Review of Brightly Burning, by Alexa Donne

Brightly Burning

by Alexa Donne

Houghton Mifflin Harcourt, 2018. 394 pages.
Starred Review
2018 Sonderbooks Stand-out:
#4 Teen Speculative Fiction

This book is a science fiction retelling of Jane Eyre, and is tremendously good. It reminded me of For Darkness Shows the Stars, a science fiction retelling of Persuasion, which I also loved.

However, the last time I reread Jane Eyre I was disappointed that now I can see a whole lot of things wrong with the relationship, so reading this book, I was somewhat upset with myself for finding it very romantic.

Now, they did clean up some of the more unsavory details. The ward of Captain Fairfax, in this book, is not his illegitimate daughter from a youthful indiscretion, and he doesn’t actually have an insane wife shut up in the attic. Nor is he many years older than our heroine.

However, he is Stella’s employer. She’s in a subordinate relationship to him, and he orders her to spend some time with him each evening, enjoying his library of actual paper books. And, similar to Mr. Rochester of Jane Eyre, he tries to make her jealous, and succeeds abominably. He brings a woman to their spaceship along with her family, and Stella learns that the families have long planned to one day combine resources with a marriage. To make matters worse, Captain Fairfax (of the ship Rochester) requires Stella to be present when the groups socialize in the evenings – just as Mr. Rochester did to Jane Eyre.

The end of the book does have things play out somewhat differently than what happens in Jane Eyre – though the gist is quite similar.

Once again, I don’t really see why I want our heroine to end up with this guy. And yet I do find the story romantic.

Maybe it rings too true when I remember the pain of unrequited love as a teenager having crushes? Only in our book, it turns out the love is not unrequited.

Or maybe it’s seeing someone who thinks herself small and insignificant being noticed for her shining character? In this book, Stella won’t let things progress between them until Captain Fairfax acknowledges her as an equal. (I’m glad that point was made, but it doesn’t quite make up for the disparity in power between them.) The truth is that in this book, Stella is the only one who seems willing to stand up for what’s right. So I’m not sure she should have fallen for him. But it is lovely that he found her, despite the fact that she wasn’t seeking his attention.

All that aside, as a science fiction retelling, this is cleverly executed with much obvious love for the original. The story is wonderful.

Parents, you might want to read both Jane Eyre and this book before you hand them to your teenage daughter – but I promise you’ll have a whole lot of fun if you do that. As well as having lots to discuss.

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Review of With the Fire on High, by Elizabeth Acevedo

With the Fire on High

by Elizabeth Acevedo
read by the author

HarperAudio, 2019. 7.5 hours on 6 discs.
Starred Review

Elizabeth Acevedo is the author of The Poet X, which won the 2019 Printz Award, Pura Belpré Award, Boston Globe-Horn Book Award, and National Book Award. This new book (also a stand-alone) is every bit as fiery and wonderful.

Emoni Santiago is a senior in high school with a two-year-old daughter to look after. Ever since she got pregnant her freshman year, her life has revolved around her Baby Girl. Emoni herself is looked after by her Abuela, since Emoni’s mother died giving birth to her and her father went back to his island, Puerto Rico. He visits every summer, but he has never stayed.

Now Emoni is a senior, and her high school is beginning a Culinary Arts elective with a real chef. Since she was very small, Emoni has loved to cook. She doesn’t necessarily follow recipes, but makes them her own. And when people eat her food, they are reminded of powerful memories. She has a magic touch.

But can Emoni handle the work of such an elective while she’s trying to work on the weekends and juggle her other classwork while taking care of Baby Girl? And the class is going to take a trip to learn about the food of southern Spain – but how can Emoni possibly pay for that? And why is the new boy in their grade paying attention to her? She doesn’t have time for boys.

Those are a few of the things Emoni has to deal with in this book that takes us through the start of her senior year through graduation. It’s refreshing to hear the story of a single teen mother who kept her baby and is trying to take good care of her and also follow her own dreams.

When I heard Elizabeth Acevedo give her acceptance speech for the Printz Award, I loved listening to the soft accent of her musical voice. Listening to her narrate this book, I got to hear more. Emoni, given a voice by Elizabeth Acevedo, is a heroine you will enjoy spending time with and whom you won’t forget any time soon.

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Review of A Curse So Dark and Lonely, by Brigid Kemmerer

A Curse So Dark and Lonely

by Brigid Kemmerer

Bloomsbury, 2019. 484 pages.
Starred Review
Review written July 29, 2019, from a library book

A Curse So Dark and Lonely is a retelling of “Beauty and the Beast,” but it’s an expansive retelling, only borrowing the barest outline of the fairy tale.

The book begins with a scene in the fantasy world of Emberfall, then a scene on the streets of Washington, DC. In Emberfall, we meet Rhen, a cursed prince. The only member of his guard left is the captain, Grey. His family, servants, and all the rest of his guard are dead, killed by the beast he becomes at the end of each season. The girl who was this season’s prospect for breaking the curse has fled, as all the rest before her. A new season is beginning, in a perpetual time loop.

In DC, Harper is a lookout for her brother Jake. He’s been coerced into doing bill collection work, to make up for what their father had owed and to try to afford medicine for their mother, who is dying of cancer. Jake is taking too long, but while Harper waits, she sees a man abducting a young woman. Even though she doesn’t want to attract attention, and even though she has a limp from her cerebral palsy, she can’t just let him do this right in front of her, so she attacks him with a rusty tire iron.

But he’s surprisingly good at defending himself. When Harper thinks he’s about to attack her in return, she ends up suddenly transported into a fantasy world. She’s not kindly disposed to the prince she meets, either. And she’s worried about her mother and brother. But when she tries to escape, it doesn’t take long to figure out that something magical is happening, since the world outside the castle grounds is covered in snow.

I wasn’t too impressed with the story as it began, but became more and more so as it continued. All the characters have lots of depth. Rhen isn’t just a shallow prince who’s won over by this girl. He’s actually learned much from his initial mistake and from the horror of knowing he’s killed his family. He’s taken steps to protect his people. Too bad the enchantress continues to return to torment him. In fact, she’s decided that Harper is his last chance.

Harper, too, is a character with depth. She has cerebral palsy, but doesn’t let that stop her. She does some learning during the course of the book. For one thing, she learns that impulsive promises she makes to the people of Emberfall will have consequences. I do like the way the author has thought of repercussions of the curse that aren’t in the original fairy tale. For example, a neighboring monarch is going to want to get a piece of the kingdom whose rulers seem to have disappeared.

There are some twists thrown into the ending – twists that are not resolved at all. I wish there’d been some evidence somewhere on the book jacket that this is only Book One. But the basic story of the fairy tale is indeed resolved in a satisfying way. I do want to know what happens next, though, so I’ll be watching for the sequel.

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Review of Lovely War, by Julie Berry

Lovely War

by Julie Berry

read by Jayne Entwistle, Allan Corduner, Dion Graham, Fiona Hardingham, John Lee, Nathaniel Parker, and Steve West, with a historical note read by the author
original music by Benjamin Salisbury

Reviewed August 1, 2019, from a library audiobook
Listening Library, 2019. 12 hours, 57 minutes, on 11 compact discs.
Starred Review

This audiobook is an epic novel and an astonishingly wonderful production. As you can tell by all the distinguished readers (including a couple of my favorite narrators), they use different readers for different people telling the story.

This book is told by the gods. You see, in 1942 Paris, the god Hephaestus has caught his wife Aphrodite, the goddess of beauty, cheating with his brother Aries, the god of war. As her defense, Aphrodite tells the gods that mortals know more about love than gods do – and she gives an example, telling the story of two mortal couples who fell in love during the Great War, Hazel and James (both British), and Colette (Belgian) and Aubrey (African American).

The couples came together because of War and because of Music – so Aries and Apollo help tell the story. But Death also comes into the story, so Hades has parts to tell as well.

The story is epic. Hazel meets James a week before he ships out to fight. She volunteers with the YMCA and goes to France, where she meets Colette. Colette has already suffered the loss of her entire family and the boy she loved at the hands of the Germans. But Hazel plays piano and Colette sings, and while playing in the YMCA relief hut, they meet Aubrey, the king of ragtime.

There’s an extended author’s note at the end, because she did a lot of research. When she spoke about how moved she was viewing the World War I memorials in Europe, I was instantly reminded of my own visit to the museum at Verdun and how it utterly shook me. But she went even more places than I did.

The officers in the story were people who actually lived and battles are portrayed that they actually fought. Aubrey encounters horrible racism overseas from Americans but not much at all from the French – matching the actual experiences of American soldiers in World War I.

The story itself is lovely and will wind itself into your heart. I also enjoyed the playful and unusual frame of a story being told by gods. I’m already going to say that I hope this audiobook wins this year’s Odyssey Award for the best children’s or young adult audiobook production. It gives an amazing listening experience.

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Review of Chronicles of Avonlea, by L. M. Montgomery

Chronicles of Avonlea

by L. M. Montgomery

Grosset & Dunlap, 1970. Originally published in 1912. 306 pages.
Starred Review
Review written July 6, 2019, from my own copy

In preparation for a trip to Prince Edward Island in September, I’m rereading all my L. M. Montgomery books in the order they were published. Chronicles of Avonlea is number five in this endeavor.

Maud Montgomery honed her craft by writing stories and getting them published in magazines. She did this for years before her first novel was published. This collection of stories gives wonderful examples of her brilliance. The only I quibble I have with them is that she was being pressured to write more about Anne of Green Gables – and mention of Anne Shirley is shoehorned into almost every single one of these stories. The only one where it’s organic and Anne is an important part of the plot is the first one, “The Hurrying of Ludovic.”

The most brilliant story of all in this collection is probably my favorite short story ever. I’ve done readings of this story when I was in college to entertain my friends and, yes, when I came to this story this time through, I was compelled to read the whole thing out loud.

That Most Delightful Story Ever is “The Quarantine at Alexander Abraham’s,” the story of a woman who hates men and her cat trapped in the home of a man who hates women and his dog. The woman, who is the narrator, does come off best – and both change their attitudes by the end. The process is all the fun and reading it in the narrator’s voice saying, “I am noted for that” makes it utterly delightful.

Honestly, in this read-through, I’m constantly being shocked when I realize these older characters are now younger than me! Angelina Peter MacPherson is forty-eight years old in this story. In fact, many of the main characters in these stories are deep into adulthood. I’m going to file this book in with Teen Fiction, but really these are family stories. It’s all innocent and G-rated, about life and love, but there’s a lot of focus on older folks coming to understand whom they truly love, whether in romance or the love of a child.

This is a delightful collection, written by a master storyteller at the height of her powers.

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Review of Yaqui Delgado Wants to Kick Your Ass, by Meg Medina

Yaqui Delgado Wants to Kick Your Ass

by Meg Medina

Candlewick Press, 2013. 260 pages.
Starred Review
2014 Pura Belpré Award Winner
Review written July 5, 2019, from my own copy obtained at 2019 ALA Annual Conference

A wonderful thing happened at ALA Annual Conference – as the exhibits were closing, I was able to grab free copies of two of our Newbery winner’s backlist titles. Then, with it in my bag, I did some reading later while waiting in line, so this was the first book I read after the conference.

The story is told in the voice of Piddy (short for Piedad) Sanchez. It begins with a bang:

“Yaqui Delgado wants to kick your ass.”

A kid named Vanesa tells me this in the morning before school. She springs out with no warning and blocks my way, her textbook held at her chest like a shield. She’s tall like me and caramel. I’ve seen her in the lunchroom, I think. Or maybe just in the halls. It’s hard to remember.

Then, just like that, Vanesa disappears into the swell of bodies all around.

Wait, I want to tell her as she’s swallowed up. Who is Yaqui Delgado? But instead, I stand there blinking as kids jostle for the doors. The bell has rung, and I’m not sure if it’s only the warning or if I’m late for first period. Not that it matters. I’ve been at this school for five weeks, and Mr. Fink hasn’t remembered to take attendance once. A girl near his desk just sort of scans the room and marks who’s out.

It turns out that Yaqui Delgado is a bully, and Piddy is in real trouble. It starts with small things that Piddy can’t pin on her, such as a chocolate milk thrown in her direction that explodes all over Piddy’s clothes. But Yaqui becomes hyperaware and starts living her life to avoid Yaqui Delgado. Her grades suffer. But she can’t tell her mother what’s really going on.

If only they could move back to their old neighborhood. But Aunt Lily teaching her to salsa dance may have been what got her into this mess. She’d been walking with a swing in her hips. That will certainly stop, as now she’s living in fear.

You might think this couldn’t fill a whole book, but it does, and does it well. If nothing else, I learned from this that bullying isn’t simple and doesn’t have simple solutions. And yet it can be overcome.

You’re with Piddy in her fears, frustrations, and gut-wrenching decisions. And ultimately, you’re with her as she figures out how to rise above the fear.

This is a lovely book that immersed me in a world I didn’t know. I was touched by the author’s note at the back:

Years ago, when I was in school, a girl in a rabbit-fur jacket cornered me in the school yard and announced that one of our school bullies was going to beat me up. What I remember most from that time was loneliness and all the risky choices I made as I embarked on the search for a tough-girl shell that could withstand any attack. But as I struggled against the dread of being in school, I became someone else entirely. I hid every talent and interest I had in the hope of appearing fierce and untouchable to the bully and the rest of the world. It was a struggle to find my identity and inner strength – as a student, as a young woman, as a Latina. I was in a fight for my dignity.

Meg Medina brings us into this fight for dignity in this beautiful book.

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Review of Darius the Great Is Not Okay, by Adib Khorram

Darius the Great Is Not Okay

by Adib Khorram

Dial Books, 2018. 316 pages
Starred Review
Review written September 18, 2018, from a library book
2018 Sonderbooks Stand-out:
#3 General Teen Fiction
2019 Morris Award Winner
2019 Asian/Pacific American Award for Young Adult Literature

Darius the Great Is Not Okay is the story of Darius Kellner, who is a Fractional Persian – half Persian in his case, from his mother. Darius works in a tea store in Portland, and when we meet him, the kids who bully him walk in and give him a new degrading nickname and vandalize his bike.

His father, a German Übermensch, thinks he should just stand up to the bullies. Darius is sure he can never please him. Though at least they still have one thing they share – nightly time together watching Star Trek, Next Generation.

There’s a Skype visit with Darius’s grandparents in Iran, and his little sister, Laleh, speaks fluently with them in Farsi, but Darius never knows what to say. When they learn that his grandfather has a brain tumor and is not doing well, the family makes plans for an extended trip to Iran.

Most of the book is about that trip to Iran. But it’s also a book about friendship. Yes, I said friendship, not romance. I was delighted to read a book about genuine friendship between high school boys. Darius meets and makes friends with Sohrab in Iran, and right away they can be honest and open with each other. There are some bumps in their friendship – which makes it all the more authentic.

This is also a book about depression. Both Darius and his father take medication for depression, and Darius cries easily. He calls it “stress hormone secretion.” Darius does a lot of obsessing over what people think of him, and I like the way that’s honestly portrayed.

It’s also a book about family. Darius is meeting his Iranian family in person for the first time, and learning about his heritage – generations of his family have lived in the town of Yazd for centuries. They celebrate holidays together with extended family during the visit, and Darius realizes he loves these people.

But none of it is simple. His friend Sohrab is bullied for being Baha’i, and Sohrab’s father is in prison. Darius’s grandfather is dying, and his personality is changing – or so Darius is told, but he mourns that he never really knew his grandfather before, except on the computer screen. Laleh fits in so much better in Iran, since she speaks Farsi. And his father even lets Laleh replace Darius watching Star Trek, Next Generation.

I love Darius’s expressions throughout the book. There are multiple references to Lord of the Rings and Star Trek. I enjoyed that I got pretty much all the references. Will teens get those? Maybe some will. He calls the bullies “Soulless Minions of Orthodoxy” and his own mood swings “Mood Slingshot Maneuvers.”

Overall, it’s a beautiful story of a young man fighting his demons, finding his place in the world, and making and being a true friend.

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Review of On the Come Up, by Angie Thomas

On the Come Up

by Angie Thomas
performed by Bahni Turpin

HarperCollins, 2019. 11.75 hours on 10 discs.
Starred Review
Review written May 18, 2019, from a library audiobook

Here’s a second book by Angie Thomas, set in the same city of Garden Heights as her award-winning debut novel, The Hate U Give. Sixteen-year-old Bri has noticed a greater police presence in Garden Heights since the shooting from the earlier book and the protests that followed. They’ve also found that the security guards at her private school target the black and brown kids.

But right now, all Bri is concerned about is getting her big break. She’s loved to rap since she was a little girl. Her father was a rapper before her, but he was shot in gang violence when she was small. Now Bri is going to compete in the Ring, and what happens there gets her some attention.

Meanwhile, Bri gets harassed and thrown to the ground by school security, who called her a hoodlum. That’s simmering in her brain when she gets a chance to record a song, “On the Come Up.”

The song is popular – but plenty of people take it the wrong way. And that gets Bri’s temper flaring. Which doesn’t make her mother happy. But what her mother doesn’t know won’t hurt her. She recently lost her job, and if Bri can make it big as a rapper, maybe she can keep the electricity on and change all their lives.

One thing I love about this book and listening to the audio is that you get to hear the rapping. It bothers me when authors write about characters doing well in a competition but don’t let you see or hear what they use to compete. (A recent book that did that was Poet X, by Elizabeth Acevedo. It’s a wonderful book – but what poems did Xiomara use in the poetry slam?) In this audiobook, you get to hear “On the Come Up,” and I promise it will start going through your head.

One word of warning is that there’s plenty of profanity in this audiobook, so you probably won’t want to make this family listening – young kids might pick up more than the songs.

But if you’re looking for a profound book about dreams of making it as an artist combined with social issues and dealing with poverty and family dynamics and friendship dynamics and the question of what constitutes selling out – this wonderfully entertaining audiobook does all of that.

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Review of Voices, by David Elliott

Voices

The Final Hours of Joan of Arc

by David Elliott

Houghton Mifflin Harcourt, 2019. 195 pages.
Review written April 17, 2019, from a library book
Starred Review

Voices is a novel in poetry – and I mean real poetry here, not simply prose broken up into artful lines. For the most part, it’s even rhymed poetry. David Elliott gives us Joan of Arc thinking about her life as she waits to be burned at the stake.

Between poems in Joan’s voice, we’ve got poems expressing the voices of objects and people in her life – things like a tunic, armor, cattle, a red dress, swords, and the saints who spoke to her. For those poems, the author used poetic forms that were used even back in Joan’s day – things like a ballade, sestina, villanelle, and triolet.

The note at the front casts light on short quotations presented throughout the book:

Much of what we know about Joan of Arc comes from the transcripts of her two trials. The first, the Trial of Condemnation, convened in 1431, found Joan guilty of “relapsed heresy” and famously burned her at the stake. The second, the Trial of Nullification, held some twenty-four years after her death, effectively revoked the findings of the first. In both cases, the politics of the Middle Ages guaranteed their outcomes before they started. It is in the Trial of Condemnation that we hear Joan in her own voice answering the many questions her accusers put to her. In the Trial of Nullification, her relatives, childhood friends, and comrades-in-arms bear witness to the girl they knew. Throughout Voices, you will find direct quotes from these trials.

The craft in this book is stunning – the various poetic forms are used skillfully. Many are typed in the shape of the object whose voice is heard. I’m not used to a novel in verse using so much rhymed poetry, and using it well. I was a little disappointed, though, that the words didn’t move me as much as I felt like they should have – and that may just be me. I do find myself wanting to read it again – there’s a lot of depth here concentrated in the few words of poetry. (Or better yet, I would like to listen to this in audiobook form.)

A couple of things stood out to me. One was the poems in the voice of the Fire, waiting to burn Joan. Those poems were eerie and disturbing. Another was that in her trial the way they knew she was of the devil was that she dressed like a man. Things have not changed so much in 500 years.

Whatever else this book is, it’s a stunning accomplishment.

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Review of Stepsister, by Jennifer Donnelly

Stepsister

by Jennifer Donnelly

Scholastic Press, May 14, 2019. 342 pages.
Starred Review
Review written February 13, 2019, from an advance reader copy I got at ALA Midwinter Meeting.

Stepsister was my airplane reading on my way back from ALA Midwinter Meeting and made the long flight a delight. It tells about Isabelle, one of Cinderella’s ugly stepsisters.

The story begins when Isabelle is ready to cut off her toes so they will fit into the glass slipper the prince has brought, after her sister Octavia was discovered to have cut off her heel.

“We should’ve heated the blade for Tavi,” Maman fretted now. “Why didn’t I think of it? Heat sears the vessels. It stops the bleeding. Ah, well. It will go better for you, Isabelle.”

It’s not easy, but Isabelle cuts off this part of herself, as she has cut off metaphorical parts of herself all during her life at Maman’s bidding.

And yet, when Maman demanded that she get up, Isabelle did. She opened her eyes, took a deep breath to steady herself, and stood.

Isabelle could do this impossible thing because she had a gift – a gift far more valuable than a pretty face or dainty feet.

Isabelle had a strong will.

She did not know that this was a good thing for a girl to have, because everyone had always told her it was a terrible thing. Everyone said a girl with a strong will would come to a bad end. Everyone said a girl’s will must be bent to the wishes of those who know what’s best for her.

Isabelle was young, only sixteen; she had not yet learned that Everyone is a fool.

Anyone who knows the fairy tale “Cinderella” knows that this didn’t go well for Isabelle. However, that’s only the beginning of this book.

There’s a Prologue that came before this, and we learn that the three Fates have a wager going wiith Chance, who appears as a bold and handsome young man.

He was dressed in a sky-blue frockcoat, leather britches, and tall boots. A gold ring dangled from one ear; a cutlass hung from his hip. His face was as beautiful as daybreak, his smile as bewitching as midnight. His eyes promised the world, and everything in it.

Isabelle is the very mortal whose life map (showing her fate) Chance has stolen. The Fates are not happy about it.

“All this trouble for a mere girl?” asked the crone, regarding Chance closely. “She’s nothing, a nobody. She possesses neither beauty nor wit. She’s selfish. Mean. Why her?”

“Because I can’t resist a challenge,” Chance replied. He rerolled the map with one hand, steadying it against his chest, then tucked it back inside his coat. “And what girl wouldn’t choose what I offer?” He gestured at himself, as if even he couldn’t believe how irresistible he was. “I’ll give her the chance to change the path she is on. The chance to make her own path.”

“Fool,” said the crone. “You understand nothing of mortals. We Fates map out their lives because they wish it. Mortals do not like uncertainty. They do not like change. Change is frightening. Change is painful.”

“Change is a kiss in the dark. A rose in the snow. A wild road on a windy night,” Chance countered.

“Monsters live in the dark. Roses die in the snow. Girls get lost on wild roads,” the crone shot back.

So there’s something at stake as Isabelle’s life plays out. The stepsisters’ story becomes known to the people around them, giving them contempt from the other villagers. Then war comes close to the region. Isabelle hears from a fairy queen a way to change her fate, but will she dare seize that? And meanwhile, neither Chance nor the crone of the Fates is shy about inserting themselves into Isabelle’s story to make sure they win the wager.

Yes, some may say you need to cut off pieces of yourself to make your way in the world. But this book suggests that it’s possible to recover those pieces again and take your fate in your own hands. A wonderful story about what happens after the fairy tale.

jenniferdonnelly.com
scholastic.com

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