Review of Merci Suárez Can’t Dance, by Meg Medina

Merci Suárez Can’t Dance

by Meg Medina

Candlewick Press, 2021. 372 pages.
Review written April 13, 2021, from an advance reader copy sent by the publisher
Starred Review

Merci Suárez is back! Now she’s thirteen years old and in seventh grade, having navigated everything life threw at her in sixth grade in Merci Suárez Changes Gears. I was super excited when I heard about it, because I was on the committee that chose the first Merci book to win the 2019 Newbery Medal!

Meg Medina is a master of her craft. Like the first book, it’s not a flashy story, but good solid writing about a seventh-grade girl from a Cuban American family negotiating a school where most of the other kids are from richer families than hers, negotiating changes in her family, and figuring out this thing about how everyone around her seems suddenly interested in romance. By the time you’re through the book, you realize Merci’s been dealing with a whole host of issues with grace and nuance. You’ll rejoice with her.

She’s up against her nemesis again, Edna Santos, but I like the way Edna isn’t portrayed either as a simple bully or as someone who suddenly reforms and is shown to have a heart of gold. She’s real – with some annoying traits that last, but Merci also discovers some good things about her.

But there’s a boy who comes into Merci’s life at the beginning of the book, and her feelings about him are confusing. Here’s how the book begins:

It was Miss McDaniels’s idea for me and Wilson Bellevue to work together in the Ram Depot, a job that nobody wants. For the record, I applied for an anchor spot on the morning announcements with my best friend Lena. But wouldn’t you know it? Darius Ulmer’s parents decided it was time he addressed his “shyness issues,” so he got the job instead.

I like the way Wilson, too, is presented as a real person. While the reader is pretty sure he’s going to be important in Merci’s thinking, we aren’t told simply that he’s good-looking, and Merci doesn’t lose her ability to speak when he looks at her. Here’s how he’s described on the next page:

I only knew him from PE and earth science, the quiet kid with freckles across his nose and reddish hair he wears natural. I had noticed his walk, too. He swings one hip forward so his right leg can clear the ground. He says it doesn’t hurt or anything. He was born that way, he told us last year during one of those annoying icebreaker activities we’re all subjected to on the first day of school. Anyway, we hadn’t really talked much this year. The only other intel I had was that his family is Cajun and Creole from Louisiana. He told us that when he brought gumbo to the One World food festival when we were in the sixth grade, and it was pretty good, if you didn’t mind breaking into a full-body sweat from the spices.

Merci and Wilson work well together in the student store, getting good ideas to make it start being profitable for a change.

I thought the not dancing would be all about the Heart Ball, pictured on the cover, which is organized by Edna, and where Merci agrees to be the official photographer at the photo booth to get out of dancing. But that’s halfway through the book. As things go on, her Tía decides to open a dance studio, and she needs all the family to help make it a success. Can even Merci learn to dance?

It was a treat to spend time with Merci again. Like the first, this is a solid school story – with lots of creativity and personality and nothing stereotypical. I can’t help loving Merci, who’s never going to fit into anyone else’s mold.

candlewick.com

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Review of Legendborn, by Tracy Deonn

Legendborn

by Tracy Deonn

Margaret K. McElderry Books (Simon & Schuster), 2020. 498 pages.
Review written December 7, 2020, from a library book
Starred Review
2020 Cybils Finalist, Young Adult Speculative Fiction
2021 Coretta Scott King – John Steptoe New Talent Author Award

Legendborn takes the idea of inherited magic from the Knights of the Round Table and King Arthur – and throws an African American girl into the mix, making this an exceptionally timely fantasy with a classic feel.

16-year-old Brianna (Bree to her friends) is starting at the Early College program for high school students at University of North Carolina Chapel Hill while still grieving her mother’s death. Right away, at a party she probably shouldn’t have attended, she witnesses a magical monster subdued by someone with apparently magical powers. She then watches him erase the memories of the other witnesses – but she still remembers.

Then she’s assigned a student mentor who’s very attractive – and involved with that same group of magic-users. And she’s beginning to remember someone similarly trying to erase her memories at her mother’s death. So she decides to become a Page in the Order of the Round Table, with a chapter at the university, to try to find out more and if there was a connection with her mother.

It turns out that her student mentor is a direct descendant of King Arthur himself. And more and more Shadowborn creatures are coming through gates and a war is looming.

But at the same time, Bree learns that her mother practiced a different kind of magic. Could this be why the mesmers of the Merlins don’t work on Bree? So she’s learning about Root magic and aether magic from the Order of the Round Table all at the same time. And since the Order involves families that have been passing on their legacy for hundreds of years – she does encounter plenty of racism in their midst.

The world-building is a little bit murky, but since Bree is learning as she goes, some of that is natural to the plot. And I’m not saying too much, because Bree learning about the magic and how it is wielded is part of the story.

But we’ve got a modern-day African American teen learning to wield legendary magic and how to fight evil demonic creatures while figuring out college residential life and racism and being attracted to someone who may become the Awakening of King Arthur. There are twists and turns all along the way, with some big surprises at the end. I’m not going to be able to resist finding out what happens next whenever a sequel comes out, because temporary matters resolve, but the story is definitely not finished.

tracydeonn.com
simonandschuster.com/teen

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Review of Journeys, edited by Catherine Gourley

Journeys

Young Readers’ Letters to Authors Who Changed Their Lives

Library of Congress Center for the Book
edited by Catherine Gourley

Candlewick Press, 2017. 226 pages.
Starred Review
Review written July 5, 2019, from a library book

This book is a collection of fifty-two letters written by young readers to authors about how their lives were touched by the authors’ books. Here’s an excerpt from the Foreword:

Over the years that Letters About Literature has invited young readers to share their personal responses to authors with us at Center for the Book, we have learned that children often approach reading with reluctance and that writing about what they read is often a challenge and, for some, a struggle.

This volume of letters is a showcase of young minds and hearts inspired and at times healed by the power of an author’s words. As the letters so poignantly illustrate, not all books are right for all readers. Likewise, two readers can interpret and respond to the same book quite differently. For some children, finding that right author, that right book, is in itself a bit of a journey. Once a reader finds that author and that book, something remarkable occurs. Readers discover themselves within the pages of the book. They begin to feel and to understand.

The letter-writers range in age from fourth grade to twelfth grade. Almost all of them are deeply personal. Since the editors chose from twenty-five years of letters, this isn’t a surprise. Each letter is showcased with a short description of the author and book they responded to.

I’m going to include a few random excerpts from letters. It’s not hard to find good quotations:

About Crispin: The Cross of Lead, by Avi:

I want to be a writer that opens up doors for people. I want to set scenes and describe occupations that not everyone can become. People may not have the physical or mental capabilities to be an astronaut, race-car driver, teacher, dancer, or baseball player, but for a time, I want them to experience what each of those professions would be like.

I am a ten-year-old boy. I have mild cerebral palsy, but for one cool fall afternoon, I became Crispin, living in the Middle Ages. Thank you for that gift.

About The Book Thief, by Marcus Zusak:

I used to be afraid. I used to wake up screaming and seeing a yellow star sewn onto my clothing. I have read many books about the Holocaust, but none of them struck me like The Book Thief. Instead of pain and fear, it is a book that focuses on courage, kindness, the power of words, and hope.

About the Harry Potter books, by J. K. Rowling, from a girl who’d been forbidden to read them:

You have given the world a gift, Ms. Rowling. You have given millions of people a friend, an adventure, and a happy ending that never ceases to amaze. So now, I thank you. Thank you for giving a little girl and her siblings someone to admire and dream about. Thank you for teaching the children of this world how magical love is, and most of all, Ms. Rowling, thank you for giving me Harry.

From a high school student about The Things They Carried, by Tim O’Brien:

When the soldier eventually kills himself, I was jolted awake. Why are death, war, and loss such taboo subjects? Why must we bury them down deep inside, cover our fears and uncertainties with a strained smile, and ignore a whole part of ourselves? No longer was I going to hide the past and the pain. I wouldn’t give up because people were unwilling to listen. I would spin words into poetry and attempt to define the indefinable. Circumstances had broken my heart, weighed down my shoulders, and given me a lifelong burden to carry. Yet I was unwilling to succumb to the same fate as the disillusioned soldier. I would not be shattered.

Your last story simultaneously opened fresh wounds and gave me the first real comfort since my mom’s death. I cried when Linda died. It was tragic. She was so young. I thought of my mom and it was almost unbearable. However, I realized from your book that stories could keep a person alive. Stories allow us to visit the past how it was: untainted in its beauty and unmarked by death or struggle.

And I love this one, about The House on Mango Street, by Sandra Cisneros:

“We are tired of being beautiful.” Thank you for writing those words. I was thinking them. I felt their unspoken pressure until they broke off your page and got stuck in my heart. That was your trick, I suppose. You wrote what everyone was thinking. You are so far away from me, so different, and still you spoke to me and I understood you. You knew me all along.

I am not fat anymore. I never was, I suppose, or maybe I still am. But I’ve stopped thinking about it and I am fine. “I am too strong for her to keep me here forever,” you wrote. I know that by “her,” you meant Mango Street, but I read it as “my body” and “my mind.” My heart came back together then, and I have you to thank for that. You didn’t tell me how to pull myself back together; you just showed me that I could. I was tired of trying to be somebody else’s definition of beautiful, and you told me that was okay. Beauty is not in the beholder, but in she who is beheld.

If you’ve ever wondered whether books can truly change lives, I highly recommend reading this book.

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candlewick.com

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Review of Longbourn, by Jo Baker

Longbourn

by Jo Baker
read by Emma Fielding

Random House Audio, 2013. 13.5 hours.
Review written April 9, 2021, from a library eaudiobook
Starred Review

A big thank you to my coworker Pam who told me about this book after I posted my new Austenalia page. Longbourn focuses on the home of Elizabeth Bennet during the events of Pride and Prejudice and tells us about the lives of the servants.

This isn’t the same flavor at all as Jane Austen’s books, dealing with ladies and gentlemen and polite society and appearances and sweetly and innocently finding husbands. Details are a little more sordid, and there are some unpleasant scenes and situations. The book begins on a wash day, and Sarah, a housemaid, has these thoughts about her employers:

The young ladies might behave like they were smooth and sealed as alabaster statues underneath their clothes, but then they would drop their soiled shifts on the bedchamber floor, to be whisked away and cleansed, and would thus reveal themselves to be the frail, leaking, forked bodily creatures that they really were. Perhaps that was why they spoke instructions at her from behind an embroidery hoop or over the top of a book: she had scrubbed away their sweat, their stains, their monthly blood; she knew they weren’t as rarefied as angels, and so they just couldn’t look her in the eye.

Longbourn is a small household, with the butler married to the housekeeper. Sarah is the older of the two housemaids, and she’s only a teen herself. At the start of the book, a stranger comes into town, and he quickly becomes their new footman. There are some questions as to why a young man would be available during a time of war.

Something fun about this book is that yes, the events of Pride and Prejudice play out among the young ladies, but those things aren’t nearly as interesting to the servants as what is going on in their own lives. The author has given them intriguing back stories.

So don’t think of this as a Jane Austen read-alike. It’s not. But it is a fascinating and absorbing account of what life was like for ordinary people in England during the Napoleonic Wars. It’s about making do and surviving, but also about finding love and finding opportunities. What would a servant dream of making of themselves during that era?

I will add that in revealing the back stories of the servants, Jo Baker gives us some surprising back stories of the main characters. Bingley’s family made their fortune in sugar, and there are some implications about one of his servants – but that’s only the beginning of the back story revelations.

I wasn’t too sure I’d enjoy it as the book began, since I’m used to thinking of only the pleasant side of Austen heroines. But the more I listened, the more caught up I was in the lives and situations of these people who began to feel like they knew a lot more about how the world really works than the fine ladies I was used to reading about.

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aaknopf.com

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Review of Nesting, by Henry Cole

Nesting

by Henry Cole

Katherine Tegen Books (HarperCollins), 2020. 36 pages.
Review written April 21, 2020, from a library book
Starred Review

We’ve got this in picture books in our library, and the story is slightly fictionalized, but you can also think of this book as a child’s very first nonfiction book about robins.

The story is simple – a robin couple meets, builds a nest, lays eggs, and cares for them. The story is accompanied by Henry Cole’s lovely and detailed illustrations, mostly black and white, but with accents of robin’s egg blue.

There’s a bit of gentle drama in the middle:

Down below, a snake sees the robins’ nest. The snake is hungry, too, and climbs the apple tree.

The robins fight back! They dive and swoop!

They don’t give up until they drive the snake away.

We see the baby robins leave the nest and get ready to start their own home.

It’s simple science for young kids – and it’s soothing and peaceful to see a robin’s life cycle all laid out for you. Henry Cole’s wonderful art makes this book something special.

henrycole.net

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Review of Meg, Jo, Beth, and Amy, by Rey Terciero and Bre Indigo

Meg, Jo, Beth, and Amy

by Rey Terciero and Bre Indigo

Little, Brown and Company, 2019. 256 pages.
Starred Review
Review written June 11, 2019, from a library book

This graphic novel is a modern retelling of the children’s classic Little Women, and it’s wonderfully done. It takes only the first book of the two parts of the original book – up to the point where the girls make some life-changing choices. Let’s just say that the modern versions of the girls choose differently, and I like the update.

This time the March family is a blended family. Meg’s father married Jo’s mother and then they had Beth and Amy together. Instead of the Civil War, their father is off fighting in the Middle East. And the book opens with the girls facing that they won’t be able to expect presents for Christmas and they want to give their mother a surprise. Instead of going out to help the poor, they go work at a soup kitchen on Christmas and a kindly rich neighbor across the street invites them over for Christmas dinner, where they meet Laurie, his grandson who has just moved in.

I’ve read the original novel Little Women many, many times since I was in about sixth grade. I loved the way the scenes in this graphic novel parallel the scenes in the original book.

Jo still loves to read and wants to be an author. Beth loves music – but it’s a guitar that she gains from their neighbor rather than a piano. Amy still loves art – she wants to draw comics. Meg still wants to marry a rich man – but that’s one of the choices that end up getting changed. We do get to enjoy familiar-but-new scenes of Meg feeling out of place at a party with girls who have much more money than their family does.

I don’t want to give away the changes at the end. If they write a second book, matching the second half of Little Women, it won’t be able to parallel the scenes as closely. But I do appreciate the changes for these modern times.

Like the original, this is a story of four sisters navigating life, each dealing with their own burdens, but ultimately facing it together.

LBYR.com

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Review of Furia, by Yamile Saied Méndez

Furia

by Yamile Saied Méndez

Algonquin Young Readers, 2020. 357 pages.
Review written October 17, 2020, from a library book
Starred Review
2020 Cybils Award Winner
2021 Pura Belpré Young Adult Author Medal Winner

Furia is set in Argentina, telling the story of 17-year-old Camila, who dreams of being a soccer star. Her father played soccer until an injury stopped his career, and her older brother has recently gone professional. But her family doesn’t think that girls should play soccer, so she has to keep her play secret. However, when they win their league championship, she’s going to need her parents’ permission to play in the South American tournament.

Meanwhile, her childhood friend Diego has come back to town. Her family doesn’t know that things got romantic between them before he joined an Italian professional soccer team. That spark is still there. Diego, and apparently everyone else, thinks that she should give up her own dreams and go back with him to Italy. But even though Camila cares about him, she’s got a fire inside and wants to follow her own path.

Along with that story, there are undercurrents about women’s rights in Argentina, domestic violence, and expectations for women. Camila has to navigate all of this while trying to get attention for her skills. She dreams of going to America, where women can play professional soccer.

But meanwhile, how does she navigate all the secrets she’s keeping?

I love the way the book starts, setting up the framework of the setting and Camila’s people:

Lies have short legs. I learned this proverb before I could speak. I never knew exactly where it came from. Maybe the saying followed my family across the Atlantic, all the way to Rosario, the second-largest city in Argentina, at the end of the world.

My Russian great-grandmother, Isabel, embroidered it on a pillow after her first love broke her heart and married her sister. My Palestinian grandfather, Ahmed, whispered it to me every time my mom found his hidden stash of wine bottles. My Andalusian grandmother, Elena, repeated it like a mantra until her memories and regrets called her to the next life. Maybe it came from Matilde, the woman who chased freedom to Las Pampas all the way from Brazil, but of her, this Black woman whose blood roared in my veins, we hardly ever spoke. Her last name got lost, but my grandma’s grandma still showed up so many generations later in the way my brown hair curled, the shape of my nose, and my stubbornness – ay, Dios mío, my stubbornness. Like her, if family folklore was to be trusted, I had never learned to shut up or do as I was told.

yamilesmendez.com
AlgonquinYoungReaders.com

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Review of Courage, by Tom Berlin

Courage

Jesus and the Call to Brave Faith

by Tom Berlin

Abingdon Press, 2021. 144 pages.
Review written March 29, 2021, from my own copy
Starred Review

This book is written by the pastor of my church. They gave a copy to all church members and regular attenders as part of a bag of goodies to help us observe Lent. All the small groups in the church have been working through this book during the six weeks of Lent. The pastor’s sermons have kept pace with the chapters of the book. And as an additional resource, he recorded a video for each chapter at a significant site in Washington, DC, and we watch those short videos during our small group discussion each week.

Honestly? I’d never thought much about courage. Is that a guy thing? I mean, I never wanted to be in the military or be a policeman or firefighter and never gave much thought to the need for courage.

But this book has made me think of courage in new ways. He covers six aspects of courage – clarity, conviction, candor, hope, fortitude, and love – and looks at six incidents in the life of Jesus that demonstrate these things. It makes me think about the ways I need to display courage to do the things God calls me to.

I think my favorite chapter is the final one. It talks about how it’s easier to be courageous when we know we are loved – and we are loved indeed.

When we believe that God loves us, we enter a place of courage. The knowledge of such love creates a foundation of confidence on which courage stands. It enables us to know that we can be vulnerable with others because their acceptance or rejection will neither increase nor diminish the love we offer others.

Although I wasn’t curious about courage before our church started studying the topic, it’s been an interesting and fruitful topic. The sermons and the small group discussions have been inspirational and encouraging.

AbingdonPress.com

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Review of The Pig War, by Emma Bland Smith, illustrated by Alison Jay

The Pig War

How a Porcine Tragedy Taught England and America to Share

by Emma Bland Smith
illustrated by Alison Jay

Calkins Creek (Boyds Mills & Kane), 2020. 28 pages.
Review written February 26, 2021, from a library book
Starred Review

The Pig War is a delightful picture book about an actual skirmish between England and America over the fate of San Juan Island in 1859.

San Juan Island is an island off the coast of the Pacific northwest, whose ownership was not made clear in the Oregon Treaty between America and Britain. Both countries laid claim to it, and both countries had settlers.

One day in 1859, an American settler saw a pig rooting in his potato patch and shot it. The owner of the pig was British. He demanded an outrageous sum for the pig, and a dispute began. Soldiers and ships were called in, and the United States and England were on the brink of war.

This book turns the dispute into a folksy tale. It humorously shows how these things escalate, but also boasts the achievement of the two countries agreeing to share. In the Pig War, no one died except the pig.

I like this section where the book explains how things escalated:

Now, the two bosses, Harney and Douglas, may or may not have been cranky. We don’t know. But we do know that they were both – it must be said – on the hotheaded side. Harney promptly dispatched a company of sixty-four men, under the command of Captain George Pickett. The Americans must have sighed a breath of relief. Such a fearsome display of power would surely make the Brits back off.

Simple, right?
Not quite.

Because just two days later, a British ship, highly armed, commanded by Captain Geoffrey Hornby and loaded with several hundred men, steamed into the bay.

Oh, dear.
What started as a Pig Incident and turned into a Pig Argument was fast escalating into a Pig Situation.

There are detailed notes at the back, and you learn that you can visit the sites of the American Camp and the English Camp today.

These creators turn an unfortunate incident into a delightful story of cooperation and cool heads.

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calkinscreekbooks.com

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Review of This Is How It Always Is, by Laurie Frankel

This Is How It Always Is

by Laurie Frankel
read by Gabra Zackman

Macmillan Audio, 2017. 11 hours.
Review written March 29, 2021, from a library eaudiobook
Starred Review

I heard about this book from my Facebook group of mothers of transgender kids. I have a transgender daughter, though she came out at 27 years old, when she had grown up and moved out long before. This is a book about a family with a young child who doesn’t follow gender norms, and how the whole family navigates that.

I tend to not like “issue” novels, because they can make things work out for their protagonists in ways the real world wouldn’t. But I loved this. In the featured family’s quirky particularity, we don’t feel like they’re trying to speak for every transgender child. But the author is telling us about this particular family, and how they in particular dealt with things when their youngest son told them he wanted to be a girl scientist when he grew up.

Rosie and Penn have an unusual family. She’s an ER doctor. He’s a writer who’s been working on his novel for a long time. They have five children, all boys – or so they thought. As the book begins, we’re told how much Rosie wanted that last child to be a girl. (I like that touch. A mom does wonder if there’s something about their pregnancy that “caused” their child to be transgender.) When she birthed a boy, they thought that at least they knew how to handle boys by now.

But Claude is not like the others.

Back when they were dating, writer Penn won Rosie over with a fairy tale. And as their boys grow, he continues the fairy tale in bedtime stories to them, stories of Grumwald, a prince. But their youngest, Claude, is tired of Grumwald and wants to hear about Princess Stephanie. The stories begin to change, and so does Claude.

After Claude is so clearly happier wearing dresses and growing his hair long and being called Poppy, the family lets it happen. But after some negative encounters, they decide to move somewhere more accepting – and then why bother telling anyone what is in Poppy’s pants? Why not simply present her as a girl?

But that decision, and that deception, gets bigger than the family can handle and leads to things blowing up. I won’t say more about how the big crisis is handled except to say that it’s believable and gracious, while hitting your emotions hard.

I love the perspectives. I love the way fairy tales shine light on their situation. I love the flawed humans in this tale. I love the way the older brothers love their youngest sibling but still have to deal with wanting their own needs met. I love the way this family loves each other, but doesn’t always know how best to show that.

True stories of bringing up a transgender child are valuable and have their own insights. I appreciated that in a novel, the author can let us know what all the different people in the family are thinking and feeling, rather than only what the writer of the memoir knows first hand. This book showed how the youngest child being gender nonconforming affected all the members of the big and quirky family.

This book doesn’t claim to have easy answers, and it does show the parents’ struggle to do what’s best for their child – and how even that brings some problems. This is a compassionate and nuanced look at a quirky and loving family trying to support their child and help that child be the person they were born to be.

lauriefrankel.net

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