Review of The Woman Who Walked in Sunshine, by Alexander McCall Smith

The Woman Who Walked in Sunshine

by Alexander McCall Smith
read by Lisette Lecat

Recorded Books, 2015. 9 hours 15 minutes on 8 discs.

This is the 16th book about Precious Ramotswe of the No. 1 Ladies’ Detective Agency in Botswana.

I love these books, especially loving the characters and the relationships that have developed through the series. However, it feels like the action moves more and more slowly each time, so I’ve taken to listening instead of reading, because I tend to be more patient with audiobooks. And the lovely narrator’s voice has finally settled for me the pronunciation of “Mma” and “Rra.”

There were still times when I was annoyed with the slow plot arc, since more than once Mma Ramotswe was thinking long and hard about whether she should talk to Mma Makutsi. But the overall story had the usual one or two interesting cases. This time there was one about a scandal in the past of a late government official as well as the story of a little street boy who vandalizes the tiny white van.

But the overall story is about Mma Ramotswe going on holiday. It’s not her idea – her staff seem to be conspiring to get her to take one. Now that she’s a partner, is Mma Makutsi plotting to take over the agency? However, taking a holiday is more difficult than it would seem.

Truly, a woman with a loving husband is like a woman who walks in sunshine. Listening to this book will bring sunshine into your life.

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Review of Earthly Remains, by Donna Leon

Earthly Remains

by Donna Leon

Atlantic Monthly Press, 2017. 308 pages.
Starred Review

I have long meant to read a Donna Leon Commissario Guido Brunetti mystery. Her books are set in Venice – and who can help but love Venice? I finally got my hands on an advance reader copy – and I like to bring those on vacation – so I finally got one read, and think I will have to read some more.

I haven’t read any others, but I was quickly involved in this book. The Commissario gets himself in a situation where he’s given medical leave to take a vacation.

He goes out into the laguna to a villa of a family friend of his wife. He does daily rowing with the old caretaker, who it turns out was a friend of his father. But after some time together, rowing and caring for the old man’s bees – the old family friend turns up dead after a storm.

Guido is enough involved to want to figure out what happened. One thing leads to another….

I enjoyed this book very much. I expected Venice and got the laguna where I’ve never been – but the writing was wonderfully descriptive and atmospheric. But I loved the characters. Guido Brunetti has been around and understands people. I like his curiosity that won’t simply let this rest.

I will say I wasn’t completely happy with how things turned out. When I read a mystery, I expect to see justice done, and there was more than one instance that seemed to be coming up short. But – it’s all presented with Guido Brunetti’s pragmatic awareness of what can be done and his philosophical attitude about what people are really like. And it all makes for enjoyable reading. I think I’m going to be looking for the first book in this series and get some history with these characters whom I liked so much.

groveatlantic.com

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Review of While Beauty Slept, by Elizabeth Blackwell

While Beauty Slept

by Elizabeth Blackwell

Berkley Books, 2014. 456 pages.
Starred Review

I’ve meant to read this book for a very long time, especially once I had a signed copy. But I have a horrible problem with not getting around to reading books I own because they don’t have a due date. Anyway, I finally got this book read on a flight home from Portland – and I’m so glad I did.

I’ve always loved fairy tale retellings. This is a retelling of Sleeping Beauty. But usually such retellings are Fantasy. This one takes out the overt magic. There is a possibility of a curse; there is a possibility that the baby’s great-aunt does dark magic. But the story is told as historical fiction, set in medieval times, as something that could have actually happened. (Except that the kingdoms mentioned are still not actual kingdoms from our world, so technically, I’ll have to classify it as Fantasy. But the flavor is Historical.)

Our narrator is an old servant of Queen Lenore, the mother of Rose who became the Sleeping Beauty of the fairy tale. She saw all the events of the tale from start to finish. She’s looking back on her life and telling the story to her great-grandchild.

In the prologue, she’s hears children telling the fairy tale based on the experiences she lived.

Ha! It would be a fine trick indeed to fell a royal daughter with a needle, then see her revived by a single kiss. If such magic exists, I have yet to witness it. The horror of what really happened has been lost, and no wonder. The truth is hardly a story for children.

I was afraid with that line that the book would be too dark for my taste – but the story is beautiful. Yes, there are dark and tragic parts, but it’s woven through with love and with actual human passions and mistakes and foibles.

In the fifty years since those terrible days in the tower, I have never spoken of what happened there. But with my body failing and death in my sights, I have been plagued by memories, rushing in unbidden, provoking waves of longing for what once was. Perhaps that is why I remain on this earth, the only person who knew Rose when she was young and untouched by tragedy. The only one who watched it all unfold, from the curse to the final kiss.

During the course of the tale our narrator, Elise, grows from a child in poverty into a mature adult, living in the castle. She gains perspective and makes hard choices and becomes a guide for young Rose through difficult times. I think that’s why this isn’t a young adult novel. This isn’t a coming-of-age story, but a story of a life lived beside large events, events that affected a kingdom. It’s about love and about choices and about making your way in the world.

And I especially liked the ending.

This is a beautiful book, which I know I’m going to want to read again sometime in the future.

elizabethblackwellbooks.com
penguin.com

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Review of Arabella and the Battle of Venus

Arabella and the Battle of Venus

by David D. Levine

Tor (Tom Doherty Associates), 2017. 416 pages.
Starred Review

It took me a long time to get around to reading Arabella of Mars, which meant I could immediately pick up the sequel, for more adventurous fun. A blurb on the back cover calls this “Regency space opera,” and that’s about right. We’ve got an alternate history where sailing ships fly between the planets during the Napoleonic Wars.

In this book, Arabella is still on Mars, but her fiancé has traveled to Venus – and there was captured by the French. He sends Arabella a letter telling her not to worry about him, but of course Arabella comes up with a scheme to try to save him. She hires a privateer to fly her to Venus. Her brother permits this plan as long as she brings along a chaperone, Lady Corey.

This second book isn’t mostly about adventures between the planets, as the first was (though they definitely have some). Instead, the privateer’s ship – and everyone on board – also gets captured by the French and held on Venus. But there’s something big afoot in the shipyard where some of the prisoners are laboring. Now there’s more to do than simply plan a mass escape.

Arabella’s character is so much fun! She’s resourceful and smart. And not slow to act. I was surprised how much I came to enjoy Lady Corey, too.

The science of this interplanetary travel and “interplanetary atmosphere” is iffy, but seems to be consistent with itself. I still roll my eyes a bit at the automata magically gaining personality and coming up with results the programmer doesn’t understand. It can even hear Arabella speak without having ears!

But it’s all in good fun. This is an adventure yarn with a memorable heroine who tries to rescue the man she loves and faces danger, capture, and even dinner with Napoleon.

tor-forge.com

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Review of Arabella of Mars, by David D. Levine

Arabella of Mars

by David D. Levine

Tor, Tom Doherty Associates, 2016. 350 pages.
Starred Review

It was a year ago now that my sister Becky recommended this book to me – and in fact I’d had it checked out to read – but then I became a Cybils judge and needed to focus on reading Young Adult Speculative Fiction. I’m not completely sure why this particular book is marketed to adults rather than young adults, since Arabella is 17 years old – but since it’s fiction for grown-ups, I had to put it aside – and just managed to read it before I start reading for the 2019 Newbery Award.

Like my sister told me, this book is simply good fun. The premise is that instead of seeing an apple fall, Isaac Newton watched a bubble rise from his bathtub – and discovered flight. In the 1810s world of the novel, space ships are very like sailing ships, navigating the atmosphere and currents between the planets for interplanetary travel. How this could actually work is rather murky to me – but the implications of this world are a lot of fun.

The book starts with Arabella, who has grown up on Mars, being trained, along with her brother, by her Martian nanny in hunting and fighting and strategic thinking. But alas! A small accident results in a bloody cut on her head, and all is revealed to her mother, who uses this to finally convince Arabella’s father that Mrs. Ashby and her three daughters should go home to England.

Not long after arriving in England, they receive the sad news of Arabella’s father’s death. Then when she is visiting her cousin Simon, she unwittingly gives the cousin the information that at this time the passage to Mars would be at its quickest – so he is going to go to Mars, win her brother’s trust, and kill him for the inheritance of the family plantation, which is entailed on the oldest male heir.

He and his wife lock Arabella in a closet, but she didn’t receive all that training from her Martian nanny for nothing. When she escapes, though, she reasons that she must find passage to Mars and get there before Simon so she can warn her brother. But how to book passage without money? That’s when Arabella decides to disguise herself as a boy, and she gets a position as captain’s boy – because of her skill in working with automata, a passion she shared with her father. The ship she serves on has a mechanical navigator, and she is trained on how it works.

And so her adventures begin. The voyage isn’t at all uneventful. There were times I forgot it was a spaceship, the descriptions were so like a seagoing vessel. She must learn the ropes (literally) and about navigation. Along the way they deal with attack by French corsairs and mutiny, and there are new challenges when they finally land.

Like I said, the science is very iffy, but the story is told with enough confidence, you don’t often notice. I’m skeptical of the automaton acquiring sentience, but the atmosphere and currents between the planets was merely interesting.

This story is a whole lot of fun, and the advantage to being so slow to getting around to reading it is that now I can pick up the sequel.

tor-forge.com

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Review of The Simplicity of Cider, by Amy E. Reichert

The Simplicity of Cider

by Amy E. Reichert

Gallery Books, 2017. 309 pages.
Starred Review

Here’s a nice romance for adults, with interesting story, setting, and characters to go along with the romance.

Sanna Lund has inherited a gift for making cider – she sees the juices of their family’s different apple varieties in different colors. She can mix them by color and know how the finished product will taste. They’ve owned the orchard for generations, but now it’s down to her and her father. They’re going to try to sell Sanna’s cider in larger batches.

But they hit financial snags – and then Sanna’s father gets injured. They have to hire help even in the off-season, but that still may not be enough to pay bills.

The help they hire is Isaac and his 10-year-old son Sebastian (Bass). Isaac is trying to give Bass one last summer to be a kid before he tells him the bad news about Bass’s mother. Sanna gets off to a prickly start with Bass, but Isaac may be exactly what their orchard needs. Meanwhile, Sanna’s brother is urging them to sell to a developer and someone’s harming the heirloom trees that Sanna loves.

Now, the evil developer plot line sometimes veered toward melodrama, but mostly things stayed interesting and realistic. I liked that Sanna is 6 feet 3 inches and as distinctive as that implies. I had to mentally adjust to her point of view in several scenes! All the characters are richly drawn.

The author blurb says she “likes to write stories that end well with characters you’d invite to dinner.” That sums up her books rather well – except that I would be sure her characters were the ones cooking the dinner! This is a thoroughly enjoyable story, and I feel like I have indeed had dinner in the friendly company of these characters.

SimonandSchuster.com
amyereichert.com

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Review of The Slow Regard of Silent Things, by Patrick Rothfuss

The Slow Regard of Silent Things

by Patrick Rothfuss
illustrated by Nate Taylor

DAW Books, 2014. 159 pages.

This book is set in the world of Patrick Rothfuss’s Kingkiller Chronicle, a short tale of Auri, a mysterious girl who lives deep under the University in dark passages.

In the Author’s Foreword he tells you right up front this isn’t the best introduction to his worlds, and includes other reasons you might not want to read it.

I think it’s only fair to warn you that this is a bit of a strange story. I don’t go in for spoilers, but suffice to say that this one is . . . different. It doesn’t do a lot of the things a classic story is supposed to do. And if you’re looking for a continuation of Kvothe’s storyline, you’re not going to find it here.

On the other hand, if you’d like to learn more about Auri, this story has a lot to offer. If you love words and mysteries and secrets. If you’re curious about the Underthing and alchemy. If you want to know more about the hidden turnings of my world. . . .

Well, then this book might be for you.

He said it! Patrick Rothfuss’s astonishing ability to write beautiful language is still evident in this book — but this isn’t where you’ll see his ability to craft a plot.

But if you already love his world, here’s an opportunity to spend some time there, and to get inside the mind of the mysterious and broken Auri as she goes about her interesting hidden world, putting things in their proper places.

patrickrothfuss.com
dawbooks.com

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Review of The Reluctant Queen, by Sarah Beth Durst

The Reluctant Queen

Book Two of The Queens of Renthia

by Sarah Beth Durst

Harper Voyager, 2017. 360 pages.
Starred Review

The Reluctant Queen begins exactly as a Book Two should do, with a quick summing up that jumps into the action (Don’t read this if you haven’t read Book One!):

Everything has a spirit; the willow tree with leaves that kiss the pond, the stream that feeds the river, the wind that exhales fresh snow . . .

And those spirits want to kill you.

It’s the first lesson that every Renthian learns.

At age five, Daleina saw her uncle torn apart by a tree spirit for plucking an apple from his own orchard. At age ten, she witnessed the destruction of her home village by rogue spirits. At age fifteen, she entered the renowned Northeast Academy, and at age nineteen, she was chosen by a champion to train as his candidate. She became heir that same year and was crowned shortly after, Queen Daleina of the Forests of Aratay, the sole survivor of the Coronation Massacre. She’d heard at least a half-dozen songs about her history, each more earsplitting than the last. She particularly hated the shrill ballads about her coronation, a day she wished she could forget. Instead she had it hammered into her skull by a soprano with overly enthusiastic lungs.

Six months after her coronation, now that the funerals – and so many of her friends’ graves – weren’t so fresh, all of Aratay wanted to celebrate their new queen, and she was swept along with them. For her part, she planned to demonstrate her sovereignty by healing one of the barren patches created during the massacre and replacing it with a new village tree.

It is, she thought, one of the worst ideas I’ve had in weeks.

Indeed, when she collapses during the effort – and people who came to witness it are killed, Daleina is even more convinced it was a bad idea. Her friend the Healer does test, and tells Daleina that she is dying. She has an incurable sickness that will lead to more and more blackouts and eventually her death. These will get worse the more she uses her power. But what is a Queen of Aratay without using her power?

Even worse, in the last book, when Daleina became Queen, all the other candidates died. There is no one remotely ready to step into her place. But if Daleina dies before an heir is ready – the spirits will destroy Aratay and everyone in it.

So this second book is, once again, about finding someone to be queen. Daleina asks her champions to look for suitable candidates to train. But only very young girls are left in the academies.

That is, except for Naelin. She’s a mother of two young children who has always tried to hide her power. Nothing good can come of getting attention from the spirits! But will she step up for the good of Aratay? How about to protect her own children?

There are two plot threads in this book. One is the training of Naelin. The other is back at the palace, trying to find a cure. And then there are signs of foul play. And candidates start dying. The plot threads come together in an exciting and satisfying showdown.

The first book in this series was nicely self-contained, as I like first books to be. This one? Well, you do need to read the first book first to fully understand this world. Part of me felt like, But we just found a queen! – But I think it helped me feel more fully the tragedy of Daleina coming down with this illness so quickly after her coronation.

And the book ends with new impending dangers. I very much want to read on! My review of the next book will probably give away what happens in this one. Trust me! This is an imaginative series with some awesome world-building, intriguing characters, and plenty of suspense and danger. I am definitely going to want to read on as long as it continues!

sarahbethdurst.com
harpercollins.com

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Review of Norse Mythology, by Neil Gaiman

Norse Mythology

by Neil Gaiman
performed by the author

HarperAudio, 2017. 6.5 hours on 6 compact discs. Unabridged.

I could listen to Neil Gaiman read the phone book! Although I ended up finding Norse mythology quite strange and wild – I can’t imagine a better way to hear these stories than read by Neil Gaiman. And written by Neil Gaiman doesn’t hurt, either. He captures the magical and mystical feel of the tales.

There’s an explanation at the beginning about Asgard and Midgard and the Land of the Giants and all the rest – It might have been simpler if I’d had that explanation in print to refer back to. Anyway, this way I was caught up in the stories. Most of them had Loki being a trickster and Thor throwing his hammer around to get his way.

There are many stories in this collection, and many of them have more than one chapter. There’s a dizzying array of characters, though usually Neil Gaiman refers back to where we have seen an obscure character before, so it seems quite coherent.

We do learn how Thor gets his hammer and what powers it has. And we find out about many adventures of the gods and goddesses, which so often start by an action that wasn’t terribly wise. And then there are consequences. And gods and giants try to trick others and are tricked themselves. And most of the stories were not familiar to me like Greek myths, so they were all new adventures.

That review seems a little coherent, but here’s the bottom line: Norse mythology explained and retold by Neil Gaiman, and even read by Neil Gaiman. Now that’s worth listening to!

neilgaiman.com
harperaudio.com

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Review of The Shadow Land, by Elizabeth Kostova

The Shadow Land

by Elizabeth Kostova

Ballantine Books, 2017. 478 pages.
Starred Review

When Alexandra Boyd gets off the plane in Sofia, she’s jet lagged, exhausted, and not even thinking straight. She’s in Bulgaria to begin teaching English, but came a month early to do some sight-seeing. First, the taxi driver brings her to a nice hotel, instead of the hostel where she has a room booked – and drives off before she can fix it.

While she’s trying to figure out what to do, she sees an elderly couple and a younger man come out of the hotel. As the younger man is helping the older man in a wheelchair get into a taxi, the older lady stumbles. Alexandra catches her arm and helps her. And then she passes their bags to them and helps them settle in the cab.

The younger man thanks her, and chats with her about her travel plans. She asks if she can take their picture – the first people she’s spoken to in Bulgaria.

Then Alexandra gets into a taxi and heads for her hostel. But as they are driving away, she suddenly notices that she has the tall man’s satchel. When she opens it up, it contains an urn with ashes and a name on the urn, Stoyan Lazarov. She asks the taxi driver to stop and bursts into tears.

When Alexandra opened the urn, she began to cry not because she was afraid of human remains but because it was just too much, the last straw. She was in a strange country, she was exhausted, her plans had already gone awry, and in the dramatic way of the young she felt herself in the grip of something larger — destiny, or some plot that could as easily be evil as good.

Alexandra has the driver, who says she can call him Bobby, take her back to the hotel, but there’s no sign of the people who lost the urn. She goes to the police, which Bobby doesn’t think is a great idea. But the police give her an address to try. First, though, she and Bobby drive to the monastery where the tall man said they’d be traveling.

In the monastery, Alexandra and Bobby get locked into a room, but it turns out Bobby has lockpicking skills.

By now Bobby is interested in Alexandra’s quest, so they continue on the trail of the Lazarov family. Each place they go, they find the family is not there, but get another lead of a place where they might be found. Along the way, they find out more about Stoyan Lazarov as well. But at the same time, as they travel, Bobby’s car is vandalized and they get threatening notes. Someone besides the Lazarov family seems to want the urn.

This book has a chase saga and a mystery, as well as being a story of a young American woman traveling in Europe on her own for the first time. Just when I thought it was especially lovely, pleasant reading, the book starts delving into the history of Bulgaria – particularly Stoyan Lazarov’s time in a prison camp – particularly brutal and awful.

But the overall feeling of the book is hopeful and surviving through art and through love. The story is compelling, as Stoyan Lazarov’s past has repercussions in the present.

This is a very personal story, despite having large themes. Alexandra has some of her own issues to deal with, but she cares about the people she meets along the way, and the reader can’t help but care, too. The author weaves in flashbacks well, never interrupting Alexandra’s story long enough to make us impatient.

I still say it’s a lovely book, even though it has some very hard chapters. The author brings Bulgaria to life so vividly and so lovingly, I wasn’t surprised to read at the back that she’s married to a Bulgarian. The plot is gripping, yet she manages to weave in lots of background material without letting up on the tension. On top of all that, these characters – from Alexandra and Bobby all the way to the man in the urn – are people you come to love.

elizabethkostova.com

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