Review of Stunning Photographs, by Annie Griffiths

stunning_photographs_largeStunning Photographs

by Annie Griffiths

National Geographic, Washington, D.C., 2014. 400 pages.
Starred Review

When National Geographic says that photos are stunning, you should believe them.

This collection of photographs inspires awe. They are printed in full color and in large format. This book is one of the perks of regularly checking out library books. It’s so large, I probably wouldn’t have purchased a copy for myself. But I can check it out from the library and take the whole three weeks to browse slowly through it.

I read this book a chapter at a time. The chapters are “Mystery,” “Harmony,” “Wit,” “Discovery,” “Energy,” and “Intimacy.” There’s an essay at the beginning of each chapter, and some quotations sprinkled throughout, but mostly the photographs – truly stunning – speak for themselves.

Check out this book to add some wonder into your life.

nationalgeographic.com

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Review of The Girl on the Train, by Paula Hawkins

girl_on_the_train_largeThe Girl on the Train

by Paula Hawkins
read by Claire Corbett, Louise Brealey, and India Fisher

Penguin Audio, 2015. 11 hours on 9 compact discs.
Starred Review

Warning to potential listeners: If you have ever been cheated on, this book contains some triggers which will remind you of that time. However, it’s also somewhat therapeutic. It will make you feel that your own reactions were incredibly calm. You were not a crazy woman! (Who knew?)

Rachel Watson rides the train into London every morning and goes home every evening – so her flatmate won’t know that she lost her job months ago for turning up drunk. Every day, the train stops as it passes the house where Rachel used to live – and where her ex-husband Tom lives with his new wife and child – the woman who replaced Rachel and the child she longed to have.

To avoid looking at her home, right next to the tracks, naturally enough Rachel watches the people a few houses down. They are the perfect couple. As in love as Rachel used to be. Rachel gives them names, Jess and Jason, and she imagines their perfect lives.

Then, one day, Rachel sees Jess kissing a man who is not Jason. Jess is ruining Jason’s life, just as Tom ruined hers! That evening, having thought about it all day, in her drunken agitation, she gets off the train at her old stop. She knows something bad happened when she wakes up at home the next morning with a cut on her forehead, but she doesn’t remember at all what it was. And the newspapers say that Jess – actually named Megan – has gone missing.

Gradually, we learn about Rachel’s past, about Megan’s history, and about Anna, the woman who replaced Rachel with Tom. Rachel has not been doing well since Tom left her. And she doesn’t blame Tom – she was already a drunk before he left, depressed because she wasn’t having a baby. Now she calls him at odd hours, even turns up at the house.

But after Megan’s disappearance, Rachel is sure Megan’s husband will be suspected. The police need to know about the man Megan kissed. The husband needs to know. Maybe Rachel has to lie a little bit to get them to listen to her, but it’s all trying to help….

I have to admit, the people in this book are not very nice. The situations are sordid. There’s a whole lot of cheating going on. But ultimately, I found I couldn’t stop listening (and this was another audiobook which had me bringing the final CD into the house to finish listening). The audio production is very well done. The three different narrators for the three women – Rachel, Anna, and Megan – make it clear who is speaking at any given time.

I think the character of Rachel is what had me hooked. I remembered the world-shattering pain of learning my husband was cheating. It would have been so very easy to turn to alcohol. To call him and beg him to take me back. If he had married the mistress and moved into our home with his new wife and baby? Well, her pain was all too easy to imagine.

And the mystery is a tangled and interesting one. There are compelling twists along the way. Let me just say that some of the cheaters get a satisfying comeuppance. But best of all is that by the end of the book we feel that Rachel, who has believed many lies about herself, is on her way to healing.

And that’s a beautiful thing.

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Source: This review is based on a library audiobook from Fairfax County Public Library.

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Review of Tales of Bunjitsu Bunny, by John Himmelman

bunjitsu_bunny_largeTales of Bunjitsu Bunny

by John Himmelman

Henry Holt and Company, New York, 2014. 120 pages.
Starred Review

Isabel was the best bunjitsu artist in her school. She could kick higher than anyone. She could hit harder than anyone. She could throw her classmates farther than anyone.

Some were frightened of her. But Isabel never hurt another creature, unless she had to.

“Bunjitsu is not just about kicking, hitting, and throwing,” she said. “It is about finding ways NOT to kick, hit, and throw.”

They called her Bunjitsu Bunny.

That is the entire text of the first chapter. The rest of the book consists of short stories about Bunjitsu Bunny, with plenty of pictures. My favorites are the many stories that explain how Isabel finds a way NOT to kick, hit, or throw. Though when necessary, she is quite good at those things.

The stories are short and easy to read, but they are full of cleverness and interest. We’ve got a powerful and wise ninja – and she’s a bunny girl! These are wonderful for kids who are ready for chapter books.

mackids.com

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Review of P. Zonka Lays an Egg, by Julie Paschkis

p_zonka_lays_an_egg_largeP. Zonka Lays an Egg

by Julie Paschkis

Peachtree, Atlanta, 2015. 36 pages.
Starred Review

All the other chickens laid eggs regularly, but not P. Zonka. She’s a dreamer. She wanders around the farmyard day in and day out, staring at flowers and gawking at clouds. She looks down at the shiny green grass and gazes up at the deep blue sky. She notices big red tulips and little pink cherry blossoms.

The other hens criticize her and urge her to make an effort.

Day after day, Nadine, Dora, and Maud and all of the other hens filled baskets of eggs.

P. Zonka didn’t lay a single egg.

“Why?” asked Maud.
“Please tell us why,” said Dora.
“Why indeed?” clucked Nadine.
“Cock-a-doodle-doo?”

“I will tell you why,” said P. Zonka.
“Because of the pale mornings, the soft dark moss, the stripes on the crocuses, the orange cat with one blue eye, the shining center of a dandelion, the sky at midnight.”

“I don’t get it,” said Maud.
“P. Zonka is just plain lazy,” said Nadine.
“Come on, P. Zonka,” urged Dora. “You might like laying an egg.”
“Cock-a-doodle-doo!”

“Can’t you at least try?” they all asked.

When she does? The result is extraordinary! Let’s just say there’s a reason the author gave her a name that sounds like pysanka — a Ukrainian decorated egg.

After that, P. Zonka went back to wandering around the farmyard. She looked down and she gazed up. She clucked in wonder at all the colors she saw. She didn’t lay very many eggs…

…but the ones she laid were worth the wait.

I’ve told you about the delightful ending, but this is a book you need to see for yourself. The illustrations all along remind the reader of pysanky, sunny and beautiful and carefree. The message reminds me of Leo Lionni’s classic, Frederick.

And I love the idea that pysanky are actually laid by chickens who notice beautiful things. Also that beautiful things are worth a little wait.

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Review of The Bears on Hemlock Mountain, by Alice Dalgleish

bears_on_hemlock_mountain_largeThe Bears on Hemlock Mountain

by Alice Dalgleish
illustrated by Helen Sewell

Charles Scribner’s Sons, New York, 1952.
Starred Review
Newbery Honor Book, 1953
ALA Notable Book

Today I was shifting Juvenile Fiction books in the D’s and I saw this book, and couldn’t resist checking it out. I took it home and read it, having to say the refrain aloud:

THERE are NO BEARS
ON HEMLOCK MOUNTAIN,
NO BEARS AT ALL.
OF COURSE THERE ARE NO BEARS
ON HEMLOCK MOUNTAIN,
NO BEARS, NO BEARS, NO BEARS,
NO BEARS AT ALL.

Of course, the main reason I love this book so much is that I remember my mother reading it to me. I remember all the suspense building as Jonathan’s mother and Jonathan say this refrain to themselves, and everyone is thinking about bears. I remember how the crunch, crunch, crunch of the snow changes to drip, drip, drip, which means Spring is coming, and how Jonathan hopes the bears don’t know it. And then how incredibly scary it is when Jonathan hides under the big iron pot and the bears start scraping in the snow around it.

I also love what I hadn’t remembered – that this is a story of a great big extended family – a little bit like the one I have. When my mother read it to me, we still lived near my grandma, who was good at making cookies, as Jonathan’s mother is in the book.

It’s rather astonishing to me, reading it now, at how well this story holds up 63 years later. About the only thing that couldn’t happen today is that nobody needs to cut wood to keep a fire going for cooking to get done. Oh, and probably Jonathan’s father and uncles wouldn’t come with guns to shoot the bear.

This is a chapter book – but a chapter book short enough to read aloud, as I well remember. The suspense is incredible, if child-sized. Bottom line, it’s the story of an eight-year-old who is now big enough to go over a big hill in the snow all by himself to his aunt’s house – because of course there are no bears on Hemlock Mountain.

And that story will never grow old.

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Review of Leontyne Price: Voice of a Century

leontyne_price_largeLeontyne Price

Voice of a Century

by Carole Boston Weatherford
illustrated by Raul Colón

Alfred A. Knopf, New York, 2014. 36 pages.
Starred Review

Several years ago, I read When Marian Sang, by Pam Munoz Ryan, and The Voice that Challenged a Nation, by Russell Freedman, and so felt I knew about how Marian Anderson showed that the beauty of a voice does not depend on skin color.

Leontyne Price: Voice of a Century tells a later chapter in the story, about a girl inspired by Marian Anderson. This picture book biography imaginatively conveys the beauty of her voice with swirling colors of art.

The text tells a simple story of a girl who dared to dream.

1927. Laurel, Mississippi.
The line between black and white
was as wide as the Mississippi River was long.
All a black girl from the Cotton Belt could expect
was a heap of hard work – as a maid, mill worker, or sharecropper.
Her song, most surely the blues….

Wasn’t long before Leontyne was finding her voice.
Singing along to her daddy James’s records and listening
to the Metropolitan Opera’s Saturday-afternoon radio broadcasts.
She soaked up the sopranos, if not the foreign words.
Art songs and arias, shaping a brown girl’s dreams.

The text tells about Leontyne playing the piano, singing in the choir, and being inspired by the voice of Marian Anderson. The accompanying illustrations show the swirling beauty of song.

Leontyne went to college in Ohio to study to be a teacher, but after the college president heard her sing, she went on to study voice instead and went on to Juilliard.

The illustrations of Leontyne’s international career in opera, and as the first black opera singer to perform on television in America, are particularly lovely.

Leontyne was never more majestic than as Aida,
playing the part she was born to sing. As the Ethiopian princess,
with her skin as her costume, she expressed her whole self.
Standing on Marian’s shoulders, Leontyne gave the crowd goose bumps.
The song of her soul soared on the breath of her ancestors.

The book finishes up with the line:

Her song sure wasn’t the blues.

An Author’s Note at the end fills in details for adults.

This is a lovely and inspiring story for anyone to read – about a person with a beautiful voice who transcended the obstacles in her path.

CBWeatherford.com
randomhousekids.com

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Review of Very Good, Jeeves, by P. G. Wodehouse

very_good_jeeves_largeVery Good, Jeeves

by P. G. Wodehouse

*and*

Jeeves and the Old School Chum
and Other Stories

by P. G. Wodehouse
Performed by Alexander Spencer

The Overlook Press. First published in 1930. 297 pages.
Recorded Books, 1985. 3 compact discs.
Starred Review

The reason I’m still reviewing P. G. Wodehouse books is simply to keep track of which books I’ve read. I can’t possibly tell by reading the books! In fact, I listened to the audiobook first, Jeeves and the Old School Chum, which said it was “selected” stories from Very Good, Jeeves, but I can’t tell you for sure which stories I heard on CD first.

You might think this is a criticism? It is not at all! Yes, the stories are similar, so hard to keep straight. But I enjoy them every single time. I may have a general sense that I know how Jeeves is going to solve a particular imbroglio — but that only fills me with delighted anticipation.

This is a book of short stories, as opposed to one of the books where one big complicated entanglement fills the pages from start to finish. There are 11 chapters, 11 short situations where Bertie needs Jeeves’ help to get out of a situation or to help out a friend.

These stories are also represented in the BBC video series “Jeeves and Wooster,” which makes them all the more familiar.

As always, we’ve got Bertie’s amusing use of language and general cluelessness, along with Jeeves’ brilliant insight into the psychology of the individual. It is completely apparent that I will never get tired of hearing these stories.

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Review of Black Dove, White Raven, by Elizabeth Wein

black_dove_white_raven_largeBlack Dove, White Raven

by Elizabeth Wein

Hyperion, Los Angeles, 2015. 357 pages.
Starred Review

Wow. Once again Elizabeth Wein illuminates a historical situation I knew nothing about. In some ways, this combines themes from her two different series. We’re back in Aksum of Ethiopia – but this is not ancient Aksum. Instead, Aksum is combined with female pilots of World War II – okay, just before World War II, when Italy invaded Ethiopia. (Did you know about that? I sure didn’t.)

At the start of the book, Black Dove and White Raven are the airshow names for the mothers of Emilia Menotti and Teodros Dupré. Black Dove is Teo’s mother, Delia Dupré; and White Raven is Em’s Momma, Rhoda Menotti. They travel around doing airshows together in 1930s America, doing aerobatics and wing-walking. They met in France after World War I. They dream of moving to Ethiopia, where Teo’s father was from, where people won’t be shocked by a black woman and a white woman living and working together.

But then there’s an accident, and Delia is killed. However, the family still makes it to Ethiopia, and Teo and Em work on becoming the new Black Dove and White Raven.

Teo and Em grow up in Ethiopia, and Momma teaches them to fly – just in time to come of age when Italy invades Ethiopia in 1936.

This book is filled with historical details I knew nothing about, but mostly it’s the compelling story of two children with strong family ties, living in another culture, learning to find their place in the world and deal with all manner of people – and coming of age in wartime — wartime that involved mustard gas against spearmen, and the need to protect ancient treasures, including the Ark of the Covenant.

As always, Elizabeth Wein’s writing is powerful and evocative. I’ll admit that this is slower, atmospheric reading most of the way through, but these are distinctive characters you will remember long afterward.

elizabethwein.com
hyperionteens.com

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Review of Five, Six, Seven, Nate! by Tim Federle

five_six_seven_nate_largeFive, Six, Seven, Nate!

by Tim Federle
read by the Author

Simon & Schuster Audio, 2014. 6 CDs.
Starred Review

First, I’ll say that this follow-up to Better Nate Than Ever is fabulous. In this case, the author and narrator has worked on Broadway himself – so he can tell this story as it should be told.

Five, Six, Seven, Nate! features Nate Foster, moving to New York, cast as second understudy for the role of E. T. in E. T.: The Musical. His adventures and the simple day-to-day things he deals with, are hugely entertaining. The reader (or listener) is definitely rooting for Nate, excited about his dream come true of actually performing on Broadway.

He leaves his best friend Libby behind, but she’s given him plenty of tips and moral support. He’s also leaving behind relentless bullies and parents who are far more impressed with his older brother’s sports prowess. At thirteen years old, his voice is changing – which leads to some awkward timing. He’s staying with his Aunt Heidi and learning how to navigate New York and show business.

This is a feel-good, heart-warming novel that will leave you wanting to belt out a musical number at the end. (Now that would have enhanced the audio!) Tremendously fun listening.

Okay, that’s my review – I loved the book, and kids will love it, and it gives insight into what it’s like to be part of a Broadway musical.

Now let me talk about something I was going to ignore – but I decided that in today’s climate, it deserves mention.

Yes, Nate – a thirteen-year-old boy who is obsessed with Broadway musicals – is gay. Back home, in Pennsylvania, he was relentlessly and cruelly bullied. In the book, Nate is involved in two kisses, one with a girl, one with a boy. The one with a boy feels dramatically different, dramatically more right.

The reason I bring this up at all is that I still have friends who believe that homosexuality is a choice, not the way people are born. This book, without making an argument at all, argues against that view. Some of those friends might not want their children reading this book, but I believe they would do well to read it themselves.

Come on, a boy who loves musical theater? Do you really have trouble believing he’s gay? Do you really have trouble believing he would be bullied horribly? Do you really believe he would choose bullying, choose his parents’ disapproval, if he actually had a choice about it?

You may argue that this is only fiction, but the book is based on the author’s adventures in Broadway. The whole scenario rings true.

In the first place, this is a fantastic, feel-good story. But for kids who see themselves in Nate, this is a wonderful opportunity to read a book about someone like them, someone different from his peers. For kids who don’t see themselves in Nate, what better way than reading to put yourself in someone else’s shoes? If this book promotes understanding and compassion – more power to it!

timfederle.com

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Review of Really Big Numbers, by Richard Evan Schwartz

really_big_numbers_largeReally Big Numbers

by Richard Evan Schwartz

American Mathematical Society, 2014.
Starred Review
2014 Mathical Books Award Winner

Full disclosure: When I visited the National Math Festival and met Richard Evan Schwartz, I got all fangirl about his book You Can Count on Monsters and showed him my prime factorization cardigan. Of course I purchased his new book and got it signed. I am particularly proud of what he wrote: “To Sondy, Beautiful cardigan! It looks like we have a lot of the same ideas. Best wishes, Richard Schwartz”

And when I showed him my Pascal’s Triangle Shawl, he gave me the idea of making a new one using congruences mod n. Yes! I like the way this man thinks!

[In fact, in a weird side note, after reading his bio on the AMS webpage and learning he did his undergrad in math at UCLA, I find myself with a memory — which very well may be false — of taking a class with him as an undergraduate when I was a graduate math student at UCLA. I took a class (Number Theory?) with some undergraduates. That was in 1985-1986. An internet search shows he got his PhD in 1991 — so this is actually possible! And I remember a cocky and extremely intelligent student who looked a whole lot like he does now, only younger….]

You will not be surprised when I say I loved his new book! There are many books that deal with large numbers using analogies. A few from the beginning of this book include:

About 7 billion people live on Earth. If they all lined up, spaced about a foot apart, they would circle 50 times or so around the equator.

You could cram about 20 billion grains of very fine sand into a basketball.

100 billion basketballs would fill New York City roughly to the height of a man.

You could cover the service of the earth with about a quadrillion (10^15) exercise trampolines.

A quintillion (10^18) grains of very fine sand would just about cover Atlantic City, NJ, to a depth of 3 feet.

Speaking of a quadrillion and a quintillion, I’ve seen a few other books that explain the names for large numbers, but that’s only about the halfway point of this book! You know things are getting interesting right after the page where he shows

10^21 sextillion
10^24 septillion
10^27 octillion
10^30 nonillion
10^33 decillion

The next page says, “This system goes quite far out but I think that these names lose their novelty after the first 30 or so.” On that page we see spectators sleeping or reading a newspaper. Here’s the chart:

10^36 undecillion
10^39 duodecillion
10^42 tredecillion
10^45 quattourdecillion
10^48 quindecillion

On the page facing that one, he says, “Here, let me skip ahead some and show you the names of a few really big ones.”

10^78 quinquavigintillion
10^93 trigintillion
10^108 quinquatrigintillion
10^123 quadragintillion
10^153 quinquagintillion

Since this is still only about the halfway point of the book, you get the idea that when this book talks about really big numbers, it means really big numbers!

The author throws in questions about the big numbers – questions challenging enough to get even an adult with a math degree thinking.

There are more illustrations of the size of things, such as:

The sun, the true giant in the solar system, has about 4 nonillion (4×10^30) pounds of material.

We could continue counting up roughly by powers of 1000, moving out beyond the solar system to the stars surrounding the sun and eventually to galaxies and galaxy clusters, and superclusters, outward even to supercluster filaments and membranes…

but if you want to see some REALLY big numbers, we will have to move faster than that.

What is this author’s idea of REALLY big numbers? Well, before long, we get to a googol (10^100).

A googol atoms would fill the observable universe about 100 quadrillion times over.

You could say that a googol is so big that it rises beyond the merely astronomical.

He gives more illustrations of how big a googol is, but then says:

Yeah, a googol is a pretty big number.

But if you want to talk about REALLY big numbers then we’ll have to move on to a new level of abstraction. So, get ready, because the ride is gonna be pretty bumpy from here on in. But, remember, this book is supposed to be like a game of bucking bronco and you can always come back to it later if you fall off now.

All of this is accompanied by helpful and/or amusing computer cartoon illustrations.

So, then, the first abstract thing I want to tell you about is called plex.
When you “plex” a number, you write 1 followed by that number of zeros.
In other words, when you plex a number, you raise 10 to that power.

A googol-plex is 1 followed by a googol zeros, or, equivalently, 10 raised to the googol power.

A googol-plex is also 100-plex-plex and likewise 2-plex-plex-plex.

I love this page:

In my experience it is impossible to picture a googol-plex in concrete terms. Any attempt will scramble your brain. An implacable guard blocks the door to that kind of intuition.

But, let’s try to sneak by the guard and see what we can.

After some attempts at that, he says:

Mathematics gives us a language to name all kinds of things, but we can’t relate to everything we can name. If you want to think about REALLY big numbers, you have to give up the idea of picturing them….

Just let go of the reins and let LANGUAGE gallop on.

He even explains Recursion – “the trick of making something new by applying a simple rule over and over.”

Then he looks at some numbers plexed multiple times. I just love when he starts making up his own names.

Here is the number “one plexed one plexed two times times.” [The diagram here is very helpful.]

This number has no familiar name, so let’s call it “Fred.”

Let’s unravel “Fred” from the inside out.

“one plexed two times” is 1010, or ten billion, so “Fred” means “one plexed ten billion times.”

And here is “1 plexed FRED times.”
Let’s call this number “Big Jim.”

You may ask, “How big are ‘Fred’ and ‘Big Jim’?”

I’ll tell you honestly: I don’t know! Already, “1 plexed 4 times” makes a googol-plex seem microscopic, and each new plex is a quantum leap forward in size and abstraction.

To get to “Fred” you take 10 billion quantum leaps.
And “Big Jim” is “Fred” quantum leaps away.

And Richard Schwartz still doesn’t stop there! At the end of the book, he starts introducing new symbols. He shows a square that means “1 plexed N times.” Then he makes a new symbol that builds off of the square, and further symbols that build off of that.

Accompanied by diagrams with these new symbols, he says:

Once you get a taste for this kind of symbol, and the accelerated voyage it lets you take through the number system, nothing stops you from making more symbols.

Each new addition to the language is a chariot moving so quickly it makes all the previous ones seem to stand still.

We skip from chariot to chariot, impatient with them almost as soon as they are created.

Unhindered by any ties to experience, giddy with language, we race ever faster through the number system.

When you finally reach the last page, you will agree with the final line:

Infinity is farther away than you thought.

I’ve quoted extensively from this book, but believe me, quotes out of context pale in contrast with the actual book – I’m simply giving you a clue as to what you’ll find here. The illustrations, symbols, and diagrams all help lead the train of thought, or I should say ladder of thought, or better yet supersonic jet of thought.

I wish I had this book when my boys were young! My oldest, when he was in Kindergarten, liked to make up words for numbers “bigger than infinity.” I think the way this book is presented, the ideas of larger and larger numbers – bounded only by your imagination – would have inspired both my sons. I definitely plan to show this to kids at the library.

ams.org/bookpages/mbk-84
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