Review of Just Mercy, by Bryan Stevenson

Just Mercy

A Story of Justice and Redemption

by Bryan Stevenson

Spiegel & Grau (Random House), 2014. 336 pages.
Starred Review
Review written August 6, 2019, from a library book

A big thank you to the Racial Reconciliation Group at Floris United Methodist Church for choosing this book for a book discussion. I confess, I did not read this book in time to participate in the discussion, but their choice brought it to my attention, and the book blew me away.

This book is the story of a young lawyer who in 1983 did an intensive course on race and poverty litigation, met some prisoners on death row, saw their humanity, and began working for people who didn’t have a voice and were not receiving either justice or mercy.

After talking about his first experience visiting a prisoner on death row, here is how Bryan Stevenson introduces this powerful book:

This book is about getting closer to mass incarceration and extreme punishment in America. It is about how easily we condemn people in this country and the injustice we create when we allow fear, anger, and distance to shape the way we treat the most vulnerable among us. . . .

After graduating from law school, I went back to the Deep South to represent the poor, the incarcerated, and the condemned. In the last thirty years, I’ve gotten close to people who have been wrongly convicted and sent to death row, people like Walter McMillan. In this book you will learn the story of Walter’s case, which taught me about our system’s disturbing indifference to inaccurate or unreliable verdicts, our comfort with bias, and our tolerance of unfair prosecutions and convictions. Walter’s experience taught me how our system traumatizes and victimizes people when we exercise our power to convict and condemn irresponsibly – not just the accused but also their families, their communities, and even the victims of crime. But Walter’s case also taught me something else: that there is light within this darkness.

Walter’s story is one of many that I tell in the following chapters. I’ve represented abused and neglected children who were prosecuted as adults and suffered more abuse and mistreatment after being placed in adult facilities. I’ve represented women, whose numbers in prison have increased 640 percent in the last thirty years, and seen how our hysteria about drug addiction and our hostility to the poor have made us quick to criminalize and prosecute poor women when a pregnancy goes wrong. I’ve represented mentally disabled people whose illnesses have often landed them in prison for decades. I’ve gotten close to victims of violent crime and their families and witnessed how even many of the custodians of mass imprisonment – prison staff – have been made less healthy, more violent and angry, and less just and merciful.

I’ve also represented people who have committed terrible crimes but nonetheless struggle to recover and to find redemption. I have discovered, deep in the hearts of many condemned and incarcerated people, the scattered traces of hope and humanity – seeds of restoration that come to astonishing life when nurtured by very simple interventions.

Proximity has taught me some basic and humbling truths, including this vital lesson: Each of us is more than the worst thing we’ve ever done. My work with the poor and the incarcerated has persuaded me that the opposite of poverty is not wealth; the opposite of poverty is justice. Finally, I’ve come to believe that the true measure of our commitment to justice, the character of our society, our commitment to the rule of law, fairness, and equality cannot be measured by how we treat the rich, the powerful, the privileged, and the respected among us. The true measure of our character is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned.

We are all implicated when we allow other people to be mistreated. An absence of compassion can corrupt the decency of a community, a state, a nation. Fear and anger can make us vindictive and abusive, unjust and unfair, until we all suffer from the absence of mercy and we condemn ourselves as much as we victimize others. The closer we get to mass incarceration and extreme levels of punishment, the more I believe it’s necessary to recognize that we all need mercy, we all need justice, and – perhaps – we all need some measure of unmerited grace.

This was a difficult book for me to read. As a white woman who’s never had a personal encounter with the justice system, I’d like to believe that our justice system in America is fair and above board, and if you do no wrong, you won’t have any trouble with it.

Bryan Stevenson does highlight the story of Walter McMillan, telling about his case in alternate chapters. Walter was an African American on death row for a crime he couldn’t possibly have committed – since it happened the same time as a barbecue he attended, and multiple witnesses saw him there. The story of how the murder was pinned on Walter is complicated, involving plenty of racism, sentiment against him because he had an affair with a white woman, a strong desire to pin the crime on someone, pressure on the unreliable witness who testified against him, and a public defender who didn’t make much of an effort, among many other factors.

Even working hard on Walter’s case, there were still numerous obstacles to vindicating Walter, and he ended up spending six years of his life on death row, causing layers of pain to his entire community, since their testimony hadn’t been heeded.

The chapters in between the ones about Walter’s story tell about so many other people who needed justice. Some wrongfully accused and convicted, some harshly punished out of proportion to the crime. I learned that death by electrocution can be horribly painful. I’d had no idea. In view of recent law changes, especially heart-wrenching were stories of women who miscarried when alone – and then were convicted of murdering their newborn infant. This happened despite how much the women wanted to have a baby, and even to a woman who miscarried so early, there’s no way a baby could have survived.

So this book filled my heart with sadness and disillusionment – yet the focus is hope. And the book is written by a man who’s fighting for justice and making good progress at changing laws and helping folks wrongly imprisoned be set free.

In the Epilogue, Bryan Stevenson tells us some things he learned from Walter:

Walter had made me understand why we have to reform a system of criminal justice that continues to treat people better if they are rich and guilty than if they are poor and innocent. A system that denies the poor the legal help they need, that makes wealth and status more important than culpability, must be changed. Walter’s case taught me that fear and anger are a threat to justice; they can infect a community, a state, or a nation and make us blind, irrational, and dangerous. I reflected on how mass imprisonment has littered the national landscape with carceral monuments of reckless and excessive punishment and ravaged communities with our hopeless willingness to condemn and discard the most vulnerable among us. I told the congregation that Walter’s case had taught me that the death penalty is not about whether people deserve to die for the crimes they commit. The real question of capital punishment in this country is, Do we deserve to kill?

Finally and most important, I told those gathered in the church that Walter had taught me that mercy is just when it is rooted in hopefulness and freely given. Mercy is most empowering, liberating, and transformative when it is directed at the undeserving. The people who haven’t earned it, who haven’t even sought it, are the most meaningful recipients of our compassion. Walter genuinely forgave the people who unfairly accused him, the people who convicted him, and the people who had judged him unworthy of mercy. And in the end, it was just mercy toward others that allowed him to recover a life worth celebrating, a life that rediscovered the love and freedom that all humans desire, a life that overcame death and condemnation until it was time to die on God’s schedule.

This was an amazing and powerful book that shook up my worldview. I hope many more people will read it, and it’s consistently on hold, which is a good sign. It was because I was reading this book that my heart sank when I read the news that federal executions are going to begin again. This book will change your perspective. Highly recommended.

eji.org
spiegelandgrau.com

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Review of Vanishing Colors, by Constance Ørbeck-Nilssen & Akin Duzakin

Vanishing Colors

by Constance Ørbeck-Nilssen & Akin Duzakin
translated by Kari Dickson

Eerdman’s Books for Young Readers, 2019. Originally published in Norway in 2017.
Starred Review
Review written July 5, 2019, from a library book

This book begins with a girl and her mother huddling in a broken building in a bombed-out city, all drawn in shades of gray and black, dark and sad.

“Tell me about the bird again,” I say quietly.
So she tells me about the bird.
The one that swoops down from the mountains as evening falls
and spreads its wings over our house
to protect us from danger.

The bird, a big, warm, comforting bird, comes while the girl’s mother is sleeping and sings a song and talks with the girl while bombs fall outside. The bird reminds her of the wonderful things that were there before. He helps her remember the colors – the bright colors of their lives before the war.

And especially, as the girl and her mother prepare to leave to a new place, the bird tells her that a rainbow makes a bridge across the sky and reminds us that there is always a way.

It’s all done very beautifully. As the bird brings back memories, one by one more colors show up in the pictures of the memories, beginning with a bright red dress the girl wore when she was with her father.

The rainbow at the end gives the reader hope that their lives will have colors again.

I wish that children didn’t have any need whatsoever to empathize with refugees of war. But given the world we actually have, this book has the right mix of reality plus hope.

constanceonilssen.com
akinduzakin.com
Eerdmans.com/youngreaders

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Review of Lovely War, by Julie Berry

Lovely War

by Julie Berry

read by Jayne Entwistle, Allan Corduner, Dion Graham, Fiona Hardingham, John Lee, Nathaniel Parker, and Steve West, with a historical note read by the author
original music by Benjamin Salisbury

Reviewed August 1, 2019, from a library audiobook
Listening Library, 2019. 12 hours, 57 minutes, on 11 compact discs.
Starred Review

This audiobook is an epic novel and an astonishingly wonderful production. As you can tell by all the distinguished readers (including a couple of my favorite narrators), they use different readers for different people telling the story.

This book is told by the gods. You see, in 1942 Paris, the god Hephaestus has caught his wife Aphrodite, the goddess of beauty, cheating with his brother Aries, the god of war. As her defense, Aphrodite tells the gods that mortals know more about love than gods do – and she gives an example, telling the story of two mortal couples who fell in love during the Great War, Hazel and James (both British), and Colette (Belgian) and Aubrey (African American).

The couples came together because of War and because of Music – so Aries and Apollo help tell the story. But Death also comes into the story, so Hades has parts to tell as well.

The story is epic. Hazel meets James a week before he ships out to fight. She volunteers with the YMCA and goes to France, where she meets Colette. Colette has already suffered the loss of her entire family and the boy she loved at the hands of the Germans. But Hazel plays piano and Colette sings, and while playing in the YMCA relief hut, they meet Aubrey, the king of ragtime.

There’s an extended author’s note at the end, because she did a lot of research. When she spoke about how moved she was viewing the World War I memorials in Europe, I was instantly reminded of my own visit to the museum at Verdun and how it utterly shook me. But she went even more places than I did.

The officers in the story were people who actually lived and battles are portrayed that they actually fought. Aubrey encounters horrible racism overseas from Americans but not much at all from the French – matching the actual experiences of American soldiers in World War I.

The story itself is lovely and will wind itself into your heart. I also enjoyed the playful and unusual frame of a story being told by gods. I’m already going to say that I hope this audiobook wins this year’s Odyssey Award for the best children’s or young adult audiobook production. It gives an amazing listening experience.

julieberrybooks.com
booksontape.com

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Review of The Lost Words, by Robert MacFarlane and Jackie Morris

The Lost Words

A Spell Book

by Robert MacFarlane and Jackie Morris

Anansi Press, 2018. First published in the United Kingdom in 2017. 132 pages.
Starred Review
Review written July 6, 2019, from a library book

This gorgeous book focuses on twenty words from nature that had been removed from the latest edition of the Oxford Junior Dictionaryacorn, adder, bluebell, bramble, conker, dandelion, fern, heather, heron, ivy, kingfisher, lark, magpie, newt, otter, raven, starling, weasel, willow, and wren.

The book is large, oversized, and heavy, making it awe-inspiring. The only trouble I see with that is I can’t imagine children carrying it around to read it over and over. This is a coffee table book that’s physically heavy to pick up. Perhaps they could make a small version for everyday use? Though this one is stunning.

Each word first has a simple spread where the lost word is hidden among other letters, but highlighted in a different color. Then we have an acrostic poem featuring the word with a painting of the object on the facing page. Next there is a full-color glorious painting on the following spread.

I had gotten through almost the entire book before I realized that these poems absolutely must be read aloud. I went back and made up for my mistake of trying to read them silently. The poems are magnificent. I will highlight a few stanzas with wordplay I especially like.

From the Willow poem:

Willow, when the wind blows so your branches billow,
O will you whisper while we listen so we learn what
words your long leaves loosen?

From the Otter poem:

This swift swimmer’s a silver-miner – with
trout its ore it bores each black pool deep
and deeper, delves up-current steep and
steeper, turns the water inside-out, then
inside-outer.

From the Fern poem:

Reach, roll and unfold follows.
Fern flares.

Now fern is fully fanned.

From the heron poem, coming just after the marvelous line that the heron “magically . . . unstatues:

Out of the water creaks long-legs heron,
old-priest heron, from hereon in all sticks
and planks and rubber-bands, all clanks and
clicks and rusty squeaks.

Now heron hauls himself into flight – early
aviator, heavy freighter – and with steady
wingbeats boosts his way through evening
light to roost.

From the Ivy poem:

You call me ground-cover; I say sky-wire.

May this magnificent book open our eyes again to nature.

johnmuirtrust.org/initiatives/the-lost-words
houseofanansi.com

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Review of Nevermoor: The Trials of Morrigan Crow, by Jessica Townsend, read by Gemma Whelan

Nevermoor

The Trials of Morrigan Crow

by Jessica Townsend
read by Gemma Whelan

Hachette Audio, 2017. 11 hours on 9 discs.
Starred Review
Review written July 1, 2019, from a library audiobook

Big thanks to my co-worker, Amanda Snow, for recommending this audiobook! I didn’t have time to read it while I was on the Newbery committee because the author is Australian (and therefore not eligible), but I’m so happy to make up for lost time.

Morrigan Crow was born on Eventide, which means she’s under a curse and bad luck for everyone she encounters. Her father has to pay constant claims for damages because Morrigan was around when something bad happened, so clearly it was her fault.

It also means that she will die the next time Eventide happens. So when it happens on her eleventh birthday, her family spends the day preparing for her death. Then a surprising stranger with a contract appears. His name is Jupiter North and he takes her into the “free state” of Nevermoor, outrunning the Hunt of Smoke and Shadow who want to track her down and kill her.

The trouble is, Morrigan’s presence in Nevermoor is illegal, and those in charge of border security plan to deport her. However, Jupiter has entered her into the trials to become a member of the Wundrous Society, along with hundreds of other children from whom only nine will be chosen. As long as Morrigan is in the trials, she’s under the protection of the Wundrous Society and can’t be deported.

And Nevermoor is full of wonders. There’s a Magnificat (a giant talking cat) who helps run the Hotel Deucalion where Morrigan now lives. Strange and magical things happen all the time.

But Morrigan must undergo four trials to get into the Wundrous Society, the fourth one being to display her talent. Jupiter refuses to tell her what her talent is. If she is not selected for the society, she will have to leave Nevermoor, and she’ll be killed by the Hunt of Smoke and Shadow, so the stakes couldn’t be higher.

The comparisons to the Harry Potter books are obvious, and normally I roll my eyes when people make that claim. But in this case, the comparison is actually not bad! Morrigan has discovered a magical world; she gains friends and companions as she explores the new world; and she must learn how it all works. There’s a sinister shadowy figure in the background and Morrigan has some sort of special calling, despite a wretched home life where she was not appreciated. Author Jessica Townsend even has an amazing imagination like J. K. Rowling and comes up with delightful magical details.

This book would make wonderful family listening. Great accents, lots of humor, and magical adventures! How could you go wrong?

lbyr.com
HachetteAudio.com

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Review of Maybe Tomorrow? by Charlotte Agell, illustrated by Ana Ramírez González

Maybe Tomorrow?

by Charlotte Agell
illustrated by Ana Ramírez González

Scholastic Press, 2019. 40 pages.
Starred Review
Review written July 5, 2019, from a library book

Oh, this is a wonderful, joyous, and tender book about grief and about sharing burdens in friendship. I wish I could show the bright and joyful pictures. The editor here did the perfect match of illustrator to words.

Elba is a pink hippo-like creature (reminds me of a Moomin) with downcast eyes and Norris is a crocodile who walks upright. They live in a bright, springlike landscape. Here’s how the book begins:

Elba had a big block.
She’d been dragging it around for a long time.

It made her walk slowly.
It made her think darkly.
It was heavy.

Norris danced everywhere he went, even uphill.

One day, Elba was sitting on her block in the park, like she usually did.

Along came Norris in a cloud of butterflies.
At first Elba couldn’t see him in all that shininess.

Norris tries to get Elba to go on a picnic with him, but she wants to sit on her block, like she usually does. (The block is the one dark thing in the pictures.)

Norris stays and talks with Elba. He feels something sad in the block that wants to come out, but they don’t know how. By the end of the day, they say, “Maybe tomorrow.”

The next day, it’s raining, and Norris brings tea to Elba. “They had good, quiet tea with rain in it.”

The next day, Norris shows up again.

Tomorrow didn’t come, but another today did.
“It’s really time,” said Norris, “because I want you to come to the ocean with me.”
“Okay, I’ll just take my block,” said Elba, surprising herself.
“But it’s too heavy,” she added. “Right?”
“My butterflies and I will help you,” said Norris.

Indeed, the butterflies carry the block for Elba, slowly, all the way to the ocean. We learn what’s causing Elba’s sorrow as she tells about her friend Little Bird, whom she misses so much.

And after that, Elba’s block is smaller and lighter.

I hope I’m not giving too much away, and you really do need to read this book yourself, but I especially love this page at almost the end:

Together they stood and faced the roaring sea.
“I’ll always have this block, you know,” said Elba.
“Yes, maybe you will,” said Norris.
“But I will help you carry it sometimes.”

One lovely thing about this book is that you don’t have to be an Elba to appreciate it. If you’re a Norris, you can learn from his sweet, listening spirit, and his generosity with his butterflies.

It’s a friendship story and works as a friendship story. If there’s a big dark block of grief in your life, it will resonate all the more, but you don’t need that to love this book.

charlotteagell.com
scholastic.com

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Review of Chronicles of Avonlea, by L. M. Montgomery

Chronicles of Avonlea

by L. M. Montgomery

Grosset & Dunlap, 1970. Originally published in 1912. 306 pages.
Starred Review
Review written July 6, 2019, from my own copy

In preparation for a trip to Prince Edward Island in September, I’m rereading all my L. M. Montgomery books in the order they were published. Chronicles of Avonlea is number five in this endeavor.

Maud Montgomery honed her craft by writing stories and getting them published in magazines. She did this for years before her first novel was published. This collection of stories gives wonderful examples of her brilliance. The only I quibble I have with them is that she was being pressured to write more about Anne of Green Gables – and mention of Anne Shirley is shoehorned into almost every single one of these stories. The only one where it’s organic and Anne is an important part of the plot is the first one, “The Hurrying of Ludovic.”

The most brilliant story of all in this collection is probably my favorite short story ever. I’ve done readings of this story when I was in college to entertain my friends and, yes, when I came to this story this time through, I was compelled to read the whole thing out loud.

That Most Delightful Story Ever is “The Quarantine at Alexander Abraham’s,” the story of a woman who hates men and her cat trapped in the home of a man who hates women and his dog. The woman, who is the narrator, does come off best – and both change their attitudes by the end. The process is all the fun and reading it in the narrator’s voice saying, “I am noted for that” makes it utterly delightful.

Honestly, in this read-through, I’m constantly being shocked when I realize these older characters are now younger than me! Angelina Peter MacPherson is forty-eight years old in this story. In fact, many of the main characters in these stories are deep into adulthood. I’m going to file this book in with Teen Fiction, but really these are family stories. It’s all innocent and G-rated, about life and love, but there’s a lot of focus on older folks coming to understand whom they truly love, whether in romance or the love of a child.

This is a delightful collection, written by a master storyteller at the height of her powers.

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Review of They Called Us Enemy, by George Takei, Justin Eisinger, and Steven Scott, art by Harmony Becker

They Called Us Enemy

by George Takei, Justin Eisinger, and Steven Scott
art by Harmony Becker

Top Shelf Productions, 2019. 208 pages.
Starred Review
Review written July 17, 2019, from my own copy purchased via amazon.com

I got to hear George Takei speak at ALA Annual Conference and received an excerpt from this book which I got signed by all of the creators. All of that got me so excited about it, I went ahead and preordered my own copy and read it the day it came in.

I didn’t know much at all about the incarceration of Americans of Japanese descent during World War II, even though one of my best friends has parents who were imprisoned as children at that time. And I guess I thought I knew more than it turns out I did. George Takei presents his memories as a five-year-old sent to the camps, but he inserts the facts of what was going on to make it possible for American citizens to be imprisoned simply because of their ethnicity.

The whole timeline and explanation is laid out. After Pearl Harbor, Americans of Japanese descent were regarded with suspicion, and young men were turned away from army recruitment centers. Next came curfews, and then the families were rounded up and sent to camps. George talks about the irony of going to school and reciting the Pledge of Allegiance surrounded by barbed wire and guards. The story is told from the perspective of a five-year-old who doesn’t know that anything he’s experiencing isn’t normal.

George’s father emerges as the hero of this story. He did what he could to help his family at the time. As George grew up, his father talked with him about democracy.

Our democracy is a participatory democracy. Existentially, it’s dependent on people who cherish the shining, highest ideals of our democracy and actively engage in the political process.

His father said about FDR:

Roosevelt pulled us out of the depression, and he did great things, but he was also a fallible human being, and he made a disastrous mistake that affected us calamitously. But despite all that we’ve experienced, our democracy is still the best in the world.

The art in this book is wonderful. Young George is adorable and mischievous. His parents’ love for each other and firm resolution to take care of their children is communicated in the pictures. At times, a manga style is used to show George’s excitement, with stars coming out of his eyes. It’s used with a light touch, but effectively.

The book is framed with a modern-day George reflecting on his experiences and the book touches on where his life went from there. Taken all together, this book is powerful and moving. And it’s also shocking – what the government was able to do to United States citizens. Unfortunately, it’s also horribly timely.

This is a book everyone should read. Since it’s in comic format, it doesn’t take long. Invest an hour of your time reading this. You won’t forget it.

topshelfcomix.com

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Review of Nine Months: Before a Baby Is Born, by Miranda Paul, illustrated by Jason Chin

Nine Months

Before a Baby Is Born

by Miranda Paul
illustrated by Jason Chin

Neal Porter Books (Holiday House), 2019. 32 pages.
Starred Review
Review written May 10, 2019, from a library book

This book tells us, with a simple rhyming text, the progress of a little girl becoming a big sister – but the stunning part of the book comes from the actual-size pictures of the growing fetus inside the mother.

For most of the book, the growing fetus is on the left side of the spread and the expectant family on the other side, with the soon-to-be big sister obviously anticipating her new status. By the end, the newborn infant takes up the entire spread.

I didn’t check until I’d finished reading who the illustrator is – and immediately thought, “Oh! No wonder those pictures are so amazing!” I find myself wanting to reach out and touch the newborn baby.

The text is very simple, with gentle rhymes. Here are a couple of examples. (On the left side, it tells which month we’re in. There’s a spread for each month.)

[Month Five]
Lips.
Flips.
Curve, dip, and groove.
She has a face.
She likes to move!

[Month Six]
Grasp.
Clasp.
Ears that can hear.
Sing as she listens.
Tell her you’re near.

The text is simple – based on the pictures, this is designed for a preschooler becoming a big sister – but there are five pages in the back with more information for the curious.

It does begin with the fertilized egg and doesn’t say one little bit about how the egg got that way. You’re on your own if your child has questions! But that does keep the book about the new baby.

This is my new go-to book for kids about to become older siblings. And it’s an immediate gift choice for my three-year-old niece and her big sister who are welcoming a new baby brother in a few months.

HolidayHouse.com

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Review of Marilla of Green Gables, by Sarah McCoy

Marilla of Green Gables

by Sarah McCoy

William Morrow (HarperCollins), 2018. 300 pages.
Starred Review
Review written July 4, 2019, from my own copy, a birthday present from my sister Becky

This book came out toward the end of 2018, when I was in the thick of reading for the Newbery, and couldn’t possibly get to it. After the winner was chosen, I’d forgotten about it, so I was completely delighted when my sister sent it to me for my birthday. The gift was all the more perfect because I’m planning to go with two girlfriends to visit Prince Edward Island in the Fall, and I’ve been rereading all my L. M. Montgomery books in preparation. One of those girlfriends was at my house on my birthday when I opened the gift. So the timing was perfect to read this prequel to Anne of Green Gables.

Sarah McCoy takes us into the heart of Marilla. We see her as a young teen living with her parents and her older brother Matthew. The author gave Marilla’s parents the same names as L. M. Montgomery’s parents, Clara and Hugh, in a nice act of tribute.

Clara is expecting a baby, and her twin, Marilla’s Aunt Izzy comes to stay and to help. When both mother and baby are lost, Marilla must carry on, taking care of Matthew and Hugh.

But it’s delightful getting a glimpse into Avonlea in the years before Anne. Marilla’s friendship with Rachel started when they were young, and we hear many more names that will be in the village in later years. Yes, we knew that John Blythe had been Marilla’s beau, and we get the story of their quarrel.

A part of the story that surprised me was when Green Gables becomes a safe haven for runaway slaves, under the protection of Izzy. I hadn’t realized that slave catchers could even come into Canada looking for them. There is also some political unrest in Canada at that time, which I’d known nothing about.

I enjoyed this book thoroughly. It’s a gentle story, a story of a reserved young woman growing up in a small village in Canada in the 1800s. She’s living a quiet life, and love seems to pass her by. At the end of the book, they think that Matthew could use some help on the farm….

This was perfect preparation for a visit to Prince Edward Island, and I heartily recommend it for all other Anne fans out there. The style isn’t the same as L. M. Montgomery’s, but it made me feel I understood Marilla better than when I had only seen her through the eyes of a precocious orphan.

sarahmccoy.com
harpercollins.com

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