on vacation, I was driving my son a couple hours in the State of Washington to visit a college, and I got him to read aloud to me from The Chronicles of Harris Burdick as I drove. He’s 17, and we both thoroughly enjoyed the stories.

But let me backtrack. Many years ago, when I was first married (so about 25 years ago, in fact), a friend of my husband and me gave us The Mysteries of Harris Burdick for Christmas. (Thanks, Len!) It maybe wasn’t a traditional gift to give a young couple, but we both loved it.

In the introduction to this new book, Lemony Snicket summarizes the premise behind the original book:

“The story of Harris Burdick is a story everybody knows, though there is hardly anything to be known about him. More than twenty-five years ago, a man named Peter Wenders was visited by a stranger who introduced himself as Harris Burdick and who left behind fourteen fascinating drawings with equally if not more fascinating captions, promising to return the next day with more illustrations and the stories to match. Mr. Wenders never saw him again, and for years readers have pored breathlessly over Mr. Burdick’s oeuvre, a phrase that here means ‘looked at the drawings, read the captions, and tried to think what the stories might be like.’ The result has been an enormous collection of stories, produced by readers all over the globe, imagining worlds of which Mr. Burdick gave us only a glimpse.”

The original pictures, especially combined with the captions and titles, all have something eerie or surreal about them. For example, there’s the picture that goes with the story “Under the Rug” that shows a lump under a rug, and a man with a bowtie holding a chair over his head about to swing it at the lump. The caption reads, “Two weeks passed and it happened again.”

I’ve always had a special place in my heart for the picture that goes with “The Seven Chairs.” You see a grand cathedral, and two priests standing and looking at a nun who is sitting calmly on a chair that is floating into the cathedral. The caption reads, “The fifth one ended up in France.”

Chris Van Allsburg implied so much between the pictures, the titles, and the captions.

Back in 1993, Stephen King wrote a story to go with “The House on Maple Street” (the picture with the caption “It was perfect lift-off.”) For this volume, they asked fourteen distinguished authors (including Chris Van Allsburg) to write stories to go with the pictures.

At first, I thought it might be a shame to actually write down a story. But I’ve been thinking about these pictures too long. I don’t feel like these are the only possibilities. In fact, looking at the pictures still gets your mind spinning — but these offerings are still tremendous fun.

Some do a better job than others, and some used approaches I wouldn’t have ever taken, but I can honestly say that I enjoyed all the stories. In fact, this would be a fine collection of stories even if it didn’t have such an intriguing history. In fact, I hope the publishers will consider making this a tradition every decade or so, and get 14 more authors to write the stories!

My personal favorites, in order of appearance, were Jon Scieszka’s “Under the Rug”; Jules Feiffer’s “Uninvited Guests”; Kate DiCamillo’s “The Third-Floor Bedroom”; Chris Van Allsburg’s “Oscar and Alphonse”; Stephen King’s “The House on Maple Street”; and my very favorite, M. T. Anderson’s “Just Desert.”

These stories are eerie enough, they aren’t for the usual picture book crowd. Teens, like my son, will definitely enjoy them, and so will elementary age kids who can handle and enjoy some creepiness.

Like the years when we’d read our new Harry Potter book in England or Bavaria or wherever we were traveling on vacation, this book, in a smaller way, definitely enhanced my vacation. After all those years of reading to my boys, it’s a treat to find a book that my son is willing to read to me. We only finished half the book on vacation, but when I read M. T. Anderson’s story, I insisted that my son read it as well. I can confidently say this book spans many age ranges.

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Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Fiction/chronicles_of_harris_burdick.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on an Advance Review Copy I got at ALA Annual Conference.

Review of Traveling With Pomegranates, by Sue Monk Kidd and Ann Kidd Taylor

Traveling With Pomegranates

A Mother-Daughter Story

by Sue Monk Kidd and Ann Kidd Taylor

Viking, 2009. 282 pages.
Starred Review
2012 Sonderbooks Stand-out: #1 Biography

Sue Monk Kidd does meditative books very well. She catches you up in her musings and helps you reach life-changing insights along with her.

In this book, she pairs up with her daughter and both of them will speak to your soul.

This book covers some journeys the two took together, to Greece and France and home to South Carolina. The travels were momentous for both women. The first journey happened when Sue was turning fifty and Ann was graduating from college and growing up. So Sue was dealing with aging and maturing as a mother. And Ann was dealing with her life direction.

They both write in such a way that I felt I shared in both journeys. And both are dealing with a calling to write. Here’s a passage that Sue wrote:

“Perhaps she fought any urge to be a writer out of a need to separate herself from me and my path, the same way I separated myself from my mother and her path. When Ann went to college, I felt the invisible way she broke from me, in that way mothers feel barely discernible things. Even now, as we weave this new closeness, I do not mistake the separate core in her, her own nascent true self, and I watch how she protects it, even as she struggles to unfold it. Do her intuitions about writing come now because she has finally found enough of her separate self to entertain them?

“In my case, losing the small, true light was more like turning my back on it and finding something manageable. Becoming a nurse seemed more doable and sensible. You graduated and took a board exam. When you said, ‘I’m a nurse,’ you knew what you were talking about. You had proof. Nobody would register me as a writer. Would I be a writer if I never published anything? Would I be one even if I did? And the real question: how likely was it to happen? At eighteen, I couldn’t find the courage. I took all that passion and sublimated it into nursing. Until, at twenty-nine, it simply refused to go there anymore.

“I wonder if that’s the perennial story of writers: you find the true light, you lose the true light, you find it again. And maybe again.”

Later, back home in South Carolina, Ann writes:

“One day I thought: what if I approached learning the craft of writing as if it were an apprenticeship? Just do myself a favor and accept that it’s going to be a process, a slow, laborious process. In the Middle Ages, an apprenticeship lasted seven years. That was believed to be the minimum amount of time it took to learn a craft. I started to think of myself as an apprentice. I would tell myself, Relax, you’ve got seven years.

That’s just a little taste of the luxurious explorations these women do, bringing the reader along into symbolism, and archetypes, and mother-daughter bonding. I read this book slowly and meditatively, a little at a time, and stretched out the enjoyment all the longer that way. A lovely book. You’ll feel you have two new friends when you finish.

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Find this review on Sonderbooks at: www.sonderbooks.com/Nonfiction/traveling_with_pomegranates.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a book given to me by the publisher at 2010 ALA Annual Conference and signed by both authors.

Review of Stars, by Mary Lyn Ray and Marla Frazee

Stars

by Mary Lyn Ray
illustrated by Marla Frazee

Beach Lane Books, 2011. 36 pages.
Starred Review
2011 Sonderbooks Stand-out: #1 Picture Books

I’m normally not very touched by conceptual picture books trying to give readers a warm feeling. But Stars is something special.

I love Marla Frazee’s illustrations, and the children in this book have all the emotional expression of her pictures of Clementine. The words point out how many different kinds of stars there are, from stars in the sky to stars on plants to fireworks.

The illustration on the cover appears in the book accompanied by these words:

“What if you could have a star? They shine like little silver eggs you could gather in a basket.

“Except you know you can’t. Not really.”

The next page begins a concept that carries on through further pages:

“But you can draw a star on shiny paper and cut around it. Then you can put it in your pocket. Having a star in your pocket is like having your best rock in your pocket, but different.

“Because a star is different from a rock.”

Later, we’re told:

“Some days you feel shiny as a star. If you’ve done something important, people may call you a star.

“But some days you don’t feel shiny.

“Those days, it’s good to reach for the one in your pocket.”

Of course, the perfect marriage of words and illustrations enhance these words, as well as the appropriate vertical format.

I think I may go make a star to put in my pocket.

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Find this review on Sonderbooks at: www.sonderbooks.com/Picture_Books/stars.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from the Fairfax County Public Library.

Review of The Name of the Wind, by Patrick Rothfuss

The Name of the Wind

The Kingkiller Chronicle: Day One

by Patrick Rothfuss

DAW Books, 2007. 722 pages.
Starred Review
2011 Sonderbooks Stand-out: #2 Fantasy Fiction

This book wasn’t even on my radar until the second book came out and several of my siblings bragged on Facebook about who got their hands on it first. Then my sister Marcy posted a short quotation from the sequel, and by the language alone, I knew this writer was something special. When I went to the bookstore to purchase it, I picked it up and then wandered into the music and movies section of the store. One of the employees saw me holding The Name of the Wind and talked with me for ten minutes about how it’s her favorite book! So I was already quite sure I’d made a good choice.

Then I started reading, and right away the language pulled me in. The book has the feel of a true epic, of something sweeping and important.

The book begins in an inn with a bunch of locals sitting around and Old Cob telling stories. Looking it over after reading the book, I see lots of clues about what’s to follow. On the second page of Chapter One, you understand the significance of the title in the story that’s told of Taborlin escaping from a tower and the Chandrian.

“‘But Taborlin knew the names of all things, and so all things were his to command. He said to the stone: “Break!” and the stone broke. The wall tore like a piece of paper, and through that hole Taborlin could see the sky and breathe the sweet spring air. He stepped to the edge, looked down, and without a second thought he stepped out into the open air. . . .’

“The boy’s eyes were wide. ‘He didn’t!’

“Cob nodded seriously. ‘So Taborlin fell, but he did not despair. For he knew the name of the wind, and so the wind obeyed him. He spoke to the wind and it cradled and caressed him. It bore him to the ground as gently as a puff of thistledown and set him on his feet softly as a mother’s kiss.”

We also quickly learn that there’s something mysterious about the young, red-haired innkeeper.

“He called himself Kote. He had chosen the name carefully when he came to this place. He had taken a new name for most of the usual reasons, and for a few unusual ones as well, not the least of which was the fact that names were important to him.”

I wondered about the subtitle of the book: Day One of the Kingkiller Chronicles. Was the whole thing supposed to happen in a day? Some sort of demon appears and attacks a man, and Kote deals with it without making it obvious that he knows what he’s doing. Several days pass very quickly.

Then a traveler called the Chronicler comes on the path to the inn. In the night, he encounters Kote, who saves him from an attack of more spider-shaped demons with razor-sharp feet. When Kote takes the Chronicler to his inn, the Chronicler recognizes him as Kvothe. He came there to find him, to hear the real story behind all the tales.

Kote takes some convincing. Finally, he tells the Chronicler that the only way he will tell his story is if he has three days. Three days to prepare and tell it properly. So the first book is what he tells the Chronicler on the first day, the start of his story.

Kvothe begins his tale:

“‘In some ways, it began when I heard her singing. Her voice twinning, mixing with my own. Her voice was like a portrait of her soul: wild as fire, sharp as shattered glass, sweet and clean as clover.’

“Kvothe shook his head. ‘No. It began at the University. I went to learn magic of the sort they talk about in stories. Magic like Taborlin the Great. I wanted to learn the name of the wind. I wanted fire and lightning. I wanted answers to ten thousand questions and access to their archives. But what I found at the University was much different than a story, and I was much dismayed.

“‘But I expect the true beginning lies in what led me to the University. Unexpected fires at twilight. A man with eyes like ice at the bottom of a well. The smell of blood and burning hair. The Chandrian.’ He nodded to himself. ‘Yes, I suppose that is where it all begins. This is, in many ways, a story of the Chandrian.'”

His introduction is masterful:

“My name is Kvothe, pronounced nearly the same as ‘Quothe.’ Names are important as they tell you a great deal about a person. I’ve had more names than anyone has a right to.

“The Adem call me Maedre. Which, depending on how it’s spoken, can mean ‘The Flame,’ ‘The Thunder,’ or ‘The Broken Tree.’

“‘The Flame’ is obvious if you’ve ever seen me. I have red hair, bright. If I had been born a couple hundred years ago I would probably have been burned as a demon. I keep it short but it’s unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.

“‘The Thunder’ I attribute to a strong baritone and a great deal of stage training at an early age.

“I’ve never thought of ‘The Broken Tree’ as very significant. Although in retrospect I suppose it could be considered at least partially prophetic.

“My first mentor called me E’lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.

“But I was brought up as Kvothe. My father once told me it meant ‘to know.’

“I have, of course, been called many other things. Most of them uncouth, although very few were unearned.

“I have stolen princesses back from sleeping barrow kings. I have burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during the day. I have talked to gods, loved women, and written songs that make the minstrels weep.

“You may have heard of me.”

This is what you’re getting in this book. It’s only the start of an epic tale, basically the story of Kvothe’s childhood. We learn how he was brought up in a band of traveling players, incredibly quick to learn. We hear how his parents were killed and he spent years on the streets of a city, but then made it to the University. Along the way, a few of the things he mentioned above happen.

And in the frame, in the present time, grave things are afoot. There’s no telling how that will play out.

The worst thing about this series: It is not complete. Of course, I will have the joy of rereading the first two books when the third comes out. Patrick Rothfuss has a lot of loose ends to tie up, but I have no doubts that he will be able to pull it off.

This was the sort of book that I told everybody about while I was reading it. Now I’ll urge my website readers. This book is unforgettable. Read it!

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Fiction/name_of_the_wind.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on my own book, purchased in a Barnes & Noble bookstore.

2011 Sonderbooks Standouts: Picture Books

And now, my final category of Sonderbooks Standouts: Picture Books!

This category is difficult, since some great picture books have been sitting around my house for awhile, waiting for me to review them. And I need to compare those to the outstanding picture books I read earlier in the year. I usually am not a big fan of more contemplative books without a story, but somehow I totally fell for Stars, by Mary Lyn Ray, and illustrated by Marla Frazee. I hope it wins the Caldecott Medal this year.

Both Stuck, by Oliver Jeffers, and I Want My Hat Back, by Jon Klassen, are a bit subversive, but both made me laugh out loud, are very well done, and simply have to be included.

And, well, here’s my personal list of favorite picture books read in 2011:

1. Stars, by Mary Lyn Ray, illustrated by Marla Frazee
2. Stuck, by Oliver Jeffers
3. Mitchell’s License, by Hallie Durand, illustrated by Tony Facile
4. I Want My Hat Back, by Jon Klassen
5. Chalk, by Bill Thomson
6. The Cazuela That the Farm Maiden Stirred, by Samantha R. Vamos, illustrated by Rafael Lopez
7. A Ball for Daisy, by Chris Raschka
8. The Sniffles for Bear, by Bonny Becker, illustrated by Kady MacDonald Denton

Next, I’ll try to get a webpage on my main Sonderbooks site for these standouts, add the Standouts seal to their review pages, write the reviews I haven’t written yet, and post the reviews I’ve written but are waiting to be posted. So I’ll be staying busy!

Meanwhile, Happy Reading!

2011 Sonderbooks Standouts: Audio Rereads

This is a strange category. But I had four books that I’d “reread” by listening to the audio version, and were definitely standouts. However, they were all already standouts in the print version, in whatever year I read them, so it didn’t seem at all fair to rank them against the books I read this year (except the one I read this year, which is already a standout).

So here are some Sonderbooks Standouts that are still fabulous on audio:
1. Enchantress from the Stars, by Sylvia Louise Engdahl
2. A Conspiracy of Kings, by Megan Whalen Turner
3. Okay for Now, by Gary D. Schmidt
4. White Cat, by Holly Black

Happy Listening!