Review of Friends Forever, by Shannon Hale and LeUyen Pham

Biography, Children's Nonfiction Review, Graphic Memoir, Starred Review 0

Friends Forever

by Shannon Hale
artwork by LeUyen Pham
color by Hilary Sycamore and LeUyen Pham

First Second, 2021. 300 pages.
Review written September 21, 2021, from a library book
Starred Review

Friends Forever is the third in Shannon Hale’s graphic novel trilogy of memoirs about middle school. This one covers eighth grade.

The things Shannon faces in eighth grade aren’t surprising: issues with friends, family, boys, her own looks, popularity, how people see her, and what is she good at. But since these are things most eighth graders have to deal with – it’s great to have a story out there in an accessible graphic novel form of a kid facing those things.

I’m not sure I’d want to revisit the angst of eighth grade to write a book about it. Shannon Hale has done this in an encouraging and uplifting way, and kids today will benefit.

And don’t think this is only a problem novel. It’s also an entertaining true story about the ups and downs of middle school – but she doesn’t neglect the upside. This is a fun and quick read about one particular eighth grade kid who indeed grew up to be a famous author.

shannonhale.com
leuyenpham.com
firstsecondbooks.com

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Review of Before They Were Artists, by Elizabeth Haidle

Biography, Children's Nonfiction Review, Graphic Novel, Starred Review 0

Before They Were Artists

Famous Illustrators as Kids

by Elizabeth Haidle

Etch (Houghton Mifflin Harcourt), 2021. 64 pages.
Review written July 6, 2021, from a library book
Starred Review

Here’s a picture-book-sized nonfiction book for children in graphic novel format telling about the childhoods of six distinguished illustrators.

I would have never thought to put these particular illustrators together in a book, and I love the variety of backgrounds they represent. We’ve got:

Wanda Gág, who wrote Millions of Cats, born in 1893 in New Ulm, Minnesota.
Maurice Sendak, who wrote Where the Wild Things Are, born in 1928 in Brooklyn, New York.
Tove Jansson, who wrote Finn Family Moomintroll, born in 1914 in Helsinki, Finland.
Jerry Pinkney, who wrote The Lion and the Mouse, born in 1939 in Philadelphia, Pennsylvania.
Yuyi Morales, who wrote Just a Minute, born in 1968 in Xalapa, Mexico.
Hayao Miyazaki, who wrote Nausicaä of the Valley of the Wind, born in 1941 in Tokyo, Japan.

Each illustrator gets a title spread with one book featured (the one I listed above), a picture of the illustrator as a child in the landscape of their own books, with a quotation coming from a speech bubble. There’s a time line across the bottom with notable events in their lives, including other books they’ve written. Then they each get six to eight more pages with panels in graphic novel format telling about their childhoods, how they got started in art, and their many accomplishments.

This book is delightful to look at and presents lots of information in an entertaining way. It’s sure to inspire other young artists or at least get them thinking about what their love for art could lead to.

There’s a spread at the front with the title “What makes an illustrator?” It talks about how they had many different backgrounds, but they loved to draw.

In all cases, inspiration from someone else helped pave the way: another artist, animator, cartoonist, or painter whose books, films, or paintings moved hearts and imprinted themselves on minds. These heroes and mentors made a path of possibility to walk down.

May the stories in this book inspire other artists in turn.

hmhbooks.com

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Review of A Most Clever Girl, by Jasmine A. Stirling and Vesper Stamper

Austenalia, Biography, Children's Nonfiction Review, Starred Review 0

A Most Clever Girl

How Jane Austen Discovered Her Voice

by Jasmine A. Stirling
illustrated by Vesper Stamper

Bloomsbury Children’s Books, 2021. 44 pages.
Review written June 16, 2021, from a library book
Starred Review

How do you tell kids about the life of a novelist who writes books for adults? Jasmine Stirling talks about Jane Austen’s supportive family and life circumstances growing up. But she also, in a simple way, explains what kind of writing was prevalent in Jane’s day and how she made fun of it. Here’s how the book begins:

Jane loved stories – long ones, short ones, worn and new.

But there were some kinds of stories that she just couldn’t stand.
These were pale stories with delicate ladies who fainted all the time. (ALAS!)
Or gloomy stories with orphans on doorsteps and terrible secrets in the attic. (OOOH!)
Or sticky-sweet stories where people fell in love at first sight. (EWW!)

This was the fluff that was fashionable in those days. Jane found it, well, stale. And predictable.

You see, Jane had a lively, playful disposition, which delighted in anything ridiculous.

Jane started writing silly stories that poked fun at the fluff.
In one, a pair of pale ladies took turns fainting on a sofa. (ALAS!)
In another, a mother abandoned her baby under a haystack only to discover her alive . . . weeks later. (OOOH!)
In yet another, two children were so hungry they bit off their mother’s fingers. (EWW!)

After this engaging beginning, the book goes on to tell about the circumstances of her life. How her father encouraged her writing. (I love the inclusion of the writing desk he gave her, since I’ve seen that desk in the British Library, and when I did, it brought tears to my eyes.)

But then money got tight, they moved to Bath, and Jane’s father died. The book takes us through those events and on to the time when her brother gave Jane and her sister and mother a cottage to live in. There, Jane began writing again and found her voice.

The illustrator explains at the back how much she enjoyed researching on location. She uses pink to represent youthful playfulness, gray for the hard years, and green as Jane found new maturity.

This book came along just in time for the Jane Austen virtual symposium I’m attending beginning the day after I’m writing this review. The author is going to be speaking and talking about how she attempted to convey Jane Austen’s life in picture book form. I’m looking forward to hearing her speak, already impressed with the results of her work.

jasmineastirling.com
vesperillustration.com
Bloomsbury.com

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Review of Code Breaker, Spy Hunter, by Laurie Wallmark, art by Brooke Smart

Biography, Children's Nonfiction Review, Mathematical, Starred Review 0

Code Breaker, Spy Hunter

How Elizebeth Friedman Changed the Course of Two World Wars

words by Laurie Wallmark
art by Brooke Smart

Abrams Books for Young Readers, 2021. 44 pages.
Review written May 15, 2021, from a library book
Starred Review

This picture book biography features a female American code breaker, a woman I’d never heard of before – whose work was declassified in 2015, thirty-five years after her death.

Most of us have heard of Alan Turing, the British mathematician who broke the German’s Enigma code. I hadn’t realized that America was working separately on cracking the code and succeeded separately. And the person in charge of that effort was a woman, Elizebeth Friedman.

Her work as a code breaker began long before that. She was hired in 1916 to try to find secret messages hidden in Shakespeare’s plays by Francis Bacon, whom her employer thought was the real author of the plays. She didn’t succeed in finding any, but that got her started in decoding. She and her husband were involved in the United States government’s first code-breaking unit, the Riverbank Department of Ciphers, in 1917 during World War I. They wrote pamphlets about the techniques they developed which are considered the basis for the modern science of cryptology.

She didn’t only work during war time, although she served during both wars. She also used her methods to catch smugglers during Prohibition and later captured spies.

I’ve recently reviewed books about making and breaking codes and ciphers, so I love this one about a woman who made that her life’s work. The author includes fun details such as the dinner party that Elizebeth and her husband hosted in 1938 where the guests had to solve clues to figure out where each course was being served.

Because of the top secret nature of her work, Elizebeth wasn’t celebrated for her accomplishments in her lifetime. Here’s how this picture book biography ends:

Elizebeth was a true heroine of both World War I and World War II. She is now considered one of the most gifted and influential code breakers of all time. Yet no one knew how many codes she broke, how many Nazis she stopped, how many American lives she saved . . . until now.

There’s more information at the back of the book including hints about coded messages hidden in the illustrations. This is a perfect book for kids interested in codes.

lauriewallmark.com
brooke-smart.com
abramsbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of The Oldest Student, by Rita Lorraine Hubbard & Oge Mora

Biography, Children's Nonfiction Review, Starred Review 0

The Oldest Student

How Mary Walker Learned to Read

by Rita Lorraine Hubbard
illustrated by Oge Mora

Schwartz & Wade Books, 2020. 36 pages.
Starred Review
Review written January 23, 2020, from a library book

I know a book is worth reviewing when I can’t resist telling my coworkers about it. This is an amazing true story, beautifully told in a picture book.

Mary Walker was born into slavery in 1848. Of course slaves weren’t allowed to learn to read. She was freed when she was fifteen years old, but there was still hard work in her life. Now she was too busy to learn to read. She was given a Bible and planned to learn to read some day, but at the time she had work to do.

This picture book shows her busy life bringing up children, working in people’s homes, and raising money for her church. She’d bring her Bible to church, but she still couldn’t read it.

Mary had her three sons to read to her. But they died before she did. Her eldest son died when he was ninety-four, and Mary was alone at 114 years old.

So Mary learned to read.

She went to a class in her building, and at 116 years old received a certificate that she could read. The US Department of Education heard about her and declared her the nation’s oldest student.

Mary felt complete. She still missed her sons, but whenever she was lonely, she read from her Bible or looked out her window and read the words in the street below.

From then on, Chattanoogans honored Mary’s achievement with yearly birthday parties. In 1966, President Lyndon B. Johnson sent well wishes on Mary’s 118th birthday, and in 1969, President Richard Nixon did the same. Mary was now 121 years old.

I love the way the book finishes, with an illustration of a friendly crowd clustered around Mary:

Each year, before her birthday celebration came to an end, someone would whisper, “Let’s listen to Miss Mary.”

The shuffling and movement would fade away until not a sound was heard.

Then Mary would stand on her old, old legs, clear her old, old throat, and read from her Bible or her schoolbook in a voice that was clear and strong.

When she finished, she would gently close her book and say,

“You’re never too old to learn.”

The endpapers show photos of Mary after she’d learned to read. The whole book is full of the wonderful Oge Mora’s joyful cut-paper illustrations. I’m amazed at how she conveys so much personality with simple shapes.

This book is a delight. There’s even a picture of Mary’s first airplane ride. A whole lot changed during her lifetime! And the message is clear: You’re never too old to learn.

ritahubbard.com
ogemora.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but I maintain my website and blogs on my own time. The views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Girl on a Motorcycle, by Amy Novesky, illustrated by Julie Morstad

Biography, Children's Nonfiction Review, Stand-outs, Starred Review 0

Girl on a Motorcycle

by Amy Novesky
illustrated by Julie Morstad

Viking, 2020. 48 pages.
Review written October 6, 2020, from a library book
Starred Review

Girl on a Motorcycle is a beautifully illustrated picture book telling the true story of Anne-France Dautheville, a French girl who rode a motorcycle around the world in 1973.

Julie Morstad’s illustrations have a retro feel, but they also give a feeling of adventure, wonder, and beauty. The girl on the motorcycle is small, but she’s determined.

The book shows the many different places she traveled and the many different people she met along the way. It tells about times when she needed help from strangers and other times when she simply enjoyed the company of strangers.

And it captures the feeling of seeing amazing things and collecting amazing experiences.

The text part (before the Author’s Note) closes with a quote from Anne-France:

The world is beautiful. The world is good.

When she closes her eyes, the girl can still hear the road.
Elsewhere is just a little bit farther.

This book leaves you ready to listen to the call of the road. I wonder if any children reading it will end up as world travelers.

penguin.com/kids

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Review of The Boy Who Dreamed of Infinity, by Amy Alznauer, illustrated by Daniel Miyares

Biography, Children's Nonfiction Review, Stand-outs, Starred Review 0

The Boy Who Dreamed of Infinity

A Tale of the Genius Ramanujan

by Amy Alznauer
illustrated by Daniel Miyares

Candlewick Press, 2020. 48 pages.
Review written July 11, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-out:
#3 Nonfiction Picture Books

The Boy Who Dreamed of Infinity is a longer-than-usual picture book biography of the mathematical genius, Srinivasa Ramanujan. The book focuses on his growing-up years with his constant thinking about mathematical ideas and passion for it that couldn’t be contained.

Here’s how the author talks about the young Ramanujan’s thoughts:

What else is small? Ramanujan wondered. He remembered the legend of the single egg that cracked open to reveal the entire universe. He thought about a mango.

A mango is like an egg. It is just one thing. But if I chop it in two, then chop the half in two, and keep on chopping, I get ore and more bits, on and on, endlessly, to an infinity I could never reach. Yet when I put them back together, I still have just one mango.

He loved this idea, small and big, each inside the other. If he could crack the number 1 open and find infinity, what secrets would he discover inside other numbers? It felt like he was setting out on a grand chase.

Numbers were everywhere. In the squares of light pricking his thatched roof. In the gods dancing on the temple tower. In the clouds that formed and re-formed in the sky. Every day he wrote numbers in the sand, on his slate, on slips of paper, his slender fingers flying, each number a new catch.

The book tells about Ramanujan’s life in India before he finally got an answer from the mathematician G. H. Hardy and was invited to England. It captures his obsession with numbers and his difficulty in doing other things. His parents tried him in a new school every year, because he didn’t fit into the molds they wanted. Eventually he failed college because all he would think about was math.

I love that the author is also a mathematician, and I think she does a great job expressing Ramanujan’s genius, overflowing ideas, and desire to be heard. The artist paints wonderful illustrations to go with the text, showing us an imaginative boy dreaming about numbers and living in a land with lots of sunshine.

The book ends as Ramanujan travels to England:

As he rocked on the steamer and gazed up at the great night sky, so full of stars that it looked like a glittering infinity, he never could have guessed that someday scientists would use his ideas to help explore that sky and that his work would change the course of mathematics forever. One hundred years later, people would still search his notebooks in wonderment, trying to discover what he was thinking.

candlewick.com

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Source: This review is based on a book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of Almost American Girl, by Robin Ha

Biography, Children's Nonfiction Review, Graphic Memoir, Starred Review, Teen Nonfiction 0

Almost American Girl

by Robin Ha

Balzer + Bray (HarperCollins), 2020. 233 pages.
Review written May 13, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-out:
#4 Longer Children’s Nonfiction

The graphic format is so wonderful for a memoir about dealing with middle school and high school under exceptionally trying circumstances. I hope this will enjoy the popularity of similar books such as Smile, Best Friends, and New Kid.

When Chuna Ha’s mother brought her to America one summer, Chuna thought they were just taking a vacation. They went to Alabama, a place Chuna had never heard of, and stayed with a “friend” of her mother. At the end of the “vacation,” her mother said she was getting married and they were in America to stay.

Chuna took the American name of Robin, but it was hard to pronounce. She didn’t speak English very well and had a lot of trouble in middle school in Alabama. We see Robin having trouble getting along with her step family, bullies teasing her cruelly at school, and how hard it is to make friends when you don’t speak the same language. She finally meets kids she connects with when her mother finds a comics class at a comics store.

She and her mother move to Virginia when she’s ready to start high school, and then there’s an entire classroom full of English Language Learners, so she no longer feels so out of place, and doesn’t stand out. At the end of the book, Robin visits her hometown in Korea and sees her old friends and learns that not only is she different from them now, she has different hopes and dreams for her future.

This graphic-format memoir brings you into Robin’s experiences with all its struggles and triumphs.

banchancomic.tumblr.com
epicreads.com

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Review of The Fabled Life of Aesop, by Ian Lendler, illustrated by Pamela Zagarenski

Biography, Children's Nonfiction Review, Folk Tales, Starred Review 0

The Fabled Life of Aesop

by Ian Lendler
illustrated by Pamela Zagarenski

Houghton Mifflin Harcourt, 2020. 64 pages.
Review written March 24, 2020, from a library book
Starred Review
2020 Sonderbooks Stand-outs:
#2 Children’s Nonfiction Picture Books

This is a collection of Aesop’s fables that stands out for two important reasons.

The first outstanding thing about it is the stunning illustrations by Caldecott-Honor-winning artist Pamela Zagarenski. Every page of this book is beautiful to look at. The illustrations feel otherworldly, adding to the universal nature of the fables.

The second outstanding feature is that the author presents the life of Aesop before and after presenting most of the fables. I knew, I think, that Aesop had been a slave, but very little else. Ian Lendler tells about his different owners and how he won his freedom with his wisdom.

He also explains why fables were important for slaves – a way to tell the truth indirectly and thus not get into trouble. He imagines situations for Aesop to tell several of his fables in the story of his life, thus avoiding trouble while sharing wisdom. I like that the author clearly shows – with one of Aesop’s fables – that freedom was the greatest treasure he could win.

There’s an author’s note at the back that explains what we know and don’t know about Aesop. But that the idea of a slave who won his freedom with his wisdom was attached to the fables for more than 2,000 years.

This book gave me a whole new appreciation for these fables that I’ve heard over and over again. Children being introduced to them this way will find them magical.

ianlendler.com
pzagarenski.com
hmhbooks.com

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Source: This review is based on a library book from Fairfax County Public Library.

Disclaimer: I am a professional librarian, but the views expressed are solely my own, and in no way represent the official views of my employer or of any committee or group of which I am part.

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Review of When Stars Are Scattered, by Victoria Jamieson and Omar Mohamed

Biography, Children's Nonfiction Review, Graphic Memoir, Starred Review 0

When Stars Are Scattered

by Victoria Jamieson and Omar Mohamed

color by Iman Geddy

Dial Books for Young Readers, 2020. 264 pages.
Review written August 4, 2020, from a library book
Audiobook from Listening Library, 2020, narrated by a full cast. 3 hours, 42 minutes.
Library eaudiobook reviewed December 30, 2020
Starred Review
2020 Sonderbooks Stand-out:
#1 General Children’s Nonfiction

In When Stars Are Scattered, award-winning graphic novelist Victoria Jamieson took the story of a boy who grew up in a refugee camp and put it in graphic memoir format.

Omar Mohamed’s first memories are in a refugee camp. He doesn’t like to remember the day in Somalia that put him there, when his father was killed and his mother told him to take his little brother and go to the neighbor’s house and she would find him. The neighbors helped, but they ran to a refugee camp in Kenya. Years later the boys are bigger and that’s the only home they’ve known.

Omar’s little brother Hassan doesn’t say anything except one word, “Hooyo,” and he’s had seizures in the past. Omar feels responsible for him. They have a foster mother assigned to them by the UN, but Omar is afraid to leave his brother long enough to go to school.

This book takes us through his choice to go to school, to trust other people to look after Hassan, and try to make a life there and apply for resettlement. The whole resettlement process takes years, and only a few are even chosen to interview, and they have no information about the status of their case.

The graphic memoir format makes this story easy to follow, but it’s not an easy story. It moved me to tears in spots. But even the fact that Omar is telling his story gives you the hint that there will be a happy ending, and indeed there is, at least for Omar. He now lives in the United States and has founded an organization that helps students living in refugee camps.

But this is a story about kids and for kids. The characters are children and talk and act like children. It’s very hard to imagine being in that situation, but the authors get across what it would be like for children who know nothing else.

We actually have a large local population of families from Somalia. When the pandemic is over and I see them in the library again, I hope they will find this book. But I also hope that it will be widely read by many who have never experienced anything remotely like this, because it’s hard to imagine reading this story and not being filled with compassion.

Additional thoughts on the audiobook:

In December, I listened to the audiobook version of this book. Normally, I’d never listen to the audiobook form of a graphic novel, but both versions were nominated to be Capitol Choices selections. As soon as I began listening, I quickly understood why. This is an amazing audiobook production, with different people voicing different characters, and lots of different sound effects to set the mood (crickets at night, children’s voices in school, the sound of a broom when he was cleaning his tent, and more).

Listening to the book, I could hear authentic accents and even the voice of adult Omar at the end. It pulled me into the story, and if I hadn’t already seen the wonderful illustrations, I wouldn’t have even missed them. Who would have thought that such a visual medium as a graphic novel would work so well as an audiobook? Perhaps it helps that they used a full cast, since that’s similar to using speech bubbles in a graphic novel — you don’t have to talk about which character is speaking — you see (or hear) that someone new is talking.

I’ve decided the ultimate experience of this book would be to listen to it while looking at the art of the graphic novel version. Both are wonderful on their own. I’m glad I didn’t miss out on either one.

refugeestrong.org
penguin.com/middle-grade

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