Review of Stars, Hide Your Fires, by Jessica Mary Best

Stars, Hide Your Fires

by Jessica Mary Best

Quirk Books, 2023. 301 pages.
Review written May 20, 2023, from an advance reader copy.

Stars, Hide Your Fires is a completely fun science fiction adventure. Cass has grown up on a planet whose resources have all been plundered by the Empire. She makes a living by pickpocketing the tourists. So when she hears about the Ascension Ball – where all the wealthiest families will be in attendance when the emperor announces who will ascend to the throne – Cass realizes that if she can attend, she could lift enough jewels to retire and take her sick father to a healthier planet.

She does get to the planet hosting the ball, and she does almost miraculously score a ticket. But once there, the emperor gets murdered – and it looks like Cass is being set up to take the blame, along with the revolutionary organization that has long been a thorn in the empire’s side. So when an attractive girl from that organization tells Cass that they need to solve the murder before they are accused and the empire has an excuse for war – Cass is happy to work with her, hoping to save her own skin.

The plotting in this one felt a little transparent. But reading it was completely fun. I finished reading, because I really enjoyed the characters. The romance is refreshing, and I liked the way gender is dealt with – people wear a pendant, and the shape shows what gender they identify with. Several of the characters were smoothly referred to as they. I also liked the way clones of the emperor were shown not to be identical (all different ages) and with independent thoughts. So details were well done, even if the main plot wasn’t subtle. Very much a fun read.

jessicamarybest.com
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Review of The Cartoonists Club, by Raina Telgemeier and Scott McCloud

The Cartoonists Club

by Raina Telgemeier & Scott McCloud

Graphix (Scholastic), 2025. 282 pages.
Review written October 9, 2025, from a library book.
Starred Review

The Cartoonists Club is a collaboration between the wildly popular middle grade graphic novelist Raina Telgemeier and Scott McCloud, who wrote the book Understanding Comics that both my kids read and absorbed when they were approximately middle school age. Although they didn’t ever try to do it professionally, both of them made some comics of their own after reading that book.

It turns out that Raina Telgemeier also read the book when she was a teenager – and it encouraged her interest in making comics, which led to her tremendous success. (This is from an Author’s Note at the back.)

Well, Raina got to meet Scott McCloud in the comics community, and he was always encouraging. So she got the idea to work together to make a version of Understanding Comics that’s actually targeted for middle school readers. This book is the result.

And they succeeded wonderfully in their mission! This book is not nonfiction like the original. It tells the story of four kids in middle school who like making comics and who form a club. Along the way, with their knowledgeable staff sponsor, they learn about the basics of comics, they collaborate together, they learn to dare to share their work, and they even make and print their own mini-comics.

It’s a great story – the four kids are people we root for, each with different interests. And it also gives great information. There’s a link to a website with even more resources, scholastic.com/cartoonistsclub. I hope that lots of kids will form their own Cartoonists’ Clubs after being inspired by the example in this book.

scholastic.com/cartoonistsclub
goraina.com

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Review of For Such a Time as This, by Hanna Reichel

For Such a Time as This

An Emergency Devotional

by Hanna Reichel

William B. Eerdmans, 2025. 192 pages.
Review written October 14, 2025, from my own copy, purchased via amazon.com.
Starred Review

For Such a Time as This is an opportunity for Christians to think through current events and what our role and response should be. It’s written by a scholar who has studied the Confessing Church who stood against Nazi Germany – and the book draws heavily on their writings. Yes, it was written in response to Trump’s reelection.

At the front, “How to Read This Book” explains the author’s approach:

“We’ve been here before” applies not only to the diagnosis but also to the resources. There is nothing new in the individual lessons or the trajectory as a whole. They present the very foundational assumptions and practices of Christian faith, refracted through the light of this particular situation, illuminated by this particular cloud of witnesses. But maybe, presented in this way, old practices will appear in a new light and offer a renewed promise.

The voices and illustrations are primarily those of Christians in the mid-twentieth century who resisted National Socialist ideology and politics out of their religious convictions. I draw on these voices not because they are canonical figures or flawless moral exemplars, not because they are uniquely authoritative or the most radical and faithful voices out there. They are not.

They are simply what I have to offer to the current moment, based on my biographical background and my scholarly area of expertise – the contribution I can make to the table around which we are gathering. We will need many different sources of wisdom, experience, and insight in this conversation. I hope you bring yours as well.

What I observe from where I stand is only part of the picture. What is called for in one situation might be a disaster in another.

You will even find that some of the lessons stand in tension with one another, sometimes forming complementing pairs, sometimes taking the same idea into a different, or even opposing direction. There are no unequivocal beliefs, incontestable conclusions, or cure-all recipes. I am not asking you to agree with what I say and go apply it. I am inviting you to reflect and ponder, put into perspective and complement.

Resolving all tensions is a hallmark of ideology. Easy answers and clear-cut solutions are what authoritarianism offers. Part of the task upon us today is to resist these lures.

We must build up tolerance for complexity. We must train our capacity to hold things in tension. We must exercise our communal ability for nuance and contestation. Everywhere, discernment will be needed. Only so can we do justice to reality and to one another.

The book that follows is an Introduction and 28 devotionals, each only a few pages. As you can tell from the above, they don’t tell you what to do. They do give you plenty to think about. And you’ll hear from voices of Christians who stood in the past – the likes of Dietrich Bonhoeffer and his colleagues.

Here’s how she begins the Introduction:

As a scholar, I have closely studied this nation. It prided itself in its influence in the world, its intellectual leadership, its technological innovation, its economic prowess. But as global orders shifted, its social and political system, built for simpler times, crumbled. Political and economic crises damaged trust in the government. Polarization increased and made coalition building ever less feasible. Widening gaps led to social unrest, economic instability, and even violence in the streets.

The nation was overwhelmed and disoriented. Betrayal by political opponents explained any defeats. Perceived humiliation turned into resentment, feeding a desire to “be great again.” Political rhetoric shifted into ever more belligerent registers as enemies abroad and minorities at home were scapegoated. A muscular strength was projected out of swagger, false claims, and ever more overblown claims to greatness. Special leaders – claiming for themselves special powers – rode waves of public disgruntlement against immigrants, intellectuals, and those visibly “other.” Democratic processes were manipulated, checks and balances hollowed out. Executive overreach became the order of the day.

The nation I am talking about is Germany; the time is roughly a century ago. But maybe my description sounded familiar to you today. Maybe, like me, you find yourself thinking: We have been here before.

She doesn’t apply the wisdom of those who went before blindly. I like the caveat in this paragraph:

I am not arguing that history is repeating itself. Every context is different, and we do well to attend to the complexity of our world today. But noting certain similarities directs us to models we could learn from. Those who had to navigate the breakdown of a democratic order and the rise of a fascist regime in another time and place might have some wisdom to offer us today.

I think of this as a book of resources, a book to provoke thought. There’s a Study Guide at the back with Reflection questions, “Try this” exercises, and “Dig deeper” resources. I didn’t notice the Study Guide until I was halfway through the book – which I decided was excuse enough to read it over again.

This isn’t all about activism. One of the early devotionals is about how to not get too obsessed with current news, to reflect on what spiritual practices ground you and help keep your perspective. But the whole thing gets you thinking and reflecting on what your part can be in all this before God.

This, then, is the task this little book sets for itself. It is meant for regular people who – regardless of our position on this or that policy that a current government may be advancing, and regardless of our vocation and standing in life – feel uneasy about the rising authoritarian tendencies. People who are looking for some insight as to how to live as Christians in such a time as this. The lessons are particularly for those among us who are not necessarily looking to die a hero, but who are concerned about how to keep on living as followers of Christ.

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Review of Oathbound, by Tracy Deonn

Oathbound

by Tracy Deonn
read by Joniece Abbott-Pratt, Andrew Eiden, Hillary Huber, Tim Paige, and Adenrele Ojo

Simon & Schuster Audio, 2025. 25 hours.
Review written July 28, 2025, from a library eaudiobook.
Starred Review

25 hours listening to Book Three and the series still is not done! Fair warning about that – but honestly, with the kicker ending to this book, I’m not upset – I want to hear more.

This series is growing on me. I think after listening to Book Three, I’m willing to call myself a fan. I liked the concept of Book One – a Black girl destroying expectations by proving herself to be a part of a magical secret society of descendants of King Arthur and the Knights of the Round Table. I thought that was what the series would be about.

But Book Two showed us, right at the start, that of course the white men accustomed to ruling the Order wouldn’t put up with that. And we find out that Bree has another kind of magic from her Black foremothers, and she meets practitioners of that art – all while seeing scenes from Arthur’s life as he, too, tries to control her. And basically Book Two was pretty confusing for me – different kinds of magic, different practitioners, lots of “dreamwalking,” and I wasn’t even sure who Bree was really in love with.

I enjoyed Book Three, though. I didn’t worry about remembering what went on before and got the idea pretty quickly. It seems like she’d established how the different kinds of magic worked in the earlier books, and now it was easier for me to simply accept what’s happening. In this book, Bree is trying to learn to use her power apart from Arthur – apart from all her friends, too. (Oh! Something I appreciated was that Arthur was hardly mentioned in this book. Every single time the narrator said the word “Author,” I couldn’t help myself and said “Arrrthur” under my breath – this happened much less in Book Three than it had in Book Two.)

This book progresses at a leisurely pace – 25 hours! – and I think could have been done without so many viewpoint characters. But I especially liked what’s basically a heist set-up in the last half of the book – and getting to become clear on which one is actually Bree’s love interest.

And there’s a huge kick at the end – that packs a punch precisely because of what you’ve learned during the course of the book.

So, yes, this series is growing on me. Bree Matthews is a character you can’t help but root for. One thing’s for sure – the white patriarchy shouldn’t underestimate her.

tracydeonn.com

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Review of Home, by Isabelle Simler

Home

by Isabelle Simler
translated by Vineet Lal

Eerdmans Books for Young Readers, 2024. Originally published in France in 2022. 68 pages.
Review written February 5, 2025, from a library book.
Starred Review
2025 Mildred Batchelder Award Honor Book

The Batchelder Award is given to the publishers of the best books published in English, originally published in a country other than the United States and in a language other than English. I’m impressed that a book of poetry won, because I would think that poetry is hard to translate. No, it’s not rhymed poetry, but still, the translator did a beautiful job, and the original illustrations in this book are stunning.

This is a book of poetry – about animal homes. Each spread features a different species and the type of home they live in, narrated by the creature, and telling how they construct their distinctive home.

Some interesting homes featured include the straw apartment complex of the sociable weaver (generations of birds live in these giant nests!), bubble house of the diving bell spider, cactus cabin of the elf owl, foam hiding place of the foam-nest tree frog, and tubular condo of the European fan worm. Many more are featured, and all have beautiful illustrations of their home – with more facts in the back.

A lovely book to browse through and wonder over. We truly have an amazingly varied world.

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Review of A Tangled Web, by L. M. Montgomery

A Tangled Web

by L. M. Montgomery

Bantam Books, 1989. Originally published in 1931. 257 pages.
Review written June 20, 2025, from my own copy.
Starred Review

Back in 2019, I got to visit Prince Edward Island, and attempted to reread all of L. M. Montgomery’s books in the order she published them before I did. I did not finish that project, but I did reread fourteen of her twenty novels. However, it’s only now in 2025 that I got back to that project with the joy of rereading A Tangled Web as the perfect diversion on a flight that ended up much longer than planned because of storms.

A Tangled Web begins some of L. M. Montgomery’s more mature novels. Technically, it was published for adults, and the characters featured are almost entirely adults and young adults. But as with all of her books, there’s a wide appeal from preteens through adults, and you’d better believe that in 1931, she would not have written any sexual content.

A Tangled Web is about two large entwined (by intermarrying) families, the Darks and the Penhallows, living on Prince Edward Island. Aunt Becky is the owner of the famous clan heirloom, the Dark jug. She has gathered all the clan as she knows her time is coming – to tell them who will inherit the old brown jug.

All the family comes. Either because they’re desperate to own the jug, or because they want the entertainment of watching Aunt Becky make everyone squirm with all the secrets she knows about everyone. Well, she makes hints and threats – but announces that they will have to meet again on a certain day more than a year away, when the one family member who can keep a secret will announce who gets the jug.

And almost no one in the family is unaffected by the meetings and the jug. The book covers several of those life-changing events. This book reminds me greatly of L. M. Montgomery’s short story collections – but the stories are tangled together by somehow relating to the family jug.

And I’m afraid Maud Montgomery seems more cynical than in her youth. Yes, there is some love at first sight – some that even works out in the end – but there’s a theme running through of the wisdom of taking a second look at your passions to see if they stand the test of time. (And some do, some don’t.) Yes, there are a bunch of happy marriages that happen in this book – but there are also some painful course corrections for the people involved. And I love that at least one happily ever after happens when the course correction goes away from marriage. And that at least one legacy from Aunt Becky brings great good to a couple people who richly deserve it.

But you absolutely cannot go wrong with L. M. Montgomery. She is a master of making quirky characters come alive and revealing the vagaries of human nature. If you haven’t read her books yet, this isn’t necessarily the one I’d start with – but anyone who’s read and loved any of her books will be happy to find out there’s more.

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Review of Ride or Die, by Gail-Agnes Musikavanhu

Ride or Die

by Gail-Agnes Musikavanhu

Soho Teen, 2023. 368 pages.
Review written July 31, 2023, from a library book

Ride or Die is the story of a rich Black teenage girl named Loli who likes to shake up expectations. She’s gotten into trouble many times, but her best friends Ryan and Cairo always back her up.

Then Loli meets a mysterious stranger – in a closet at a party.

Loli’s not one to hang out in closets at parties. But when she goes after her missing necklace in the pocket of a coat in the closet, there’s someone sitting in there. And they do some talking. She accidentally leaves the necklace behind with him.

But the next day, she gets it back in an envelope at her regular hang-out. Along with a letter proposing that they don’t investigate each other’s identity – but that they do start setting missions for each other. Adventures to solve, and then prove that they’ve accomplished them. To fail a mission is to stop the adventure.

And Loli can’t resist. When the missions get more and more out there, she gets hooked on the adrenalin. And then they start thinking about meeting.

But while Loli is obsessed with accomplishing each task (and creating her own clever challenges), she starts neglecting her current friends, the folks who have stood by her forever.

I enjoyed this novel, and the mystery kept me going. It was refreshing that race was not an issue, but that the privileged rich girl at the center of it was Black. However, as it went along, some of the things she did in the name of completing these missions went way too far for me. I know that was partly what the book was about, but I lost some sympathy for her. Now, I did like the way the ending took that into account. And I did thoroughly enjoy the story. But here’s fair warning: You won’t want to try any of these things at home.

Sohoteen.com

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Review of Cat Nap, by Brian Lies

Cat Nap

by Brian Lies

Greenwillow Books, 2025. 48 pages.
Review written October 9, 2025, from a library book.
Starred Review

Fun fact: I met Brian Lies, because he won his Caldecott Honor for The Rough Patch in 2019, the year I was on the Newbery committee. So I met him at a pre-awards reception and got to talk with him a little bit. Still, these days I am resistant to reviewing picture books, because I’m still trying to catch up on posting reviews I’ve written. But Cat Nap charmed me so much I can’t keep quiet. And between you and me, this book screams Caldecott! (Though you never know what the actual committee will decide.)

Cat Nap is the story of a kitten chasing a mouse through art from the Metropolitan Museum of Art. There’s a fun refrain:

Does Kitten follow?
Of course he does.

But what makes the book stunning is the art. As in The Three Pigs, by David Wiesner, the cat’s portrayal changes on each spread to match the art where he is currently hunting.

So that would be interesting enough if it were simply different styles of drawing – but Brian Lies actually uses sculpture in many frames – when the cat interacts with a ceramic dog and a mask with a bird. He made actual stained glass windows when the cat interacts with a medieval stained glass pane.

There’s an extensive Author’s Note at the back with the works of art identified. And pictured without the cat. I was awed by these paragraphs from that note:

It would have been easy to create the illustrations in this book on a computer – to take a photo of an original artwork and edit Kitten in digitally. It was a greater challenge, and a whole lot more fun, to see if I could actually make pieces of art that looked like the originals in the Metropolitan Museum of Art and blend Kitten’s headlong pursuit of the mouse into them. Everything you see Kitten encountering and exploring in this book was handmade, using acrylic and oil paints, gouache, ink, plaster, wood, gold leaf, clay, paper, glass, lead, and more. Some of the techniques I used were ones that I’d done before, and some were new to me.

So yes, it could have been done digitally. And now, artificial intelligence even allows us to enter a description of what we want, and in seconds, the computer spits out an image. But wheres the satisfaction in that? The computer created it, not us.

If you like making things, practice. Practice makes better! It takes time to develop skills so things turn out the way you want them to; the way you see them in your imagination – you can’t simply leap ahead and skip all that work. But it’s fun to write stories and to make pictures and build things, and I hope you’ll do these things because they’re satisfying. Focus on the enjoyment you get while your skills are coming along. You can make pretty much anything you want to, if you teach yourself how.

If people before us could do it, why not me? Why not you?

Oh yes, and besides that wonderful Author’s Note, the book gives an engaging story. What’s not to like about a kitten chasing a mouse through entertaining obstacles? I love the way the kitten finds his way back home – the sound of cat food being poured into his bowl.

brianlies.com
harpercollinschildrens.com

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Review of A Dangerous Idea, by Debbie Levy

A Dangerous Idea

The Scopes Trial, the Original Fight over Science in Schools

by Debbie Levy

Bloomsbury Children’s Books, 2025. 278 pages.
Review written October 8, 2025, from a copy I was given at ALA Annual Conference, signed by the author
Starred Review

Lest we think that controlling what kids are taught is a new idea, A Dangerous Idea lays out for teens the media circus that happened in 1925 over a few lines about evolution in a high school biology textbook.

Debbie Levy lays out the whole case from roots to verdict and aftermath. She gives us the background of the two big-shot lawyers who faced each other in the Scopes trial. John Scopes was simply a young high school biology teacher who agreed to be a test case after Tennessee passed a law forbidding the teaching of evolution. The real media attention came because of the lawyers – William Jennings Bryan, who had run for president three times and drew huge crowds on the lecture circuit, versus Clarence Darrow, who had publicly challenged Bryan already and had taken famous cases trying to bring down the death penalty.

Although I’d heard of the case, (Of course I had!) I’d had no idea how much was involved and how huge it was in the attention of the entire country – even in the days before television. Thousands of journalists descended on the small town of Dayton, Tennessee, and spread the word about the trial.

So Debbie Levy is able to bring us a multitude of photographs from the time and newspaper clippings and editorial cartoons, and plenty of other material to illustrate the story and help it come alive. It turns out the jury didn’t even hear most of the trial, because much of it was the argument that evolution isn’t actually contrary to Scripture – but the judge ruled all that mattered was if the law was broken.

I do like the way the author connects the dots between the Scopes trial and backlash against science today. This is from the Epilogue:

Today, complaints about science in the classroom go well beyond evolution. Some parents and lawmakers don’t want schools to teach about climate change. They don’t want laws and policies to address climate change, either, because they think it’s a hoax or not caused by human activity. This is contrary to scientific evidence. Cimate-change deniers found a friend in the White House in President Donald Trump. “I don’t believe it,” he said in 2018. “One of the problems that a lot of people like myself, we have very high levels of intelligence but we’re not necessarily such believers” in climate change.

The COVID-19 pandemic, starting in 2020, also spurred epic resistance to science among large swaths of the American public and their leaders. When leading scientists – the preeminent experts on infectious and viral diseases – tried to guide the public on how to protect themselves from the novel coronavirus, President Trump called them “idiots.”

And so, hgere are two persistent threads lifted from the pattern woven a century ago. First: ridicule. Anti-evolutionists at the time of the Scopes trial made fun of scientists because, as Will Bryan scoffed, “They cannot agree with each other.” Will’s mockery was a cheap shot – just as it was a cheap shot, a century later, to mock scientists for altering their advice, in response to new and evolving discoveries, on how to protect against getting sick or dying from the coronavirus. That is what happens in science as a result of ongoing observation, experimentation, and, yes, disagreement among scientists: knowledge evolves.

And second: lumping together science and belief, by couching science as something you “believe” in, or not. Forcing, or even strongly urging, people to “believe” in a creed (science) that doesn’t appeal to them – that’s a bad thing to do, isn’t it? It’s un-American, isn’t it? But science isn’t a religious creed. And religion isn’t science.

I like that this book is aimed at teens – exactly the age of people the original Tennessee law was trying to protect. Give them the full story – and we may find teens are more discerning than adults think they are.

debbielevybooks.com
bloomsbury.com

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Review of The Incredibly Human Henson Blayze, by Derrick Barnes

The Incredibly Human Henson Blayze

by Derrick Barnes

Viking, 2025. 254 pages.
Review written October 7, 2025, from a book sent to me by the publisher.
Starred Review
2025 National Book Award for Young People’s Literature Longlist

The Incredibly Human Henson Blayze is a modern tall tale crossed with a serious discussion of current issues.

The star of the show is Henson Blayze, a thirteen-year-old with incredible gifts. He’s about to play varsity football in his first game as an eighth grader, and the entire small town idolizes him.

But after an amazing and flashy first half of the game, Henson learns that his little buddy, ten-year-old Menkah, is in the hospital, after being beaten bloody by some troopers. Henson leaves the game and doesn’t leave Menkah’s side until he’s better. The town is now as angry with Henson as they adored him before. When Menkah’s better, Henson has to decide if he still even wants to play football.

Henson is larger than life, and this story is larger than life to match. Henson’s ancestors have lived in this Mississippi town for generations, and if Henson is ever harmed, well, let’s just say that they protect him. There’s magical realism in this story so that no harm done to Black folks is permanent. This helps the book be suitable for children, despite the heavy topics, and honestly, it’s nice to see.

Henson’s a sweet kid, not spoiled by all the adoration, and just wanting to help folks out. You’re rooting for him all the way.

I don’t usually like it when authors spell out what they’re trying to do. Can’t the story carry the weight of it? So I kind of wish that Derrick Barnes put his Author’s Note at the back of the book instead of at the beginning. But the fact is, the Author’s Note packs a punch. What he was trying to do is write a version of Maniac Magee where the protagonist is a Black boy. But he also is telling something that doesn’t hurt being spelled out. Here’s a bit from that note:

This is a story about – along with other pertinent themes – America’s strange obsession with the Black body: for labor and for entertainment.

He talks first about slavery, then goes on to say this:

Many thought that African Americans could coexist with white people if we assimilated, and one way of doing that was to provide entertainment. We danced, we made them laugh, we sang, and we performed great athletic feats.

You can still see that today, in American sports. Black athletes are treated like gods by the greater white population. It’s a strange dynamic. On one hand, they see the Black athlete only as an entity – a tool that brings their favorite team a victory. But on the other hand, there is an acceptance of this living character as a hero that’s not like the negative, stereotypic ideal of a Black person that they’ve ben taught – especially if that athlete never speaks on “politics,” a word that has been used to veil issues surrounding race. But as soon as that athlete does something or says something that they deem inappropriate, makes them feel uncomfortable, or removes them from the escapism of simply enjoying their favorite sport . . . things change. Historically, when Black athletes have shown themselves to be more “Black” than “athlete,” there is a disruption of that fantasy where they are not supposed to lean into issues that directly affect them, like racism. Immediately, they have been shunned, ostracized, and blackballed (see Tommie Smith and JOhn Carlos, see Mahmoud Abdul-Rauf, see Colin Kaepernick, see Craig Hodges).

He continues that he’s especially talking to Black children to not sell you soul. And he asks all of us:

You must also become as well-read and educated as you possibly can. Deand respect. Be your most human self, and work on improving yourself every single day. Be kind, and most importantly, be a difference-maker. Be dead set on making this world a better place – not just for yourself or only for people who look like you, speak your language, or worship your religion, but for all of us.

So, yeah, I think Derrick Barnes could have gotten away with not spelling all that out. We love Henson because he’s a kid who is trying to live those very values.

But you know what? It’s a good message, and I’m going to let him make sure no one misses it. And meanwhile, enjoy this wonderful story.

derrickdbarnes.com
Penguin.com/kids

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