Review of The Harp of Kings, by Juliet Marillier

The Harp of Kings

by Juliet Marillier

Ace, 2019. 448 pages.
Starred Review
Review written 9/13/19, from my own copy, preordered from Amazon.com

I love Juliet Marillier’s novels so much! I was delighted when my preorder came in for this one. (A little less delighted when I discovered I’d preordered it twice.) I was even more delighted when I discovered the main characters were the children of Blackthorn and Grim – the main characters of her most recent trilogy, which began with Dreamer’s Pool. There’s a caption on the front: A Warrior Bards Novel, so I fondly hope it’s the start of another trilogy.

As the book begins, Liobhan (There’s a character list with pronunciation guide at the front – she’s LEE-vahn.) and her brother Brocc are training on Swan Island to be warriors. (If the reader has read the Sevenwaters books, they will know about Swan Island – though I didn’t remember any particular characters who were there.) Only a few of the trainees get selected to stay on the island as elite warriors and spies – and Liobhan wants nothing more, as does Dau, who has become her rival.

But then Liobhan and Brocc get selected for a special mission. In a nearby kingdom an important ritual object has gone missing, the Harp of Kings. It is needed if the royal heir, who has just come of age, is to be crowned at midsummer. However, the regent doesn’t want anyone to know it’s missing, which could cause unrest. Liobhan and Brocc are skilled musicians, so they will go to the kingdom as traveling minstrels with a leader from Swan Island, and seek to recover the harp.

Readers of Juliet Marillier’s other novels will not be at all surprised when druids are consulted and the Folk of the Otherworld get involved. There’s a wise woman who lives on the hillside outside the town who is very like Mistress Blackthorn.

The plot is interesting and otherworldly, but what makes these books so wonderful is the way the author pulls you into this ancient world and you believe that magic can happen.

Here’s a short section from Brocc’s perspective after they’ve gone on their mission:

We play for the household on our first night at court. With time so short, Archu thinks it best that we make our presence known straightaway, and what better opportunity than this? Everyone is gathered, from Prince Rodan and the regent down to serving folk, grooms, and a group of children under less than strict supervision. We choose pieces that are tried and trusty, those most popular with our audiences back home. While we sing and play I try to observe, as we’ve been taught, but it’s hard; my mind loses itself in the music. At a certain point, someone in the crowd asks for dancing, and folk move the tables and benches back to make space. So we give them a couple of reels, and then “Artagnan’s Leap,” which allows Liobhan to show off her talents on the whistle. The children love the jig; they try to clap in time, even though it gets quicker and quicker, and they perform their own version of the dance to the accompaniment of much giggling. Except for one, who sits very still, apart from the others, watching us with such concentration that it’s a little unnerving. When I smile in her direction, she turns her gaze away as if caught out in a misdemeanor.

This book does stand alone and come to a satisfying finish – but I still hope that more books will come soon. I want to read more about these people and this world.

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Review of Rabbit & Bear: The Pest in the Nest, by Julian Gough & Jim Field

Rabbit & Bear
The Pest in the Nest

story by Julian Gough
illustrations by Jim Field

Silver Dolphin Press, 2018. First published in Great Britain in 2017. 102 pages.
Starred Review
Review written May 30, 2019, from a library book

This second book about Rabbit and Bear finds continued humor in Rabbit’s grumpiness – and even has some practical lessons about finding peace.

The situation Rabbit finds himself in might make anyone grumpy – there’s a woodpecker building a nest in a tree nearby, making a huge racket.

After Rabbit tells Bear that Woodpecker is driving him crazy, and then that Tortoise is driving him crazy, too, they have this exchange:

Bear thought about this. “So noisy, happy things drive you crazy?”

“Yes!” replied Rabbit.

“And quiet, sad things drive you crazy?”

“Yes! Yes!” said Rabbit.

“Bear thought about this some more. “But … the only thing those things have in common,” she said, scratching her head, “… is you.”

Rabbit gave Bear a Look. “So?”

“Well,” said Bear, “I think the creature that is driving you crazy isn’t Woodpecker. And it isn’t Tortoise. It’s …”

Hmmm. Bear didn’t want to say it. Rabbit had a FIERCE temper.

“It’s YOU, isn’t it Bear?” said Rabbit, and raised his right foot to kick Bear.

“Er, no,” said Bear. “It’s you.

But Bear thinks of a way to help Rabbit see the situation differently, and they end up making a new friend while they’re at it.

This book is the length of a beginning chapter book without actually having chapters. But young readers will enjoy being able to read it themselves, with plenty of pictures and lots of humor to speed them on their way. And they may pick up a little wisdom and ideas of things to do when they’re feeling grumpy.

I’m looking forward to more adventures with Rabbit and Bear.

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Review of Baby Monkey, Private Eye, by Brian Selznick and David Serlin

Baby Monkey, Private Eye

story by Brian Selznick and David Serlin
pictures by Brian Selznick

Scholastic Press, 2018. 192 pages.
Starred Review
Review written March 5, 2018, from a library book.
2018 Sonderbooks Stand-out #2 in Picture Books – Silly Fun

Baby Monkey, Private Eye is the sort of book I hand to co-workers and insist that they read immediately. As The Invention of Hugo Cabret was something new in a children’s novel by telling much of the story with pictures, so Baby Monkey, Private Eye is something new in a book for beginning readers — by telling much of the story with pictures.

Now, I’m writing this before I’ve talked with anyone on the Newbery committee about the book, so this is only my opinion. So much of the brilliance of this book depends on the pictures, I doubt that it’s really a Newbery prospect. (Who knows, maybe I will be convinced later.) In fact, the pictures and text work so beautifully together, I’m already hoping this book will be next year’s Geisel Award winner – for books for beginning readers. That award can consider illustrations and text and how they work together to help kids read. [*Note added later*: I learned that alas, the Geisel Award has a page limit — so exactly what makes this book most distinguished — a long book beginning readers can read themselves — is the thing that makes it ineligible.]

If you wrote out the text of this book, I think it would be about the same as many other books for beginning readers. But Baby Monkey, Private Eye takes up far more pages with the same amount of text – spacing out the words, and providing more pictures.

Here’s the first chapter, coming after we’ve already met Baby Monkey, who is a baby and a monkey who has a job.

First, we see Baby Monkey sitting on the couch in his office, reading Famous Jewel Crimes. An opera singer bursts in.

Baby Monkey! Someone has stolen my jewels!

Baby Monkey can help!

Baby Monkey looks for clues.

Baby Monkey writes notes.

Baby Monkey eats a snack. [Mmm.]

Baby Monkey puts on his pants. [9 pages of pictures.]

Now Baby Monkey is ready!

[Aha!] Baby Monkey solves the case!

Zebra!

Hooray for Baby Monkey!

Every sentence above has its own 2-page spread, and some have extra pages of pictures in between.

This wouldn’t be extra-special if this relatively short chapter were just printed on a few pages. But it actually takes up 35 pages. And that’s where it’s brilliant.

See what I mean about the text not necessarily being distinguished all by itself? But when you put this with the pictures, including many things to find on repeated readings – the result is utter brilliance. Come on, this is one you’re going to have to check out and see for yourself!

By the way, this same format repeats in chapters two and three, so then we appreciate how it changes in chapters four and five when we are reminded that Baby Monkey is actually a baby.

Why has no one done this before? Why do people always stick to the standard beginning-reader format?

Well, no one else is Brian Selznick, illustrator extraordinaire, who routinely breaks out of standard formats.

The end result is that young beginning readers will get to read a big fat book! Oh, the sense of accomplishment when they finish reading all five chapters!

In even more fun, the authors have put an Index and Bibliography at the back. The Index has entries like “Carrots, baby (see also Snacks).” The Bibliography includes all the books Baby Monkey has been reading, and additional invented titles such as Predators Who Eat Pizza.

Baby Monkey is something very special. You don’t even have to have a beginning reader in the house to enjoy this book. But if you do, go out and buy a copy today!

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Review of Best Friends, by Shannon Hale and LeUyen Pham

Best Friends

by Shannon Hale
Artwork by LeUyen Pham
Color by Hilary Sycamore

First Second, 2019. 250 pages.
Starred Review
Review written September 3, 2019, from a library book

Best Friends is a follow-up to Shannon Hale and LeUyen Pham’s wonderful graphic memoir, Real Friends, but you definitely can appreciate Best Friends even if you haven’t read the first book.

Best Friends covers one year of Shannon’s life – the year in sixth grade. I give Shannon credit for telling her story – because who would really want to relive sixth grade?

Shannon and LeUyen beautifully portray the questions that come into a kid’s mind as they try to figure out the “rules” of friendship and how they change as you get older. Shannon starts out the year best friends with the leader of “The Group,” which puts her in a good position. But can she stay there? And do her friends really like her for who she is? And what about boys?

Here’s a bit portrayed like a board game:

Sixth-grade friendships were like a game…
only as soon as I’d figure out the rules…
…they’d change again.

Games have losers. I was worried that losing this game meant I’d lose my best friend.

I especially like the way Shannon’s obsessive thoughts and problems with anxiety are portrayed as black clouds hanging over her and around her full of awful accusations (such as “Everyone thinks you’re stupid.”) and scary questions (such as “Is your mom dead?”). At the back of the book, Shannon has a note about anxiety and OCD. Here’s part of that note:

Anxiety is a totally normal feeling, and like all feelings, it’s important. It becomes an anxiety disorder when our worries get out of control day after day after day, when the worries don’t always make sense, when they keep us from doing things we want or need to do, and they make us feel awful. For most people who have an anxiety disorder, “just ignore it” doesn’t work.

Sometimes anxiety gave me feelings of dread – warnings that something bad was going to happen. At times I believed worrying was a power that kept me and the people I loved safe. But that wasn’t true. Talking with people who understand anxiety has helped me to untangle all my feelings. It’s taken me time to develop skills that help me manage anxiety. You can find more information at adaa.org (Anxiety and Depression Association of America).

But my favorite part of Best Friends were the scenes from a book Shannon Hale was writing in sixth grade. (She shows two pages of the manuscript at the back.) I like the way you can see Shannon was dealing with her real-life challenges by having a fantasy princess deal with similar challenges – and overcome them.

I love the way real-life Shannon was reminded by the fantasy book she was writing that the important thing is to be true to her essence.

It’s probably just as well this book didn’t come out last year when I was on the Newbery committee – I love all Shannon’s books so much, I’d feel like I was biased fighting for it to win. This is an example where it’s too bad the Newbery committee isn’t allowed to take the illustrations into account unless they detract – because these illustrations are the perfect accompaniment to the story. But the story itself has a whole lot of depth as Shannon portrays that universal experience of growing up to where you’re not quite a child any longer, and everything begins to change.

(Disclaimer: I have no idea what this year’s committee will decide and I have no idea how I would feel about this book next to the other contenders this year or how the book will look to the committee. But one thing I’m sure about – my Newbery radar is still active enough that I would definitely note this as a book to Suggest for all the committee members to read.)

I thoroughly enjoyed this book, and I’m confident it’s going to be deservedly popular. It reminded me I’m glad I never have to go through sixth grade again, but for kids who are still facing it, this book will encourage them that they’re not alone.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Cinderella Liberator, by Rebecca Solnit

Cinderella Liberator

by Rebecca Solnit
with illustrations by Arthur Rackham

Haymarket Books, 2019. 32 pages.
Starred Review
Review written May 10, 2019, from a library book

Oh, this is a marvelous retelling of Cinderella! Modifications have been made, with the result being a thing of delight even to the young feminist heart. No, Cinderella doesn’t marry the prince, but the prince gets a happy ending, as do the stepsisters. Everyone in the story gets to become their best selves.

She chose silhouettes done by Arthur Rackham in 1919 for the illustrations, which are exquisite and add to the fairy tale feeling – which is there all the way, even though the details are tuned to more modern sensibilities.

This is a story I’d love to read to an attentive audience. In fact, I will probably choose portions to read aloud when I’m doing booktalks in the local elementary schools. I’m going to quote here a few of the many passages that delighted me.

The beginning of Chapter 2, “Dresses and Horses”:

And then one day came the news that the king’s son, Prince Nevermind, was holding a great ball, which is what they called dance parties in those days. The stepmother made sure that Pearlita and Paloma were invited, and they spent days trying on clothes and ordering dressmakers to make them new dresses out of satin and velvet and glitter and planning how to put up their hair and stick it full of jewels and ornaments and artificial flowers.

Cinderella came upstairs to bring them some ginger cookies and saw all the piles of jewels and all the mirrors and all the fabric and all the fuss. Pearlita was doing her best to pile her hair as high as hair could go. She said that, surely, having the tallest hair in the world would make you the most beautiful woman, and being the most beautiful would make you the happiest.

Paloma was sewing extra bows onto her dress, because she thought that, surely, having the fanciest dress in the world would make you the most beautiful woman in the world, and being the most beautiful would make you the happiest. They weren’t very happy, because they were worried that someone might have higher hair or more bows than they did. Which, probably, someone did. Usually someone does.

But there isn’t actually a most beautiful person in the world, because there are so many kinds of beauty. Some people love roundness and softness, and other people love sharp edges and strong muscles. Some people like thick hair like a lion’s mane, and other people like thin hair that pours down like an inky waterfall, and some people love someone so much they forget what they look like. Some people think the night sky full of stars at midnight is the most beautiful thing imaginable, some people think it’s a forest in snow, and some people . . . Well, there are a lot of people with a lot of ideas about beauty. And love. When you love someone a lot, they just look like love.

This section comes after the ball:

The blue fairy godmother opened the door, and asked her if she’d had a good time, and she said Yes, and No, and It was very interesting to see all the fancy clothes and the fancy plates with fancy cakes and the fancy mirrors and the fancy lights. And then she said, It was even more interesting to see lizards become footwomen and mice become horses. The fairy godmother replied that true magic is to help each thing become its best and most free self, and then she asked the horses if they wanted to be horses.

Five of the horses said, in horse language, which fairy godmothers speak and most of us do not, that they loved running through the night and being afraid of nothing and bigger than almost everyone. The sixth horse said she’d had a lot of fun but she had mice children at home and wanted to get back to them. The fairy godmother nodded in understanding, and suddenly the sixth horse shrank, and lost its mane, and its shaggy tail became a pink tail with a fine fuzz like velvet. And there she was: a tiny gray mouse with pink feet, running back to her tinier pink children in the nest in the wall to tell them all about the enchantment that had made her a horse for a night.

And then the lizards said, in the quiet language of lizards, that nothing was better than being a lizard, being able to run up walls and to lie in the sun on warm days and to snap up flies in the garden and never worry about anything except owls and crows, and though they loved wearing silver satin, and going to parties, and they had been happy to help Cinderella, and they would tell all their lizard friends about it, they would rather be lizards again. And suddenly they were, running off toward the garden on their little lizard legs, trailing long lizard tails, the moon making the scales on their lean lizard bodies shine like silver.

If I copy out anything further in the story, I might give away too many crucial changes at the end, but I hope this gives you the idea. There’s an Afterword at the back that describes the author’s thoughts about the tale.

Here’s a retelling of Cinderella for our current times, and it is utterly delightful in every way.

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Review of The Annotated Anne of Green Gables, by L. M. Montgomery, edited by Wendy E. Barry, Margaret Anne Doody, and Mary E. Doody Jones

The Annotated
Anne of Green Gables

by L. M. Montgomery
edited by Wendy E. Barry, Margaret Anne Doody, and Mary E. Doody Jones

Oxford University Press, 1997. 496 pages.
Starred Review
Review written September 2, 2019, from my own copy.

This book is an obvious purchase for any L. M. Montgomery superfan like me. I ordered my own copy as soon as I learned of the book’s existence several years ago (though not as long ago as when it was first published in 1997). (Okay, it looks like now it’s out of print and expensive on Amazon. It’s worth looking for a used or library copy!)

I did not, however, get the book read very quickly. The content is marvelous and full of interesting tidbits, but the format is oversized. It’s a heavy book, not suitable for curling up with in bed, and not fitting easily into the books I pile up near my dining room table and read bits of daily. So I was making very slow progress.

However, this year I’m heading to Prince Edward Island with two dear friends – and that was enough for me to get motivated and finish reading this book. It’s also the perfect book to read for background on L. M. Montgomery and the book that made her famous.

The full text of Anne of Green Gables is included in this volume, but there’s a plethora of materials to go with it.

Yes, there are annotations with the notes written in the wide margins on the sides of the pages. We get insights on the books Anne refers to and notes on the sources of quotations used. We get definitions of words like “bush” (uncleared natural woodland) and “wincey.” (I once tried to use “wincey” in Scrabble because of Anne of Green Gables, but it wasn’t in a current dictionary.) We get explanations of household chores at the time like boiling the dishcloth before washing machines existed.

There are also an abundance of illustrations. Many are from early editions of Anne of Green Gables, but there are also photographs from L. M. Montgomery’s journals and other illustrations and photos from the time period.

The material at the front and back is particularly fascinating and helpful. There’s a Chronology of L. M. Montgomery’s life. I used it to update my list of her books in publication order, which I’d gotten from the internet and had a few small errors. There’s a short biography of Lucy Maud Montgomery and notes about her writing of Anne. There are even Textual Notes detailing when the manuscript differs from the first published edition or the English edition, which had some changes.

The Appendices have a wealth of material. And this is the part of the volume that I finished up recently – so they were perfect reading just before my upcoming trip. They include “The Geography of Anne of Green Gables,” and much information about the times – orphan care, education, gardening, home life, and the “concerts” where music and elocution were demonstrated. They also list the complete text of many songs, literary works, and recitation pieces that are mentioned. And at the end are book reviews that came out when Anne was first published.

This book is for the adult Anne aficionado. I, for one, found many surprises – things I’d glossed over, thinking I knew what they meant – but now I have a more complete picture. This was so much fun to read – especially in anticipation of visiting the Green Gables Museum in a few weeks!

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Flubby Will NOT Play with That, by J. E. Morris

Flubby

Flubby Will NOT Play with That

by J. E. Morris

Penguin Workshop, 2019. 32 pages.
Starred Review
Review written August 9, 2019, from a library book

The cover of this book made me laugh. It shows a cat looking dubiously at a fish toy on a string. The picture says it all. Who of us doesn’t know a cat (or a child) who isn’t remotely interested in the flashy toy purchased for them?

This book is a beginning reader about this universal experience. Flubby’s owner (of indeterminate gender) has purchased four different toys for Flubby, each more elaborate than the one before. Flubby isn’t at all interested.

The owner walks away, saying there are no more toys, but leaves the paper bag on the floor that the toys came in. You can guess what happens next.

The storyline is simple but relatable. The words used are realistically simple and easy to read. The pictures reinforce the story and add plenty of personality and humor. It’s all you could wish for in a book for a child to confidently read to themselves. There’s a punchline you’ll see coming but still enjoy.

Good news is this seems to be part of a new series about Flubby.

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Review of Brightly Burning, by Alexa Donne

Brightly Burning

by Alexa Donne

Houghton Mifflin Harcourt, 2018. 394 pages.
Starred Review
2018 Sonderbooks Stand-out:
#4 Teen Speculative Fiction

This book is a science fiction retelling of Jane Eyre, and is tremendously good. It reminded me of For Darkness Shows the Stars, a science fiction retelling of Persuasion, which I also loved.

However, the last time I reread Jane Eyre I was disappointed that now I can see a whole lot of things wrong with the relationship, so reading this book, I was somewhat upset with myself for finding it very romantic.

Now, they did clean up some of the more unsavory details. The ward of Captain Fairfax, in this book, is not his illegitimate daughter from a youthful indiscretion, and he doesn’t actually have an insane wife shut up in the attic. Nor is he many years older than our heroine.

However, he is Stella’s employer. She’s in a subordinate relationship to him, and he orders her to spend some time with him each evening, enjoying his library of actual paper books. And, similar to Mr. Rochester of Jane Eyre, he tries to make her jealous, and succeeds abominably. He brings a woman to their spaceship along with her family, and Stella learns that the families have long planned to one day combine resources with a marriage. To make matters worse, Captain Fairfax (of the ship Rochester) requires Stella to be present when the groups socialize in the evenings – just as Mr. Rochester did to Jane Eyre.

The end of the book does have things play out somewhat differently than what happens in Jane Eyre – though the gist is quite similar.

Once again, I don’t really see why I want our heroine to end up with this guy. And yet I do find the story romantic.

Maybe it rings too true when I remember the pain of unrequited love as a teenager having crushes? Only in our book, it turns out the love is not unrequited.

Or maybe it’s seeing someone who thinks herself small and insignificant being noticed for her shining character? In this book, Stella won’t let things progress between them until Captain Fairfax acknowledges her as an equal. (I’m glad that point was made, but it doesn’t quite make up for the disparity in power between them.) The truth is that in this book, Stella is the only one who seems willing to stand up for what’s right. So I’m not sure she should have fallen for him. But it is lovely that he found her, despite the fact that she wasn’t seeking his attention.

All that aside, as a science fiction retelling, this is cleverly executed with much obvious love for the original. The story is wonderful.

Parents, you might want to read both Jane Eyre and this book before you hand them to your teenage daughter – but I promise you’ll have a whole lot of fun if you do that. As well as having lots to discuss.

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hmhco.com

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Review of Reckless Love, by Tom Berlin

Reckless Love

Jesus’ Call to Love Our Neighbor

by Tom Berlin

Abingdon Press, 2019. 144 pages.
Starred Review

Reckless Love is written by the lead pastor of my new church, Floris United Methodist. I’ve been attending since July, and have been impressed by his consistent message that God loves everyone, and no matter how sinful, the image of God still shines in everyone. He challenges his listeners to love like Christ and stand with the marginalized.

I’ll admit it. This is the second time I read the book, and I wasn’t as impressed with it the first time, because it didn’t meet my specific expectations. (On the Newbery committee, we called that reviewing the book you want instead of the book you have.) But now that I’ve been sitting under Tom Berlin’s teaching and got a glimpse of his heart, I tried the book again, more ready to learn. The second time around, I was moved and challenged.

When I first read the book, I was attending a different church which was considering adopting a new “Christian Living Statement” that I didn’t agree with. You can read more about why I disagreed so strongly in the Transcending series I posted on my Sonderjourneys blog. I was thinking about visiting Floris United Methodist Church, so I read the pastor’s book. I was hoping that with a title Reckless Love there would be some mention of reaching out to LGBTQ folks. Then I’d be sure the church was as inclusive as I was looking for.

Well, LGBTQ folks are not mentioned in this book. But I visited the church anyway and learned they are mentioned at church. The pastor is leading the church to seek to take concrete steps toward being more inclusive of all ethnicities, all abilities, and all sexual orientations. He talks about standing with the marginalized as Jesus did. And he clearly means to apply toward LGBTQ people the challenges to love found in this book.

Taking the book together with his sermons, I’m freshly challenged to open my heart toward people in need, to be curious about people, and to work to see people. I work in a public library with many homeless customers, and it’s easy for me to overlook or dismiss some of the people I see every day. This book challenges me with the example of Jesus.

The six chapters are based on the acronym BE LOVE: Begin with Love, Expand the Circle, Lavish Love, Openhearted Love, Value the Vulnerable, and Emulate Christ.

Thinking about churches being more inclusive, I appreciated this section in the “Expand the Circle” chapter:

One look at the group Jesus first assembled as his followers tells us that something is lost when sameness is the defining characteristic of a church. Jesus’ example teaches us that something is wrong when we leave out people who differ from us and only feel at home when everyone is the same. His goal is not to make us more of what we are, but help us to become what we can be. That requires us to expand our understanding of what it means to love our neighbor. Christ shows us that the only way to learn the greatest commandment is to have people in our lives who we personally find so difficult to love that we have to get up every morning and pray to our Creator for a love we could not produce on our own. The first disciples had to ask God to expand their hearts so they could overlook the past sins of the tax collector, put up with the ideological torpedo the zealot launched at breakfast, ignore the angry brothers’ latest argument, or figure out if it was time to confront the group treasurer they were beginning to think was embezzling funds.

As I am thinking about how Jesus wants us to love rather than to judge, I was especially challenged by sections like this in the “Value the Vulnerable” chapter:

I would like to love other people enough to go to extraordinary measures to open the door and invite them in, rather than passively allow the door to close, go on my way and keep them out. Jesus said, “I am the gate. . . . All who came before me are thieves and bandits; but the sheep did not listen to them” (John 10:7).

Jesus encouraged his followers to become door openers rather than gatekeepers. He hoped that once people experienced the goodness of God, the love of God, and the grace of God, they would reside in it and be free to share it with others. This is why people who were sinners, outcasts, and poor loved Jesus and felt such joy in his presence. They were unaccustomed to being loved by someone who was talking about the ways of God. They knew that Jesus valued them, that he saw their worth, not one that they had earned or instilled within themselves. He saw their intrinsic value, the image of God that was imprinted upon their lives.

How does one become a door opener who leads others to the joy of Christ rather than a gatekeeper who judges others? Observing Jesus enables us to see how to value a vulnerable person.

This book can challenge you if you let it. I love the emphasis that God loves us and placed his image in us, and that’s why we can love. Here’s a section from the very end, challenging the reader to go out and apply what they’ve learned:

We must see this clearly, or we will miss the point of our life in Christ. Christ’s followers today receive the same calling and commission. If we miss this, it will have consequences. Rather than be witnesses to Christ in the way we love God, others, and ourselves, we will begin to think that Jesus came to make us nicer or a little more thoughtful, the kind of people who remember birthdays and select more personal Christmas gifts. Rather than tell others about God’s grace or offer mercy, we will believe that living a Christian life is about feeling forgiven of our sins. Rather than telling others about the habit-changing, bondage-breaking, turnaround-making power Jesus can have in our lives, we will cultivate a relationship with Christ that is so personal that we never share it with anyone else. Rather than speaking out and working for justice with those who hold position and power in our community and society, we will spend our time telling the already convinced how much better the world would be if it were not exactly as it is. Rather than offering acts of solace to those who grieve, comfort to the sick, or kindness of conversation with prisoners or returning citizens, we will simply offer thanks that we are not in such predicaments ourselves.

Jesus takes us on a journey so that he can deploy us on a mission. He offers his love to us so that we will share it with the world. He does this because he loves us. The first disciples knew they were beloved, not only because of what Jesus did for them, but because Jesus believed in them when he called them to go to Jerusalem, Judea, Samaria, and the ends of the earth. He knew what they could do for him. Jesus believed in them more than they believed in themselves. He saw more potential in them than they ever thought possible in their lives. He forgave them for what they were not, just as he celebrated all that they were. All of this is what is at the heart of being beloved by another. When we are beloved, we gain the confidence another has in us and make it our own. That confidence transforms how we think of ourselves. It guides the journey that, in the end, leads to who we become. Such love, once extended, is what stirs up a new sense of possibility in our lives.

This is the love God has for you, and the belief God holds in you. We must have faith that God believes in us, in our ability to love our neighbor, to treat ourselves properly in this life, and to worship the Lord with our heart, mind, soul, and strength.

florisumc.org
abingdonpress.com

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Review of A Mouse Called Julian, by Joe Todd-Stanton

A Mouse Called Julian

by Joe Todd-Stanton

Flying Eye Books, 2019. 36 pages.
Starred Review
Review written August 9, 2019, from a library book

This book reminded me a tiny bit of William Steig’s classic Doctor DeSoto, only instead of outsmarting the fox, the little mouse (called Julian) befriends the fox who wants to eat him.

It’s not out of nobility, though. Julian lives alone and likes it that way. His solitary home is underground, between the roots of a big tree. One day, a fox smashes through his front window, planning to eat him – and gets completely stuck!

The image of the giant (compared to Julian) head of the fox, with a mouth full of teeth, filling the upper portion of Julian’s home is truly startling. The image of his back end sticking out of the hole is comical.

But now the fox is at Julian’s mercy. He doesn’t want to stay there. And since Julian doesn’t want the fox’s head in his home, he tries to help – but without success.

When it got to dinner time, Julian couldn’t bear to watch the fox’s sad hungry eyes.

So he shared what he had and they talked and ate long into the night.

The fox realized it was much nicer to eat dinner with Julian than to eat Julian for dinner.

And Julian realized that having a guest wasn’t so terrible.

That’s not the end of the story. Julian does eventually get the fox free, and their friendship has some consequences, consequences that add some humor to the tale.

I’m looking forward to reading this book in storytime. It’s a friendship story with a twist, and it leaves me smiling.

flyingeyebooks.com

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Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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