Review of The Wicked King, by Holly Black

The Wicked King

by Holly Black
read by Caitlin Kelly

Hachette Audio, 2019. 10.5 hours on 9 CDs.
Starred Review
Review written 9/13/19 from a library audiobook

The Wicked King is the sequel to The Cruel Prince, and was just as action-packed and full of plots and intrigue as that one.

In this installment, Jude, a mortal who has grown up in Faerie, has gained power over Carden, who once bullied her and is now the High King of Faerie. (Never mind how she gained power – that’s what the first book was about.) Jude’s twin sister Taryn is getting married to Locke, another immortal who has treated Jude terribly.

But gaining power is one thing; keeping it is quite another. The Queen of the Sea is plotting something with Carden’s older brother, who had expected to gain the throne but is now in prison for murder. And it looks like they will make their move at Taryn’s wedding.

There are plots within plots, shifting alliances, and confusing feelings toward Carden. Can Jude navigate it all, stay alive, protect her little brother, and keep hold of the power she finds she enjoys perhaps a little too much?

There’s a lot more I could say, but I don’t want to give anything away. I don’t think I’ve expressed how gripping this book is, with one tense situation happening after another. It ends at a satisfying place – but also at a place where you need to know what will happen next! The next book cannot come out soon enough for me!

blackholly.com
HachetteAudio.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Ordinary Hazards, by Nikki Grimes

Ordinary Hazards

A Memoir

by Nikki Grimes

Wordsong (Highlights), 2019. 325 pages.
Starred Review
Review written November 9, 2019, from a library book

Wow. Nikki Grimes wrote a powerful and moving memoir in verse.

Between this book and Shout by Laurie Halse Anderson, I should make a new page on my website for Teen Nonfiction. This book isn’t for children, even though it tells about Nikki Grimes’ childhood. It is for teens, and will speak to teens who have to deal with hard things.

There’s a caption at the front:

MEMOIR:
a work of imperfect memory
in which you meticulously
capture all that you can recall,
and use informed imagination
to fill in what remains.

The author explains that there are blanks in her memory because of trauma. And her childhood had lots of trauma. At the point when she finally found a loving home in a foster home, her mother took her back, and the difficulties began again.

At one point, when she’d described the abuse she went through at the hands of her mother’s husband, she then wrote about being thirteen – and I wanted to cry. So young! Later, when she was in high school and had built a good relationship with her father at last, more tragedy struck.

But she doesn’t ask you to feel sorry for her. And you can see her coping. One of the ways she coped, even as a child, was writing, always writing. She’s got excerpts from her Notebooks over the years, adding immediacy. (Though, alas, they are reconstructed and imagined.)

This is a quietly Christian book. She shows how important prayer was to her and how her faith in God was her lifeline – along with key people who came into her life and helped her through.

And there are tough things in her story, but Nikki Grimes infuses the book with joy. I love the story about going on the subway with her best friends – which goes with one of the handful of pictures in the back of the book.

One afternoon,
we three dressed up
in our finest rags
to help Gail’s boyfriend,
a fledgling photographer
in need of a portfolio
to display his considerable skills.
Debra and I ripped off our glasses,
and we three posed for portraits
in the park
(me in my new coat!),
then hung from a vertical pole
in the middle of a subway car,
swinging round it gleefully,
pretending to be
professional models.
In other words,
we hammed it up, yo!
And those photographs?
Oh, my God! Portraits
of joy.

I love reading this knowing that the little girl portrayed here, up against so much, did become the writer she planned to be.

“I want to write books about
some of the darkness I’ve seen,
real stories about real people, you know?
But I also want to write about the light,
because I’ve seen that, too.
That place of light – it’s not always easy
to get to, but it’s there.
It’s there.”

Yes! She achieved this. Even though this memoir portrays childhood trauma and difficulties, it’s a book about the light.

nikkigrimes.com
wordsongpoetry.com

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Review of Prime Suspects, by Andrew Granville & Jennifer Granville, illustrated by Robert J. Lewis

Prime Suspects

The Anatomy of Integers and Permutations

by Andrew Granville & Jennifer Granville
illustrated by Robert J. Lewis

Princeton University Press, 2019. 230 pages.
Starred Review
Review written 9/19/19 from a library book

Okay, now I’ve seen everything! This is a graphic novel murder mystery about research mathematics!

The characters have names that play off of the names of distinguished mathematicians. The lead detective uses ideas from his namesake.

The most interesting part is that when the detective team goes to the autopsy of recent victim Arnie Int, lieutenant of the Integer Crime Family, they found everything inside his body has decomposed – except for prime numbers! The apprentice detective pulls a bloody number out of his body and says, “It’s a prime, sir!”

They find the body is similar to a previous victim, Daisy Permutation. I like the scene where the detectives discuss it while playing billiards:

“It’s not a similarity, but in both victims, the internal organs were completely decomposed.
Except that in Arnie Int there was a smattering of primes, and in Daisy permutation, a smattering of cycles.”

“But that’s only to be expected.
Cycles are the fundamental constituent parts of a permutation, just like primes are the fundamental constituent parts of an integer.”

And it’s all done in a dark style, with some clueless videographers to explain things to, and mathematical puns in the background.

The math itself – where they compare the set of integers to the set of permutations – went over my head, and I’ve got a Master’s in Math. I read the back matter where it’s explained, and it still went over my head – though I at least understood what basic concepts were at work. And I did, after reading, understand at least that cycles are the building blocks of permutations as primes are the building blocks of integers.

And I’m still tickled to death that someone made a graphic novel thriller about higher math.

There are fun ads on the inside cover, such as: “Are you looking to get away from it all? Why not come and stay at Hilbert’s fabulous “Infinite Hotel”? There is ALWAYS room for as many guests as want to stay.” And: “RIEMANN’S ROOTS: We’ll plant your organic roots in straight rows. Guaranteed to have at least 41.69% of the roots in a straight line!” And: “Fermat’s Dreams: Truly remarkable ideas for the future which this inside cover is too small to contain!”

The back matter takes up 50 large pages, so it takes as long to read as the 180 pages of the graphic novel part. Yes, it includes the math, but also you’ve got notes on the mathematicians referred to, notes about the references in the art, and an explanation of how the book came to be – beginning as a screenplay (which has been performed in live readings).

Here’s the beginning of that section:

Integers and permutations are fundamental mathematical objects that inhabit quite distinct worlds though, under more sophisticated examination, one cannot help but be struck by the extraordinary similarities between their anatomies. This comic book stemmed from an experiment to present these similarities to a wider audience in the form of a dramatic narrative. In these after-pages, we will clarify some of the mathematical ideas alluded to in the comic book, giving the details of Gauss’s lectures and Langer’s presentation at the police precinct. We will also break down the content of some of the background artwork, explaining how some of it refers to breakthroughs in this area of mathematics, some of it to other vaguely relevant mathematics, while some content is simply our attempt at mathematical humor.

Our goal in Prime Suspects has been not only to popularize the fascinating and extraordinary similarities between the fine details of the structure of integers and of permutations, but also to draw attention to several key cultural issues in mathematics:

— How research is done, particularly the roles of student and adviser;
— The role of women in mathematics today; and
— The influence and conflict of deep and rigid abstraction.

I’m not sure everyone will love this book, but I sure do! Sure to be all the rage in graduate wings of math departments across the nation!

press.princeton.edu

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Review of A Is for Elizabeth, by Rachel Vail, illustrated by Paige Keiser

A Is for Elizabeth

by Rachel Vail
illustrated by Paige Keiser

Feiwel and Friends (Macmillan), 2019. 121 pages.
Starred Review
Review written May 21, 2019, from a library book

I picked up this new book because I didn’t have very many beginning chapter books to talk about when booktalking in the local elementary schools this year for the Summer Reading Program. This one is exactly what I was looking for.

Elizabeth is starting second grade at the start of this book, so it’s perfect for the rising second graders. She has her first homework assignment – to make a poster about her name. She doesn’t think this is fair, since ELIZABETH has so many letters.

To be even more unfair, the posters will be presented in alphabetical order. That means Anna is going to go first. But that doesn’t seem right. After she makes the poster, she talks with her brother Justin:

“Sometimes the name Elizabeth starts with the letter A,” I explained to Justin.

“No it doesn’t,” he said.

Justin is in fifth grade, so he thinks he knows everything.

“Sometimes it does,” I said.

“Never,” he said.

“Haven’t you ever heard of sound it out?” I asked.

Justin looked confused. Ha! Even fifth graders don’t know everything.

Annoying. Amazing,” I said. “Sound it out. What letter makes the uh sound at the beginning?”

“An A,” Justin said.

“AHA!” I said. “And my name starts with the same sound! A-lizabeth!”

As a mother, I especially enjoyed the part where Elizabeth tells her parents that she needs poster board for a project due tomorrow.

There is a rule in our family that I forgot all about.

It is:

No saying the words Poster Board after 6:00 p.m.

“You said it, too,” I told Mom.

“Said what?” she asked me.

“The words that rhyme with toaster sword . . .

“Toaster sword?” she asked.

“Yes,” I said.

I whispered the words poster board.

“You said those words at least five seconds later in the night than I did, Mom.”

Mom shook her head.

Dad shook his head.

They both did loud breathing.

That is what they do when I make a good point and win the argument.

A Is For Elizabeth is a fun look at the challenges and triumphs of second-grade life. It has fifty very short chapters and illustrations on every spread. Reading this book will not be daunting, but will give a sense of accomplishment.

rachelvail.com
paigekeiser.com
mackids.com

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Review of Raising Hell, by Julie Ferwerda

Raising Hell

Christianity’s Most Controversial Doctrine Put Under Fire

by Julie Ferwerda

Vagabond Group, 2014. 293 pages.
Starred Review

I first came to believe that God really will save everyone, that it’s literally true that “at the name of Jesus every knee will bow” and that “as in Adam all die, so in Christ will all be made alive” from reading writings of George MacDonald in the 1990s and then checking with Scripture. Since that time, I’ve discovered many more books by people who believe the same thing, and I’ve reviewed them on my website. Each one has something new to offer, and together they bolster my picture of a great big triumphant God of love.

Raising Hell is the first book I’ve read about universalism that’s written by a woman. (About time!) This book is for laypeople and brings an emphasis on how you can study the Bible for yourself – how you can check for yourself on whether these things are true. She references many Bible study tools available to anyone with internet access. She says in the Introduction, “Raising Hell is intended to be the starting place, the opening of a most important conversation that I hope continues well beyond this book. One of my goals within these pages is to teach the reader how to do their own research by using a large variety of scholarly, historical, and informative resources that are easily accessed by anyone and everyone.”

Before I get into this, let me mention that, like all the books I’ve read on universalism, she has great arguments for universalism. Let me pull out some quotations I like:

This one’s from the Introduction:

Universal Reconciliation is the belief that all people for all time will eventually be reconciled to God – that this lifetime is not the “only chance” to be saved – but that there is only one way to God, through Jesus Christ.

Through a very intentional plan that reaches into future ages, I believe the true Gospel is that all people for all time will be willingly and joyfully drawn by the unconditional, irresistible, compelling love of a Father into a relationship with Him through His Son. In the end, every knee will have bowed, and every tongue will have confessed Jesus as Lord, giving praise to God (see Romans 14:11, Philippians 2:10).

Like most universalist authors, she makes good points about the character of God, particularly looking at the parables in Luke 15 of the lost sheep, the lost coin, and the lost son:

Throughout this book, we are going to explore how understanding the message of these parables and learning the heart of the Father will deliver the fatal blow to any such notion of an everlasting hell, or even the more palatable version of “eternal separation from God.” As we piece together a remarkable story, we’ll find that it can’t be possible that He would turn away even one son or daughter, and that every person, given enough time to “starve among the swine,” will come to the realization that home is where they belong. Even before they can round the bend for home, they will be welcomed with the happy reassurance that the eyes of their true Father never stopped searching the horizon, ready to run to them with loving, open arms. If Jesus’ words are to be our instruction in the matters of life, then we can have assurance that love is the healer of all things. Our Father will ultimately never give up on nor ever reject – ever!

She talks about how her own quest began by noticing significant translation differences between different versions of the Bible, in many cases contradicting one another. This helped her realize that the English Bible we read – whatever version we choose – is not going to perfectly translate the original language. And the first word she looks at which is very suspiciously translated is hell.

The notion of hell is suspiciously missing from the OT as the destiny for most of mankind, unless you read the KJV or TM (The Message), both of which include the word hell over thirty times. Do KJV and TM know something others don’t? Why the inconsistency? . . .

In the rest of the popular modern versions, the literal translations, and the Hebrew and Greek texts, there are NO references to hell in the OT, or of the concept of everlasting tormenting flames – not one.

Then she looks at the New Testament.

Red flag alert. There are essentially three different Greek words that translators inconsistently pick and choose to translate as “hell” — Hades, Gehenna, and Tartaroo, but not one conveys hell as we know it and teach it today.

She looks in detail at the references where these are mentioned and how they can easily – and more naturally – be translated differently.

She also looks at where the idea of eternal hell came from. It wasn’t prevalent in the church until Augustine popularized it. He spoke Latin instead of Greek, and our early English translations were translated from the Latin rather than from the original Greek, so our understanding has drifted from what the original writers were talking about.

After looking at teachings on hell in the first part of the book, the second part looks at the character of God and the important teaching of the Bible that love never fails. The focus on fire is over and over combined with talk of a refining, purifying fire.

Is it not the same with our own children, each their own yet fully out of us? When I think of the bond earthly parents have with our children, I know it is utterly impossible that God would ever ask us to lose a part of ourselves forever, any more than He would ever intend to give up a part of Himself. His answer is not damnation, but regeneration of all His children into purified sparks!

Jesus always esteemed children because He came to show the heart of the Father toward His children. A true father’s love cannot be earned, and it cannot be done away with. Just as we would never give up on our children, God will never give up on His children; His love will not fail them.

The third part of this book looks at Hebrew themes carried throughout both the Old and New Testaments. This is where she covers the word that all universalist authors bring up, aion, which is incorrectly translated “eternity” in many English versions.

Eternity had no place in the mind of the early Hebrews, probably because neither their Scriptures nor their dealings with God included any such concept. In fact, the Scriptures in Hebrew and Greek were solely written with the perspective of generations or long periods of time (eons or ages), unfolding like a chapter book. About the closest you get in the Scriptures to the concept of never-ending is the word for “immortality,” (athanasia) which literally means “un-death.”

Julie Ferwerda has lots to say about the mistranslation of aion for “eternity” or “forever,” or actually many other words that are used. But I do love it when she points out something I noticed when I did my blog series, A Universalist Looks at the New Testament: Very often, eonian life is talked about in the present tense, as something we are receiving right now. After a list of many verses like this, she says:

There are many more such verses you can look up, correcting them with eonian life and the proper verb tense to experience the greater truth that Jesus came to give us life right now — not just later – and that people’s lives are markedly improved when they believe, understand, and live the true Gospel message.

She does talk about the specific ages and covenants and harvests she sees in Scripture. I’m not sure I would get so specific, though her application of some Old Testament concepts of harvests and the Jubilee is fascinating. I am sure that I do agree with this:

We are living in a plan of ages, but the purpose of these ages – at least the ages we know about – is going to come to an end, as will all of the eonian (temporary) elements in them. The Scriptures do not provide detail as to what happens after the Story of the ages is complete, when all prodigals have been reconciled to their true Father, but we do know that all forms of death will have been destroyed and God will be “all in all” (1 Cor. 15:28).

Her perspective also sheds great light on the problem of evil. With her big picture view, she is able to bring me where I can see it like she does:

I have come to regard the problem of evil like a tension in a compelling novel, juxtaposed to the ultimate, euphoric resolution. In any good novel, the reader longs to find resolve, but has to wait until the final chapter to see how it is accomplished. In our Story, I believe God’s expression of love is exponentially expanded, not diminished, through the necessity of evil. Evil does not reign supreme or have the final say, but is only a limited, temporary tool or a means to an end of a great, full circle, happily ever after.

She sums up so nicely the effect believing in universalism has had on my own life:

When you realize that God fills everything and nothing is outside of Him, suddenly life around you becomes less dangerous, more hopeful, promising, and beautiful. The skies look bluer, the trees look greener, every single person you meet is more valued – even the filth and pollution is less oppressive, and darkness is less suffocating.

Thank goodness I don’t have to try to play God anymore. I can completely trust Him with my kids, my marriage, my finances, my health, and my future. I can simply trust Him in all things because His unchangeable plan has already determined that everything will work out in the end. In other words, if it hasn’t worked out yet, it’s not the end.

Like her, I find this teaching is full of joy:

This is the kind of Gospel – where no one is a throw away – that breeds life, and joy, and continuous wonder. This Gospel births a sincere, deep love for people, and the excitement to share the truly unconditional love of God with everyone. It is so gratifying to know that every single kind word or deed offered will someday result in the growing of a seedling or the bearing of fruit from a person created in the image of God. No effort will ever be wasted or insignificant. The joy and energy this realization has brought into my life is positively captivating and simply impossible to fully articulate.

The final section of the book contains resources – resources so the reader can study these things for themselves and figure out if these ideas are true. She lists several online resources, gives a chapter called “Simple Steps for Identifying Mistranslations,” and another chapter that looks at commonly misunderstood concepts in Scripture – with their Strong’s number so you can look up the original Greek word involved.

Several more resources are offered. One that especially gratified me is the final list, titled “Modern, Well-Known Commentaries of Aion and its Derivatives.” She gives quotations from nine different commentaries that agree that aion does not carry the meaning “unending.” These begin with Ellicott’s Commentary on the Whole Bible, The Interpreter’s Dictionary of the Bible, Lange’s Commentary American Edition, and six more.

Why does this gratify me? Well, not long ago two different people – one a stranger on Facebook and the other my former pastor – pointed me to one particular Greek dictionary that said that aion can be translated “eternal,” and they said that was the final word on the subject. I didn’t have a resource those arguing with me would recognize as equally authoritative. Now I have nine.

I always hesitate to write a long review about a book that makes a persuasive case for something – lest you think that reading my brief summary of the argument is as good as reading the book itself. But in this case I wanted to give you a taste of the good things contained in this book. And like Julie Ferwerda, I challenge you to examine these ideas yourself. This book offers a wonderful jumping-off point.

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Review of Once Upon a Goat, by Dan Richards, illustrated by Eric Barclay

Once Upon a Goat

by Dan Richards
pictures by Eric Barclay

Alfred A. Knopf, 2019. 32 pages.
Starred Review
Review written September 10, 2019, from a library book

Here’s a silly twist on a fairy tale pulled off with just the right humorous touch.

The book opens with a king and queen who wish for a child.

“Yes, but where would we put it?” asked the king.
“Next to the vase on the hearth, naturally,” replied the queen.
“Or beside the roses in the garden,” the king added.
“Oh, yes. Perfect,” agreed the queen.

When their fairy godmother shows up, they tell her about their wishes.

“We’re not particular,” said the queen. “Glowing skin, bright eyes, and hair like ocean waves should do.”

“Hmm . . . ,” said their fairy godmother.
“A boy would be great,” added the king. “But any kid will do.”
“Of course,” answered their fairy godmother. “Look on your doorstep when the moon is full.”

At the next full moon, they eagerly look outside – and a little goat is sitting there! The king realizes he shouldn’t have said that any kid would do. They try to send the goat away, but it’s a blustery night, and they bring him in for just one night… and the night turns into many more.

The illustrations are a huge part of the fun as the little kid enjoys the run of the palace and the palace guards keep their faces stoic. And we’ve got more to the story when the fairy godmother comes back.

I can’t read this book without smiling.

danrichardsbooks.com
ericbarclay.com
rhcbooks.com

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Review of Damsel, by Elana K. Arnold

Damsel

by Elana K. Arnold
performed by Elizabeth Knowelden

HarperAudio, 2018. 7.75 hours on 7 discs.
Starred Review
2019 Printz Honor winner
Review written October 16, 2019, from a library audiobook.

First let me say that I have a new favorite audiobook narrator. Yes, Elizabeth Knowelden has a wonderful accent and her voice is a delight to listen to, but she also has the ability to pack every word with drama. When I raved about her reading this book and tried to imitate her, I simply sounded overdramatic, but when she does it, she makes every word seem important. She achieves exactly the right amount of emphasis and compels your attention.

The book itself is amazing.

Now, there’s a startling ending – but I had a strong clue what that ending would be from hearing the author’s Printz Honor speech. I had a feeling that Ama would not meekly succumb to the forces urging her to be a good little girl and submit. Let me say only that this book is perfect for the “Me Too” generation.

For generations, the prince of the kingdom of Harding, in order to become king after his father dies, must conquer a dragon and rescue a damsel. He will bring the damsel back to his castle and marry her at the Winter Solstice. They will have one child, a son, who will repeat this process after them.

Ama wakes up in Prince Emory’s arms, and he tells her that he rescued her from a dragon. She doesn’t remember anything from her life before. As they journey back to the castle, Emory kills a mother lynx that he thought was threatening Ama (she wasn’t), and Ama takes the baby with her to the castle. She names the baby lynx Sorrow.

At the castle, Ama must learn her place. There are still some months before midwinter, and she must learn her role in the scheme of things. But it’s almost as hard for Ama to fall into place as it is for Sorrow.

The reading of this story is outstanding, but this is not a family tale. There are many vulgar moments, and sexual things explicitly described. And Prince Emory is not a nice man.

Honestly, if I didn’t expect Ama to triumph, I would not have been able to listen to this story, so I think it’s safe to tell you that the horrible things that happen along the way make the ending of this audiobook all the more sweet.

elanakarnold.com
harperaudio.com

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Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Landscapes of Anne of Green Gables, by Catherine Reid

The Landscapes of Anne of Green Gables

by Catherine Reid

Timber Press, 2018. 280 pages.
Starred Review

Hooray! This was the perfect book to discover shortly before my own long-awaited trip to Prince Edward Island! I finished reading it a few days before I set out myself with two childhood friends.

The book is full of full-color photographs taken on Prince Edward Island. Most of the spreads that don’t have one have a black-and-white photo that L. M. Montgomery took herself, or an illustration from the original edition of Anne of Green Gables.

The author does a nice job of getting across the basics of L. M. Montgomery’s life and how important Prince Edward Island was to her. She peppers the book with many quotations about the island from the Anne books, from Maud Montgomery’s journals, and from her book The Alpine Path about her career – and how important the beautiful landscapes of her home were to her.

At the back of the book there is a list of L. M. Montgomery sites to visit, and you can be sure I’m going to visit all of the ones on Prince Edward Island.

I wish these photographs could be printed on the pages of L. M. Montgomery’s books! Seeing how beautiful Prince Edward Island truly is made me appreciate much more her many descriptions where she hopes to explain that to the reader. She does a good job – but pictures verify that instantly.

The section about Gardens on Prince Edward Island pulled together gardens in her books and gardens she talked about in her journals – with photographs of the flowers she mentions and gardens such as the kinds she described. That chapter especially gave me new appreciation of what L. M. Montgomery was saying – since I didn’t even know what some of the flowers she names look like.

Browsing through this book is a delightful experience. There are enough well-chosen words to help you appreciate what you’re seeing. And for building excitement for an upcoming trip – it is absolutely perfect!

catherinereid.org

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Review of The Cruel Prince, by Holly Black

The Cruel Prince

by Holly Black

Little, Brown and Company, January 2018. 370 pages.
Starred Review
Review written in January 2018 from a library book.

Wow. Before reading this book, I’d read two children’s books with very clunky writing. Then I picked up The Cruel Prince at the library – the first published 2018 book I’ve read (instead of an advance reader copy) – and I was entranced, enthralled and pulled into the world.

I’m writing this review in 2018, before I’ve talked with anyone else about the book – so these opinions are entirely my own. I’m also not sure how much Newbery consideration I should give to a book so clearly written for young adults. The Newbery criteria say we’re looking at excellence in presentation for a child audience, and I’d say this book isn’t written for a child audience. But on the other hand, it then defines a “child” as someone between the ages of 0 and 14, and there are certainly 14-year-olds who will enjoy this book. Anyway, that’s something I’m going to ask about when our committee meets in February. Once I’ve gotten some more advice, I won’t discuss it in reviews.

Newbery consideration aside, one of the things that makes this book so wonderful to read is how completely Holly Black immerses the reader into the world of faerie. It’s a dark, dangerous, and scary world, but we feel like we understand what it’s like for Jude to live there.

The book opens with a Prologue – in which seven-year-old Jude sees both her parents killed by a tall man who comes to their door.

The man, Madoc, is a faerie. He tells her big sister Vivienne that he is her father. She was stolen from him, and he has come to take her to her true home, in Elfhame beneath the hill. He takes Jude and her twin sister Taryn as well. They are the children of his wife, so he takes responsibility for them. They are brought up in luxury – in Faerie.

Ten years later, Jude reflects:

The servants are overfond of telling me how fortunate I am, a bastard daughter of a faithless wife, a human without a drop of faerie blood, to be treated like a trueborn child of Faerie. They tell Taryn much the same thing.

I know it’s an honor to be raised alongside the Gentry’s own children. A terrifying honor, of which I will never be worthy.

It would be hard to forget it, with all the reminders I am given.

“Yes,” I say instead, because she is trying to be kind. “It’s great.”

Faeries can’t lie, so they tend to concentrate on words and ignore tone, especially if they haven’t lived among humans. Tatterfell gives me an approving nod, her eyes like two wet beads of jet, neither pupil nor iris visible. “Perhaps someone will ask for your hand and you’ll be made a permanent member of the High Court.”

“I want to win my place,” I tell her.

Jude wants to compete in the upcoming tournament and be chosen to be a knight. But the rivals in the tournament, faeries her own age, despise her for being mortal. And Madoc has other plans, forbidding her to become a knight.

But then she gets an offer to be a spy for one of the princes of Elfhame.

The High King has chosen to retire soon, and he has chosen Prince Dain to be his successor. But there are intrigues and plots unfolding around the succession, and Jude gets caught in the middle of it.

That’s the beginning – and my summary doesn’t do the intricacies of the plot justice.

This is the story of a teen girl coming of age and trying to make her way in a world where she is utterly foreign, seen as a different species. There’s lots of danger and lots of on-stage death – but the look at the world of faerie – which Jude is accustomed to – is fascinating and exotic and intriguing. As the story develops, Jude must not only find a place and gain some power, but she also needs to stay alive.

This is the first of a series, and the book ends at a frustrating point – but at a place where readers will be eager to read on as soon as they get the chance.

The romance seems clichéd. I’m sure she’s going to end up with the person she hates most at the start of the book – for no good reason except that they hate each other at the start. But the author succeeds in making him very interesting by the end of the book – so I can at least understand that Jude would be interested as well.

This book has an elaborately portrayed world. It has an intricate plot, with twists and surprises and dangers. The characters are complex. The theme of coming of age – even if you have to kill and lie to gain power – is the part that doesn’t seem suitable for a child audience. But teens are going to love it.

blackholly.com
LBYR.com

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Find this review on Sonderbooks at: www.sonderbooks.com/Teens/cruel_prince.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Heart of a Boy, by Kate T. Parker

The Heart of a Boy

Celebrating the Strength and Spirit of Boyhood

by Kate T. Parker

Workman Publishing, 2019. 250 pages.
Starred Review

Oh, I love this book! I was already crazy about Strong Is the New Pretty, the book the author wrote celebrating girls. Now she’s done an equally wonderful job taking photographs of boys. (And the boy on the front cover is the most adorable ever!)

Both are books of photography, with large mostly close-up pictures, focusing on faces. Both books break some stereotypes, so in this book you do have many pictures of boys being tender.

The chapters break the photos loosely into categories. Here are the chapter titles: “The Heart Is Vulnerable,” “The Heart Is Joyful,” “The Heart Is Dedicated,” “The Heart Is Playful,” “The Heart Is Creative,” “The Heart Is Resilient,” “The Heart Is Expressive,” “The Heart Is Independent,” “The Heart Is Curious,” and “The Heart Is Kind.”

Each photograph is accompanied by a caption with the boy’s first name and age and a quote from him. Here are a few random examples:

“I want to be president because I am helpful, kind, and nice.”

“I liked losing my front teeth because I could fit Tic Tacs through the hole!”

“Wrestling taught me perseverance in everything I do. That in order to move a wall, I have to push until I can push no longer. Only then, after giving everything I’ve got, will that wall move.”

“Cade is my best friend. We have so much fun together whatever we do. We can just be really silly and do nothing and still have fun.”

“Baseball is a lot of fun. I love the sport because I can play with my friends and teammates. The hardest part is that I can’t run as fast as the other kids because of my knee disability. So I have to try much harder to keep up.”

“I like soccer. I like baseball. I like to dance, too. The best part is tap dancing becase it is fun and it makes me feel good.”

“People say, ‘You look like a girl. Your hair is too long, your hair isn’t normal, your hair doesn’t look like boy hair. Why are you wearing pink leggings? Why do you wear tight clothes? Why do you wear so much jewelry?’ But I like the way I am.”

“When I’m drawing my characters come alive, and it’s as if they are right there speaking directly to me.”

Now you need to see the boys who have said these words – and many more. This is another fabulously affirming book.

katetparker.com
workman.com

Buy from Amazon.com

Find this review on Sonderbooks at: www.sonderbooks.com/Childrens_Nonfiction/heart_of_a_boy.html

Disclosure: I am an Amazon Affiliate, and will earn a small percentage if you order a book on Amazon after clicking through from my site.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

What did you think of this book?