Review of Lost in NYC, by Nadja Spiegelman & Sergio Garcia Sanchez

lost_in_nyc_largeLost in NYC

A Subway Adventure

by Nadja Spiegelman & Sergio Garcia Sanchez

Toon Graphics, 2015. 49 pages.

Here’s a story that makes the most of the graphic novel format and throws in plenty of facts – even historic photographs – about New York City and the subway system.

Pablo’s first day of school in New York City happens to be the same day his class is going on a field trip, riding the subways, to the Empire State Building. Alicia helpfully offers to be his partner, but he is wary of making friends, since his family moves so often.

With Pablo’s inexperience, Alicia and he get separated from the class, and then Pablo gets separated from Alicia. However, Pablo knows where they’re going and asks for directions. Alicia uses her knowledge of the city to walk to the Empire State Building, and the class rides the subway. The graphic novel is perfect for showing how the three different groups take three different routes.

Along the way and in the back of the book, we get the history of the subway and facts about New York City.

And we’re told about another nice touch at the back. When the illustrator, Sergio Garcia Sanchez, was researching in preparation for drawing pictures of the subway stations, he took lots of pictures, and then noticed a policeman keeping a wary eye on him. So on almost every spread of the book, he included himself taking pictures and being followed by a cop. And of course once the reader finds that out, you go back to spot Sergio and the Cop in every crowded subway spread.

Even though this is a story about getting lost, I think the happy ending will help kids approach something potentially daunting – like riding a subway – without fear and with confidence.

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Review of The Thrilling Adventures of Lovelace and Babbage, by Sydney Padua

lovelace_and_babbage_largeThe Thrilling Adventures of Lovelace and Babbage*

*The (Mostly) True Story of the First Computer

by Sidney Padua

Pantheon Books, New York, 2015. 319 pages.
Starred Review

I don’t think I’ve ever seen a book quite like this. It’s based on a web comic. The comic is based on two actual historical geniuses, Charles Babbage and Ada Lovelace. But Sidney Padua invents the existence of pocket universes, where Charles Babbage actually builds his Analytical Engine (In real life, he never built it, always coming up with a better idea before bringing an earlier idea to completion.), and Ada Lovelace actually lived long enough to help him program it.

This book describes their adventures in the pocket universes. Now, in our universe, computers actually got built in the age of electricity, using vacuum tubes and electric current. Babbage designed his Difference Engine and Analytical Engine to run on steam, so that’s what’s drawn here – a grand Difference Engine with cogs and gears and powered by steam.

Other historical figures of the period run through these pages, and some of the most fun to be found here are in the extensive footnotes, endnotes, and appendices. While reading about what never happened, you’ll learn all sorts of facts about what did actually happen. You’ll come to know Lovelace and Babbage, seeing them in action, using words they actually wrote in their real-life lifetimes.

Here’s how Sidney Padua describes beginning to write this comic:

It was in a pub somewhere in London in the spring of 2009 that I undertook to draw a very short comic for the web, to illustrate the very brief life of Ada Lovelace. This was suggested to me by my friend Suw, also in the pub, who was (and still is) the impresario of an annual women-in-technology virtual festival she had named after Lovelace, a historical figure of whom I think I was hazily aware.

As anybody else would do, I looked up “Ada Lovelace” on Wikipedia. There I found the strange tale of how, in the 1830s, an eccentric genius called Charles Babbage only just failed to invent the computer, and how the daughter of Lord Byron wrote imaginary programs for his imaginary computer. It was such an extraordinary story, so full of weird personalities and poetic flourishes that it hardly seemed true; but at the end of it the facts thudded back to dull reality. Lovelace died young. Babbage died a miserable old man. There never was a gigantic steam-powered computer. This seemed an awfully grim ending for my little comic. And so I threw in a couple of drawings at the end, imagining for them another, better, more thrilling comic-book universe to live on in.

She goes on to say, “Almost everybody had failed to realize that my alternate-universe ending was a joke.” And so she began writing these comics.

The result is quirky, full of facts, and a whole lot of fun. I also love the Victorian, over-the-top style used, especially for title pages and diagrams.

And, yes, I will be watching the webpage for more adventures.

And, okay, I’ll admit it. I brought this book to a Book Dating event. It’s like Speed Dating — only everyone brings a book, and you have something to talk about. I thought this book was a nice blend of fiction and nonfiction — and that anyone who thinks it’s cool will be someone I will be able to easily talk with. This turned out to be true.

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Review of Hansel & Gretel, by Neil Gaiman

hansel_and_gretel_largeHansel & Gretel

by Neil Gaiman

art by Lorenzo Mattotti

Toon Graphics, 2014. 53 pages.
Starred Review

This book is put out by a publisher of graphic novels and is in the size of a large graphic novel. But there are no speech bubbles here. What you do have are large double-page spreads of black-and-white (mostly black) very dark paintings alternating with double-page spreads of text.

The pictures are dark and sinister, and the story is dark and sinister. Like all fairy tales, it has power. The word painting of Neil Gaiman combined with the art of Lorenzo Mattotti gives this familiar tale new impact.

Here’s the paragraph after the old woman invites Hansel and Gretel into her house:

There was only one room in the little house, with a huge brick oven at one end, and a table laden with all good things: with candied fruits, with cakes and pies and cookies, with breads and with biscuits. There was no meat, though, and the old woman apologized, explaining that she was old, and her eyes were not what they had been when she was young, and she was no longer up to catching the beasts of the forests, as once she had been. Now, she told the children, she baited her snare and she waited, and often no game would come to her trap from one year to another, and what she did catch was too scrawny to eat and needed to be fattened up first.

This story is far too sinister for the very young. Those who read this story will be confronted with evil — and children who triumph over it.

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Review of The Gettysburg Address: A Graphic Adaptation, by Jonathan Hennessy

gettysburg_address_largeThe Gettysburg Address

A Graphic Adaptation

Using Lincoln’s Words to Tell the Whole Story of America’s Civil War, 1776 to the Present

written by Jonathan Hennessey
art by Aaron McConnell

William Morrow, 2013. 222 pages.
Starred Review

History in comic book form – I still say it’s an inspired idea if you want kids to pay attention.

You might wonder how anyone could put the Gettysburg Address into comic book form. Well, the subtitle explains what the author is trying to do: Not simply talk about the Gettysburg Address, but to use the Gettysburg Address to tell the whole story of America’s Civil War, 1776 to the present.

So the story goes back to the Declaration of Independence, which is referred to in the phrase “Fourscore and seven years ago.” Each section of the story is introduced by a phrase from the Gettysburg Address, with a picture of the words carved in stone on the walls of the Lincoln Memorial.

The story ends up being a sweeping one, with plenty of occasions for illustration. Even as an adult reading it, I gained a much deeper understanding of the Civil War by reading these pages. The author uses many quotations from speakers on opposites sides of the issues – and we see pictures of the people who spoke those words – far more memorable than ordinary quotes. And of course the battles have opportunity for even more “graphic” pictures.

This book is amazing in its scope and skillfully executed. It may create some young Civil War buffs. I certainly found it far more interesting than I expected it to be.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of The Shadow Hero, by Gene Luen Yang and Sonny Liew

shadow_hero_largeThe Shadow Hero

story by Gene Luen Yang
art by Sonny Liew

First Second, New York, 2014. 158 pages.
Starred Review
2014 Sonderbooks Stand-out, #6 Teen Fiction

The story of why this graphic novel exists is so interesting, I’m going to copy text from the author’s note at the back of the book (minus examples from the actual Green Turtle comics):

[Chu] Hing was among the first Asian Americans working in the American comic book industry. This was decades before the Asian American movement, though, so he wouldn’t have self-identified as such. Most likely, he would have just called himself Chinese.

For Rural Home, Chu Hing created a World War II superhero called the Green Turtle. The Green Turtle wore a mask over his face and a cape over his shoulders. He defended China, America’s ally, against the invading Japanese army. He had no obvious superpowers, though he did seem to have a knack for avoiding bullets.

So those are the facts. Here are the rumors.

Supposedly, Hing wanted his character to be Chinese.

Supposedly, his publisher didn’t think a Chinese superhero would sell and told Hing to make his character white.

Supposedly, Hing rebelled right there on the page. Throughout the Green Turtle’s adventures, we almost never get to see his face. Most of the time, the hero has his back to us.

When he does turn around, his visage is almost always obscured by something – a combatant or a shadow or even his own arm….

The Green Turtle’s face isn’t all that Hing keeps from us. Over and over, the Green Turtle’s young Chinese sidekick, Burma Boy, asks him how he came to be the Green Turtle. Every time, an emergency interrupts before the Green Turtle can give his answer.

So Gene Luen Yang and Sonny Llew have stepped in and written an origin story that fits everything that appears in the short-running comic book series.

The Shadow Hero is our answer to Burma Boy’s question, our imagining of the Green Turtle’s origin story. We firmly establish him as an Asian American superhero, perhaps even the first Asian American superhero. Our Green Turtle is a shadow hero. Not only is his identity secret, so is his race….

But let me end on a fact: Studying Chu Hing’s comics, imagining what might have been going through his head, and then writing this book in response were a lot of fun – a crazy, Golden Age sort of fun. I hope reading it is, too.

And that brings me to the story found in these pages – the origin story of the Green Turtle. The story is indeed tremendous fun.

Hank is a Chinese boy living in San Incendio, America, with no ambitions other than to be a grocer like his father. However, his mother has ambitions for him.

After she is saved by a superhero from a carjacking by a bank robber, Hank’s mother decides that he needs to be a superhero.

Her methods are hilarious, including pushing him into a toxic spill and trying to get him bitten by a dog used for scientific research. Eventually, she settles for arranging for him to learn to fight.

But his first efforts toward fighting for justice end up getting his father shot. However, what Hank and his mother don’t know is that a spirit from ancient China was residing with Hank’s father. Now that he is dead, the spirit – shaped like a turtle – will stay with Hank – and grant one request.

This book has plenty of humor and plenty of adventure. It nicely captures the flavor of Golden Age comics. (I know a little bit about this because my son is a fan.) At the end of the book, the first Green Turtle comic is reproduced in its entirety. I like the way the source of all the details in the comic has been revealed (including our hero’s unnaturally pink skin).

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Hidden, by Loïc Dauvillier

hidden_largeHidden

A Child’s Story of the Holocaust

written by Loïc Dauvillier
illustrated by Marc Lizano
color by Greg Salsedo
translated by Alexis Siegel

First Second Books, New York, 2014. Originally published in French in 2012. 76 pages.
Starred Review

Hidden is a graphic novelization of a grandmother telling her granddaughter about her experiences during the Holocaust. The graphic novel form makes this a gentle way to introduce the Holocaust to children.

I’m going to tell the ending in my review, so you know where the story goes and can judge if your child is ready for it. The pictures in the graphic novel format add to the power. And the frame of the grandmother telling the story lets you know right away that she will survive.

Dounia lived in Paris during the occupation by the Germans. At first, when her family is forced to wear the yellow stars, her father tells her they have all become sheriffs. She wears the star proudly, but quickly learns the truth when she is ostracized in school and told to sit at the back of the classroom.

Eventually, when the Nazis come for her family, Dounia is hidden under the false floor of a wardrobe. Their downstairs neighbors take her in after her parents have been taken away. But eventually, she must leave Paris. However, a woman sees Dounia and starts shouting for the police, so the father runs, and the mother must go with Dounia into hiding on a farm in the countryside.

Dounia, who now is called Simone, does make it through the war, because of the help of the people who hide her. After the war, they find her mother, looking gaunt and skeletal. They never do find her father.

And this is the story the grandmother tells her granddaughter in the night. The next day we learn that her son – the granddaughter’s father – has never heard the story. But he’s proud and happy that his daughter knows. And they end with a group hug.

It’s hard not to be moved by this story. It’s told from the perspective of a little girl who didn’t know what was going on. There’s not a lot of commentary, but the reader can easily see that the situation is not fair.

There’s one interruption in the story, flashing back to the grandmother and granddaughter, after people are first mean to Dounia at school.

Your daddy was a liar!
No, of course not!
Then why did he tell you you were a sheriff?
My daddy didn’t want to hurt me. He made up that story to protect me.
Okay, but then, why were they mean to you at school? They really didn’t like Jews?
I don’t know . . . I don’t think so. I think they didn’t know what to do. We were just children.
And the teacher? She was a grown-up!
Sometimes we do things without thinking, too.
Well, she was wrong.
Yes, I think you’re right.

I like that simple evaluation of the situation. There’s a lot more that can be said, but this sums it up nicely.

A powerful book.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Review of One Dead Spy, by Nathan Hale

one_dead_spy_largeNathan Hale’s Hazardous Tales

One Dead Spy

by Nathan Hale

Abrams, 2012. 127 pages.
Starred Review

Once again, I’m struck by what a brilliant idea it is to show kids history in graphic novel form.

The frame of this series is pure fantasy. Our hero is Nathan Hale, the Revolutionary War spy. Somehow, I’m simply not surprised that he’s the hero chosen by the author Nathan Hale, who was born in 1976.

Before the historical Nathan Hale’s scheduled hanging, there’s a silly sequence about how he comes up with his famous line, “I regret that I have but one life to give for my country.” When he does, a giant book with the title, The Big Huge Book of American History appears and swallows him whole. But then he comes back, having seen hundreds of years into the future of this country.

The executioner asks, “How could you see the future in a history book? It doesn’t make any sense.”

Nathan Hale answers, “A giant book just swallowed me whole. Does that make sense?”

But then, to prove he’s seen the future, Nathan Hale begins telling stories to the executioner and the British officer overseeing the hanging. They decide he can tell more stories before he hangs, which is the premise of the series.

And the stories Nathan Hale tells are true, with plenty of invented dialog and put into comic book form.

This first book tells about Nathan Hale’s life and his service in the Revolutionary War. Once I started reading, I couldn’t stop. (And it’s not long, either.)

Did you know that Nathan Hale wasn’t actually a very good spy? He got caught on his first mission. But he was involved in some noteworthy exploits before he became a spy. I especially found interesting the way the cannons from Fort Ticonderoga got moved to liberate Boston Harbor, and the way General Washington had a fort built and moved into place in one night.

I love the warning on the back cover:

HAZARD LEVEL: Yellow/ Lethal

Riots, massacre, starvation, fever, theft, spycraft, mercenaries, sea warfare, land warfare, lightning, exploding cows, and death by hanging.

Do you know any school-age kids who can resist such a warning?

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of The Adventures of Superhero Girl, by Faith Erin Hicks

superhero_girl_largeThe Adventures of Superhero Girl

by Faith Erin Hicks
colors by Cris Peter
introduction by Kurt Busiek

Dark Horse Books, 2013. 106 pages.
2014 Eisner Award Winner

I didn’t expect to enjoy this graphic novel as thoroughly as I did. It’s made up of strips from a webcomic about a girl who’s a superhero. She can lift heavy objects and leap over tall buildings, but she can’t fly.

In her ordinary life? She’s pretty ordinary. She’s a young adult in a small town that doesn’t have much crime. She’s got a roommate, and she has trouble paying the rent, because she really needs a day job. She has no tragic catalyst in her life that made her a superhero, and she’s always been in the shadow of her superhero brother, Kevin, who is everybody’s favorite and can fly and has corporate sponsorship and looks like a proper superhero.

Superhero girl has some issues. She forgets to take off her mask sometimes when she’s trying to be an ordinary citizen. She goes to a party with her roommate, trying to set her work aside, and gets caught in the thrall of a supervillain who has the power to make everyone think he’s awesome. Then there’s the skeptic, who’s convinced she can’t be a superhero without a tragic back story or a fancier costume. And don’t get started on the time she washes her cape in the Laundromat and it shrinks.

I like what Kurt Busiek says in the Introduction:

Superhero Girl is about life. It’s about being a younger sister, about being a broke roommate, about needing a job, being underappreciated, getting sick, feeling out of place at parties, being annoyed by people carping when you’re doing your best – all wrapped up in the package of being a young superhero in a small-market city where you’re pursuing your dreams but don’t seem to be getting anywhere.

That’s not parody. There may be elements of parody on the surface, but really, that’s rich, human storytelling. It’s telling the truth through humor, and using the trappings of the superhero genre to universalize it, to turn it into something symbolic, so we can all identify with it, maybe more than we could if SG was a paralegal or a barista or a surgical intern. The superhero stuff is the context, the package, and the humanity and emotion and the humor found in it are the content. The story.

This is a story about a young adult starting out in life, pursuing her dream, and struggling to do so. It’s reading that will make you smile.

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Hereville: How Mirka Met a Meteorite, by Barry Deutsch

mirka_met_a_meteorite_largeHereville

How Mirka Met a Meteorite

by Barry Deutsch

Amulet Books, New York, 2012. 126 pages.

This is the second graphic novel about Mirka, an 11-year-old Orthodox Jewish Girl who dreams of fighting monsters and having adventures. At the start of the book, she’s grounded because of her adventures in How Mirka Got Her Sword. And just as soon as she’s ungrounded, she goes looking for trouble again. And finds more than she bargained for.

A meteorite is hurtling toward Hereville, about to kill everyone. Mirka gets the witch to help – and she transforms the meteorite into a girl who looks just like Mirka. And the meteorite, to whom they give the name Metty, is faster and stronger and even cleaner than Mirka.

At first it seems like it will be nice to have a double, and Metty can do chores and other unpleasant things. But it doesn’t turn out so nice. For starters, they can’t both show up at meals or Mirka’s stepmother would find out what’s going on. So Metty gets the first few meals. That’s only the beginning of the troubles.

This book is full of fun details and readers will be delighted with Mirka, who doesn’t necessarily think before she acts, but has plenty of heart. As the caption on the front says, here is Mirka, “boldly going where no 11-year-old Orthodox Jewish girl has gone before.”

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!

Review of Boxers & Saints, by Gene Luen Yang

Boxers & Saints

by Gene Luen Yang

First Second, New York, 2013. 2 volumes, 328 pages and 170 pages.
Starred Review
2013 National Book Award Shortlist

Boxers & Saints is a two-volume graphic novel about the Boxer Rebellion that took place in China in 1899-1900.

The first volume, Boxers, follows Bao, the third brother in his family and shows his encounter with “foreign devils” and how he becomes an enthusiastic leader of the Society of the Righteous and Harmonious Fist.

Bao receives training from a traveling kung fu master and learns a ritual which enables him and his brother-disciples to transform into the ancient gods of China when they fight. They travel to cleanse and heal China of the foreign devils and the secondary devils — Chinese who have converted to Christianity.

The second volume, Saints, looks at Four-Girl, a Chinese girl who does convert to Christianity, even though she barely understands it. She receives a name (which her family never gave her), Vibiana, when she is baptized.

Though Vibiana doesn’t really understand Christianity, she receives visions of Joan of Arc, and decides to become a maiden warrior, defending against the Society of the Righteous and Harmonious Fist.

The caption on the back reads, “Every war has two faces.” That is the strength of this work. It brings you into the emotions and passions of people on both sides of the conflict. The perspective, in both cases, is from the native Chinese people, and I enjoyed the way when English is spoken, foreign-looking characters are used, since our heroes don’t understand English.

This is a book about war. It is violent and brutal. Our heroes are training to fight and kill. There is much blood, and there are many senseless deaths. It’s not a very cheery book, and no, you can’t call the ending happy.

I like the way both stories had elements of magic realism. Bao had the visions of Chinese gods, and Vibiana the visions of Joan of Arc. The author walks a fine line of letting us see both sides without condemning either side. We see the wild tales each side told about the other — and we can see that, in both cases, they are extreme, designed to stir people up against an enemy. The two stories do intersect, and I don’t think you would ever want to read one without reading the other, which is why I’m reviewing the two together.

This is a powerful look at two sides of a war I knew nothing about.

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Source: This review is based on library books from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

Please use the comments if you’ve read the book and want to discuss spoilers!