Review of Railhead, by Philip Reeve

Railhead

by Philip Reeve

Switch Press (Capstone), 2016. 333 pages.
Starred Review

Here’s brilliant and original world-building in a distant future science fiction novel.

When it begins, it almost sounds like your typical book about a street thief:

Listen . . .

He was running down Harmony when he heard it. Faint at first, but growing clearer, rising above the noises of the streets. Out in the dark, beyond the city, a siren voice was calling, lonely as the song of whales. It was the sound he had been waiting for. The Interstellar Express was thundering down the line from Golden Junction, and singing as it came.

He had an excuse to hurry now. He was not running away from a crime anymore, just running to catch a train. Just Zen Starling, a thin brown kid racing down Harmony Street with trouble in his eyes and stolen jewelry in the pocket of his coat, dancing his way through the random gaps that opened and closed in the crowds. The lines of lanterns strung between the old glass buildings lit his face as he looked back, looked back, checking for the drone that was hunting him.

In this distant future, humans live all over the universe. They travel between star systems on train lines that go through K-gates. The trains are sentient, their AI having developed so far. In fact, the gods of that time, the Guardians, started out as Artificial Intelligence long ago on earth.

Zen starts as a street thief, but a powerful man named Raven, hundreds of years old, wants Zen to steal something for him. He tells Zen that he’s actually a member of the Noon family — the Imperial family. His mission is to go on the Noon train and steal a small object. Raven sends a Motorik named Nova along with Zen to get through firewalls and tell him what to do through Zen’s headset.

It’s not an exaggeration to say that Zen stealing this thing will change the fate of the galaxy.

Not all the characters in this book are human, but they’re all recognizable personalities. When I finished, I was amazed at how the world, as wild as it seems, had absorbed my interest without pulling me out by implausibilities. It’s easy to extrapolate to this world from today’s technology. Everyone has access to the Datasea made from the interlinked internets of all the inhabited worlds. The various AI technology can access this swiftly.

I liked some of the names of the intelligent locomotives. They choose their names “from the deep archives of the Datasea.” There are some bizarre names like Gentlemen Take Polaroids and some more traditional like Damask Rose.

This could well be Book One of a series. But it may also be a stand-alone. While there is much room for further adventures in this well-developed world, the adventure comes to a satisfying conclusion. I would love to read more.

Zen’s sister calls him a railhead, and he guesses she’s right:

He didn’t make these journeys up and down the line simply to steal things, he made them because he loved the changing views, the roaring blackness of the tunnels, and the flicker of the gates. And best of all he loved the trains, the great locomotives, each one different, some stern, some friendly, but all driven by the same deep joy that he felt at riding the rails.

This book shows that deep joy, along with galaxy-shaking adventure. You’ll meet creatures that make you rethink sentience. (Uncle Bugs is just plain creepy!)

Sentient trains that travel the galaxy. It’s a wildly imaginative scenario — and Philip Reeve pulls it off.

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Review of The Dark Days Club, by Alison Goodman

The Dark Days Club

by Alison Goodman

Viking, 2016. 482 pages.
Starred Review
Review written in 2016.

This book is one of my favorite kinds – a Regency novel with magic thrown in.

We’re introduced to Lady Helen Wrexhall, eighteen years old and getting ready for her Royal presentation. Lady Helen is an orphan, and her mother died with the cloud of treason over her name. Helen lives with her aunt and uncle, who want her to curb any impulses to be anything like her mother. Lady Helen has recently noticed herself extra excitable and restless.

Then she meets Lord Carlston, about whom rumors swirl that he killed his wife. Lord Carlston believes that Helen, like her mother, is a Reclaimer – one of eight people in England who is able to fight the thousands of Deceivers who feed on the souls of others.

Lady Helen indeed discovers unusual powers. And when she holds the miniature her mother left her, she is able to see Deceivers. She witnesses the shocking scene of Lord Carlston fighting a Deceiver. He tells about the Dark Days Club – a group of people who work with the Reclaimers to fight the Deceivers and save humankind.

But meanwhile, her aunt and uncle and brother know nothing of this and are intent that Helen should be seeking a husband. They continue with preparations for her Royal presentation and her ball.

The two worlds are at odds and one is very dangerous. Then Helen receives a letter her mother left for her and discovers that she may have a choice as to which world she wishes to remain in.

This novel is clearly just the first of a series – and I definitely want to find out what happens next. Regency plus magic is one of my favorite genres. There’s still romantic tension going on, as well as real peril associated with the activities of Reclaimers. She is a Direct Inheritor from her mother, so it is believed this means a Grand Deceiver will arise, and Helen needs to fight them. It will be very interesting to see how this develops.

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Audiobook Review of My Lady Jane, by Cynthia Hand, Brodi Ashton, and Jodi Meadows, performed by Katherine Kellgren

My Lady Jane

by Cynthia Hand, Brodi Ashton, and Jodi Meadows
performed by Katherine Kellgren

HarperAudio, 2016. 13.75 hours on 11 discs.
Starred Review

I’ve already reviewed this book in print form, but oh, Katherine Kellgren’s performance makes it so much fun!

We’ve got alternate history England, featuring Lady Jane Grey, who was queen for nine days. In this version, many people have the magic power to turn into an animal. In the course of things, Jane finds out she is one, which is how she escapes losing her head.

The story is funny and clever and twists history just enough to be terribly fun. And Katherine Kellgren’s brilliant vocal abilities are perfect to bring out all the humor in the situations.

By now, I’ve become Katherine Kellgren’s fan. In a story set in England that was already outstanding in an over-the-top humorous sort of way, her performance puts it even more over the top. Now when I recommend this book, I’m going to suggest listening.

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Review of Blood Rose Rebellion, by Rosalyn Eves

Blood Rose Rebellion

by Rosalyn Eves

Alfred A. Knopf Books for Young Readers (Penguin Random House), 2017. 407 pages.

I’m getting used to alternate histories with magic, but this was an alternate history of something I didn’t know much about in the real world – the Hungarian revolution in 1848.

Anna Arden doesn’t mean to break other people’s spells. But sometimes, especially when her emotions get stirred up, this happens spectacularly, and people get hurt. After she ruins her sister’s debut, she’s sent off with her grandmother to stay in Hungary for awhile at her grandmother’s childhood home.

But various people find out about Anna’s unusual abilities. Would she be able to break the Binding spell – the one that confines magic to the nobility, the Luminate class? And what are the motives of the people who want to use her in this way? But at the same time, what would be the cost? Would this break the power of the Circle, so that common people can have access to magic? But what will the Circle do to stop her?

Anna’s confused as to what she should do. Meanwhile, there’s a handsome Romani young man whom Anna would like to teach her Romani magic. Maybe if she can’t do Luminate magic, maybe she could do Romani magic, which is so different.

Romance and adventure, magic and danger – all put into the context of the actual history of the Hungarian rebellion from the Hapsburgs.

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Review of Thanks for the Trouble, by Tommy Wallach

Thanks for the Trouble

by Tommy Wallach

Simon & Schuster, 2016. 276 pages.
Starred Review

This book opens as Parker Santé is in a hotel, looking for something to steal. He sees a girl with silver hair pay for her coffee.

She reached into her purse and pulled out the fattest stack of hundreds I’d ever seen in real life. I’m talking a hip-hop video kind of wad, thick as a John Grisham paperback. She peeled off one of the bills — (I see you, Mr. Franklin) — and handed it over. “Keep the change,” she said. The waiter nodded a stunned little bobblehead nod, then peeled out before the girl could think better of her generosity, leaving her to tap idly at the top of a soft-boiled egg in an elaborate silver eggcup. I stared at her staring off into space, and counted the many ways in which she was incredible.

He’s attracted to the girl, but that doesn’t stop him from stealing the wad of cash when she leaves her purse behind. However, he makes a fundamental mistake, a mistake that reminds him of the myth of Orpheus.

But my dad said it was the most perfect myth ever written, because it represented the most fundamental human error: we all look back.

When I did, I saw that the silver-haired girl had returned to her seat. In spite of the fact that her purse was open and half its contents had spilled out across the tablecloth, she wasn’t screaming or crying or scrambling around, looking for the culprit. Why, you ask? Because she’d been distracted by something else. By what, you ask? Well, by my journal, of course! I’d left it behind when I tore off with all that money. It had my name in it, and my e-mail address, and an incredibly embarrassing story I’d recently written called “The Most Beautiful Girl in the Kingdom,” which she was now reading.

They get to talking. Or, I should say, the girl talks and Parker writes. Parker hasn’t been able to talk since the accident when his dad died.

But the girl tells him her plan:

“I am waiting for a phone call. And when it comes, I’m going to give this money to the first needy person I see. Then I’ll take the trolley to the Golden Gate Bridge and jump off it.”

Parker doesn’t like the sound of that. So he negotiates. He thinks he’s talking her out of jumping off the bridge, but they end up with the deal that she’s going to spend all that money on him (and with him), and he is going to apply to and attend college.

As their adventure takes off, they get to know each other better. When Parker tries to find out more about Zelda, she tells him that she was born in 1770 in Kassel, Germany. She doesn’t age.

Now her second husband is dying of old age, and she’s had enough.

But whether or not he believes her, Parker has some things to show her about life.

And she has many things to teach Parker.

I like all the questions this book opens up. What would it be like not to age? What would you do?

I wasn’t crazy about the framing — It’s supposedly Parker’s college application essay. I didn’t actually believe you’d be able to submit a book-length manuscript online. Though that does add to the fun because you don’t know if it really happened to the character. Though it certainly supports how dramatically his life changed.

An entertaining book that you can think about for a very long time.

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Review of Sword and Verse, by Kathy MacMillan

Sword and Verse

by Kathy MacMillan

HarperTeen, 2016. 376 pages.
Review written October 2016.

This book starts on the day the palace Tutor-in-training is executed for teaching other slaves to read. Raisa is one of the Arnath slaves who cleans the palace friezes, but she is chosen to be the new Tutor-in-training.

Only the Qilarite nobles are allowed to learn to read, and only the royal family learn the Higher Order symbols, which they use to write to the gods. No one in Qilara knows that Raisa has a piece of writing given to her by her father, one of the Learned Ones of Arnath, where they believed that all should be given knowledge. Before their village was raided and he was killed, her father gave her her heart verse, written out on a soft piece of paper. Raisa hopes that when she’s taught to read, she will be able to understand what that valuable piece of paper says.

But as Raisa is studying with Prince Mati, learning the word-based writing system of Qilara, the prince begins seeking quiet moments with her, and she can’t resist.

But he is a prince and she is a slave. He needs to marry for political gain.

Raisa does remember enough to know the Arnath writing system is sound-based, so it’s going to take some work to decipher it. And if anyone finds out she’s saving any writing from one day to the next, she knows she would be executed.

All these threads are woven together in such a way that not only Raisa’s romance, but the whole kingdom lies in the balance. Prince Mati is to be the next king, and he talks about putting an end to slavery, but there are powerful forces in the Council who won’t let that happen. Meanwhile, Raisa’s being contacted by members of the Rebellion who want to put an end to it their way.

It all leads to Raisa being embroiled in dramatic political upheaval and even needing to request help from the gods.

This book is absorbing and well-written, and was a lovely way to start my reading retreat. I did enjoy that it was a stand-alone fantasy novel rather than a trilogy – but I’m afraid it did feel like it all wrapped up too neatly.

It’s hard for me to root for a romance between a prince and a slave, hard for me to believe that he’s actually a good guy she can trust, and hard to believe they would really end up together.

The author did have the enslaved people from Arnath be the fair-skinned blondes and the ruling Qilarites be dark-skinned with curly hair. It would have been nice to be a little more subtle there, but at least it was a reversal of American history.

I was recently faulting a different book because in it, the protagonist taught herself to read a sound-based writing system, which isn’t actually possible. In this book, Raisa does have verbal cues to start with, and she is taught the word-based writing system, so it was more plausible. I did like that the author made clear it took her a lot of work to figure out the Arnath sound-based system, but she was rather vague about how that could actually be done.

But those are quibbles. I enjoyed reading this book, and was personally glad Raisa got a happy ending, even if the skeptical side of me thought it was a little too neat. If you’re looking for a cautionary tale about not trusting a powerful young man who wants to have sex with you, don’t look here. But if you’re looking for a fun story about daring to learn and daring to shake up the status quo and trusting your heart – this book is absorbing reading and will leave you smiling.

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Review of The Rose and the Dagger, by Renée Ahdieh

The Rose and the Dagger

by Renée Ahdieh

G. P. Putnam’s Sons, 2016. 416 pages.
Review written in 2016.

The Rose and the Dagger is the conclusion to the story begun in The Wrath and the Dawn. I enjoyed this volume even better than the first. It was a little less confusing, a little easier to believe and understand who was in love with whom.

Anyway, in this volume, Shahrzad and her caliph Khalid are separated after the storm that blew apart his city. But Shahrzad is learning that she has magic of her own. She needs to learn to use it. And that starts with a flying carpet.

This book involves Shahrzad learning magic and trying to break Khalid’s curse. But his kingdom is also in danger, and there are shifting loyalties and treacheries around them to navigate.

Can they break the curse and simply live together in a peaceful kingdom? Or is that too big a dream?

This yarn will keep you absorbed with its twists and turns. A tale of love and magic and treachery and loyalty in the desert.

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Review of We Are Okay, by Nina LaCour

We Are Okay

by Nina LaCour
read by Joyeana Marie

Listening Library, 2017. 5.5 hours on 5 compact discs.
Starred Review
2018 Printz Medal Winner

While I’m reading for the Newbery, I’m trying not to listen to any audio versions of eligible books – since we don’t want to bias our opinions by good or bad readers. This leaves my commute time open to listen to the award winners from last year that I didn’t get read.

We Are Okay begins with Marin saying good-by to her roommate for Christmas break. She’s about to be the only person in the dorm for a few weeks – in a cold part of upstate New York. But she’s expecting a visitor – Mabel, her long time friend, has told Marin that she’s coming – and didn’t give her a chance to refuse the visit.

We gradually find out why Marin is there alone, why she would plan to be all by herself when everyone else has gone to visit family. We learn what happened to Gramps, whom she used to live with. We learn that Marin ignored hundreds of texts from Mabel – but that now Mabel has come to see her anyway.

Once there, the girls get caught in a snowstorm that puts the power out, but they aren’t in danger, since the groundskeeper, who was meant to keep an eye on Marin, helps them out. Something about the snow and the situation help Marin start to open up about what happened.

We also find out that Marin and Mabel were more than friends. The memories of that aspect of their relationship are woven into all the feelings about Marin’s disappearance and Mabel’s search for her. (I always feel I should warn audiobook listeners that there are some sexy times. Why is it more embarrassing to listen to sexy passages than to read about them? Well, at least you wouldn’t want anyone else to be in the car.)

When I was almost to the end of this audiobook, I had almost decided that the whole book was far, far too sad. That I would not be able to recommend it because the situation Marin had come through was almost too much to bear.

However, to my surprise, the author pulled off a happy, tear-jerking ending. With just the right touch, she brings great big hope despite and even because of all that went before. By the time I finished, I’m a huge fan of this book – a tender and compassionate story about fragile people and family and belonging.

Just beautiful.

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Review of One Dark Throne, by Kendare Blake

One Dark Throne

by Kendare Blake

HarperTeen, 2017. 448 pages.

I read Three Dark Crowns last year for the Cybils awards, so I wanted to find out what happened next. Unfortunately, I had trouble remembering all the characters and all the situations – the author doesn’t do a whole lot of reviewing.

This fantasy series is a cross between a typical fantasy kingdom and The Hunger Games. In this world, each generation three queens are born as triplets. When they come of age, they have a year to kill each other. The one queen remaining at the end of the year will rule the island under the Goddess until she gives birth to triplets herself.

One Dark Throne is the story of what happens after the competitive year starts. Katharine, who has been brought up with the family of Poisoners, the family that has controlled the throne for generations, has drastically changed because of the events at the end of the first book. (I won’t say more, but it’s partly because I didn’t completely remember them.)

Arsinoe, who has been brought up with the naturalists, has surprised everyone – but she is harboring a secret. And Mirabella, who was once considered the certain winner, seems at a disadvantage.

Since the author has made you care about all three queens and the people surrounding each one, the reader definitely doesn’t want any of the queens to die. But they must.

This story was a little more confusing to me, because of the aforementioned forgetting of details from the first book. I’m not crazy about this bloodthirsty island. I’ll say only that people you care about die in this book. However, the story is not finished.

The author has spun an inventive fantasy, a world that’s unique and complex, however bloodthirsty. Because you’re seeing the world of each one of the three queens, there is a large cast of characters, though – which is what makes it difficult to remember details after a year away.

There’s lots of intrigue going on, and she does make you want to find out what happens next. I think I almost want to recommend reading these books when the series is finished, so you aren’t prone to forget the previous book when you start the next – then take them all up in one binge of reading. I do hope that the final volume will make the journey worth it. And I probably won’t be able to resist finding out (depending on how much I’ve forgotten by then).

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Review of William Shakespeare’s The Jedi Doth Return, by Ian Doescher

William Shakespeare’s

The Jedi Doth Return

by Ian Doescher

Quirk Books, Philadelphia, 2014. 168 pages.
Review written in 2016.

This third volume in William Shakespeare’s Star Wars was published quite some time ago – but I finally finished reading it because my son graduated from college and is living with me again for awhile.

These books simply must be read out loud! I loved the way my son did the various voices – It’s awfully amusing hearing Darth Vader and the Emperor speak in Shakespearean English. I think my own Chewbacca voice isn’t too bad.

Ian Doescher knows his Shakespeare. There are many references to Shakespeare plays in the text – most of which, I’m sure I didn’t pick up on.

We read one Act at a time – which ends up being approximately a half-hour of reading, just enough that our voices didn’t get too tired. I grant you there aren’t a lot of female parts, but we mostly alternated characters. There are Five Acts, so once we got restarted (We read Act One months ago.), it took us about a week to finish.

I still say these would be magnificent plays for a middle school to put on, or for a middle school or high school English class to read aloud in conjunction with studying a Shakespeare play. There’d be plenty of food for discussion about Ian Doescher’s adaptation, and I’m guessing students wouldn’t complain about the archaic language when they already know the story.

This is another brilliant installment. I admit I was losing steam and wasn’t sure I was going to get it read – but the opportunity to read it aloud reminded me what fun this series is.

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